The syntax of Control structures remains a topic of heated debate: Standard generative treatments continue to analyze them in terms of PRO, a hypothesis challenged in alternative syntactic frameworks, semantic circles, and even within the generative tradition itself. This book: (a) examines empirical paradigms currently assumed to favor a PRO approach over competing theories, demonstrating that alternative approaches offer equally plausible treatments of these facts; (b) develops five novel arguments amenable to analysis only within a PRO approach; (c) puts forth a radically revised PRO approach to Control according to which PRO continues to be analyzed as a non-expletive nominal, but one lacking phi- and Case features in the computational component. Contra standard theory, PRO is argued to never undergo movement to a position even as high as the first NegP that dominates its initial merge position. Furthermore, Control complements are shown to take the form of such diverse categories as CP, IP, vP and VP; and (d) considers how a syntactically phi-featureless noun comes to be understood to bear phi-features, as well as how tense limits PRO’s distribution in a here-to-fore unnoticed fashion.
A murderer is at large on the streets of Lincolnshire. But why? When the body of a well-known local thug is discovered carrying a personal message for Detective Sergeant Catherine Bishop neither she, nor her team, can figure out why. Soon, a second victim is found and it is clear that Catherine and her enigmatic new boss, DI Jonathan Knight, are in a race against the clock to stop a merciless killer. Whoever it is, they are determined to put Catherine herself under scrutiny. Will the murderer be caught before they take more lives? And meanwhile will they reveal a sinister secret that threatens those at the heart of the investigation? An atmospheric and heart-stopping crime thriller, perfect for fans of L. J. Ross, David Hodges and J. M. Dalgliesh.
The African- Jamaican Aesthetics Cultural Retention and Transformation Across Borders centres on the use of African Jamaican Aesthetics in Jamaica’s literary traditions and its transformation and transmission in the diaspora.
A woman on the run is a Montana serial killer’s ultimate target in this psychological thriller by the #1 New York Times bestselling author. In Grizzly Falls, Montana, Detectives Selena Alvarez and Regan Pescoli are struggling with a new acting commander while Sheriff Dan Grayson is in a coma after being shot. It's the worst possible time for a homicide. A woman’s body has been found, frozen and missing a finger. Alvarez hopes this was an isolated case of a murderer with a personal grudge. But then a second body turns up. . . Meanwhile, Anne-Marie Calderone has just arrived in town hoping Sheriff Grayson could help her escape a dangerous stalker. But now Grizzly Falls is starting to feel like a trap. As clues begin pointing toward a homicide suspect, Alvarez senses there's more to this case than others want to believe. A killer has made his way to Grizzly Falls, ready to fulfill a vengeance years in the making. Alvarez and Pescoli must find the target of his wrath—or die trying.
For decades, historians have primarily analyzed charges of black-on-white rape in the South through accounts of lynching or manifestly unfair trial proceedings, suggesting that white southerners invariably responded with extralegal violence and sham trials when white women accused black men of assault. Lisa Lindquist Dorr challenges this view with a careful study of legal records, newspapers, and clemency files from early-twentieth-century Virginia. White Virginians' inflammatory rhetoric, she argues, did not necessarily predict black men's ultimate punishment. While trials were often grand public spectacles at which white men acted to protect white women and to police interracial relationships, Dorr points to cracks in white solidarity across class and gender lines. At the same time, trials and pardon proceedings presented African Americans with opportunities to challenge white racial power. Taken together, these cases uncover a world in which the mandates of segregation did not always hold sway, in which whites and blacks interacted in the most intimate of ways, and in which white women and white men saw their interests in conflict. In Dorr's account, cases of black-on-white rape illuminate the paradoxes at the heart of segregated southern society: the tension between civilization and savagery, the desire for orderly and predictable racial boundaries despite conflicts among whites and relationships across racial boundaries, and the dignity of African Americans in a system dependent on their supposed inferiority. The rhetoric of protecting white women spoke of white supremacy and patriarchy, but its practice revealed the limits of both.
This book addresses theatre’s contribution to the way we think about ecology, our relationship to the environment, and what it means to be human in the context of climate change. It offers a detailed study of the ways in which contemporary performance has critiqued and re-imagined everyday ecological relationships, in more just and equitable ways. The broad spectrum of ecologically-oriented theatre and performance included here, largely from the UK, US, Canada, Europe, and Mexico, have problematised, reframed, and upended the pervasive and reductive images of climate change that tend to dominate the ecological imagination. Taking an inclusive approach this book foregrounds marginalised perspectives and the multiple social and political forces that shape climate change and related ecological crises, framing understandings of the earth as home. Recent works by Fevered Sleep, Rimini Protokoll, Violeta Luna, Deke Weaver, Metis Arts, Lucy + Jorge Orta, as well as Indigenous activist movements such as NoDAPL and Idle No More, are described in detail.
