Four people, figuring out sex, love, and how to ‘adult.’ Sydney - one of those places that just consumes you. A private school boy, a tortured drug dealer, a starving writer and a gay outcast, try to do their best as they navigate through the unspoken rules which govern the fast paced, status obsessed harbour city. Benji: desperate to stand on his own, and be perceived as separate to his status-driven family. Francesca: plotting her remarkable and glamorous future. Leo: the confident gay-sian, but despite the pretense, lacks a sense of identity and self-worth. Hamish: fell into drugs to distinguish himself. Four stories interlaced together. Anxiety masked as confidence. Ambitions as arrogance. Insecurities which fester … until the cracks appear in the perfect façade "I laughed. I cried. Sometimes at the same time!' Tim Ferguson. "Portolan and Cheong’s voices stitch seamlessly together to lay out a funny, honest and extremely relatable story, so clearly born of the 2020s. I couldn’t get enough of it!" Marlee Silva
A modern-day women’s manifesto: a look at how love, romance, and the digital domain police women's behaviours. Be the cool girl and get the guy. Otherwise you're ... Too fat or too thin; too clever or too stupid; too free or too restricted. You need to be .... Pretty but relatable, not difficult, not demanding - yes, virtually invisible. Play down your attributes, your wants, your needs and most definitely, don't be high maintenance! The term “high-maintenance” is part of everyday speech, and usually refers to a woman who places a high value on her personal image, wants or needs. Often uttered within the context of dating, the implication is the woman in question is too much hard work. Rarely, if ever, do we come across the term “high-maintenance man”. On a daily basis women are deliberately portraying themselves as “low-maintenance”, “chill” and “cool”. Hidden behind these seemingly insignificant, even innocuous words, is something far more sinister. They tend to describe the multitude of ways women reign themselves in to appease men. The “high-maintenance” woman is too much to handle – confirming known stereotypes that women are expected to be quiet, subservient, opinion-less, and always amenable. That they shouldn’t be difficult. This rhetoric is dangerous. It teaches women around the world, and distressingly, the next generation that they need to play into a male stereotype of what a woman should be – and that’s smaller, and less than. This is a call to arms to women. To take up as much space as you like. To be as clever, as madeup, as dull, as vibrant, as curious, or as difficult as you choose.To live wildly. To occupy and embrace different spaces. This is your moment to be, yes, high maintenance. Embrace it
Pretty Girls is a visceral narrative of violence, personal tragedy and female resilience set against the backdrop of one of Australia’s most politically charged communities, Redfern, where sinister racial tensions underpin everything. Evie is a woman in her mid-thirties who returns to her hometown to meet with her dying father. In coming back to the place where she grew up she has to revisit her history of violence – the death of her mother, the suicide of her brother and the domestic violence that occurred in her home. Her father only has a short time to live – she expects to find him a changed man. But he’s not. He’s unrepentant and unapologetic for his actions. Evie has to reclaim her story – she’s not just a pretty girl, she won’t just sit down, be quiet, stay still – but getting there is more than tough, more than an ordeal – it’s a mammoth display of tenacity and strength. Pretty Girls is ultimately a story of triumph. Evie rises from the ashes of a hellish past and re-writes her story. There is a part of Evie in every woman and Pretty Girls seeks to start a movement. "I know there are other people out there, just like me. People who think they are alone in life and that their cards have been dealt... But now I know there's always time for change and there's always a better path. You just have to look for it." - Jimmy Barnes, Working Class Boy
Love, Intimacy and Online Dating: How a Global Pandemic Redefined Romantic Relationships is an innovative work that explores the concept of intimacy during the COVID-19 pandemic. The book provides an overview of the online dating world and apps, the use of which gradually became common as the pandemic restricted people’s interaction in the physical world. The author’s extensive research conducted during the pandemic posits a comprehensive understanding of the individual’s motivation to join a dating app and explores its varied aspects. This thoroughly researched book explores the themes and elements of online dating and examines the users’ motivation for joining a dating app, for seeking intimacy as well as for self-presentation on the app. Portolan examines the underlying politics and role of infrastructure of dating apps and describes how gender, power, and intimacy intersect to create new intimacy phenomena. She also utilises her research to put forth the key concept of "Jagged Love", which describes a user’s cyclical relationship with dating apps during the pandemic, and the gap between a user’s act to seek familiar romantic narratives and the app’s inability to deliver against these ideas. The chapters further explore the differences between virtual and In Real Life (IRL) intimacy, the generation of gender and the emanation of stereotypical cultural ideals that the users sought through the apps. The book serves as an invaluable discussion on the pandemic’s impact on modifying the definitions of romance and intimacy. This book will be useful for highlighting the impact social factors can have on familiar concepts and the effects of the COVID-19 pandemic on the definition of love and intimacy, making it fascinating for students, academics and professionals interested in relationships, digital media and gender. It will also be useful in enhancing the comprehension of love and romance in the fields of social science.
