Young Europeans now grow up in an era characterized by escalating economic, political, social, and educational inequalities, increasing racism and xenophobia, a high level of unemployment, and a declining trust in nearly all major social and political institutions. But how do these emerging processes of marginalization play out within and beyond educational institutions? How can we educate teachers for the new situation? In exploring these questions, the contributions in this honorary volume pay tribute to the research work of Professor Anne-Lise Arnesen, who has made an impressive effort to educate teachers for a diverse, tolerant, and inclusive society throughout her working life. (Series: Studies on Education - Vol. 1)
Long before the wreck of the Captain Lincoln in 1852 brought settlers to the North Spit, Native Americans and foreign explorers, including Sir Francis Drake, navigated the inland waterways and Pacific shoreline of what would become Coos County. The deep draft channel, timberfilled landscape, prime location--between San Francisco and Puget Sound--and the discovery of gold made the region ripe for commercial success, and scores of pioneers migrated to the Coos Bay area. Shipyards and sawmills sprang up. Logging became a major industry. Gold and coal were mined. And settlements and farmsteads appeared almost overnight. For many pioneers, Coos County was truly paradise, a land of opportunity rich in natural resources where they optimistically forged new lives with sacrifice and backbreaking labor. Their perseverance and rugged individualism distinguish the region to this day.
Love takes center stage when a single mother and her teenage daughters play Juno, Iris and Ceres in a summer production of The Tempest. Jenny Alexander has sought refuge from a troubled past on a tiny, verdant island, off the coast of Washington state. Surrounded by the cold water of the Puget Sound, she does her best to raise her girls, innocent Frankie, and thrill-seeking Lilly, in a tight-knit community of eccentrics and dreamers. The island bursts open each summer with the arrival of actors leading the annual Shakespeare production. A handsome thespian from New York reawakens Jenny to long-buried desires. As the intensity of rehearsals builds toward the live run of The Tempest, a potent mixture of actors, islanders and tourists, besotted by verse and swept up in the romance of the theater, spills the enchantment of the play into the lives of the players. When Jenny finds her daughters caught up in a "brave new world" of love and heartbreak, she is ultimately thrust into a command performance that will resonate in all their lives.
Through shrewd marketing and publicity, Hindu spiritual leaders can play powerful roles in contemporary India as businessmen and government officials. Focusing on the organizations and activities of Hindu ascetics and gurus, Lise McKean explores the complex interrelations among religion, the political economy of India, and global capitalism. In this close look at the business of religion, McKean traces the ideological and organizational antecedents to the Hindu nationalist movement. The Indian state's increasing patronage of Hindu institutions makes competition for its support greater than ever. Using materials from guru's publications, the press, and extensive field research, McKean examines how participation by upper-caste ruling class groups in the Divine Life Society and other Hindu organizations further legitimates their own authority. With a remarkable selection of photographs and advertisements showing icons of spirituality used to sell commodities from textiles to cement to comic books, McKean illustrates the pervasive presence of Hindu imagery in India's burgeoning market economy. She shows how gurus popularize Hindu nationalism through imagery such as the goddess, Mother India, and her martyred sons and daughters.
A tale of art fraud in Wyoming. It begins when an art gallery exhibiting the works of Ray Tantro goes up in flames with the painter inside. Or, so everyone thinks until it is discovered that the charred body is not of Tantro. So where is he and who is the victim? Art dealer Alix Thorssen tries to get to the bottom of the mystery. By the author of The Bluejay Shaman.
