John Wilde (1919-2006) was one of the most notable artists in the Magic Realist school of painting, garnering attention far beyond Wisconsin, his native state. Wilde's gift for drawing and painting diverged from the style of regional artists such as John Steuart Curry and evolved into an aesthetic characterized by beguiling, intensely detailed images. He was particularly adept at mixing the discipline of taxonomy with icons of the subconscious. Things of nature and the nature of things informed his work for some seventy years. In painstakingly crafted vignettes of figures and props and still life arrangements, Wilde served up grand parables on the existential condition of modern man. These are timeless and enduring narratives, drawing on traditions from the northern and early Renaissance periods and Flemish paintings to Symbolist and Surrealist iconography and strategy. Wilde amasses a potpourri of sources and motifs and brings them up to the present moment by setting his compositions in the Wisconsin landscape just outside his studio door. This catalogue presents a superb overview of Wilde's oeuvre, including the full palette of still lifes, allegorical landscapes, and portraits, and covers the period of his work from the 1940s to recent work from the 1990s.
In the last half of the 19th century, the women of America were beginning to develop their own sense of style. Although influenced by European fashions and the social and economic changes of the time, they made clothing choices based upon their personal aspirations and their practical everyday needs. Providing an overview of fashion influences for each decade from the 1860s to the end of the century, Everyday Fashion in Found Photographs presents iconic garments, using sources from the period, to provide commentary and detailed description of the styles of the time. Previously unpublished vintage photographs show women across the social spectrum wearing items such as the Garibaldi shirt, the cuirass bodice, the Mother Hubbard, bicycle bloomers, and much more. Names, dates and functions of garments are examined in detail, and ties are established between social and historical contexts and the evolution of clothing styles. This illustrated book is for readers who want to identify and understand specific clothing items as well as gain insight into the mind-set of fashionable women from Victorian-era America. Dress history scholars, costume designers, curators of costume collections, social and cultural historians and those who appreciate vintage photographs can learn about elements of late 19th century women's dress and thereby develop an understanding of what was fashionable, and why.
Steampunk meets the supernatural in a Canada that might have been... The year is 1884, and Corporal Marmaduke Grayburn of the North West Mounted Police always gets his man. But when he is assigned to the secretive Q-division — an elite unit of paranormal investigators founded by legendary Mountie Sam Steele — Grayburn discovers that his own psychic powers might lead to more than he bargained for. With the aid of the eccentric paranormal researcher Arthur Chambers, Grayburn sets out in search of a missing minister and a magical Native artifact known only as the Manitou Stone. But in a land where perpetual motion machines and locomotives meet ancient sorcery, can Grayburn discover the secret of the stone and maintain the uneasy peace between the scattered Indian tribes and settlers? Or will his own buried secrets lead him towards the dark fate that waits at the end of the Apparition Trail?
Who is held responsible when EU policies fail? Which blame games resonate in the European public? European Blame Games challenges the conventional wisdom that the complexity of EU decision-making eschews clarity of responsibility, thereby rendering European blame games untargeted and diffuse. The book argues that the politicization of EU policies triggers a plausibility assessment of blame attributions in the public domain with the effect that European blame games gravitate towards true responsibilities, targeting those political actors involved in enacting a policy that is subsequently considered a policy failure. It distinguishes three kinds of European blame games. In scapegoat games, supranational EU institutions are held responsible for a policy failure. Renegade games occur when individual member state governments are considered the culprits for a failed policy. When responsibility for a policy failure is shared between EU institutions and member states, diffusion games prevail. The book also explores three conditions to explain when each of the three European blame games prevails: the type of policy failure, the type of policy making, and the type of policy implementation. To empirically probe these conditions, European Blame Games studies the blame games in ten instances of EU policy failures, including EU foreign policy, environmental policy, fiscal stabilization, and migration policy. Transformations in Governance is a major academic book series from Oxford University Press. It is designed to accommodate the impressive growth of research in comparative politics, international relations, public policy, federalism, and environmental and urban studies concerned with the dispersion of authority from central states to supranational institutions, subnational governments, and public-private networks. It brings together work that advances our understanding of the organization, causes, and consequences of multilevel and complex governance. The series is selective, containing annually a small number of books of exceptionally high quality by leading and emerging scholars. The series is edited by Liesbet Hooghe and Gary Marks of the University of North Carolina, Chapel Hill, and Walter Mattli of the University of Oxford.