Four people, figuring out sex, love, and how to ‘adult.’ Sydney - one of those places that just consumes you. A private school boy, a tortured drug dealer, a starving writer and a gay outcast, try to do their best as they navigate through the unspoken rules which govern the fast paced, status obsessed harbour city. Benji: desperate to stand on his own, and be perceived as separate to his status-driven family. Francesca: plotting her remarkable and glamorous future. Leo: the confident gay-sian, but despite the pretense, lacks a sense of identity and self-worth. Hamish: fell into drugs to distinguish himself. Four stories interlaced together. Anxiety masked as confidence. Ambitions as arrogance. Insecurities which fester … until the cracks appear in the perfect façade "I laughed. I cried. Sometimes at the same time!' Tim Ferguson. "Portolan and Cheong’s voices stitch seamlessly together to lay out a funny, honest and extremely relatable story, so clearly born of the 2020s. I couldn’t get enough of it!" Marlee Silva
Pretty Girls is a visceral narrative of violence, personal tragedy and female resilience set against the backdrop of one of Australia’s most politically charged communities, Redfern, where sinister racial tensions underpin everything. Evie is a woman in her mid-thirties who returns to her hometown to meet with her dying father. In coming back to the place where she grew up she has to revisit her history of violence – the death of her mother, the suicide of her brother and the domestic violence that occurred in her home. Her father only has a short time to live – she expects to find him a changed man. But he’s not. He’s unrepentant and unapologetic for his actions. Evie has to reclaim her story – she’s not just a pretty girl, she won’t just sit down, be quiet, stay still – but getting there is more than tough, more than an ordeal – it’s a mammoth display of tenacity and strength. Pretty Girls is ultimately a story of triumph. Evie rises from the ashes of a hellish past and re-writes her story. There is a part of Evie in every woman and Pretty Girls seeks to start a movement. "I know there are other people out there, just like me. People who think they are alone in life and that their cards have been dealt... But now I know there's always time for change and there's always a better path. You just have to look for it." - Jimmy Barnes, Working Class Boy
A modern-day women’s manifesto: a look at how love, romance, and the digital domain police women's behaviours. Be the cool girl and get the guy. Otherwise you're ... Too fat or too thin; too clever or too stupid; too free or too restricted. You need to be .... Pretty but relatable, not difficult, not demanding - yes, virtually invisible. Play down your attributes, your wants, your needs and most definitely, don't be high maintenance! The term “high-maintenance” is part of everyday speech, and usually refers to a woman who places a high value on her personal image, wants or needs. Often uttered within the context of dating, the implication is the woman in question is too much hard work. Rarely, if ever, do we come across the term “high-maintenance man”. On a daily basis women are deliberately portraying themselves as “low-maintenance”, “chill” and “cool”. Hidden behind these seemingly insignificant, even innocuous words, is something far more sinister. They tend to describe the multitude of ways women reign themselves in to appease men. The “high-maintenance” woman is too much to handle – confirming known stereotypes that women are expected to be quiet, subservient, opinion-less, and always amenable. That they shouldn’t be difficult. This rhetoric is dangerous. It teaches women around the world, and distressingly, the next generation that they need to play into a male stereotype of what a woman should be – and that’s smaller, and less than. This is a call to arms to women. To take up as much space as you like. To be as clever, as madeup, as dull, as vibrant, as curious, or as difficult as you choose.To live wildly. To occupy and embrace different spaces. This is your moment to be, yes, high maintenance. Embrace it
