Let's travel in time together, a thousand or so years back, and meet Viking women in their hearth-lit world. How did these medieval viragoes live, love and die? How can we encounter them as flesh-and-blood beings with fears and feelings - not just as names in sagas or runes carved into stone? In this groundbreaking work, Lisa Hannett lifts the veil on the untold stories of wives and mothers, girls and slaves, widows and witches who sailed, settled, suffered, survived - and thrived - in a society that largely catered to and memorialised men. Hannett presents the everyday experiences of a compelling cast of women, all of whom are resourceful and petty, hopeful and jealous, and as fabulous and flawed as we are today. Lisa Hannett is an award-winning Canadian-Australian writer and academic.
The gods are dead, but will not be forgotten. When Mymnir flees Ragnarok, she hopes to escape all that bound her to Asgaror-a heedless pantheon, a domineering brother, and her neglectful father-master, Ooinn. But the white raven, a being of memory and magic, should know that the past is not so easily left behind. No matter how far she flies, she cannot evade her family. From fire giants to whispering halls, disappearing children to evening-wolves, fairy hills to bewitched cypress trees, and talking heads to moonshiners of a special sort, Midnight and Moonshine takes readers on a journey from ninth century Vinland to America's Deep South in the present day. Publishers Weekly Starred Review (17 Sept 2012) In Seeds, the opening story of Hannett and Slatter s innovative dark fantasy collection, Mymnir, Odinn s white raven, flees the Ragnarok, an apocalypse for the gods alone, and comes to the New World. There she creates a Fae kingdom in the image of Asgardr, transforming herself from a thieving, neglected raven into the fearsome, immortal Fae Queen. Though each story in this collection is self-contained and varied in tone and setting (Mymnir s Fae Court, Prohibition-era Charleston, the present, to name a few), each one builds upon its predecessor, with multiple generations of protagonists and recurring objects, characters (especially Mymnir, whose desires and memories, over the centuries, bring her to the cusp of another Ragnarok), and themes. Marked by imagery both beautiful and grotesque, and unnerving twists that recall the uncanny horror of original fairy tales, this collection contains a unifying, multilayered plot that draws upon Norse mythology to take the reader on a thrilling, unsettling journey. (Nov.) http: //www.publishersweekly.com/978-1-92185-730-0 Angela Slatter's collection The Girl With No Hands and Other Tales (Ticonderoga) won the Aurealis Award for Best Collection in 2010, while her other collection from that year, Sourdough and Other Stories (Tartarus), was short-listed for the World Fantasy Award. Lisa L. Hannett's debut collection, Bluegrass Symphony (Ticonderoga), won the Aurealis Award for Best Collection in 2011 and is short-listed for the World Fantasy Award. "The February Dragon," the first published Hannett/Slatter collaboration, won the Aurealis Award for Best Fantasy Story in 2010.
Writers of great horror don’t hold back when it comes to subject matter: nothing is off limits. Their stories go to places that make readers shudder, sweat, squirm. In these columns, Lisa L. Hannett – the award-winning author behind Bluegrass Symphony, Lament for the Afterlife, and Song For Dark Seasons — turns her attention to the topics of writing, horror, and her adopted country of Australia. Drawn from her popular Southern Dark column, Wide Open Fear collects Hannett’s advice on selecting new monsters for horror literature, capturing the Australian gothic, embracing the I in horror, avoiding the overuse of literary techniques across the breadth of your career, and more. Whether you’re an aspiring author looking advice, an established horror scribbler looking to hone your technique, or simply a fan Hannett’s work seeking a glimpse behind the scenes, Wide Open Fear offers insights into the practice and philosophy of an extraordinary writer of horror and weird fiction.
No one knows when the war against the greys began. Not precisely. There are theories, speculations. Everyone agrees, though, that airborne doombringers appear along with their invisible bombs--and disappear just as mysteriously. Governments, while they still can, launch investigations into the waves of energy sweeping from continent to continent, bringing human mutation and environmental destruction.
Songs for Dark Seasons takes readers back to the lonesome dream counties in the World Fantasy Award-nominated Bluegrass Symphony. In thirteen stories, forests are imbued with the deepest, saddest strains of country music, cornfields stretch as long as a lone fiddle's wail, and distant hills make mandolin promises: sweet, catchy and short-lived.
Let's travel in time together, a thousand or so years back, and meet Viking women in their hearth-lit world. How did these medieval viragoes live, love and die? How can we encounter them as flesh-and-blood beings with fears and feelings - not just as names in sagas or runes carved into stone? In this groundbreaking work, Lisa Hannett lifts the veil on the untold stories of wives and mothers, girls and slaves, widows and witches who sailed, settled, suffered, survived - and thrived - in a society that largely catered to and memorialised men. Hannett presents the everyday experiences of a compelling cast of women, all of whom are resourceful and petty, hopeful and jealous, and as fabulous and flawed as we are today. Lisa Hannett is an award-winning Canadian-Australian writer and academic.
Writers of great horror don’t hold back when it comes to subject matter: nothing is off limits. Their stories go to places that make readers shudder, sweat, squirm. In these columns, Lisa L. Hannett – the award-winning author behind Bluegrass Symphony, Lament for the Afterlife, and Song For Dark Seasons — turns her attention to the topics of writing, horror, and her adopted country of Australia. Drawn from her popular Southern Dark column, Wide Open Fear collects Hannett’s advice on selecting new monsters for horror literature, capturing the Australian gothic, embracing the I in horror, avoiding the overuse of literary techniques across the breadth of your career, and more. Whether you’re an aspiring author looking advice, an established horror scribbler looking to hone your technique, or simply a fan Hannett’s work seeking a glimpse behind the scenes, Wide Open Fear offers insights into the practice and philosophy of an extraordinary writer of horror and weird fiction.
Complete Public Law' combines extracts from key primary and secondary materials with jargon-free text to provide a resource for the student new to the study of constitutional and administrative law.
Using chips composed of thousands of spots, each with the capability of holding DNA molecules corresponding to a given gene, DNA microarray technology has enabled researchers to measure simultaneously gene expression across the genome. As with other large-scale genomics approaches, microarray technologies are broadly applicable across disciplines of life and biomedical sciences, but remain daunting to many researchers. This guide is designed to demystify the technology and inform more biologists about this critically important experimental technique. Cohesive overview of the technology and available platforms, followed by detailed discussion of experimental design and analysis of microarray experiments Up-to-date description of normalization methods and current methods for sample amplification and labeling Deep focus on oligonucleotide design, printing, labeling and hybridization, data acquisition, normalization, and meta-analysis Additional uses of microarray technology such as ChIP (chromatin immunoprecipitation) with hybridization to DNA arrays, microarray-based comparative genomic hybridization (CGH), and cell and tissue arrays
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