The widespread construction of castles in Britain began as soon as Duke William of Normandy set foot on the shores of southern England in 1066. The castles that were constructed in the ensuing centuries, and whose ruins still scatter the British countryside today, provide us with an enduring record of the needs and ambitions of the times. But the essence of the medieval castle—a structure that is equal parts military, residential, and symbolic—reveals itself not only through the grandeur of such architectural masterpieces as the Tower of London, and the imposing nature of such royal residences as Windsor, but also in the aging masonry carvings, enduring battlements, and more modest earthen ramparts that have survived alongside them. Through a feature-by-feature account of the architectural elements and techniques used in constructing the medieval castle, author Lise Hull allows the multiple functions of these multifarious forms to shine through, and in so doing, lends a new vitality to the thousand faces that the medieval world assumed to discourage its enemies, inspire its friends, and control its subjects. This compelling investigation takes a unique look at each of the medieval castle's main roles: as an offensive presentation and defensive fortification, as a residential and administrative building, and as a symbolic structure demonstrating the status of its owner. Each chapter focuses on one specific role and uses concrete architectural features to demonstrate that aspect of the medieval castle in Britain. A wealth of illustrations is also provided, as is a glossary explaining the distinct parts of the castle and their functions. This book should be of interest to students researching architecture, the Middle Ages, or military history, as well as general readers interested in castles or considering a trip to Britain to observe some of these magnificent sites themselves.
Medieval castles were not just showcases for the royal and powerful, they were also the centerpieces of many people's daily lives. A travel guide as well as a historical text, this volume looks at castles not just as ruined buildings, but as part of the cultural and scenic landscape. The 88 photographs illustrate the different architectural concepts and castle features discussed in the text. The book includes glossaries of terminology, an appendix listing all the castles mentioned and their locations, notes, bibliography and index.
Long before the wreck of the Captain Lincoln in 1852 brought settlers to the North Spit, Native Americans and foreign explorers, including Sir Francis Drake, navigated the inland waterways and Pacific shoreline of what would become Coos County. The deep draft channel, timberfilled landscape, prime location--between San Francisco and Puget Sound--and the discovery of gold made the region ripe for commercial success, and scores of pioneers migrated to the Coos Bay area. Shipyards and sawmills sprang up. Logging became a major industry. Gold and coal were mined. And settlements and farmsteads appeared almost overnight. For many pioneers, Coos County was truly paradise, a land of opportunity rich in natural resources where they optimistically forged new lives with sacrifice and backbreaking labor. Their perseverance and rugged individualism distinguish the region to this day.
We all want to discover secrets of our past and learn more about our 'roots' - where our family came from and what they did. This book guides the reader through all the processes, from the basics of identifying members of their family trees to the complexities of using historic records at home and abroad.
The widespread construction of castles in Britain began as soon as Duke William of Normandy set foot on the shores of southern England in 1066. The castles that were constructed in the ensuing centuries, and whose ruins still scatter the British countryside today, provide us with an enduring record of the needs and ambitions of the times. But the essence of the medieval castle—a structure that is equal parts military, residential, and symbolic—reveals itself not only through the grandeur of such architectural masterpieces as the Tower of London, and the imposing nature of such royal residences as Windsor, but also in the aging masonry carvings, enduring battlements, and more modest earthen ramparts that have survived alongside them. Through a feature-by-feature account of the architectural elements and techniques used in constructing the medieval castle, author Lise Hull allows the multiple functions of these multifarious forms to shine through, and in so doing, lends a new vitality to the thousand faces that the medieval world assumed to discourage its enemies, inspire its friends, and control its subjects. This compelling investigation takes a unique look at each of the medieval castle's main roles: as an offensive presentation and defensive fortification, as a residential and administrative building, and as a symbolic structure demonstrating the status of its owner. Each chapter focuses on one specific role and uses concrete architectural features to demonstrate that aspect of the medieval castle in Britain. A wealth of illustrations is also provided, as is a glossary explaining the distinct parts of the castle and their functions. This book should be of interest to students researching architecture, the Middle Ages, or military history, as well as general readers interested in castles or considering a trip to Britain to observe some of these magnificent sites themselves.