Winner of the 2021 IRE Book Award Winner of the 2022 Texas Institute of Letters Carr P. Collins Award for Best Book of Nonfiction In the age of #MeToo, learn how brave whistleblowers have dared to lift the federal court’s veil of secrecy to expose powerful judges who appear to defy laws they have sworn to uphold Code of Silence tells the story of federal court employee Cathy McBroom, who had to flee her job as a case manager in Galveston, Texas, after enduring years of sexual harassment and assault by her boss—US District Judge Samuel Kent. Following a decade of firsthand reporting at the Houston Chronicle, investigative reporter Lise Olsen charts McBroom’s assault and the aftermath, when McBroom was thrust into the role of whistleblower to denounce a federal judge. What Olsen discovered by investigating McBroom’s story and other federal judicial misconduct matters nationwide was shocking. With the help of other federal judges, Kent was being protected by a secretive court system that has long tolerated or ignored complaints about corruption, sexism, and sexual misconduct—enabling him to remain in office for years. Other powerful judges accused of judicial misconduct were never investigated and remain in power or retired with full pay, such as US Circuit Judge Alex Kozinski and Kozinski’s mentee, Brett Kavanaugh. McBroom’s ultimate triumph is a rare story of redemption and victory as Judge Kent became the first and only federal judge to be impeached for sexual misconduct. Olsen also weaves in narratives of other brave women across the country who, at great personal risk, have reported federal judges to reveal how sexual harassment and assault occur elsewhere inside the federal court system. The accounts of the women and their allies who are still fighting for reforms are moving, intimate, and inspiring—including whistleblowers and law professors like Leah Litman, Emily Murphy, and novelist Heidi Bond, who emerged to denounce Kozinski in 2017. A larger group of women—and men—banded together to form a group called Law Clerks for Accountability, which is continuing to push for more reforms to the courts’ secretive complaint review system. Code of Silence also reveals the role the press plays in holding systems of power in check. Kent would not have been charged had it not been for Olsen’s reporting and the Houston Chronicle’s commitment to the story.
Having seriously believed that she was destined to become a spinster, Elizabeth Bennet finds herself married to one of the most eligible bachelors in Derbyshire. She now faces the daunting task of assuming her place within the vast and prestigious family estate of Pemberley. A few ill-disposed individuals would delight to see her fail so there is little room for error as she learns to lead her new household. Darcy is at her side, of course, but he cannot shelter her entirely as gossiping tongues follow her every move. She must navigate the isolation she feels as a stranger in this new setting and learn how to honour her new responsibilities while the lingering presence of her late mother-in-law, Lady Anne, to whom she is always compared, hangs over her. Thankfully, Elizabeth is resourceful. One day, she will triumph over even her harshest critics and prove herself worthy as mistress of Pemberley.
The new edition of Reasoning with Democratic Values 2.0 presents an engaging approach to teaching U.S. history that promotes critical thinking and social responsibility. In Volume 1 students investigate 20 significant historical episodes, arranged chronologically, beginning with the Colonial Era and ending with Reconstruction."--Provided by publisher.
Introductory Statistics for the Health Sciences takes students on a journey to a wilderness where science explores the unknown, providing students with a strong, practical foundation in statistics. Using a color format throughout, the book contains engaging figures that illustrate real data sets from published research. Examples come from many area
A revised and expanded edition highlights the developments that have occurred in the interim since the first edition with reference to Bergman's triumphant return to the Royal Dramatic Theatre in Stockholm after years of self-imposed exile.
Despite the profound influence exerted by August Strindberg on the development of modernist theatre and drama, the myth persisted that his plays - particularly such later works as A Dream Play, To Damascus, and The Ghost Sonata - are somehow 'unperformable'. Nothing could be farther from the truth, as this book sets out to demonstrate by providing a detailed performance analysis of the major works created after the period of personal crisis which Strindberg called his Inferno. Ranging from the early productions of Max Reinhardt and Olof Molander to the reinterpretations of Robert Lepage, Robert Wilson and Ingmar Bergman in our own day, this study explores the crucial impact that this writer's allusive (and elusive) method of playwriting has had on the changing nature of the theatrical experience. Each chapter ends with a section devoted to innovative Strindberg performances on the contemporary stage.
