A thorough look into the early life and career of Charlie Chaplin. Charlie Chaplin’s career has been described, critiqued, and scrutinized. There are book-length studies on Chaplin’s music hall career, his career at Keystone Studios and the Mutual Studios. Somehow, his tenure with First National studios, however, has been largely neglected, even though it was during this several-year contractual time period that Chaplin built and occupied his own studio for the first time, that he attempted and succeeded in filming a comedy feature (The Kid) and that he helped to set up United Artists, an organization that protected the salaries and creative freedom of actors in Hollywood. This period in Chaplin’s story is especially interesting because such landmark moments are accompanied by Chaplin’s first marriage and divorce, the death of his first child, his friendship with French silent film comedian Max Linder, World War I and the role he would play in it, and the production and release of several unsuccessful films that marked Chaplin’s first creative blockage - one that threatened his future career. This book will discuss the transitional periods just before and after the First National contract, as well as the all-important period satisfying it. Archival evidence provides most of the support for the book’s assertions, from the Chaplin archive (property of Roy Export, digitized by Cineteca di Bologna, Italy), and the personal archives of other individuals or institutions discussed. Rare photos will illustrate the story.
This book focuses on the re-invigoration of Charlie Chaplin’s Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film.
A thorough look into the early life and career of Charlie Chaplin. Charlie Chaplin’s career has been described, critiqued, and scrutinized. There are book-length studies on Chaplin’s music hall career, his career at Keystone Studios and the Mutual Studios. Somehow, his tenure with First National studios, however, has been largely neglected, even though it was during this several-year contractual time period that Chaplin built and occupied his own studio for the first time, that he attempted and succeeded in filming a comedy feature (The Kid) and that he helped to set up United Artists, an organization that protected the salaries and creative freedom of actors in Hollywood. This period in Chaplin’s story is especially interesting because such landmark moments are accompanied by Chaplin’s first marriage and divorce, the death of his first child, his friendship with French silent film comedian Max Linder, World War I and the role he would play in it, and the production and release of several unsuccessful films that marked Chaplin’s first creative blockage - one that threatened his future career. This book will discuss the transitional periods just before and after the First National contract, as well as the all-important period satisfying it. Archival evidence provides most of the support for the book’s assertions, from the Chaplin archive (property of Roy Export, digitized by Cineteca di Bologna, Italy), and the personal archives of other individuals or institutions discussed. Rare photos will illustrate the story.
This book focuses on the re-invigoration of Charlie Chaplin’s Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film.
Reading Gertrude Stein traces the evolution of the mind and art of Gertrude Stein from Three Lives through The Making of Americans to Tender Buttons. In a series of close readings, Lisa Ruddick shows how Stein, whom she regards as the first truly modern writer in English, absorbed the influence of several of the major thinkers of her day (particularly William James and Freud), and then developed unique perspectives of her own original language and culture.
Modernism's Other Work considers writings by Gertrude Stein, Wyndham Lewis, Elizabeth Bishop, Amiri Baraka, and others, to challenge deeply held critical beliefs about the meaning-in particular the political meaning-of modernism's commitment to the work of art as an object detached from the world.
Over the years the magazine In Style has built up a readership of more than seven million. Written for style conscious women and published with the magazine's endorsement, this volume offers timeless advice on every aspect of developing a personal style and shopping strategy.
We all love to have that perfect phrase for that perfect moment. As Goldwyn Smith once said, Nothing can stand against a really resolute quoter. Find some of the greatest, funniest and most memorable words spoken by Canadians in this easy-to-use collection. - I just am a Canadian. It is not a thing which you can escape from. It is like having blue eyes. -Robertson Davies - What we do should have a Canadian character. Nobody looks his best in somebody else's clothes. -Vincent Massey - The beginning of Canadian cultural nationalism was not Am I really that oppressed? but Am I really that boring? -Margaret Atwood - Most Americans don't understand Canadian political parties. Neither do most Canadians. -Eric Nicol - Where Canadians got the monotone that you're listening to now I don't know - probably from the Canada goose. -Northrup Frye - I didn't know at first that there were two languages in Canada. I just thought that there was one way to speak to my father and another to speak to my mother. -Louis St. Laurent - Canada is a country whose main exports are hockey players and cold fronts. Our main imports are baseball players and acid rain. -Pierre Trudeau - Hudson's Bay is certainly a country that Sinbad the Sailor never saw, as he makes no mention of mosquitoes. -David Thompson - The Americans are our best friends whether we like it or not. -Robert Thomson - If some countries have too much history, we have too much geography. -William Lyon MacKenzie King. And many more...
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