When young Chris Dutton and his mother Dorie strolled into a pawnshop in Idaho Falls to kill a few lonely hours, they had no way to know that the used trumpet Chris bought and the second-hand L.C. Smith typewriter Dorie proudly carried away would eventually change their lives forever. Chris' father, Ross Dutton, was determined to reach the top rung of Ace Corporation's ladder by constantly agreeing to relocate whenever and wherever the big wheels at home office dictated. By the time his father was transferred from the Far West to the Deep South, Chris and Dorie had learned the bitter lesson that the only way to avoid the pain of saying good-bye to places and people was not to say hello. While Ross basked in success by complacently accepting the Southern way of life, Chris and Dorie turned to the trumpet and the typewriter to help them bridge the gap of loneliness they fell into each time Ross took another step up the corporate ladder by complacently accepting the cultural and political chaos which was taking place in the South in the early 1960's. Dorie privately retained her personal beliefs while advising Chris to, "When in Rome, eat Spaghetti." The emotional wall which Dorie and Chris constructed around themselves began to crumble when Chris and his trumpet were drafted by the school principal to form a six-boy band and Dorie again got out her L.C. Smith typewriter and resumed working on a manuscript she had begun writing in Idaho. "It's just a simple little love story," she called it. When the "simple little love story" was published, its words spread across Dixie like kudzu vines. Violence erupted. Blood was shed. Lives were forever changed.
The Great Depression was a time of warmth and hardship, a time of making do and doing without. In a small Ohio town, two young girls become best friends, and with their imaginations struggle to understand the reality of the adult world around them.
There are thousands of book out there that promise you riches and wealth. My book doesn't' give you a magic potion that will let you become rich overnight. It simply tells you in simple, easy to read terms how to take control of your spending and saving practices so you can avoid financial destruction. If you simply want to know how to keep some of the money you earn and save some of it, this book is for you. Before you can learn money management, you must reprogram yourself to learn a different way to spend and save. In life, we learn, unlearn and relearn. Dealing with money is no different. This book is filled with simple, down-to-earth, easy to read ways to change your life financially. It contains some humorous stories and quotes about money to get you thinking about where you are, and where you want to be financially. I honestly want to help you with your money problems. With this book in hand, you can learn ways you never dreamed to handle money in your day-to-day lives. You won't be disappointed.
When Ruth McBain becomes a widow in her mid-forties, she decides to make a drastic change in her life. Her twenty-five year marriage to Tom McBain, a prominent lawyer in Avalon, Maryland, a small town on the Eastern Shore of Chesapeake Bay, had eased their empty-nest syndrome when their son and daughter left for college and later for marriages in distant states. While Tom was alive, Ruth's world had orbited smoothly in familiar paths. His sudden death from a heart attack leaves a vacuum which friends and customary activities fail to fill. She brushes aside well-meaning friends' advice to sell the house which she and Tom ha spent their entire married life, a home which stands a half-mile down a quiet country road with only one house next door to keep it company. She dismisses suggestions that she move into one of the new suburbs which are popping up like rabbit warrens on land once sacred to soybeans and corn. Ruth McBain is conventional person with conventional views. Houses, like friendships, must pass the test of time to be accepted. Ruth's unconventional decision to become a foster mother to a little girl about whom she knew nothing other than that the child had been in and out of several foster homes during the six years she had lived, disturbs her friends, who remind her of the problems and perils that even two-parent families find difficult to handle in the "anything goes" decade of the 1990's. She sooths her friends apprehensions by assuring them that Miss Winters, the social worker assigned to Lark's case, will instantly be on call if needed. She rarely is. None of the dire predictions made by Ruth's friends materialize. The lies LArk tells are small and promptly admitted; her tendency to pocket a bit of loose change lessens. Lark was not a thief in the harsh sense of the word. She was an indiscriminate little rat pack, a female Artful Dodger who immediately pled guilty to petty thefts and cheerfully returned the purloined articles without apology, denial, or excuses. The child was not into grand larceny; she