Everyone who aspires to more effective public service should read this book. It provides a compelling antidote to the managerial focus of theory and practice in public administration. Written with the aim of inspiring and rekindling a mission for public service, Transformational Public Service weaves together theory and stories from actual practice to show that public service can (and does) advance the goals of democracy, inclusiveness, and social and economic justice. Eight practitioners from government and non-governmental organizations at all levels - from the street to the executive office - tell their personal stories of transformational public service. Theory, poetry, and popular culture references are woven around the stories. Both students and practitioners will discover new ways of thinking in this book that will enable them to transform their own administrative practices. As the authors note in their prologue: "As we listened to these stories, we heard people say that public service can be and is transformational (transforms institutions, practices, and people's lives and experiences) in ways that serve democracy, engagement, and social and economic justice. The public service they practice is collaborative, humanistic, emancipatory, inclusive, and diverse.
Natural disasters appear to be increasing in frequency, and 24/7 media coverage barrages individuals not only with coverage of the event but also with appeals to donate to victims of the disaster. To what extent is it the responsibility of government to remediate the disaster, and to what extent must we rely on philanthropies and the uncertain generosity of individuals to provide relief? How does the discourse of a particular disaster event encourage or impede public empathy toward the victims, and how does the discourse of empathy (or lack thereof) affect administrative response in a given disaster? Lisa A. Zanetti studies how and under what circumstances empathy plays a role in the articulation and implementation of public policy, especially in disaster situations. Her book uses discourse analysis to look at media coverage of five hurricane events in the US: Galveston in 1900 and 2008 (Ike); New Orleans in 1969 (Camille) and 2005 (Katrina); and Miami/South Florida in 1992 (Andrew). Cultivating Empathy begins by engaging with the prosocial and neurological research about empathy, and then explores the role of empathy in the public sphere both theoretically and practically. It also addresses some of empathy's more difficult aspects, and then closes with ideas for application in practice. By determining how the discourse of a particular disaster event encourages or impedes public empathy toward the victims, and how the discourse of empathy affects disaster response, Zanetti makes the case that empathy is indeed important in a substantively democratic polity. Her original research will inform scholars and practitioners of public administration, public policy, disaster management, and sociology of the need to be vigilant in disaster policy responses, among other policy decisions.
Secrets, Sex and Scandals ... Welcome to Storm, Texas, where passion runs hot, desire runs deep, and secrets have the power to destroy... Get ready. The storm is coming. Nestled among rolling hills and painted with vibrant wildflowers, the bucolic town of Storm, Texas, seems like nothing short of perfection. But there are secrets beneath the facade. Dark secrets. Powerful secrets. The kind that can destroy lives and tear families apart. The kind that can cut through a town like a tempest, leaving jealousy and destruction in its wake, along with shattered hopes and broken dreams. All it takes is one little thing to shatter that polish. Season 1 - episodes 5-8
Everyone who aspires to more effective public service should read this book. It provides a compelling antidote to the managerial focus of theory and practice in public administration. Written with the aim of inspiring and rekindling a mission for public service, Transformational Public Service weaves together theory and stories from actual practice to show that public service can (and does) advance the goals of democracy, inclusiveness, and social and economic justice. Eight practitioners from government and non-governmental organizations at all levels - from the street to the executive office - tell their personal stories of transformational public service. Theory, poetry, and popular culture references are woven around the stories. Both students and practitioners will discover new ways of thinking in this book that will enable them to transform their own administrative practices. As the authors note in their prologue: "As we listened to these stories, we heard people say that public service can be and is transformational (transforms institutions, practices, and people's lives and experiences) in ways that serve democracy, engagement, and social and economic justice. The public service they practice is collaborative, humanistic, emancipatory, inclusive, and diverse.
From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.
Introducing radical counter-visions of race and slavery, and probing the legal and philosophical questions raised by indenture, The Coolie Speaks offers the first critical reading of a massive testimony case from Cuba in 1874. From this case, Yun traces the emergence of a "coolie narrative" that forms a counterpart to the "slave narrative." The written and oral testimonies of nearly 3,000 Chinese laborers in Cuba, who toiled alongside African slaves, offer a rare glimpse into the nature of bondage and the tortuous transition to freedom. Trapped in one of the last standing systems of slavery in the Americas, the Chinese described their hopes and struggles, and their unrelenting quest for freedom. Yun argues that the testimonies from this case suggest radical critiques of the "contract" institution, the basis for free modern society. The example of Cuba, she suggests, constitutes the early experiment and forerunner of new contract slavery, in which the contract itself, taken to its extreme, was wielded as a most potent form of enslavement and complicity. Yun further considers the communal biography of a next-generation Afro-Chinese Cuban author and raises timely theoretical questions regarding race, diaspora, transnationalism, and globalization.
What we really wanted now was to find some work singing live and we used to go around Soho asking in the cafes and clubs if they were interested in having us sing there. It was during one f these excursions that one of those amazing strokes of luck happened. I couldn't believe my eyes. We were standing on the pavement waiting to cross the road and I recognised John Lennon and Paul McCartney who were just going inside a café on the other side of the street. Of course, there was a mad discussion about what we were to do. Did we dare? We wouldn't have been us if we had let this one slip.