Of all the works of Oscar Wilde, his long letter, written during imprisonment entitled De Profundis, is perhaps less known, but without a doubt, it is the richest and truest of all his bibliography. De Profundis is like a photograph showing a perfect correspondence between art and life, that in Wilde became tragedy, a place in which words have the unbearable weight of the truth. Each page is filled with pain and hope, and the author digs, in this interpretation absolutely unique and original, in a mosaic of lives and events that will show the most human aspects of a writer who incisively marked an age. Analysing this long letter, is like attending a play in which, at every act, a different character offers us the sight on his life And Oscar, on the entry threshold, with his lilac carnation, smokes a cigarette and tells us his truest story.
Written in an engaging and accessible tone, Religion in America probes the dynamics of recent American religious beliefs and behaviors. Charting trends over time using demographic data, this book examines how patterns of religious affiliation, service attendance, and prayer vary by race and ethnicity, social class, and gender. The authors identify demographic processes such as birth, death, and migration, as well as changes in education, employment, and families, as central to why some individuals and congregations experience change in religious practices and beliefs while others hold steady. Religion in America challenges students to examine the demographic data alongside everyday accounts of how religion is experienced differently across social groups to better understand the role that religion plays in the lives of Americans today and how that is changing.
In this “vibrant, sensitive, and unusual” Regency romance, a woman must tame a beast of a man while he seeks to bring out her most primitive desires (Romantic Times). When prim English governess Chelsea Wickersham agrees to tutor the long-lost heir of the mysterious Cane estate, she expects to find a young boy eager to learn. But she is shocked to discover that her new pupil is not a boy—in fact, he barely seems to be a man. Wild and uncivilized, Sullivan Cane was only recently found on a remote island and brought back to take his rightful place within the family. But Cane is no simple beast. After years of self-exile away from his scheming relations, he was forced to return to his family estate in Scotland. Now, he continues to play the role of wild man to outwit his backstabbing brethren. Even as he grows exhausted of his brutish pretense, he takes pleasure in watching the walls of Chelsea’s façade crumble. But while passion grows between teacher and student, a sinister enemy lurks in their midst, threating their love and their lives . . . This alluring novel of deception and desire will “make you laugh, cry and leave you sleepless while you try to read just one more page” (Affaire de Coeur).
Unsettling Nostalgia in Spain and Chile: Longing for Resistance in Literature and Film reframes nostalgia to analyze how writers and filmmakers have responded to 20th-century dictatorial violence and loss in Spain and Chile. By reaching beyond reductive definitions that limit nostalgia to a conservative desire to defend traditional power hierarchies, Lisa DiGiovanni captures the complexity of a critically conscious type of longing and form of transmission that she terms “unsettling nostalgia.” Using literature and film, DiGiovanni illustrates how unsettling nostalgia imbues representations of pre-dictatorial mobilization during the Second Spanish Republic (1931–1939) and the Chilean Popular Unity (1970–1973), as well as depictions of clandestine resistance to the Franco dictatorship (1939–1975) and the Pinochet regime (1973–1989). Positive memories of efforts to upend power hierarchies coexist with retrospective critiques that fissure romanticized views of revolutionary struggle. Unsettling nostalgic works engender deeper understandings of the complexities of political movements and how stories of resistance are meaningful today. By calling attention to the parallels between nostalgic modes that resist multiple injustices based on gender, class, and sexuality, this book traces an evocative continuity between Spain and Chile that goes beyond the initial work that links forms of militaristic authoritarianism. Scholars of Latin American studies, film studies, literary studies, history, women's and gender studies, memory studies, and rhetoric will find this book particularly useful.