pilfered articles which Ruth would gladly have given her had she asked for them; inexpensive clip-on earrings which Ruth hadn't worn since he got her ears pierced in honor of the diamond earrings Tom had given her on their tenth anniversary. A fake garnet bracelet with a broken clasp; an amber candy dish; last summer's sequinned sunglasses, and every once in a while an all-out emptying of the small change kept in a small piggy bank on the shelf above the sink. At first it had been hard for Ruth to keep Miss Winter's advice and "stay cool" when Lark helped herself to the small change in the piggy bank, but as the weeks passed, Ruth slowly adjusted to Miss Winter's explanation that to Lark, coins were just trinkets on par with earrings and sunglasses, and always returned in full to the piggy bank. The only problem which Ruth finds hard to accept is the child's determination to keep Ruth at arm's length; she resists Ruth's attempts to hug her, moves aside if Ruth reaches out for her. Ruth tells herself that if Lark was consistent in her withdrawal from everyone, her reaction could be a holdover from something which happened in the child's troubled past. But the withdrawal of physical and emotional contact is not consistent; it does not extend to Mary Burdock, th woman who lives in the only other house on the lane. In Ruth's opinion, Mark Burdock is pleasant enough, but definitely not a spell-binder. A woman who is a bit too plump, a bit too average, a bit too reserved to merit the attention, let alone the adoration, of an unusual child like Lark. It just didn't make sense that Lark fluttered across the two yards, drawn to Mary Burdock like a gnat to a lightbulb. What did a woman who appeared to be getting perilously close to the thirty year mark have in common with a child who had just recently blown out six candles on a birthday cake? Ruth's attempt to understand the strang
When the Great Depression of the 1930's forces the narrator's family to give up their conventional home in a respectable neighborhood and move to a flat on the wrong side of the tracks, for her parents it is a shameful descent into a temporary Hell; for their eleven-year-old daughter, the fall from financial grace drops her into a fascinating place where the Hart family, who rent the other half of the flat, speak candidly about life, love, and sex. The narrator immediately becomes Best Friends with Valentine Hart. The girls are drawn together by a mysterious magnet which they neither question nor doubt. Other than for being the same age and approaching the tremulous threshold between childhood and adolescence, their only common denominator is their love for the movies and their tendency to endow real life with the shining aura that the silver screen gives their romanced-drenched souls. The narrator's mother takes a dim view of the entire Hart family, and repeatedly cautions her not to get too close to them. She may as well have been speaking to the wind. The narrator is delighted when her mother decides it is her duty to use her skill in writing Gregg shorthand to fatten the family coffers and goes to work for a lawyer. With her mother absent all day, the narrator is free to experience the forbidden pleasure of living on the wild side of life. Lacey (Valentine's lively, lusty, beautiful mother) divides society into three categories: "People Just Like Us,"; those who" Wouldn't Say Shit If They Had A Mouthful,"; and the "High-Muckety-Mucks." The narrator is honored to be accepted by the Harts as "People Just Like Us," who along with Lacey include Big Hart whose tough workdays are softened in Lacey's loving arms; Valentine's twin brother, Black, who will commit any sin but never tell a lie, a boy with a tender side which only the narrator discovers when he teaches her about sex in an alleyway; and little Broken, whose twisted body and mixed-up brain is a result of Lacey's foiled attempt to abort him. To the narrator, the difference between her respectable old world and her exciting new one can be summed up quite simply: she had moved out of the world of breasts and into the world of tits. As summer rolls around, Lacey forces Valentine to add to the family's small income by working for a family of former "High Muckety-Mucks," the Greys of Sycamore Lane. Mr. Grey is a handsome, charming man whose angry, bitter wife works in the five-and-dime. While Valentine baby-sits their young son, she and the narrator become aware of Mr. Grey's love affair with his child-like adoring young neighbor whose alcoholic long-distance truck driver beats her when he is home. The two young girls endow the forbidden love with the magical aura they view in their frequent visits to the local movie theatre. In their fierce loyalty and misconception of adult passion, they are blinded to the truth until, too late; they witness the reality of love and hate, betrayal and death, and become innocent co-conspirators in a terrible crime which will haunt them forever.
