For My Sisters is a collection of poems that gets to the heart of the matter as they lend credence to the various moods and attitudes we often find ourselves in. Through the pages of this book you'll find a poem entitled, "Dishonored Sister" it turns the mirror on our sisters who have agreed to share a married man with his wife. We also have the poem entitled, "The Angry Sister," in this poem we acknowledge that there are angry sisters out there, but we go deeper in that we try to look beyond the anger to see how our sister may have gotten that way. For My Sisters also takes a look at the lives of the Sister Giver, the Church Girl, and Sister Peace to name a few. As always thank you for agreeing to take this journey with me perhaps you'll see yourself or someone you know in the poems in this book, whatever the case I hope you enjoy it as you take some time for you. Blessings in Abundance! www.lisawalkerthomas.com
On Camera and Off" is a memoir by Lisa Thomas-Laury, a television news anchor on Philadelphia's Channel 6. The book covers her rise in TV journalism and her long struggle to beat the severe challenge of POEMS syndrome, a hard-to-diagnose nerve disorder that can be crippling and ultimately life-threatening
Kendall, Sabrina, and Gabrielle have more in common than good genes, status, and a French manicure. Sabrina is married to Marcus James, an NBA star, but behind closed doors she's a paper wife, that is a wife on paper only. Gabrielle was dumped by Brian the love of her life, when without rhyme or reason he called her an average chick and walked out on her, that's when she grabbed hold of Aaron, a sweat-suit wearing, ketchup-stained, loud mouthed fiasco. Kendall's been with Jason for three years but after he lost his job she became certain the only reason he's with her is for food, shelter, and an endless stream of cash. Will each of these women continue to accept fractional love served on a conditional platter? Will they continue to pretend like they have a man, happy to settle for what they know is a lie? www.lisawalkerthomas.com
For My Sisters is a collection of poems that gets to the heart of the matter as they lend credence to the various moods and attitudes we often find ourselves in. Through the pages of this book you'll find a poem entitled, "Dishonored Sister" it turns the mirror on our sisters who have agreed to share a married man with his wife. We also have the poem entitled, "The Angry Sister," in this poem we acknowledge that there are angry sisters out there, but we go deeper in that we try to look beyond the anger to see how our sister may have gotten that way. For My Sisters also takes a look at the lives of the Sister Giver, the Church Girl, and Sister Peace to name a few. As always thank you for agreeing to take this journey with me perhaps you'll see yourself or someone you know in the poems in this book, whatever the case I hope you enjoy it as you take some time for you. Blessings in Abundance! www.lisawalkerthomas.com
From the #1 New York Times author of Before We Were Yours! This collection bundles 3 of Lisa Wingate’s contemporary/historical Carolina Heirlooms series together in one e-book, for a great value! The Prayer Box When Iola Anne Poole, an old-timer on Hatteras Island, passes away in her bed at ninety-one, the struggling young mother in her rental cottage, Tandi Jo Reese, finds herself charged with the task of cleaning out Iola’s rambling Victorian house. Running from a messy, dangerous past, Tandi never expects to find more than a temporary hiding place within Iola’s walls, but everything changes with the discovery of eighty-one carefully decorated prayer boxes, one for each year, spanning from Iola’s youth to her last days. Hidden in the boxes is the story of a lifetime, written on random bits of paper—the hopes and wishes, fears and thoughts of an unassuming but complex woman passing through the seasons of an extraordinary, unsung life filled with journeys of faith, observations on love, and one final lesson that could change everything for Tandi. The Story Keeper (2015 Christy Award winner! 2015 Carol award winner!) When successful New York editor Jen Gibbs discovers a decaying slush-pile manuscript on her desk, she has no idea that the story of Sarra, a young mixed-race woman trapped in Appalachia at the turn of the twentieth century, will both take her on a journey and change her forever. Happy with her life in the city, and at the top of her career with a new job at Vida House Publishing, Jen has left her Appalachian past and twisted family ties far behind. But the search for the rest of the manuscript, and Jen’s suspicions about the identity of its unnamed author, will draw her into a mystery that leads back to the heart of the Blue Ridge Mountains . . . and quite possibly through the doors she thought she had closed forever. The Sea Keeper’s Daughters (2016 Christy Award Winner!) From modern-day Roanoke Island to the sweeping backdrop of North Carolina’s Blue Ridge Mountains and Roosevelt’s WPA folklore writers, past and present intertwine to create an unexpected destiny. Restaurant owner Whitney Monroe is desperate to save her business from a hostile takeover. The inheritance of a decaying Gilded Age hotel on North Carolina’s Outer Banks may provide just the ray of hope she needs. But things at the Excelsior are more complicated than they seem. Whitney’s estranged stepfather is entrenched on the third floor, and the downstairs tenants are determined to save the historic building. Searching through years of stored family heirlooms may be Whitney’s only hope of quick cash, but will the discovery of an old necklace and a Depression-era love story change everything?