The only museum in the United States dedicated entirely to the art form of dance, the National Museum of Dance and Hall of Fame opened in June 1987, after a short preview season the summer before. This unique and special place celebrates its thirtieth anniversary in 2017. To commemorate this milestone, Lisa Schlansker Kolosek has created a rich pictorial history tracing not only the museum's remarkable evolution but the relevance of the museum to the city of Saratoga Springs, New York. Kolosek tells the story of the museum's origins, from its notable founders' grand idea to the selection and complete renovation of a historic 1920s bath house as its home. Combining a complete survey of exhibitions presented by the museum and the incredible history of the Hall of Fame, which recognizes dance luminaries across multiple genres, this book offers an in-depth look at the museum's expansive collection of costumes, visual art, and archival materials. The book also covers the history of the museum's Lewis A. Swyer Studios and School of the Arts, a leader in dance education. Beautifully illustrated with more than four hundred photographs, this book pays tribute to the immense impact of the National Museum of Dance and Hall of Fame.
Metaphysics of Children's Literature is the first sustained study of ways in which children's literature confronts metaphysical questions about reality and the nature of what there is in the world. In its exploration of something and nothing, this book identifies a number of metaphysical structures in texts for young people-such as the ontological exchange or nowhere in extremis-demonstrating that their entanglement with the workings of reality is unique to the conditions of children's literature. Drawing on contemporary children's literature discourse and metaphysicians from Heidegger and Levinas, to Bachelard, Sartre and Haraway, Lisa Sainsbury reveals the metaphysical groundwork of children's literature. Authors and illustrators covered include: Allan and Janet Ahlberg, Mac Barnett, Ron Brooks, Peter Brown, Lewis Carroll, Eoin Colfer, Gary Crew, Roald Dahl, Roddy Doyle, Imme Dros, Sarah Ellis, Mem Fox, Zana Fraillon, Libby Gleeson, Kenneth Grahame, Armin Greder, Sonya Hartnett, Tana Hoban, Judy Horacek, Tove Jansson, Oliver Jeffers, Jon Klassen, Elaine Konigsburg, Norman Lindsay, Geraldine McCaughrean, Robert Macfarlane, Jackie Morris, Edith Nesbit, Mary Norton, Jill Paton Walsh, Philippa Pearce, Ivan Southall, William Steig, Shaun Tan, Tarjei Vesaas, David Wiesner, Margaret Wild, Jacqueline Woodson and many others.
What kind of man creates a boy who never grows up? More than 100 years after Peter Pan first appeared on the London stage, author J. M. Barrie remains one of the most complex and enigmatic figures in modern literature. A few facts, of course, are widely known: Peter Pan made Barrie the richest author of his time, and he bequeathed the royalties to the Great Ormond Street Hospital for Sick Children. He was married, but later divorced, and he was devoted to the orphaned sons of Sylvia Llewelyn Davies, one of whom was named Peter. And then the rumors begin—about the nature of his marriage; about his precise relationship with the Davies boys, whose guardian he became; about the fantasies and demons that determined his achievements. In this brilliant biography, Lisa Chaney goes beyond the myths to discover the fascinating, frequently misunderstood man behind the famous boy. James Matthew Barrie was born in a village in Scotland in 1860, the ninth of 10 children of a linen-weaver and his wife. When James was six years old, his older brother died in a skating accident, and his mother began her withdrawal into grief. It is not an exaggeration to say that Barrie's entire life—both his professional triumphs as a writer and his personal tragedies—led up to the creation of Peter Pan, the play where "all children except one grow up." As Lisa Chaney explores Barrie's own struggles to grow up, she deepens our understanding both of his most famous character and of the complex relationship between life and art.