Future teachers require specific training on democratic culture and social cohesion. By focusing on reflective thinking, training can enable them to situate themselves in diverse environments, develop a clearer sense of their ethnic and cultural identities and examine attitudes to different groups. Improving diversity management at school in Europe begins with initial teacher training establishments. This book is designed to provide a basis to help ensure that the needs of future teachers in this regard are met. It puts forward 18 "diversity competences" that were identified by a team of European specialists in teacher training between 2006 and 2009. In order to open up the debate on competences, four consultation sessions were organised in Austria, Bulgaria, Cyprus and Estonia. These sessions provided an opportunity to discuss these competences with key players (civil servants, government representatives, teacher trainers, head teachers, researchers, teachers and students) from a national and topic-based perspective
Nearly thirty years after its initial publication, Marxism and the Oppression of Women remains an essential contribution to the development of an integrative theory of gender oppression under capitalism. Lise Vogel revisits classical Marxian texts, tracking analyses of “the woman question” in socialist theory and drawing on central theoretical categories of Marx's Capital to open up an original theorisation of gender and the social production and reproduction of material life. Included in this edition are Vogel's article, “Domestic Labor Revisited” (originally published in Science & Society in 2000) which extends and clarifies her main theoretical innovations, and a new Introduction by Susan Ferguson and David McNally situating Vogel's work in the trajectory of Marxist-feminist thought over the past forty years.
Referential expressions include terms such as determiners, proper names, noun phrases, pronouns, and all other expressions that we use to make reference to things, beings, or events. The first of its kind, this book presents a detailed, integrated account of typical and atypical uses of referential expressions, combining insights from discourse, cognitive, and psycholinguistic literature within a functional model of language. It first establishes a foundation for reference, including an overview of key influences in the study of reference, the debates surrounding (in)definiteness, and a functional description of referring expressions. It then draws on a variety of approaches to provide a comprehensive explanation of atypical uses, including referring in an uncollaborative context, indefinite expressions used for definite reference, reference by and for children, and finally metonymic reference with a special focus on metonymy in medical contexts. Comprehensive in scope, it is essential reading for academic researchers in syntax, discourse analysis, and cognitive linguistics.
2014 Forest of Reading, White Pine Award — Winner, Nonfiction The true story of how a young Québécois nun ended up a prisoner of war in Buchenwald and how her daughter discovered her secrets. In this true story, Armande Martel, a young nun from Quebec, is arrested by the Germans in 1940 during a stay at her religious order’s mother house in Brittany. She spends the war years in a German concentration camp. After her return to Canada, she leaves the Church, finds the love of her life in Montreal, and adopts Lise Dion. Growing up, Lise is familiar with only a few facts of her mother’s past. It’s when she clears her mother’s small apartment after her death that Lise Dion discovers the key to the blue trunk, which was always locked. This key unlocks the mystery of Armande’s early life, and Lise decides to write The Secret of the Blue Trunk.
While investigating an insurance assignment involving an accidental death, Cal Brantley turns up clues that lead her down a dangerous path. Teamed up with an ex-LAPD cop for the assignment, Cal also faces an even greater challenge--stopping a friend from committing suicide. From the back alleys and casinos of Reno to the graveyards and ghost town of Virginia City, Cal learns the real meaning of what membership in The Losers' Club entails--and the knowledge could be deadly.
The poignant, often comical story of a grown daughter getting to know her dying father in his last months in the rural town he'd fled as a young man. During a series of visits with her father to the South he'd escaped as a young black man, Lise Funderburg, the mixed-race author of the acclaimed Black, White, Other, comes to understand his rich and difficult background and the conflicting choices he has had to make throughout his life. Lise Funderburg is a child of the '60s, a white-looking mixed-race girl raised in an integrated Philadelphia neighborhood. As a child, she couldn't imagine what had made her father so strict, demanding, and elusive; about his past she knew only that he had grown up in the Jim Crow South and fled its brutal oppression as a young man. Then, just as she hits her forties, her father is diagnosed with advanced and terminal cancer -- an event that leads father and daughter together on a stream of pilgrimages to his hometown in rural Jasper County, Georgia. As her father's escort, proxy, and, finally, nurse, Funderburg encounters for the first time the fragrant landscape and fraught society -- and the extraordinary food -- of his childhood. In succulent, evocative, and sometimes tart prose, the author brings to life a fading rural South of pecan groves, family-run farms, and pork-laden country cuisine. She chronicles small-town relationships that span generations, the dismantling of her own assumptions about when race does and doesn't matter, and the quiet segregation that persists to this day. As Funderburg discovers the place and people her father comes from, she also, finally, gets to know her magnetic, idiosyncratic father himself. Her account of their thorny but increasingly close relationship is full of warmth, humor, and disarming candor. In one of his last grand actsFunderburg's father recruits his children, neighbors, and friends to throw a pig roast -- an unforgettable meal that caps an unforgettable portrait of a man enjoying his life and loved ones right up through his final days. Pig Candy takes readers on a stunning journey that becomes a universal investigation of identity and a celebration of the human will, familial love, and, ultimately, life itself.
