The author Liu Yazhou said, I've written quite a few books. I'd rather have one person read my book a thousand times than have a thousand people read it only once. Some people understand me. Many people hide their edges, but I don't. Who would I hide it for, and what would I achieve? If everyone doesn't tell the truth, then let me be the one to tell the truth. To reach heaven, one must go through hell. I'm willing to be a thought pioneer; I'm willing to be a martyr for free thought. I'm not afraid to live; how could I be afraid to die? In China, telling the truth is very difficult. But I will still speak the truth. Why are we indecisive to tell the truth? Because we lack faith. Once faith collapses, it's worse than never having faith, just as when civilization collapses, it's worse than never having civilization.
The author Liu Yazhou said, I've written quite a few books. I'd rather have one person read my book a thousand times than have a thousand people read it only once. Some people understand me. Many people hide their edges, but I don't. Who would I hide it for, and what would I achieve? If everyone doesn't tell the truth, then let me be the one to tell the truth. To reach heaven, one must go through hell. I'm willing to be a thought pioneer; I'm willing to be a martyr for free thought. I'm not afraid to live; how could I be afraid to die? In China, telling the truth is very difficult. But I will still speak the truth. Why are we indecisive to tell the truth? Because we lack faith. Once faith collapses, it's worse than never having faith, just as when civilization collapses, it's worse than never having civilization.
China's strategy towards East Asian regional cooperation since the Asian Financial Crisis of 1997-98Since the Asian Financial Crisis of '97-98 China has taken a leading role in East Asian economic cooperation initiatives, centred around the powerful ASEAN Plus Three mechanism (The Association of Southeast Asian Nations, plus South Korea, Japan and China). This brand new book from the International Poverty Reduction Centre of China's Qianqian Liu outlines exactly how and why China has pursued economic and diplomatic cooperation throughout the post-crisis years. Methodical and richly detailed, it offers a unique empirical analysis of China's actions and involvements with ASEAN Plus Three and the East Asian Summit.Author Qianqian Liu's integrated theoretical approach captures and pieces together the intricacies of Chinese interactions with its East Asian partners - enabling the reader to better understand the dynamics of China's regional behaviour and foreign policy. Together with research-based insight and data covering all aspects of this critical subject, the author proposes two key assertions. Firstly that China-US relations have played a significant part in China's increasingly cooperative approach to China-East Asia relations. And secondly, that China has maximised mechanisms of regional economic cooperation as a means of enhancing its influence in East Asia.Key features and benefits:- Unveils China's perspectives on regional cooperation by extensively exploring Chinese source material and materials - information only now available thanks to increased openness and liberalisation- Offers a key contribution to wider theoretical debates on China's rise and regional intensions- Examines the vital interconnections between the key contemporary International Relations theories - realism, liberalism and constructivism - rather than examining them as separate elements to help fully explain China's strategies and goals- Analytical coverage of China's involvement with both ASEAN Plus Three and the East Asia Summit- Offers comparisons between European regionalism and East Asian regionalism- Reveals Chinese perspectives on how China-US relations have helped shape China's approach to East Asia economic cooperationRegional Cooperation and China's Strategy Towards East Asia is published as part of a brand new series from Paths International, China and International Organisations Series. Published in association with China's Social Sciences Academic Press. Contents: 1, Introduction2, The Historical Development of East Asia and the Rise of China before 19973, The Asian Financial Crisis, China's Accession to the WTO and China's Participation in Regional Cooperation from 1997 to 19994, China's Regional Strategy from the end of 1999 to the end of 20055, China's Participation in Regional Cooperation in East Asia from the end of 2005 to mid-2009 6, Conclusions
Major themes in the history of finance in China reflect the persistent tension between a powerful state guiding the economy versus vibrant market forces operating according to basic commercial principles. Included is the continuity and discontinuity of financial developments in imperial and modern history; creation of a modern banking system beginning in the late nineteenth century; and emergence of complex and sophisticated financial institutions and products since the introduction of economic reforms in the People’s Republic of China in 1978-1979. The Historical Dictionary of the Financial System in China contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 300 cross-referenced entries on important financiers, entrepreneurs, and government officials involved in finance, large state-owned banks (SOBs), state-owned enterprises (SOEs), hedge funds, exchange-traded funds, and asset-management companies. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Chinese financial system.