Fans of Sandra Brown and Lisa Gardner will devour this riveting new suspense thriller from New York Times bestselling author Lisa Jackson! Make sure it’s part of your summer beach reading! WHEN A KILLER HAS NOTHING TO LOSE The crime scene is as puzzling as it is brutal. Doctor Paul Latham and his wife, Brindel, are found dead in separate beds in their beautiful San Francisco home, each the victim of a gunshot wound to the head. There are no signs of forced entry, and despite the emptied safe it’s clear this murder isn’t random. THERE’S EVERY REASON For Detective Regan Pescoli, news of her sister’s death brings grief mixed with guilt. She and Brindel weren’t close, and Pescoli barely knows her teenage niece, Ivy, a secretive girl who lands on her doorstep in Grizzly Falls, Montana. Though Pescoli is on maternity leave, she’s soon mired deep in the investigation headed by her partner, Selena Alvarez. But as the list of suspects keeps growing, so does the body count . . . TO BE AFRAID . . . Maybe it’s exhaustion or hormones that have Pescoli on edge, feeling more vulnerable than ever before. Or maybe the chill running through her veins is justified. Because as the case takes a new, terrifying turn, Pescoli’s loved ones and her life are at the mercy of a killer who’ll go to any lengths to see her suffer . . .
“This full color guide makes foraging accessible for beginners and is a reliable source for advanced foragers.” —Edible Chicago The Midwest offers a veritable feast for foragers, and with Lisa Rose as your trusted guide you will learn how to safely find and identify an abundance of delicious wild plants. The plant profiles in Midwest Foraging include clear, color photographs, identification tips, guidance on how to ethically harvest, and suggestions for eating and preserving. A handy seasonal planner details which plants are available during every season. Thorough, comprehensive, and safe, this is a must-have for foragers in Illinois, Indiana, Iowa, Minnesota, Michigan, Missouri, Nebraska, Ohio, South Dakota, and North Dakota.
Borges cites innumerable authors in the pages making up his life's work, and innumerable authors have cited and continue to cite him. More than a figure, then, the quotation is an integral part of the fabric of his writing, a fabric made anew by each reading and each re-citation it undergoes, in the never-ending throes of a work-in-progress. Block de Behar makes of this reading a plea for the very art of communication; a practice that takes community not in the totalized and totalizable soil of pre-established definitions or essences, but on the ineluctable repetitions that constitute language as such, and that guarantee the expansiveness—through etymological coincidences of meaning, through historical contagions, through translinguistic sharings of particular experiences—of a certain index of universality. This edition includes a new introduction by the author and three entirely new chapters, as well as updated images and corrections to the original translation.
This first biography of Susan Sontag (1933–2004) is now fully revised and updated, providing an even more intimate portrayal of the influential writer's life and career. The authors base this revision on Sontag's newly released private correspondence—including emails—and the letters and memoirs of those who knew her best. The authors reveal as never before her early years in Tucson and Los Angeles, her conflicted relationship with her mother, her longing for her absent father, and her precocious achievements at the University of California, Berkeley, and the University of Chicago. Papers, diaries, and lecture notes, many accessible for the first time, spark a passionate fire in this biography. The authors follow Sontag as she abruptly ends an early first marriage, establishes herself in Paris, and embraces the open lifestyle she began as a teenager in Berkeley. As a single mother she struggled with teaching at Columbia University and other colleges while aiming for a career as a novelist and essayist. Eventually she made her own way in New York City after acquiring her one and only publisher, Farrar, Straus & Giroux. In her later years Sontag became a world figure, a tastemaker, dramatist, and political activist who risked her life in besieged Sarajevo. Love affairs with men and women troubled her. Diagnosed with cancer, she responded with determination, and her experience with illness inspired some of her best writing. This biography shows Sontag always craving “more life” at whatever cost and depicts her harrowing final decline even as she resisted terminal cancer. Susan Sontag: The Making of an Icon, Revised and Updated presents in candid and stark relief a new assessment of a heroic and controversial figure.