First book of its kind to examine images of women in Japanese consumerism. Explores a variety of media targeted at women - in particular magazines, but also television, popular literature and consumer trends. Covers visual and print media.
As a modern gladiator's daughter, Lyn and her family live by the rules of the Gladiator Sports Association. But those rules can turn against you. When Lyn's seventh father dies in the ring, his opponent, Uber, captures Lyn's dowry bracelet-and her hand in marriage. To win her freedom, Lyn will do what no girl has done before: enter the arena and fight her father's murderer-even though she's falling in love with him.
In Consuming Fantasies: Labor, Leisure, and the London Shopgirl, 1880-1920, Lise Shapiro Sanders examines the cultural significance of the shopgirl - both historical figure and fictional heroine - from the end of Queen Victoria's reign through the First World War. As the author reveals, the shopgirl embodied the fantasies associated with a growing consumer culture: romantic adventure, upward mobility, and the acquisition of material goods. Reading novels such as George Gissing's The Odd Women and W. Somerset Maugham's Of Human Bondage as well as short stories, musical comedies, and films, Sanders argues that the London shopgirl appeared in the midst of controversies over sexual morality and the pleasures and dangers of London itself. Sanders explores the shopgirl's centrality to modern conceptions of fantasy, desire, and everyday life for working women and argues for her as a key figure in cultural and social histories of the period. This study will appeal to scholars, students, and enthusiasts of Victorian and Edwardian life and literature."--BOOK JACKET.
Adeline Harris thinks she has it all figured out, until she unthinkingly betrays Jack, her friend and childhood sweetheart. When he refuses to forgive her, she turns to his handsome and mysterious cousin, whose secrets turn out to be more than Addie has bargained for.
For more than two decades Lise Vogel has been an important voice in feminist theory. Woman Questions brings Drawing upon the life stori essays on socialist feminism, Marxist theory, and the problem of equality. The collection provides not only a compendium of one influential thinker's work, but a thoughtful overview of the evolution of US socialist feminism. The essays are grouped in three sections covering the relationship between feminism and socialism, the significance of the Marxist theoretical tradition for women's liberation, and issues of difference, diversity, and equality. A lengthy autobiographical introduction offers readers access to Vogel's personal story--of civil rights work in Mississippi, the early women's liberation movement, a radical career switch, and growing up in a politically active family.
Cathy Drumm has been in love with horses since she was 5 years old. Since then, she has participated in Pony Club; competed in the hunter/jumper world and English and western dressage; trained riders young and old, and horses -both backyard and A-circuit; bought, trained, and sold horses; ran successful riding stables; transported horses; continued to learn; and, continued to ride. Cathy's life-personal, and professional - has depended on horses. During this journey with horses, Cathy has reached impressive pinnacles and fallen into unimaginable depths that she has risen from, again and again, like a phoenix rising from the ashes. And while horses have been both the cause of joy and success and the cause of collapse, Cathy has needed them in her life. Her story is one of strength and perseverance, love and understanding, and the power of horses in a person's life.
Neuroscience in small bits for the brain-curious. From magazine covers to Hollywood blockbusters, neuroscience is front and center. This popular interest has inspired many questions from people who wonder just what is going on in the three pounds of tissue between their ears. In Brain Bytes, neuroscience educators Eric Chudler and Lise Johnson get right to it, asking and answering more than one hundred questions about the brain. Questions include: Does size matter (do humans have the largest brains)? Can foods make people smarter? Does surfing online kill brain cells? Why do we dream? Why can’t I tickle myself? Why do cats like catnip? Why do we yawn and why are yawns contagious? What can I do to keep my brain healthy? Whether you are interested in serious topics like the history of neuroscience or practical topics like brain health or fun topics like popular culture, this book is sure to provide your brain with some piece of information it didn’t have before.