When Ruth McBain becomes a widow in her mid-forties, she decides to make a drastic change in her life. Her twenty-five year marriage to Tom McBain, a prominent lawyer in Avalon, Maryland, a small town on the Eastern Shore of Chesapeake Bay, had eased their empty-nest syndrome when their son and daughter left for college and later for marriages in distant states. While Tom was alive, Ruth's world had orbited smoothly in familiar paths. His sudden death from a heart attack leaves a vacuum which friends and customary activities fail to fill. She brushes aside well-meaning friends' advice to sell the house which she and Tom ha spent their entire married life, a home which stands a half-mile down a quiet country road with only one house next door to keep it company. She dismisses suggestions that she move into one of the new suburbs which are popping up like rabbit warrens on land once sacred to soybeans and corn. Ruth McBain is conventional person with conventional views. Houses, like friendships, must pass the test of time to be accepted. Ruth's unconventional decision to become a foster mother to a little girl about whom she knew nothing other than that the child had been in and out of several foster homes during the six years she had lived, disturbs her friends, who remind her of the problems and perils that even two-parent families find difficult to handle in the "anything goes" decade of the 1990's. She sooths her friends apprehensions by assuring them that Miss Winters, the social worker assigned to Lark's case, will instantly be on call if needed. She rarely is. None of the dire predictions made by Ruth's friends materialize. The lies LArk tells are small and promptly admitted; her tendency to pocket a bit of loose change lessens. Lark was not a thief in the harsh sense of the word. She was an indiscriminate little rat pack, a female Artful Dodger who immediately pled guilty to petty thefts and cheerfully returned the purloined articles without apology, denial, or excuses. The child was not into grand larceny; she pilfered articles which Ruth would gladly have given her had she asked for them; inexpensive clip-on earrings which Ruth hadn't worn since he got her ears pierced in honor of the diamond earrings Tom had given her on their tenth anniversary. A fake garnet bracelet with a broken clasp; an amber candy dish; last summer's sequinned sunglasses, and every once in a while an all-out emptying of the small change kept in a small piggy bank on the shelf above the sink. At first it had been hard for Ruth to keep Miss Winter's advice and "stay cool" when Lark helped herself to the small change in the piggy bank, but as the weeks passed, Ruth slowly adjusted to Miss Winter's explanation that to Lark, coins were just trinkets on par with earrings and sunglasses, and always returned in full to the piggy bank. The only problem which Ruth finds hard to accept is the child's determination to keep Ruth at arm's length; she resists Ruth's attempts to hug her, moves aside if Ruth reaches out for her. Ruth tells herself that if Lark was consistent in her withdrawal from everyone, her reaction could be a holdover from something which happened in the child's troubled past. But the withdrawal of physical and emotional contact is not consistent; it does not extend to Mary Burdock, th woman who lives in the only other house on the lane. In Ruth's opinion, Mark Burdock is pleasant enough, but definitely not a spell-binder. A woman who is a bit too plump, a bit too average, a bit too reserved to merit the attention, let alone the adoration, of an unusual child like Lark. It just didn't make sense that Lark fluttered across the two yards, drawn to Mary Burdock like a gnat to a lightbulb. What did a woman who appeared to be getting perilously close to the thirty year mark have in common with a child who had just recently blown out six candles on a birthday cake? Ruth's attempt to understand the strang
When young Chris Dutton and his mother Dorie strolled into a pawnshop in Idaho Falls to kill a few lonely hours, they had no way to know that the used trumpet Chris bought and the second-hand L.C. Smith typewriter Dorie proudly carried away would eventually change their lives forever. Chris' father, Ross Dutton, was determined to reach the top rung of Ace Corporation's ladder by constantly agreeing to relocate whenever and wherever the big wheels at home office dictated. By the time his father was transferred from the Far West to the Deep South, Chris and Dorie had learned the bitter lesson that the only way to avoid the pain of saying good-bye to places and people was not to say hello. While Ross basked in success by complacently accepting the Southern way of life, Chris and Dorie turned to the trumpet and the typewriter to help them bridge the gap of loneliness they fell into each time Ross took another step up the corporate ladder by complacently accepting the cultural and political chaos which was taking place in the South in the early 1960's. Dorie privately retained her personal beliefs while advising Chris to, "When in Rome, eat Spaghetti." The emotional wall which Dorie and Chris constructed around themselves began to crumble when Chris and his trumpet were drafted by the school principal to form a six-boy band and Dorie again got out her L.C. Smith typewriter and resumed working on a manuscript she had begun writing in Idaho. "It's just a simple little love story," she called it. When the "simple little love story" was published, its words spread across Dixie like kudzu vines. Violence erupted. Blood was shed. Lives were forever changed.
How do you marry a NASCAR driver?" In a professional sport where over half its athletes are single men, no one but Liz Allison would, let alone could, dare to answer. Tongue-in-cheek but cunningly insightful, this satirical relationship guidebook with a NASCAR twist that will rev any female NASCAR fan's engine.