Judicial Process in America, Twelfth Edition, by Robert Carp, Kenneth Manning, and Lisa Holmes is a market-leading and comprehensive textbook for both academic and general audiences. The book explains the link between the courts, public policy, and the political environment. Considering the courts from every level, the authors cover judges, lawyers, litigants, and the variables at play in the judicial decision-making process, the impact of those decisions on American citizens, and what the consequences are for the United States today.
Opening Scripture provides a thorough and original account of ministerial and lay strategies for interpreting Scripture in the Massachusetts Bay. Demonstrating an impressive command of the vast literature and history of the period, Lisa Gordis moves deftly through discussions of major figures and events. This is a significant intervention in the study of Puritan New England."—Sandra M. Gustafson, University of Notre Dame What role did the Bible really play in Puritan New England? Many have treated it as a blunt instrument used to cudgel dissenters into submission, but Lisa M. Gordis reveals instead that Puritan readings of the Bible showed great complexity and literary sophistication—so much complexity, in fact, that controversies over biblical interpretation threatened to tear Puritan society apart. Drawing on Puritan preaching manuals and sermons as well as the texts of early religious controversies, Gordis argues that Puritan ministers did not expect to impose their views on their congregations. Instead they believed that interpretive consensus would emerge from the process of reading the Bible, with the Holy Spirit assisting readers to understand God's will. Treating the conflict over Roger Williams, the Antinomian Controversy, and the reluctant compromises of the Halfway Covenant as symptoms of a crisis that was as much literary as it was social or spiritual, Opening Scripture explores the profound consequences of Puritan negotiations over biblical interpretation for New England's literature and history.
The succession to the throne, Lisa Hopkins argues here, was a burning topic not only in the final years of Elizabeth but well into the 1630s, with continuing questions about how James's two kingdoms might be ruled after his death. Because the issue, with its attendant constitutional questions, was so politically sensitive, Hopkins contends that drama, with its riddled identities, oblique relationship to reality, and inherent blurring of the extent to which the situation it dramatizes is indicative or particular, offered a crucial forum for the discussion. Hopkins analyzes some of the ways in which the dramatic works of the time - by Marlowe, Shakespeare, Webster and Ford among others - reflect, negotiate and dream the issue of the succession to the throne.
As the premier livery company, the Mercers Company in medieval England enjoyed a prominent role in London's governance and exercised much influence over England's overseas trade and political interests. This substantial two-volume set provides a comprehensive edition of the surviving Mercers' accounts from 1347 to 1464, and opens a unique window into the day-to-day workings of one of England's most powerful institutions at the height of its influence. The accounts list income, derived from fees for apprentices and entry fees, from fines (whose cause is usually given, sometimes with many details), from gifts and bequests, from property rents, and from other sources, and then list expenditures: on salaries to priests and chaplains, to the beadle, the rent-collector, and to scribes and scriveners; on alms payments; on quit-rents due on their properties; on repairs to properties; and on a whole host of other costs, differing from year to year, and including court cases, special furnishings for the chapel or Hall, negotiations over trade with Burgundy, transport costs, funeral costs or those for attendance at state occasions, etc. Included also in some years are ordinances, deeds and other material of which they wanted to ensure a record was kept. Beginning with an early account for 1347-48, and the company's ordinances of that year, the accounts preserved form an entire block from 1390 until 1464. The material is arranged in facing-page format, with an accurate edition of the original text mirrored by a translation into modern English. A substantial introduction describes the manuscripts in full detail and explains the accounting system used by the Mercers and the financial vocabulary associated with it. Exhaustive name and subject indexes ensure that the material is easily accessible and this edition will become an essential tool for all studying the social, cultural or economic developments of late-medieval England.
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
From the #1 New York Times author of Before We Were Yours. From modern-day Roanoke Island to the sweeping backdrop of North Carolina's Blue Ridge Mountains and Roosevelt's WPA folklore writers, past and present intertwine to create an unexpected destiny. Restaurant owner Whitney Monroe is desperate to save her business from a hostile takeover. The inheritance of a decaying Gilded Age hotel on North Carolina's Outer Banks may provide just the ray of hope she needs. But things at the Excelsior are more complicated than they seem. Whitney's estranged stepfather is entrenched on the third floor, and the downstairs tenants are determined to save the historic building. Searching through years of stored family heirlooms may be Whitney's only hope of quick cash, but will the discovery of an old necklace and a Depression-era love story change everything?