Since the establishment of the People's Republic of China in 1949, and particularly after the opening brought about by economic reforms roughly thirty years thereafter, China has become an influential player in regional and global affairs. Increasingly, both American and European policymakers examine Chinese foreign policy as a flexible, pragmatic, and significant element in world affairs. This has accelerated in the middle of the new first decade of this century, as business firms and political officials have developed interests in the sources, processes, and significance of China's reemergence as a global force. This volume examines how, in conjunction with rapid economic growth and profound social transformation, China's foreign policy is experiencing significant transition. The purpose of this truly deep and probing collection is to deepen Western understanding of the sources, substance, and significance of Chinese foreign policy--with a focus on the post Cold War environment. Contributors include academic specialists, area researchers, and distinguished journalists, all with firsthand experience in the field of China studies. The volume is divided into four parts: (1) theory and culture; (2) perspective and identity; (3) bilateral relationships; and (4) retrospective and prospective essays on Chinese policy concerns. The volume is sensitive to changes in national leadership and Communist Party structure as well as continuity and change in foreign policy. As Lowell Dittmer of the University of California notes in his Foreword, "precisely because it is so difficult to do well, the analysis of foreign policy is often conducted rather tritely. Thus it is a real pleasure to find assembled here a treasure trove of some of the finest work by some of the field's most penetrating minds. This is fortunate, for at the core of this volume is one of the biggest and most portentous questions to confront the world at the outset of the twenty-first century. That
In Signifying the Local, Jin Liu examines contemporary cultural productions rendered in local languages and dialects (fangyan) in the fields of television, cinema, music, and literature in Mainland China. This ground-breaking interdisciplinary research provides an account of the ways in which local-language media have become a platform for the articulation of multivocal, complex, and marginal identities in post-socialist China. Viewed from the uniquely revealing perspective of local languages, the mediascape of China is no longer reducible to a unified, homogeneous, and coherent national culture, and thus renders any monolithic account of the Chinese language, Chineseness, and China impossible.
This is an American presidential textbook which reveals the process, law and ending of the strategic finals between China and the United States in the 21st century. The United States today is good at creating problems in the world and not at solving problems for the world. America has missiles, dollars, hegemony, but no great wisdom to lead and shape the world. The head of this global village should resign from this position. China has become the world's "chief designer" since Xi Jinping’s advocation of building a community of common destiny for mankind. Farewell to the world hegemony. The United States will be transformed from "tiger country" to "panda country", and the other countries will embrace and kiss the United States.
By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre that Liu Chingchih terms "New Music." With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth, nineteenth and early twentieth–century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government.
The largest emitter of green-house gases since 2007 and top polluter of the increasingly stressed Pacific Ocean, the People’s Republic of China is both a major contributor to environmental degradation and a leading contender to mitigate and stabilize global environmental conditions. Reviewing the history of the PRC from the periods of central economic planning (1953-1978) followed by the single-minded pursuit of economic growth and mass consumption beginning in 1978-1979 to the adoption of a more balanced approach stressing environmental protection and restoration beginning in the 1990s, Historical Dictionary of the Chinese Environment documents both the enormous damage to the country’s natural environment and the dramatic attempts by the Chinese government and environmental non-government organizations (ENGOs) at environmental amelioration and restoration. Historical Dictionary of the Chinese Environment contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on environmental degradation including air and water pollution, deforestation, desertification, and resource depletion while efforts at amelioration and restoration include river and waterway clean-ups, reforestation and desert control, restoration of fisheries, creation of national nature reserves, along with energy conservation and development of renewables such as solar and wind power. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Chinese Environment.