NASCAR's foremost female authority provides the first guide for women to America's fastest growing spectator sport. From shopping to scanners and pit stops to parties, this fun and informative guide gives you everything you need to enjoy a race, whether at the track or in your living room. Insider Liz Allison will tell you all the ins and outs of NASCAR, uncovering the hidden rules and official calls made on any given race day. She answers nagging questions like why race cars don't have speedometers or doors that open, what the real deal is on restrictor plates, and how top drivers get to be where they are. Liz also reveals driver superstitions, how to survive a race weekend with kids, the Gentlemen's Agreement, how to tell if a driver is serious with his girlfriend, tips on throwing the perfect NASCAR viewing party, and much more. With this race-savvy guide, you will quickly become a knowledgeable fan with an inside edge on the sport that most of your male counterparts will lack-and have a few laughs along the way.
Water management in industrialised western countries has long been seen as a technical process associated with pipes, drains and bureaucracies. This technical model of water management is now being questioned. This book examines the nature of contemporary water management and the prospects for and barriers to different forms of engagement with the public. In particular, it shows how historical and social scientific understandings develop and question current water management norms in relation to water in the landscape, water in the home and the hidden management of water beneath our streets and behind our walls. It is shown that the four-fold challenges of climate change, urbanisation, changing environmental standards and fiscal accountability mean that we can no longer rely on unseen technical fixes to erase the threats of pollution, water shortages and floods. Such concerns offer two prompts for public engagement and participation. First, on a purely instrumental level, public engagement can complement, or offer an obvious alternative to, technical fixes. Second, public engagement may provide a route to find new ways of addressing water and related challenges. The author offers a unique social science perspective on many of the socio-technical issues facing the management of water in urban settings in developed countries, where urban is interpreted broadly to include all areas served by piped water. Drawing on historical context and an extensive review of the published literature, as well as the author's own empirical studies, the work prompts broader discussions about how we manage water in contemporary society. It is invaluable for students and professionals in water resource management and planning.
Presents a biographical dictionary profiling important Native American women, including birth and death dates, major accomplishments, and historical influence.
The first oral biography of John F. Kennedy Jr. is an extraordinarily intimate, comprehensive look at the real man behind the myth. Sharing never-before-told stories and insights, his closest friends, confidantes, lovers, classmates, teachers, and colleagues paint a vivid portrait of one of the most beloved figures of the 20th century, revealing how the boy who saluted became the man America came to know and love who still captures public imagination twenty-five years after his tragic death. Born into the spotlight, John F. Kennedy Jr. lived a short but remarkable life filled with expectation, ambition, family pressures, love, and tragedy. JFK Jr. dives deep into his complicated psyche and explores the what-ifs, illuminating both the cultural and political moment he inhabited and the way this son of a president, so full of promise and possibility, embodied America’s most cherished hopes.
From rural towns to mid-size cities to urban metropolises and in every region of the state, more than sixty historic hotels welcome overnight lodgers in Texas. After traveling at least 20,000 miles to visit these unique accommodations first-hand, author Liz Carmack has written the essential guide for anyone looking for out-of-the-ordinary lodging or travel destinations. Historic Hotels of Texas includes detailed profiles of sixty-four hotels that are at least fifty years old, have been in operation as places of lodging for the majority of their existence, and are still open today. Ranging from stagecoach inns and railroad hotels to resort and community-built lodging, some facilities have retained the flavor of their origins; others have become sleek commercial establishments or have been transformed into trendy, boutique locations. Anticipating the diverse interests of travelers, Carmack offers advice in her introduction to help readers choose hotels according to taste and occasion. Whether you’re looking for a romantic getaway, booking a fishing trip, planning a ghost hunting excursion, or going on a cycling tour, Historic Hotels of Texas offers the perfect lodging option to complement your interests. In her description for each hotel, Carmack includes fascinating historical nuggets and focuses on special characteristics that create the unique ambience so often found in these living tributes to the past. An “Essentials” sidebar includes contacts for reservations, room rates, payment methods, parking, and pet accommodations as well as details about amenities and facilities. The author notes the hotel’s historic registration status and also offers a tip or two from her experiences. Together, the information summaries and insider tips give readers the details they need to choose the hotels that best suit their tastes and to make the most of their visits. Historic Hotels of Texas is indispensable for travelers interested in both a good night’s sleep and the culture and history of the great state of Texas.