In the past three decades, international and regional human rights bodies have developed an ever-lengthening list of measures that states are required to adopt in order to prevent torture. But do any of these mechanisms actually work? This study is the first systematic analysis of the effectiveness of torture prevention. Primary research was conducted in 16 countries, looking at their experience of torture and prevention mechanisms over a 30-year period. Data was analysed using a combination of quantitative and qualitative techniques. Prevention measures do work, although some are much more effective than others. Most important of all are the safeguards that should be applied in the first hours and days after a person is taken into custody. Notification of family and access to an independent lawyer and doctor have a significant impact in reducing torture. The investigation and prosecution of torturers and the creation of independent monitoring bodies are also important in reducing torture. An important caveat to the conclusion that prevention works is that is actual practice in police stations and detention centres that matters - not treaties ratified or laws on the statute book.
The succession to the throne, Lisa Hopkins argues here, was a burning topic not only in the final years of Elizabeth but well into the 1630s, with continuing questions about how James's two kingdoms might be ruled after his death. Because the issue, with its attendant constitutional questions, was so politically sensitive, Hopkins contends that drama, with its riddled identities, oblique relationship to reality, and inherent blurring of the extent to which the situation it dramatizes is indicative or particular, offered a crucial forum for the discussion. Hopkins analyzes some of the ways in which the dramatic works of the time - by Marlowe, Shakespeare, Webster and Ford among others - reflect, negotiate and dream the issue of the succession to the throne.
The word of God is not designated to any one group or nationality, but instead is available for all who wish to learn His word and apply it to his or her daily life. Even better, understanding the Bible does not require a degree in theology, but simply an open heart and mind. Uplifting and deeply moving, Walking with God Is a Divine Journey shares ways to develop a closer relationship with God through our life's experiences. Author Lisa Olivares Young explains how, regardless of how your life began or how many mistakes you've made, the promises of God are deeply rooted within us to seek the life He so graciously desires for us. Young uses personal anecdotes and biblical stories to illustrate how God has worked in her life. She also explores the doubts, fears, and perplexities she has endured in various life situations, illustrating how she found comfort and guidance in the Bible and through prayer. Each chapter touches upon a subject often encountered in our walk with God, including - learning from your past; - overcoming life's challenges; - discovering your purpose; - taking the road less traveled. Part memoir and part Bible study, Walking with God Is a Divine Journey will help you develop your faith, understand God's love and guidance, and listen to His correction, all by reading and applying His word.
No story was more interesting to Shakespeare and his contemporaries than that of Troy, partly because the story of Troy was in a sense the story of England, since the Trojan prince Aeneas was supposedly the ancestor of the Tudors. This book explores the wide range of allusions to Greece and Troy in plays by Shakespeare and his contemporaries, looking not only at plays actually set in Greece or Troy but also those which draw on characters and motifs from Greek mythology and the Trojan War. Texts covered include Shakespeare’s Troilus and Cressida, Othello, Hamlet, The Winter’s Tale, The Two Noble Kinsmen, Pericles and The Tempest as well as plays by other authors of the period including Marlowe, Chettle, Ford and Beaumont and Fletcher.
Throughout the sixteenth and seventeenth centuries, the edges of Europe were under pressure from the Ottoman Turks. This book explores how Shakespeare and his contemporaries represented places where Christians came up against Turks, including Malta, Tunis, Hungary, and Armenia. Some forms of Christianity itself might seem alien, so the book also considers the interface between traditional Catholicism, new forms of Protestantism, and Greek and Russian orthodoxy. But it also finds that the concept of Christendom was under threat in other places, some much nearer to home. Edges of Christendom could be found in areas that were or had been pagan, such as Rome itself and the Danelaw, which once covered northern England; they could even be found in English homes and gardens, where imported foreign flowers and exotic new ingredients challenged the concept of what was native and natural.