Past, present and future "The archaeological materials recovered from the Anyang excavations ... in the period between 1928 and 1937 ... have laid a new foundation for the study of ancient China (Li, C. 1977: ix)." When inscribed oracle bones and enormous material remains were found through scientific excavation in Anyang in 1928, the historicity of the Shang dynasty was confirmed beyond dispute for the first time (Li, C. 1977: ix-xi). This excavation thus marked the beginning of a modern Chinese archaeology endowed with great potential to reveal much of China's ancient history.. Half a century later, Chinese archaeology had made many unprecedented discoveries which surprised the world, leading Glyn Daniel to believe that "a new awareness of the importance of China will be a key development in archaeology in the decades ahead (Daniel 1981: 211). This enthusiasm was soon shared by the Chinese archaeologists when Su Bingqi announced that "the Golden Age of Chinese archaeology is arriving (Su, B. 1994: 139--140)". In recent decades, archaeology has continuously prospered, becoming one of the most rapidly developing fields in social science in China"--
In Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.
Covering wide-ranging topics from the arts and entertainment to customs and traditions from the ancient imperial and modern eras, Historical Dictionary of Chinese Culture provides more than 300 separate entries along with a comprehensive chronology, glossary of Chinese cultural terms, and an extensive bibliography of Western and Chinese-language sources. Dictionary entries of the decorative and fine arts include ceramics and porcelains, handicrafts, jade and seal carving, jewelry, and painting. The literary subjects range from fiction to non-fiction, but especially poetry. Major entertainment venues of cinema and film, classical puppetry, and theater, both ancient and modern are also covered. In addition to the arts, the authors include major customary practices from childbirth and childrearing to marriage and weddings to funerals and burial practices. Other aspects of the culture are also examined, including crime, foot-binding, pornography, and prostitution, and the government policies aimed at their eradication. Throughout the text, Chinese-language translations of key terms are presented in italics and parenthesis, along with biographies of figures central to the creation of China’s magnificent cultural heritage.
Shortly after the establishment of the People’s Republic of China in 1949, the PRC launched a reform campaign that targeted traditional song and dance theater encompassing more than a hundred genres, collectively known as xiqu. Reformers censored or revised xiqu plays and techniques; reorganized star-based private troupes; reassigned the power to create plays from star actors to the newly created functions of playwright, director, and composer; and eliminated market-oriented functionaries such as agents. While the repertoire censorship ended in the 1980s, major reform elements have remained: many traditional scripts (or parts of them) are no longer in performance; actors whose physical memory of repertoire and acting techniques had been the center of play creation, have been superseded by directors, playwrights, and composers. The net result is significantly diminished repertoires and performance techniques, and the absence of star actors capable of creating their own performance styles through new signature plays that had traditionally been one of the hallmarks of a performance school. Transforming Tradition offers a systematic study of the effects of the comprehensive reform of traditional theater conducted in the 1950s and ’60s, and is based on a decade’s worth of exhaustive research of official archival documents, wide-ranging interviews, and contemporaneous publications, most of which have never previously been referenced in scholarly research.
Although the Right to Leave and Return (RLR) is a fundamental human right, each State has the sovereign right to regulate RLR in accordance with its own laws. In the case of China, the country’s communist political system has significantly affected the development of RLR and the country’s approach to it. As a rule, China’s approach is restrictive. As part of its reform and ‘opening up’ policies, China has embarked on a range of reforms to liberalise RLR, but the reforms lack cohesion and focus, and remain restrictive. Given its past and its complex social and economic conditions, China may have some justifications for its approach, but on balance, has more to gain from adopting a more liberal approach. The issue of RLR in China is crucial both for the future of China, and for development of RLR in the world. The Right to Leave and Return (RLR) and Chinese Migration Law provides a comprehensive and systematic review of the RLR in international and Chinese migration law. It has been written on the basis of Chinese statutes pertinent to the RLR, also of relevant international instruments and key cases. It investigates RLR in international migration law and practice; analyses RLR in the context of China, and identifies its driving factors; investigates the conditions and practical concerns relevant to the protection of RLR; and concludes with recommendations on how the Chinese regulatory regime governing RLR can be improved.