How many times have you heard that creative writing programmes are factories that produce the same kind of writers, isolated from real life? Only by escaping academia can writers be completely free. Universities are profoundly conservative places, designed to favour a certain way of writing-preferably informed by literary theory. Those who reject the creative/ critical discourse of academia are the true rebels, condemned to live (or survive) in a tough literary marketplace. Conformity is on the side of academia, the story goes, and rebellion is on the other side. This book argues against the notion that creative writing programmes are driven by conformity. Instead, it shows that these programmes in the United States and Britain were founded and developed by literary outsiders, who left an enduring mark on their discipline. To this day, creative writing occupies a marginal position in Anglo-American universities. The multiplication of new programmes, accompanied by rising student enrolments, has done nothing to change that positioning. As a discipline, creative writing strives on opposition to the mainstream university, while benefiting from what the university has to offer. Historically, this opposition to scholars was so virulent that it often led to the separation of creative writing and literature departments. The Iowa Writers' Workshop, founded in the 1930s, separated from the English department three decades later—and it still occupies a different building on campus, with little communication between writers and scholars. This model of institutional division is less common in Britain, where the discipline formally emerged in the late 1960s and early 1970s. But even when creative writing is located within literature departments, relationships with scholars remain uneasy. Creative writers and scholars are not, and have never been, natural bedfellows.
In this final volume of The False Pretenses trilogy, Gabrielle Perron quits her job as minister of cultural affairs and retreats to the suburbs of Montreal, where she embarks on a journey of self-discovery and reconstruction. Gabrielle's search leads through the corridors of power in Ottawa and Quebec City, as well as on a moving trip through strife-torn Ethiopia, and finally to strange and deadly intersections with characters from Affairs of Art and Following the Summer, including the impressive but erratic poet and rabble-rouser Clothaire Lemelin. Though packed with action and incident, this novel is as much a commentary on the triumphs and self-deception of the political generation that refashioned Quebec as it is a dramatic story of one woman looking for her place within a disappointing world.
This book analyses the world-renowned Belgian choreographer’s key approaches and dramaturgical strategies through selected case studies from his oeuvre between 2000 and 2010, from Rien de Rien to Babel(words). It investigates Cherkaoui’s choreographic and dramaturgic interventions in debates on the nation, culture, religion and language, by emphasising the transcultural, transreligious and geopolitical dimensions of the dialogues and exchanges he explored during this initial decade. Engaged spectatorship refers to the ongoing thinking, talking, research and writing that the spectator is invited to do in order to fulfil the work’s macro-dramaturgical potential to resist nationalism, populism and religious fundamentalism. The book meticulously explores Cherkaoui’s rich, multi-layered theatrical imagery and aural landscapes to demonstrate the agile and ever-shifting interpretive acts the works elicit from their audiences. Offering a full-length analysis of Cherkaoui’s work, the book is essential reading for students, researchers, practitioners and Cherkaoui fans.
Long before the wreck of the Captain Lincoln in 1852 brought settlers to the North Spit, Native Americans and foreign explorers, including Sir Francis Drake, navigated the inland waterways and Pacific shoreline of what would become Coos County. The deep draft channel, timberfilled landscape, prime location--between San Francisco and Puget Sound--and the discovery of gold made the region ripe for commercial success, and scores of pioneers migrated to the Coos Bay area. Shipyards and sawmills sprang up. Logging became a major industry. Gold and coal were mined. And settlements and farmsteads appeared almost overnight. For many pioneers, Coos County was truly paradise, a land of opportunity rich in natural resources where they optimistically forged new lives with sacrifice and backbreaking labor. Their perseverance and rugged individualism distinguish the region to this day.
Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes, to the design and effects deployed in finished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specific objects.
The new edition of Reasoning with Democratic Values 2.0 presents an engaging approach to teaching U.S. history that promotes critical thinking and social responsibility. In Volume 1 students investigate 20 significant historical episodes, arranged chronologically, beginning with the Colonial Era and ending with Reconstruction."--Provided by publisher.