Lisa Wilson traces the experiences of widows in a society that was developing a new ideology of proper female behavior. Using wills, court records, almshouse registers, correspondence, and diaries to explore the lives of widows during this period, Wilson alters our understanding of the diversity of women's experiences and adds a new dimension to the "separate spheres" explanation of gender roles. For this group of early American women, family concerns rather than the dictates of femininity lay at the core of their lives.
The increase in suicides among military personnel has raised concern. This book reviews suicide epidemiology in the military, catalogs military suicide-prevention activities, and recommends relevant best practices.
In the southern Maya lowlands, rainfall provided the primary and, in some areas, the only source of water for people and crops. Classic Maya kings sponsored elaborate public rituals that affirmed their close ties to the supernatural world and their ability to intercede with deities and ancestors to ensure an adequate amount of rain, which was then stored to provide water during the four-to-five-month dry season. As long as the rains came, Maya kings supplied their subjects with water and exacted tribute in labor and goods in return. But when the rains failed at the end of the Classic period (AD 850-950), the Maya rulers lost both their claim to supernatural power and their temporal authority. Maya commoners continued to supplicate gods and ancestors for rain in household rituals, but they stopped paying tribute to rulers whom the gods had forsaken. In this paradigm-shifting book, Lisa Lucero investigates the central role of water and ritual in the rise, dominance, and fall of Classic Maya rulers. She documents commoner, elite, and royal ritual histories in the southern Maya lowlands from the Late Preclassic through the Terminal Classic periods to show how elites and rulers gained political power through the public replication and elaboration of household-level rituals. At the same time, Lucero demonstrates that political power rested equally on material conditions that the Maya rulers could only partially control. Offering a new, more nuanced understanding of these dual bases of power, Lucero makes a compelling case for spiritual and material factors intermingling in the development and demise of Maya political complexity.
A multidisciplinary team of experts examines violence from a resilience perspective Violence knows no boundaries. It attacks in schools, in families, and even in the workforce-places that should be regarded as safe havens. Encompassing the enormity of violence through a comprehensive, biopsychosocial perspective, Handbook of Violence examines community, school, family, and workplace violence, including identification, classification, prevention, and interview programs and case management. Written by the leading authorities in their fields, this groundbreaking compilation: * Reviews how children and adolescents from violent homes are detrimentally affected in multiple ways, including short- and long-term consequences that seriously impair their psychological, social, educational, and physical development * Explores issues related to the occurrence of domestic violence in African-American families, presenting an array of theoretical formulations that may prove useful to practitioners who must service both victims and perpetrators * Examines the prevalence of female juvenile delinquency and reviews the literature from a sociological and practice perspective * Focuses on the current trends and issues surrounding youth gang violence,discussing identification, classification, and prediction as they relate to gang violence as well as effective prevention and intervention * Addresses the identification, classification, and prediction of school violence among middle-school and high-school youth * Covers the broad range of cases that are classified as "workplace violence," examining the differences in definition and analyzing the bases for the growing prevalence of incidents Topics include: * Violence within families through the life span * Adolescent dating violence * Assessing violent behavior * Domestic violence in Latino cultures * Conduct disorder and substance abuse * Youth gang violence * School violence * Preventing workplace violence * Domestic violence in the workplace * And much more
How the imposition of Crown rule across the British Empire during the Age of Revolution corroded the rights of British subjects and laid the foundations of the modern police state. During the eighteenth and nineteenth centuries, the British Empire responded to numerous crises in its colonies, from North America to Jamaica, Bengal to New South Wales. This was the Age of Revolution, and the Crown, through colonial governors, tested an array of coercive peacekeeping methods in a desperate effort to maintain control. In the process these leaders transformed what it meant to be a British subject. In the decades after the American Revolution, colonial legal regimes were transformed as the kingÕs representatives ruled new colonies with an increasingly heavy hand. These new autocratic regimes blurred the lines between the rule of law and the rule of the sword. Safeguards of liberty and justice, developed in the wake of the Glorious Revolution, were eroded while exacting obedience and imposing order became the focus of colonial governance. In the process, many constitutional principles of empire were subordinated to a single, overarching rule: where necessary, colonial law could diverge from metropolitan law. Within decades of the American Revolution, Lisa Ford shows, the rights claimed by American rebels became unthinkable in the British Empire. Some colonial subjects fought back but, in the empire, the real winner of the American Revolution was the king. In tracing the dramatic growth of colonial executive power and the increasing deployment of arbitrary policing and military violence to maintain order, The KingÕs Peace provides important lessons on the relationship between peacekeeping, sovereignty, and political subjectivityÑlessons that illuminate contemporary debates over the imbalance between liberty and security.