Stand on any street in Dublin and one is confronted with history. Behind the façades of the ten buildings featured here is the story of Dublin, bringing to life key events and characters from the past. The buildings include: Christ Church Cathedral, Dublin's oldest church; Dublin Castle, the colonisers' castle; Trinity College Dublin, the first seat of learning; the Old Parliament House (Bank of Ireland); City Hall, the centre of civic life; Kilmainham Gaol, where leaders of the rebellions of 1798, 1803, 1848, 1867 and 1916 were detained; St James' Gate Brewery, home of Guinness; the iconic GPO, the last great Georgian public building erected; the national theatre and 'cradle of Irish drama', the Abbey, and Croke Park, home of the Gaelic Athletic Association and a cathedral of sport. These survive as tangible reminders of Dublin's past and help shape the city landscape today. Bringing together the stories of these landmark buildings takes us on a wonderful journey through the shifting social, political and cultural history of Ireland's capital.
Today’s society must confront major land transport problems. The human and financial costs of vehicle accidents are increasing, with road traffic accidents predicted to become the third largest cause of death and injury across the world by 2020. Several social trends pose threats to safety, including increasing car ownership and traffic congestion, the increased complexity of the human-vehicle interface, the ageing of populations in the developed world, and a possible influx of young vehicle operators in the developing world. The Human Factors in Road and Rail Transport series aims to make a timely contribution to these issues by focusing on the driver as a contributing causal agent in road and rail accidents. The series seeks to reflect the increasing demand for safe, efficient and economical land-based transport by reporting on the state-of-the-art science that may be applied to reduce vehicle collisions, improve the usability of vehicles and enhance the operator’s wellbeing and satisfaction. It will do so by disseminating new theoretical and empirical research from specialists in the behavioural and allied disciplines, including traffic psychology, human factors and ergonomics. The series captures topics such as driver behaviour, driver training, in-vehicle technology, driver health and driver assessment. Specially commissioned works from internationally recognised experts in the field will provide authoritative accounts of the leading approaches to this significant real-world problem.
Chronicles the lives of New York intellectual Esther Murphy, celebrity ephemera collector Mercedes de Acosta, and British Vogue editor Madge Garland and their lifestyles, influence on fashion, and celebrity friendships.
An examination of the changing relationship between the writer and his protagonists, exploring how Isherwood's fiction achieves artistic integration and literary significance only when it reflects his personal concerns through theme and technique as he experiments with new narrative strategies.
An absorbing, affecting and beautifully written novel."—New York Times Book Review In Lisa Michaels's enthralling debut novel, she weaves the tale of two young newlyweds, Glen and Bessie Hyde, who set out in 1928 to run the rapids of the Grand Canyon. The pair hoped to set a record: Bessie would be the first woman to negotiate that treacherous stretch of the Colorado River. When they failed to appear at their destination on time, Glen's father mounted a desperate search to find them. Based on the few known facts of a true story, Grand Ambition contemplates our need for risk and danger, and treats with great complexity the power of youthful passion. Reading Group Guide included.
Ethan was abducted when he was just seven. Now, aged sixteen, he's finally back home. It's a miracle - at first. But as the tensions build and his family starts to crack again, can Ethan unearth the buried memory that holds the key to it all?
Throughout her works, Mary Wollstonecraft interrogates and represents the connected network of theater, culture, and self-representation, in what Lisa Plummer Crafton argues is a conscious appropriation of theater in its literal, cultural, and figurative dimensions. Situating Wollstonecraft within early Romantic debates about theatricality, she explores Wollstonecraft's appropriation of, immersion in, and contributions to these debates within the contexts of philosophical arguments about the utility of theater and spectacle; the political discourse of the French Revolution; juridical transcripts of treason and civil divorce trials; and the spectacle of the female actress in performance, as typified by Sarah Siddons and her compelling connections to Wollstonecraft on and off stage. As she considers Wollstonecraft's contributions to competing notions of the theatrical, from the writer's earliest literary reviews and translations through her histories, correspondence, nonfiction, and novels, Crafton traces the trajectory of Wollstonecraft's conscious appropriation of the trope and her emphasis on theatricality's transgressive potential for self-invention. Crafton's book, the first wide-ranging study of theatricality in the works of Wollstonecraft, is an important contribution to current reconsiderations of the earlier received wisdom about Romantic anti-theatricality, to historicist revisions of the performance and theory of Sarah Siddons, and to theories of spectacle and gender.
Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcée, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. 'Modern sentimentalism' thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production. Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.
Quickly acquire the knowledge and skills you need toconfidently administer, score, and interpret the WMS®-IV Complete coverage of administration, scoring,interpretation, and reporting Expert advice on avoiding common pitfalls Conveniently formatted for rapid reference The most recent revision of one of the most popular memory assessment instruments, the Wechsler Memory Scale-Fourth Edition (WMS®-IV) is a widely used measure of memory functioning, which is particularly useful in the assessment of individuals with dementia, traumatic brain injury, and substance abuse problems, among others. Professionals need an authoritative source on administration, scoring, and interpretation in order to use this test properly. Written by the test developers for the WMS®-IV, Essentials of WMS®-IV Assessment is that source. Like all the volumes in the Essentials of Psychological Assessment series, this book is designed to help busy mental health professionals, and those in training, quickly acquire the knowledge and skills they need to make optimal use of major psychological assessment instruments. Each concise chapter features numerous callout boxes highlighting key concepts, bulleted points, and extensive illustrative material, as well as test questions that help you gauge and reinforce your grasp of the information covered. Integrating WMS®-IV data with the WAIS®-IV and other measures of cognitive ability and memory for adults, Essentials of WMS®-IV Assessment now includes four new subtests and a revised index structure. The authors also offer expert assessment of the test's relative strengths and weaknesses, valuable advice on its clinical applications, and several illuminating case studies.
For those who own it, wealth can have extraordinary advantages. High levels of wealth can enhance educational attainment, create occupational opportunities, generate social influence and provide a buffer against financial emergencies. Even a small amount of savings can improve security, mitigate the effects of job loss and other financial setbacks and improve well-being dramatically. Although the benefits of wealth are significant, they are not enjoyed uniformly throughout the United States. In the United States, because religion is an important part of cultural orientation, religious beliefs should affect material well-being. This book explores the way religious orientations and beliefs affect Americans' incomes, savings and net worth.
Reading is always in, and this free teen e-sampler has something for everyone! Featuring first chapter excerpts from: Everlost by Neal Shusterman Cryer’s Cross by Lisa McMann Blood Red Road by Moira Young Possession by Elana Johnson Love Story by Jennifer Echols Wildefire by Karsten Knight Clean by Amy Reed This Dark Endeavor by Kenneth Oppel
The phonograph and the typewriter may be things of the past, but this book will resonate with readers who are engaged daily with computer networks, hypertexts, and the forms that mass media will take in the new century."--BOOK JACKET.
Efforts to fight back against silencing are central to social justice movements and scholarly fields such as feminist and postcolonial studies. But claiming to give voice to people who have been silenced always risks appropriating those people's stories. Lisa Propst argues that the British novelist and public intellectual Marina Warner offers some of the most provocative contemporary interventions into this dilemma. Tracing her writing from her early journalism to her novels, short stories, and studies of myths and fairy tales, Propst shows that in Warner's work, features such as stylized voices and narrative silences - tales that Warner's books hint at but never tell - question the authority of the writer to tell other people's stories. At the same time they demonstrate the power of literature to make new ethical connections between people, inviting readers to reflect on whom they are responsible to and how they are implicated in social systems that perpetuate silencing. By exploring how to combat silencing through narrative without reproducing it, Marina Warner and the Ethics of Telling Silenced Stories takes up an issue crucial not just to literature and art but to journalists, policy makers, human rights activists, and all people striving to formulate their own responses to injustice.