As a research neuroscientist, Lise Eliot has made the study of the human brain her life's work. But it wasn't until she was pregnant with her first child that she became intrigued with the study of brain development. She wanted to know precisely how the baby's brain is formed, and when and how each sense, skill, and cognitive ability is developed. And just as important, she was interested in finding out how her role as a nurturer can affect this complex process. How much of her baby's development is genetically ordained--and how much is determined by environment? Is there anything parents can do to make their babies' brains work better--to help them become smarter, happier people? Drawing upon the exploding research in this field as well as the stories of real children, What's Going On in There? is a lively and thought-provoking book that charts the brain's development from conception through the critical first five years. In examining the many factors that play crucial roles in that process, What's Going On in There? explores the evolution of the senses, motor skills, social and emotional behaviors, and mental functions such as attention, language, memory, reasoning, and intelligence. This remarkable book also discusses: how a baby's brain is "assembled" from scratch the critical prenatal factors that shapebrain development how the birthing process itself affects the brain which forms of stimulation are most effective at promoting cognitive development how boys' and girls' brains develop differently how nutrition, stress, and other physical and social factors can permanently affect a child's brain Brilliantly blending cutting-edge science with a mother's wisdom and insight, What's Going On in There? is an invaluable contribution to the nature versus nurture debate. Children's development is determined both by the genes they are born with and the richness of their early environment. This timely and important book shows parents the innumerable ways in which they can actually help their children grow better brains.
Lise Couture has been in the field ofEar Acupuncture for the last twentyseven years and her work is knownin many countries including Canada,France, Argentina, Uruguay, U.S.A.,Spain and many others by the tokenof the conferences she gave at theLyon Symposium in 1994 and in 2006.She was also a guest speaker at theFirst Chinese Symposium in Torontoin May of 1986. In 2006, she heard about Dr Ulrich Werths method with the implantsin the ears for treating Parkinsons. It reminded her Dr Paul Nogierswords in one of the Auricular Magazines. One day, while treating a manin his clinic, he related that he would have liked to cribble the pointwith many needles rather than only one: the situation was really chronicand the patient needed help. In her practice she had experienced thatfeeling too and she is amazed that Dr Werth came out with those microimplants inserted in different points of the ear to stop or slow down thedestructive process of the Parkinsons. D. Lise is now in her third year of practice and research in the field ofEar Acupuncture and Parkinson. At the same time, she keeps treatingher regular patients, but at a lower rythm. Like Dr Paul Nogier, she is all ears to the stories of her patients. Theanswer of the healing is in their life experiences. That is her truth andliving passion. If she can have you walk, shell do it! D. Lise lives in Ottawa with her son Dannie and husband Michel AndrBeauvolsk, since 1992.
A CHOICE Outstanding Academic Title 2013! This book examines seven different answers to the question, "What are we talking about when we talk about the mind?" It begins by considering the dualistic view, frequently taken for granted by students, that words like "belief," "anger," and "jealousy" refer to a realm quite distinct from the physical world, and notes the difficulties associated with this view as well as why many find it compelling. The book then describes six further major views of mind alternative to dualism that have been developed by psychologists, philosophers, and neuroscientists: Some claim that such words are just about behavior. Some claim that such words are theoretical constructs, like "quarks" in physics. Some identify the mind with the brain or with a kind of program in the brain like the software in a computer. Some think there is nothing to which such words refer. Some think mental talk reflects nothing but convention. Students in psychology learn about different views of mind in various courses, but they tend to be left on their own to deal with the conflicts among them. How to conceive of mind is usually addressed in the context not of psychology but of philosophy, where it tends to be treated in ways that may seem esoteric to psychology students. Seldom discussed in one place, this book presents all seven views and the reasons for and against each in a relatively nontechnical, informal manner designed to appeal to psychology students and their instructors, permitting comparisons and possible resolutions.
Love takes center stage when a single mother and her teenage daughters play Juno, Iris and Ceres in a summer production of The Tempest. Jenny Alexander has sought refuge from a troubled past on a tiny, verdant island, off the coast of Washington state. Surrounded by the cold water of the Puget Sound, she does her best to raise her girls, innocent Frankie, and thrill-seeking Lilly, in a tight-knit community of eccentrics and dreamers. The island bursts open each summer with the arrival of actors leading the annual Shakespeare production. A handsome thespian from New York reawakens Jenny to long-buried desires. As the intensity of rehearsals builds toward the live run of The Tempest, a potent mixture of actors, islanders and tourists, besotted by verse and swept up in the romance of the theater, spills the enchantment of the play into the lives of the players. When Jenny finds her daughters caught up in a "brave new world" of love and heartbreak, she is ultimately thrust into a command performance that will resonate in all their lives.