The extensively updated edition presents an engaging approach to teaching U.S. history that promotes critical thinking and social responsibility. In Volume 2, students investigate 19 significant historical episodes beginning with the era of expansion and reform and ending with problems facing Americans in the contemporary era. A comprehensive Instructor’s Manual is also available for purchase. In Volume 2, students can grapple with such ethical dilemmas as: Should Susan B. Anthony and Elizabeth Cady Stanton have supported the adoption of the Fifteenth Amendment to the U.S. Constitution?Was investigative journalist Nellie Bly justified in lying to gain access to the Women’s Lunatic Asylum?Was Woodrow Wilson right to call for entry of the United States into World War I?Should interned Japanese Americans have volunteered to serve in the United States Army during World War II?Should Hollywood director Elia Kazan have named communists in his testimony before the House Un-American Activities Committee?Should Representative John Conyers have introduced legislation for reparations to African Americans? “A powerful approach to learning history. The lively and exciting true stories provide ample background to engage students in discussions of well-framed questions that are perennial and important.” —Diana Hess, dean, University of Wisconsin–Madison “Ethical reasoning is joined with historical reasoning—values with inquiry—in an array of well selected cases. This curriculum belongs in every U.S. history classroom.” —Walter C. Parker, University of Washington “Clearly organized and eminently balanced, these volumes will help students become citizens who can converse across their differences.” —Jonathan Zimmerman, University of Pennsylvania “These volumes will help build a deeper understanding of significant historical concepts and present wonderful opportunities to engage in critical thinking.” —Amy Bloom, J.D., social studies education consultant, Oakland Schools
Shortly after the death in 161 of Antoninus Pius, his sons dedicated a column to him as a funerary monument. The form of the column in general and the reliefs on the pedestal in particular raise problems central to the understanding of Roman art. In this first thorough study, illustrated with nearly 100 photographs, Lise Vogel restores the column to its rightful place as one of the major monuments of Roman art. In addition, she re-evaluates the meaning of the column of Antoninus Pius in the context of the development of second century Roman imperial sculpture.
A pioneer of stage naturalism, David Belasco has come to be universally recognized as one of the first important directors in the history of the American stage. Lise-Lone Marker's book is a full-length stylistic analysis and re-evaluation of his scenic art. Based on a rich body of primary sources, among which are Belasco's promptbooks and papers, the book synthesizes the aims, methods, and techniques inherent in the naturalistic production style that Belasco developed during the six decades of his career. The elements of that style—the magic reality of his stage settings, his innovations in plastic lighting, his directorial method—are also seen in the context of theatrical developments elsewhere. On the basis of this synthesis. Professor Marker reconstructs and analyzes four of Belasco's most important productions, each representative of a distinct phase of his directorial art. Her explorations uncover much new information about Belasco and the American theatre around the turn of the century. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The question of why we laugh (or don't laugh) has intrigued scholars since antiquity. This book contributes to that debate by exploring how we evaluate screen comedy. What kinds of criteria do we use to judge films and TV shows that are meant to be funny? And what might that have to do with our social and cultural backgrounds, or with wider cultural ideas about film, TV, comedy, quality and entertainment? The book examines these questions through a study of audience responses posted to online facilities such as Twitter, Facebook, review sites, blogs and message boards. Bore’s analysis of these responses considers a broad range of issues, including how audiences perceive the idea of "national" comedy; what they think of female comedians; how they evaluate romcoms, sitcoms and web comedy; what they think is acceptable to joke about; what comedy fans get excited about; how fans interact with star comedians; and what comedy viewers really despise. The book demonstrates some of the ways in which we can adapt theories of humour and comedy to examine the practices of contemporary screen audiences, while offering new insights into how they negotiate the opportunities and constrictions of different online facilities to share their views and experiences.
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