From its first depictions in ancient medical literature to contemporary depictions in brain imaging, mania has been largely associated with its Greek roots, "to rage." Prior to the nineteenth century, "mania" was used interchangeably with "madness." Although its meanings shifted over time, the word remained layered with the type of madness first-century writers described: rage, fury, frenzy. Even now, the mental illness we know as bipolar disorder describes conditions of extreme irritability, inflated grandiosity, and excessive impulsivity. Spanning several centuries, Manic Minds traces the multiple ways in which the word "mania" has been used by popular, medical, and academic writers. It reveals why the rhetorical history of the word is key to appreciating descriptions and meanings of the "manic" episode." Lisa M. Hermsen examines the way medical professionals analyzed the manic condition during the nineteenth and twentieth centuries and offers the first in-depth analysis of contemporary manic autobiographies: bipolar figures who have written from within the illness itself.
Criminal Procedure By Storm begins with the foundations of law and the legal system, and then extensively explores the criminal process using the Constitution and US Supreme Court precedent as guidelines. After reading Criminal Procedure By Storm, you will be familiar with the nature and sources of law, the court system, the law of search and seizure, proper investigative techniques, and the adversarial process.
Worldly Goods' provides a radical interpretation of the Golden Age of European culture. During the Renaissance, Jardine argues, vicious commercial battles were being fought over silks and spices, and who should control international trade.
Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.
This book offers a much-needed introduction to the dynamics of the communication exchange between providers and patients in the health-care environment. Starting from the principle that health-care-providers and patients try to speak the same language to reach the best decisions for patient care, but often misunderstand each other whilst navigating the process of diagnosis, treatment and care, Lisa Sparks and Melinda Villagran clearly explain how health communication theory and research can help us better understand these complex interactions, and provide strategies for improving patient and provider communication. Sparks and Villagran cover a broad range of key issues and theories related to provider-patient interaction, including patient information and affective needs, barriers to effective communication in health-care contexts, and communication skills training for providers. Drawing on the most current literature in this vibrant field, they show the transformations that new technologies such as e-mail and text messaging have brought to communication with and between patients and providers, consider the roles of caregivers, both formal and informal, and illustrate how health-care organizations impact on interpersonal interactions. Throughout the book, Sparks and Villagran deftly illustrate how communicative understandings of patient-provider interaction can have positive practical outcomes, feeding into health behaviour change, creating a communication environment which can improve health literacy and ultimately lead to better health outcomes. With groundbreaking insights, on-point explanations, and deeply moving examples, Patient and Provider Interaction illuminates and enriches what is most often one of the most important interactions of our lives.
Winner of the 2015 Dashiell Hammett Prize and 2016 Shamus Award 1959. Delpha Wade killed a man who was raping her. Wanted to kill the other one too, but he got away. Now, after fourteen years in prison, she’s out. It’s 1973, and nobody’s rushing to hire a parolee. Persistence and smarts land her a secretarial job with Tom Phelan, an ex-roughneck turned neophyte private eye. Together these two pry into the dark corners of Beaumont, a blue-collar, Cajun-influenced town dominated by Big Oil. A mysterious client plots mayhem against a small petrochemical company-why? Searching for a teenage boy, Phelan uncovers the weird lair of a serial killer. And Delpha — on a weekend outing — looks into the eyes of her rapist, the one who got away. The novel's conclusion is classic noir, full of surprise, excitement, and karmic justice. Sandlin's elegant prose, twisting through the dark thickets of human passion, allows Delpha to open her heart again to friendship, compassion, and sexuality. Lisa Sandlin's story "Phelan's First Case" was anthologized in Lone Star Noir and was later re-anthologized in Akashic's Best of the Noir series, USA Noir. The Do-Right is her first full-length mystery. Lisa was born in Beaumont, currently lives and teaches in Omaha, Nebraska, and summers in Santa Fe, New Mexico.
Daughters of 1968 is the story of French feminism between 1944 and 1981, when feminism played a central political role in the history of France. The key women during this epoch were often leftists committed to a materialist critique of society and were part of a postwar tradition that produced widespread social change, revamping the workplace and laws governing everything from abortion to marriage. The May 1968 events—with their embrace of radical individualism and antiauthoritarianism—triggered a break from the past, and the women’s movement split into two strands. One became universalist and intensely activist, the other particularist and less activist, distancing itself from contemporary feminism. This theoretical debate manifested itself in battles between women and organizations on the streets and in the courts. The history of French feminism is the history of women’s claims to individualism and citizenship that had been granted their male counterparts, at least in principle, in 1789. Yet French women have more often donned the mantle of particularism, advancing their contributions as mothers to prove their worth as citizens, than they have thrown it off, claiming absolute equality. The few exceptions, such as Simone de Beauvoir or the 1970s activists, illustrate the diversity and tensions within French feminism, as France moved from a corporatist and tradition-minded country to one marked by individualism and modernity.
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