Seattle reporter Mimi Raynard is having a bad week. Her ex-husband is now her boss at the TV station and wants her head on a platter. When three prostitutes die of a suspicious heroin overdose Mimi gets the story but in her nervous enthusiasm manages to bungle it. The narcotics detective on the case tries to help but both are out-foxed by the buxom intern. What's a girl to do? Desperate and out of ideas Mimi takes a friend's advice and dresses up as a Russian Mafiya Madam for a resume tape she has no intention of sending out. But the lark turns serious when the intern steals the tape. At the Seattle Police Department the narcotics detective Shad Mulgrew has his own career crisis. He is framed for stealing drugs from evidence. Are the murdered prostitutes linked to his case? Is he getting too close to the truth? And what is Mimi's father doing working for Eastern Europe's last Communists? Working together to save their reputations, Mimi and Shad look for the truth, from the fishing docks of Puget Sound to the tiny Republic of Moldova. At turns funny, sexy, and thrilling with an edgy modern voice, Jump Cut depicts Seattle from the inside, from damp streets to dark alleys, from the islands to the top of the Space Needle, as Mimi and Shad search for answers. They wind up salvaging a lot more than their careers in a wild race to save the soul of Seattle, and finding themselves. "An engaging heroine every woman can identify with: good-natured, smart, harried, all too aware she's growing older. She just wants to catch a break. I loved her almost as much as I loved Rory Tate's breezy, fast-paced writing style!" -- Katy Munger, award-winning author of the Casey Jones mysteries
The new edition of Reasoning with Democratic Values 2.0 presents an engaging approach to teaching U.S. history that promotes critical thinking and social responsibility. In Volume 1 students investigate 20 significant historical episodes, arranged chronologically, beginning with the Colonial Era and ending with Reconstruction."--Provided by publisher.
From the acclaimed author of Following the Summer and Affairs of Art come these stories that convey the betrayal that accompanies every love story, seek to dispel all illusion, and recommend malice as state of grace. In the end vengeance emerges -- hot, velvety, coursing with passion and blood, and, surprisingly, capable of forging the most lasting ties between people.
A companion to The Definitive Guide to Cancer, this practical and fully revised guide (formerly titled Five to Thrive) outlines a five-step plan integrating both conventional and alternative therapies for cancer survivors. There are more than 13 million cancer survivors in the United States who, although they have finished treatment, often live in fear of recurrence. The Definitive Guide to Thriving After Cancercombats that fear by teaching readers not just how to survive, but how to thrive after cancer. The authors' integrative health plan, Five to Thrive, combines both natural and conventional healing methods to support and enhance five critical pathways to better health: immune, inflammation, insulin resistance, hormones, and digestion/detoxification. While other health plans may focus on one or two of these functions, this book is the only program that emphasizes a comprehensive approach needed for optimal health and recurrence prevention.
Beautifully written and endlessly absorbing, this is a novel to read with the covers up around your chin and a candle burning."—Sarah Taylor Stewart, author of the Maggie D'arcy mysteries When Nora agrees to help her new husband, Paul, and his family fix up Hidden Lake Camp, she didn't expect it to be in such a state of ruin. The dock full of rotten boards, smashed windows, cabins falling apart—it's all a past he'd just as soon bury. Only a few months, he said. They'd drive north to get Paul's elderly parents settled while he and his brother make enough repairs to sell the property. The summer camp, however, and its deep lake have other plans. On the first night, Nora stumbles through a first meal with his difficult family. Her sister-in-law shows off a prized collection of handmade knives, thirteen in all. Long summer days stretch before them and one by one the knives begin to disappear. By the time the fourth and fifth vanish from behind locked doors and out from under watchful eyes, Nora can barely sleep. There's talk of ghosts, secret rooms and someone at the summer camp found dead in the tall grass. Unsettling, gripping, and totally original, Book of Knives is a literary thriller that shows how one person's unraveling can bring the whole house down. "Seen through the perceptive eyes of complex characters, a series of vivid scenes unfolds. One finds all one's worst fears echoed here in an increasingly suspenseful and surprising crescendo of events." —Sheila Kohler, author of the literary thriller Open Secrets, one of Vogue's best books of 2020
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