How vermin went from being part of everyone's life to a mark of disease, filth, and lower status. For most of our time on this planet, vermin were considered humanity's common inheritance. Fleas, lice, bedbugs, and rats were universal scourges, as pervasive as hunger or cold, at home in both palaces and hovels. But with the spread of microscopic close-ups of these creatures, the beginnings of sanitary standards, and the rising belief that cleanliness equaled class, vermin began to provide a way to scratch a different itch: the need to feel superior, and to justify the exploitation of those pronounced ethnically—and entomologically—inferior. In Getting Under Our Skin, Lisa T. Sarasohn tells the fascinating story of how vermin came to signify the individuals and classes that society impugns and ostracizes. How did these creatures go from annoyance to social stigma? And how did people thought verminous become considered almost a species of vermin themselves? Focusing on Great Britain and North America, Sarasohn explains how the label "vermin" makes dehumanization and violence possible. She describes how Cromwellians in Ireland and US cavalry on the American frontier both justified slaughter by warning "Nits grow into lice." Nazis not only labeled Jews as vermin, they used insecticides in the gas chambers to kill them during the Holocaust. Concentrating on the insects living in our bodies, clothes, and beds, Sarasohn also looks at rats and their social impact. Besides their powerful symbolic status in all cultures, rats' endurance challenges all human pretentions. From eighteenth-century London merchants anointing their carved bedsteads with roasted cat to repel bedbugs to modern-day hedge fund managers hoping neighbors won't notice exterminators in their penthouses, the studies in this book reveal that vermin continue to fuel our prejudices and threaten our status. Getting Under Our Skin will appeal to cultural historians, naturalists, and to anyone who has ever scratched—and then gazed in horror.
The definitive anthology of wisdom and wit about one of life’s most complex, intriguing, and personal subjects. When and whom do you marry? How do you keep a spouse content? Do all engaged couples get cold feet? How cold is so cold that you should pivot and flee? Where and how do children fit in? Is infidelity always wrong? In this volume, you won’t find a single answer to your questions about marriage; you will find hundreds. Spanning centuries and cultures, sources and genres, The Marriage Book offers entries from ancient history and modern politics, poetry and pamphlets, plays and songs, newspaper ads and postcards. It is an A to Z compendium, exploring topics from Adam and Eve to Anniversaries, Fidelity to Freedom, Separations to Sex. In this volume, you’ll hear from novelists, clergymen, sex experts, and presidents, with guest appearances by the likes of Liz and Dick, Ralph and Alice, Louis CK, and Neil Patrick Harris. Casanova calls marriage the tomb of love, and Stephen King calls it his greatest accomplishment. With humor, perspective, breadth, and warmth, The Marriage Book is sure to become a classic.
Unearth Utah's long-lost treasure trove! This fascinating volume shares the history of the legendary gold deposits deep in the Uintah Mountains. From Aztec lore to Spanish exploration to pioneer finds, the secrets of centuries past are revealed within these pages. With modern technology and this informative book at your side, there's never been a better time to search for the treasures still undiscovered!
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.
In Consecrating Science, Lisa Sideris offers a searing critique of 'The New Cosmology,' a complex network of overlapping movements that claim to bring together science and spirituality, all in the name of saving our planet from impending ecological collapse. Highly regarded in many academic circles, these movements have been endorsed by numerous prominent scholars, scientists, historians, and educators. Their express goal--popularized in numerous books, films, TED talks, YouTube videos, podcasts, and even introductory courses at places like Harvard or Washington University--is to instill in readers and audiences a profound sense of being at home in the universe, thereby fostering environmentally responsible behavior. Whether promoted as 'The New Story,' 'The Universe Story,' or 'The Epic of Evolution,' they all offer humanity a new sacred story, a common creation myth for modern times and for all people: the evolutionary unfolding of the universe from the Big Bang to the present. Evolutionary science and religious cosmology--together at last! But as Sideris shows, however, the New Cosmology actually underwrites a staggeringly anthropocentric vision of the world. Instead of cultivating an ethic of respect for nature, the project of 'consecrating science' only increases human arrogance and indifference to nonhuman life. Going back to the work of Rachel Carson and other naturalists, the author shows how a sense of wonder, rooted in the natural world and our own ethical impulses, helps foster environmental attitudes and policies that protect our planet"--Provided by publishe
The phonograph and the typewriter may be things of the past, but this book will resonate with readers who are engaged daily with computer networks, hypertexts, and the forms that mass media will take in the new century."--BOOK JACKET.