Since China began its open-door and reform policies in 1978, more than three million Chinese students have migrated to study abroad, and the United States has been their top destination. The recent surge of students following this pattern, along with the rising tide of Chinese middle- and upper-classes' emigration out of China, have aroused wide public and scholarly attention in both China and the US. This book examines the four waves of Chinese student migration to the US since the late 1970s, showing how they were shaped by the profound changes in both nations and by US-China relations. It discusses how student migrants with high socioeconomic status transformed Chinese American communities and challenged American immigration laws and race relations. The book suggests that the rise of China has not negated the deeply rooted "American dream" that has been constantly reinvented in contemporary China. It also addresses the theme of "selective citizenship" – a way in which migrants seek to claim their autonomy - proposing that this notion captures the selective nature on both ends of the negotiations between nation-states and migrants. It cautions against a universal or idealized "dual citizenship" model, which has often been celebrated as a reflection of eroding national boundaries under globalization. This book draws on a wide variety of sources in Chinese and English, as well as extensive fieldwork in both China and the US, and its historical perspective sheds new light on contemporary Chinese student migration and post-1965 Chinese American community. Bridging the gap between Asian and Asian American studies, the book also integrates the studies of migration, education, and international relations. Therefore, it will be of interest to students of these fields, as well as Chinese history and Asian American history more generally.
Liu Zaifu 劉再復 is a name that has already been ingrained within contemporary Chinese literary history. This landmark volume presents Anglophone readers with Liu’s profound reflections on Chinese literature and culture at different times. These critical essays deal with cultural criticism and literary theory, literary history, and individual modern and contemporary Chinese writers.
This book offers a critical study on the history of Shanghai No.3 Girls' Middle School, from its missionary predecessors, St. Mary's Hall and McTyeire School, to its present form as a public school. By bringing together three historical periods, late imperial, the Republic of China and the People's Republic of China, and their respective political regimes into one project and tracing continuities and discontinuities in terms of education between the Nationalists and Communists, the book argues that education in Chinese modern history affords another example of "continuous revolution." Dissertation. (Series: Sinologie, Vol. 5) [Subject: Education, Chinese Studies, Asian Studies, Gender Studies, History, Politics]
The concept of effective stress and the effective stress equation is fundamental for establishing the theory of strength and the relationship of stress and strain in soil mechanics and poromechanics. However, up till now, the physical meaning of effective stress has not been explained clearly, and the theoretical basis of the effective stress equation has not been proposed. Researchers have not yet reached a common understanding of the feasibility of the concept of effective stress and effective stress equation for unsaturated soils. Effective Stress and Equilibrium Equation for Soil Mechanics discusses the definition of the soil skeleton at first and clarifies that the soil skeleton should include a fraction of pore water. When a free body of soil skeleton is taken to conduct internal force analysis, the stress on the surface of the free body has two parts: one is induced by pore fluid pressure that only includes normal stress; the other is produced by all the other external forces excluding pore fluid pressure. If the effective stress is defined as the soil skeleton stress due to all the external forces excluding pore fluid pressure, the effective stress equation can be easily obtained by the internal force equilibrium analysis. This equation reflects the relationship between the effective stress, total stress and pore fluid pressure, which does not change with the soil property. The effective stress equation of saturated soils and unsaturated soils is unified, i.e., o ̃=o ̃t –Seuw–(1–Se)ua. For multiphase porous medium, o ̃=o ̃t –u*,u*=Seiui(i=1,2,...,M). In this book, a theoretical formula of the coefficient of permeability for unsaturated soils is derived. The formula of the seepage force is modified based on the equilibrium differential equation of the pore water. The relationship between the effective stress and the shear strength and deformation of unsaturated soils is preliminarily verified. Finally, some possibly controversial problems are discussed to provide a better understanding of the role of the equilibrium equation and the concept of effective stress.
Since his controversial Delivering and Dallying (published in 1988), Liu Xiaofeng has been considered the most influential among contemporary Chinese intellectuals interested in Christianity. Now for the first time this collection of Liu's essays, translated and commented by Prof. Leopold Leeb, enables the non-Chinese reader to get a comprehensive understanding of the ideas of this inspiring and erudite scholar. Liu Xiaofeng's Sino-Theology and the Philosophy of History, together with the other essays in this collection, provide a panoramic view of the situation of Christian studies in the Chinese context today. In his introduction, Leopold Leeb also presents several other scholars who have been of crucial importance in the dialogue between Chinese culture and Christianity in the last three decades.