A small city's big vision that can help transform your own community. We all want a sustainable future, but what does it look like, and how do we get there? In Ithaca, NY a new culture is blossoming-one that values cooperation, local production, environmental stewardship, social justice andcreativity. Ithaca is showing the way to meet the challenges of the day with a wide variety of practical, real-world solutions. Filled with inspiring examples, Choosing a Sustainable Future provides readers with a remarkable sense of possibility. Explore Ithaca's: bustling, vibrant farmers markets, overflowing with fresh, local produce award-winning community credit union that triples the savings of low-income people flagship college sustainability programs pioneering alternative transportation programs, such as Ithaca Carshare innovative efforts by coalitions of local business, university, government and activists to create transformation in areas as diverse as green building, city planning, health and wellness, and honoring cultural diversity. Taken together, these examples of citizen engagement are a taste of what life could be like in a sustainable city of the future. In a time of overwhelming economic, social and environmental crises, Choosing aSustainable Future provides a quiet, authoritative voice of hope.
With the outbreak of World War I, industry in Southington--previously an agrarian community--grew in both size and profit. The citizens of Southington banded together to help in the war effort by joining the American Red Cross and Home Guard and selling Liberty Bonds. Industrial growth continued until the stock market crash of 1929. Though few factories closed, most were forced to reduce their workforce and hours of production. By the end of the 1930s, the nation was preparing for a war most people hoped would never happen. Factories rehired former employees and created new job opportunities, and four months after Pearl Harbor, Southington's 17 factories were working around the clock to produce wartime goods. Two World Wars and the Great Depression left their mark on citizens, creating changes that remain today.
Since its first publication in 1980, The Costume Technician's Handbook has established itself as an indispensable resource in classrooms and costume shops. Ingham and Covey draw on decades of hands-on experience to provide the most complete guide to developing costumes that are personally distinctive and artistically expressive. No other book covers the same breadth of necessary topics for every aspect of costuming, from the basics of setting up a costume shop to managing one and everything in between.
Zulu Radio in South Africa is one of the most far-reaching and influential media in the region, currently attracting around 6.67 million listeners daily. While the public and political role of radio is well-established, what is less understood is how it has shaped culture by allowing listeners to negotiate modern identities and fast-changing lifestyles. Liz Gunner explores how understandings of the self, family, and social roles were shaped through this medium of voice and mediated sound. Radio was the unseen literature of the auditory, the drama of the airwaves, and thus became a conduit for many talents squeezed aside by apartheid repression. Besides Winnie Mahlangu and K. E. Masinga, among other talents, the exiles Lewis Nkosi and Bloke Modisane made a network of identities and conversations which stretched from the heart of Harlem to the American South, drawing together the threads of activism and creativity from both Black America and the African continent at a critical moment of late empire.
With easy access to water and transportation, eager settlers saw opportunities for commercial development while others sought a leisurely lakeside resort. Through the ebb and flow of history, Windsor has stood as a steady and vibrant community.
The second volume of Thora Hird's autobiography begins where Scene and Hird left off, in 1975. After her career in films, Thora Hird describes the period dominated by television roles, beginning with the comedy series In Loving Memory up to her guest apperance in Last of the Summer Wine.
the dressing gown was pink candlewick. Old brown vomit stains on the lapels tried to hide themselves in shame as I swept into the room, weaving my way towards the silver drinks tray with its Waterford crystal decanters of whisky and brandy. By the time I raised the decanter to toast the elite of Auckland, the dressing gown was flapping around my naked body like a spinnaker without its sheets. that Liz Jamieson-Hastings is sane, sober and still standing is a miracle. At 21 she was a hopeless alcoholic; now she is a respected counsellor, decorated for her services to the community, which include substance abuse programmes in schools, prisons and even the US Navy. Her inspirational story is one of privilege and social advantage preceding a spectacular fall from grace. Her battle against anorexia and alcohol should have killed her - her fight back to normality, only to watch her first husband succumb to cancer, should have sent her spiralling back into self-abuse. It didn't. She's still standing, and her amazing life exemplifies the incredible strength of the human spirit. Her lively, hard-hitting story includes strategies for fellow sufferers and their families. In her devastatingly honest tale of personal survival, Liz shows what hope, honesty, hard work and the generous help of true friends can achieve.
This book celebrates 50 years of the LPGA in more than 250 photos and text bythree of golf's top writers. Comprehensive and beautifully designed, the bookcovers the history of the LPGA and life on tour, offers profiles of championspast and present, and takes a look into the culture of women's golf.
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