Annotation In this unique investigation of the everyday lives of men in colonial Massachusetts and Connecticut, Lisa Wilson brings to life the domestic world of pre-Revolutionary New England. She finds that colonial men spent most of their time in a multigendered home environment and, unlike the self-reliant men of the next century, sought interdependence with family and community.
How hundreds of lawyers mobilized to challenge the illegal treatment of prisoners captured in the war on terror and helped force an end to the US government's most odious policies. In The War in Court, sociologist Lisa Hajjar traces the fight against the US torture policy by lawyers who brought the "war on terror" into the courts. Their victories, though few and far between, forced the government to change the way prisoners were treated and focused attention on state crimes perpetrated in the shadows. If not for these lawyers and their allies, US torture would have gone unchallenged because elected officials and the American public, with a few exceptions, did nothing to oppose it. This war in court has been fought to defend the principle that there is no legal right to torture. Told as a suspenseful, high-stakes story, The War in Court clearly outlines why challenges to the torture policy had to be waged on the legal terrain and why hundreds of lawyers joined the fight. Drawing on extensive interviews with key participants, her own experiences reporting from Guantánamo, and her deep knowledge of international law and human rights, Hajjar reveals how the ongoing fight against torture has had transformative effects on the legal landscape in the United States and on a global scale.
Emerging in Italy in the mid-sixteenth century, pastoral drama is one of the most characteristic genres of its time. Sampson traces its uneven development into the following century by exploring masterpieces by Tasso and Guarini, and many lesser known works, some by women writers. She examines the treatment of key themes of love, the Golden Age, and Nature and Art against the background of the textual and stage production of the plays. An investigation of critical writings associated with the genre further reveals its significance to the contemporary literary scene, by stimulating 'modernizing' attitudes towards the canon, as well as new enquiries into the function and possibilities of art.
This brand-new volume in the best-selling "Case Review" series uses more than 200 case studies to challenge your knowledge of a full range of topics in emergency radiology, including MDCT-A of vascular injury, CT and MR of spinal injuries, CT and MRI of CNS emergencies, and subtle and classic CT signs of bowel emergencies. It is your ideal concise, affordable, and user-friendly tool for self assessment in this specialty! With its soft-cover format, easy-access organization, and high-quality images, Emergency Radiology goes a long way toward alleviating exam anxiety and sharpening your clinical skills. Discusses the classic appearance of a range of emergent imaging pathology and key points concerning diagnoses to promote rapid, appropriate treatment of acute illnesses. Organizes case studies into "Opening Round," "Fair Game," and "Challenge" sections that present varying levels of difficulty. Mirrors the format and content of the American Board of Radiology's oral exam, and offers case studies similar to those found on exams, to give you realistic preparation for the test-taking experience. Features more than 500 high-quality, state-of-the-art images representing a wide range of clinical situations encountered in the field. Incorporates the most recent knowledge from the literature in this field, and offers 200 case studies, to make sure your skills are completely up to date. Groups cases by topic for a more efficient, targeted review of information.
We study the effects of monetary policy shocks on employment gender gaps in a panel of 22 countries using quarterly data from 1990 to 2019. Our results show that men’s employment falls more than women’s after contractionary monetary policy shocks, narrowing the employment gender gap over time. Two factors contribute to explaining this heterogeneous effect. First, a larger impact of monetary policy shocks on employment in the industry sector that employs more men. Second, the larger response of the employment gap in the sector (services) that employs the largest share of men and women. In terms of labor market adjustment, the narrowing of the gender employment gap is initially driven by a reduction in the gender unemployment gaps that, over time, results in an adjustment in the gender labor force participation gap—with men’s labor force participation dropping more than women’s. The effects are larger in countries with more flexible labor market regulations, higher gender wage gaps, and lower informal women’s employment compared to men’s. Finally, the effects are also larger for contractionary monetary policy shocks and during expansions.
Leonora Bernardi (1559-1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first ever study of Bernardi’s life, and modern edition of her recently discovered literary corpus, which mostly exists in manuscript. Her writings appear in the original Italian with new English translations, scholarly notes, critical essays and contributions by Eric Nicholson, Eugenio Refini and Davide Daolmi. Based on new archival research, the substantial opening section reconstructs Bernardi’s unusually colourful life. Bernardi’s works reveal her connections with some of the most pioneering poets, dramatists and musicians of the day, including her mentor Angelo Grillo and the first opera librettist Ottavio Rinuccini. The second major section presents her pastoral tragicomedy Clorilli, one of the earliest secular dramatic works by a woman. It was apparently performed in the early 1590s at a Medici villa near Florence, before Grandduke Ferdinando I de’ Medici, and his consort Christine of Lorraine, but now exists in an enigmatic Venetian manuscript. The third section presents Bernardi’s secular and religious verse, which engaged with new trends in lyric and poetry for music, and was set by various key composers across Italy.
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