This book is the first book on the history of Chinese traveling culture. It reviewed the history of Chinese traveling culture, and revealed the cultural significance of China's traveling phenomena and the underlying principles of its changing traveling culture.It has the following features: First, it divided the history of Chinese traveling culture into six periods to create a system to explain the phenomena and changes of traveling culture. Second, it emphasized the significance of travelers in traveling culture, and revealed the influence of zeitgeist on traveling culture. Third, it explained phenomena through investigations of the artifacts, institutions, behaviors and attitudes of traveling culture, and the dynamic interactions between the subjects, objects and media in traveling. Fourth, it expanded the theory of traveling by building upon extant ideas.Published by SCPG Publishing Corporation and distributed by World Scientific for all markets except China
Built on twenty years of fieldwork in rural Jiangyong of Hunan Province in south China, this book explores the world's only gender-defined and now disappearing "women's script" known as nüshu. What drove peasant women to create a script of their own and write, and how do those writings throw new light on how gender is addressed in epistemology and historiography and how the unprivileged social class uses marginalized forms of expression to negotiate with the dominant social structure. Further, how have the politics of salvaging this disappearing centuries-old cultural heritage molded a new poetics in contemporary society? This book explores nüshu in conjunction with the local women's singing tradition (nüge), tied into the life narratives of four women born in the 1910s, 1930s, and 1960s respectively, each representative in her own way: a nüge singer (majority of Jiangyong women), a child bride (enjoying not much nüshu/nüge), the last living traditionally-trained nüshu writer, and a new-generation nüshu transmitter. Altogether, their stories unfold peasant women's lifeworlds and forefronts various aspects of China's changing social milieu over the past century. They show how nüshu/nüge-registering women's sense and sensibilities and providing agency to subjects who have been silenced by history-constitute a reflexive social field whereby women share life stories to expand the horizon of their personal worldviews and probe beneath the surface of their existence for new inspiration in their process of becoming. With the concept of "expressive depths," this book opens a new vista on how women express themselves through multiple forms that simultaneously echo and critique the mainstream social system and urges a rethinking of how forms of expression define and confine the voice carried. Examining the multiple efforts undertaken by scholars, local officials, and cultural entrepreneurs to revive nüshu which have ironically threatened to disfigure its true face, this book poses a question of whither nüshu? Should it be transformed, or has it reached a perfect end point from which to fade into history?
The interactions and mutual perceptions of China and Indonesia were a significant element in Asia's postcolonial transformation, but as a result of prevailing emphasis on diplomatic and political relations within a Cold War and nation-state framework, their multi-dimensional interrelationship and its complex domestic ramifications have escaped scholarly scrutiny. China and the Shaping of Indonesia provides a meticulous account of versatile interplay between knowledge, power, ethnicity, and diplomacy in the context of Sino-Indonesian interactions between 1949 and 1965. Taking a transnational approach that views Asia as a flexible geographical and political construct, this book addresses three central questions. First, what images of China were prevalent in Indonesia, and how were narratives about China construed and reconstructed? Second, why did the China Metaphor - the projection of an imagined foreign land onto the local intellectual and political milieu - become central to Indonesians' conception of themselves and a cause for self criticism and rediscovery? Third, how was the China Metaphor incorporated into Indonesia's domestic politics and culture, and how did it affect the postcolonial transformation, the fate of the ethnic Chinese minority, and Sino-Indonesian diplomacy? Employing a wide range of hitherto untapped primary materials in Indonesian and Chinese as well as his own interviews, Hong Liu presents a compelling argument that many influential politicians and intellectuals, among them Sukarno, Hatta, and Pramoedya, utilized China as an alternative model of modernity in conceiving and developing projects of social engineering, cultural regeneration and political restructuring that helped shape the trajectory of modern Indonesia. The multiplicity of China thus constituted a site of political contestations and intellectual imaginations. The study is a major contribution both to the intellectual and political history of Indonesia and to the reconceptualization of Asian studies; it also serves as a timely reminder of the importance of historicizing China's rising soft power in a transnational Asia.
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