A teacher at a New England prep school ignites a gender war—with deadly consequences—in this dark and provocative novel by the bestselling author of The Passenger “Riveting . . . full of imagination and power.”—Caroline Kepnes, author of You and Providence NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NEW YORK • WINNER OF THE ALA’S ALEX AWARD When Alexandra Witt joins the faculty at Stonebridge Academy, she’s hoping to put a painful past behind her. Then one of her creative writing assignments generates some disturbing responses from students. Before long, Alex is immersed in an investigation of the students atop the school’s social hierarchy—and their connection to something called the Darkroom. She soon inspires the girls who’ve started to question the school’s “boys will be boys” attitude and incites a resistance. But just as the movement is gaining momentum, Alex attracts the attention of an unknown enemy who knows a little too much about her—and what brought her to Stonebridge in the first place. Meanwhile, Gemma, a defiant senior, has been plotting her attack for years, waiting for the right moment. Shy loner Norman hates his role in the Darkroom, but can’t find the courage to fight back until he makes an unlikely alliance. And then there’s Finn Ford, an English teacher with a shady reputation, who keeps one eye on his literary ambitions and one on Ms. Witt. As the school’s secrets begin to trickle out, a boys-versus-girls skirmish turns into an all-out war, with deeply personal—and potentially fatal—consequences for everyone involved. Lisa Lutz’s blistering, timely tale of revenge and disruption shows us what can happen when silence wins out over decency for too long—and why the scariest threat of all might be the idea that sooner or later, girls will be girls. Praise for The Swallows “The Swallows is fast-moving, darkly humorous and at times shockingly vicious. The battle of the sexes within its pages couldn’t be more compelling. . . . Lutz delivers a frantic, morbidly funny story.”—BookPage “A decade before the #MeToo movement kicks off in full force, women are coming for the patriarchy in this big ol’ novel, ripe with idiosyncratic characterization and memorable scenes.”—Refinery29
The subject of murder has always held a particular fascination for us. But, since at least the nineteenth century, we have seen the murderer as different from the ordinary citizen—a special individual, like an artist or a genius, who exists apart from the moral majority, a sovereign self who obeys only the destructive urge, sometimes even commanding cult followings. In contemporary culture, we continue to believe that there is something different and exceptional about killers, but is the murderer such a distinctive type? Are they degenerate beasts or supermen as they have been depicted on the page and the screen? Or are murderers something else entirely? In The Subject of Murder, Lisa Downing explores the ways in which the figure of the murderer has been made to signify a specific kind of social subject in Western modernity. Drawing on the work of Foucault in her studies of the lives and crimes of killers in Europe and the United States, Downing interrogates the meanings of media and texts produced about and by murderers. Upending the usual treatment of murderers as isolated figures or exceptional individuals, Downing argues that they are ordinary people, reflections of our society at the intersections of gender, agency, desire, and violence.
Principles and Practice of Sport Management, Third Edition, provides students with solid fundamental information on what they need to do to be successful in the sport industry. Updated and expanded, this best-selling text offers a unique blend of information on the foundations and principles on which sport management operates as well as how to apply those foundations and principles to the sport industry. The authors, all well-renowned professors in sport management or sport administration, have produced a text that is thorough, practical, and lively, and which lays the groundwork for students as they study and prepare for successful careers in sport management.
Yo, Miss – A Graphic Look at High School takes the reader inside Wildcat Academy, a second chance high school in New York City where all the students are considered at-risk. Through strong and revealing black and white images, the book tells the story of eight students who are trying to get that ticket to the middle class – a high school diploma. Whether they succeed or not has as much to do with what happens outside the classroom as in, and the value of perseverance is matched by the power of a second chance. It is a story that shows these teens in all their beauty, intelligence, suffering, humor, and humanity (and also when they are really pains in the behind.) A view from the trenches of public education, Yo, Miss challenges preconceptions about who these kids are, and what is needed to help them graduate.
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