Love, Intimacy and Online Dating: How a Global Pandemic Redefined Romantic Relationships is an innovative work that explores the concept of intimacy during the COVID-19 pandemic. The book provides an overview of the online dating world and apps, the use of which gradually became common as the pandemic restricted people’s interaction in the physical world. The author’s extensive research conducted during the pandemic posits a comprehensive understanding of the individual’s motivation to join a dating app and explores its varied aspects. This thoroughly researched book explores the themes and elements of online dating and examines the users’ motivation for joining a dating app, for seeking intimacy as well as for self-presentation on the app. Portolan examines the underlying politics and role of infrastructure of dating apps and describes how gender, power, and intimacy intersect to create new intimacy phenomena. She also utilises her research to put forth the key concept of "Jagged Love", which describes a user’s cyclical relationship with dating apps during the pandemic, and the gap between a user’s act to seek familiar romantic narratives and the app’s inability to deliver against these ideas. The chapters further explore the differences between virtual and In Real Life (IRL) intimacy, the generation of gender and the emanation of stereotypical cultural ideals that the users sought through the apps. The book serves as an invaluable discussion on the pandemic’s impact on modifying the definitions of romance and intimacy. This book will be useful for highlighting the impact social factors can have on familiar concepts and the effects of the COVID-19 pandemic on the definition of love and intimacy, making it fascinating for students, academics and professionals interested in relationships, digital media and gender. It will also be useful in enhancing the comprehension of love and romance in the fields of social science.
In a world where data is the new currency, social media is turning us all into walking, talking billboards and brands and we're meant to be mindful, manifesting and present, isn't it a bit rich to be expected to be happy too? After a lifetime spent actively searching for happiness as well as studying it, communications executive and yogi Lisa Portolan shares valuable insights into how we made happiness a science and an industry, created products around it and supported it with a whole heap of advertising to ensure that works, but is 'brand me' just a recipe for unhappiness? 'Lisa points the way to an alternative approach where instead of performing or pursuing an artificial construction of happiness, we can discover our authentic, holistic selves, and learn that this is enough.' - Tom Dawkins 'A big call, but coming from a practitioner of the dark arts of advertising and persuasion Lisa's insights are f*cking surprising and enlightening.' - Paul Bongiorno AM 'Lisa Portolan's fascinating exploration of happiness reveals fresh insights into this much-lauded but little-examined condition. Startling in its insight and surprising in its scale, Happy As sheds light into the darker corners of people's search for joy. And, oddly enough, it is an unbridled joy to read.' - Tim Ferguson
In a world where data is the new currency, social media is turning us all into walking, talking billboards and brands and we're meant to be mindful, manifesting and present, isn't it a bit rich to be expected to be happy too? After a lifetime spent actively searching for happiness as well as studying it, communications executive and yogi Lisa Portolan shares valuable insights into how we made happiness a science and an industry, created products around it and supported it with a whole heap of advertising to ensure that works, but is 'brand me' just a recipe for unhappiness? 'Lisa points the way to an alternative approach where instead of performing or pursuing an artificial construction of happiness, we can discover our authentic, holistic selves, and learn that this is enough.' - Tom Dawkins 'A big call, but coming from a practitioner of the dark arts of advertising and persuasion Lisa's insights are f*cking surprising and enlightening.' - Paul Bongiorno AM 'Lisa Portolan's fascinating exploration of happiness reveals fresh insights into this much-lauded but little-examined condition. Startling in its insight and surprising in its scale, Happy As sheds light into the darker corners of people's search for joy. And, oddly enough, it is an unbridled joy to read.' - Tim Ferguson
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
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