Winner, Matei Calinescu Prize, Modern Language Association Winner, 2021 Modernist Studies Award, Modernist Studies Association Long before the US Supreme Court announced that corporate persons freely "speak" with money in Citizens United v. Federal Election Commission (2010), they elaborated the legal fiction of American corporate personhood in Santa Clara v. Southern Pacific Railroad (1886). Yet endowing a non-human entity with certain rights exposed a fundamental philosophical question about the possibility of collective intention. That question extended beyond the law and became essential to modern American literature. This volume offers the first multidisciplinary intellectual history of this story of corporate personhood. The possibility that large collective organizations might mean to act like us, like persons, animated a diverse set of American writers, artists, and theorists of the corporation in the first half of the twentieth century, stimulating a revolution of thought on intention. The ambiguous status of corporate intention provoked conflicting theories of meaning—on the relevance (or not) of authorial intention and the interpretation of collective signs or social forms—still debated today. As law struggled with opposing arguments, modernist creative writers and artists grappled with interrelated questions, albeit under different guises and formal procedures. Combining legal analysis of law reviews, treatises, and case law with literary interpretation of short stories, novels, and poems, this volume analyzes legal philosophers including Oliver Wendell Holmes, Jr., Frederic Maitland, Harold Laski, Maurice Wormser, and creative writers such as Theodore Dreiser, Muriel Rukeyser, Gertrude Stein, Charles Reznikoff, F. Scott Fitzgerald, and George Schuyler.
Lisa M. Oakes, Vanessa Lobue, and Marianella Casasola′s Infancy: The Development of the Whole Child unites historically important and cutting-edge theories and research to illustrate the development of the whole child from birth to age three. Topically organized and written in a conversational tone, the text illustrates the interconnected nature of development through links within its bio-psycho-social coverage. Through its inclusive approach, students see individual similarities and differences in development as a function of factors such as culture, language experience, parenting style, and socioeconomic status. Stories from the authors′ own experiences with infants highlight connections between research and parenting, social policy, and everyday contexts, effectively bringing the topics to life for students. Included with this title: LMS Cartridge: Import this title’s instructor resources into your school’s learning management system (LMS) and save time. Don’t use an LMS? You can still access all of the same online resources for this title via the password-protected Instructor Resource Site. Learn more.
This fifth edition is redesigned to reflect the breadth of research across information behaviour studies, with a new streamlined, six-chapter structure, presenting a refreshed look at information needs and seeking practices, while also embracing contemporary concepts such as information use, creation, and embodiment.
This book is concerned with how individual researchers experience and respond to this scenario. It brings together research and scholarship examining the socio-political context of university research and explores how researchers' perceptions and identities are changed by political and cultural agendas for research.
The story of the San Lorenzo Valley Flume which operated between Boulder Creek and Felton in Santa Cruz County during the latter part of the 19th Century. The book explores the people who financed it, built it, played on it, worked on it, and, eventually, tore it down. It examines the method of construction and the challenges faced operating and maintaining the flume.
Over seven years, Lisa Krissoff Boehm gathered oral histories with women migrants and their children, two groups largely overlooked in the story of this event. She also utilized existing oral histories with migrants and southerners in leading archives. In extended excerpts from the oral histories, and in thoughtful scholarly analysis of the voices, this book offers a unique window into African American women's history.
This is the first book to explore the ethical thought of Pierre Gassendi, the seventeenth-century French priest who rehabilitated Epicurean philosophy in the Western tradition. Lisa T. Sarasohn's discussion of the relationship between Gassendi's philosophy of nature and his ethics discloses the underlying unity of his philosophy and elucidates this critical figure in the intellectual revolution.Sarasohn demonstrates that Gassendi's ethics was an important part of his attempt to Christianize Epicureanism. She shows how Gassendi integrated ideas of human freedom into a neo-Epicurean ethic where pleasure is the highest good, yet maintained a consistent belief in Christian providence. These views challenged what were then the new systems of philosophy, Hobbesian materialism and Cartesian rationalism. Sarasohn places Gassendi in his historical and intellectual context, considering him in relation to contemporary philosophers and within the patronage system that conditioned his own freedom. She investigates the links between his ethical thought and philosophy of science and makes sense of his attacks on astrology. Finally, her work clarifies Pierre Gassendi's considerable influence on seventeenth-century ethical and political philosophy, particularly on the work of John Locke—and thus on the whole English liberal tradition in political philosophy.
A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.