This book explores the affordances of disciplinary corpora for the teaching and learning of the language of dentistry, within the field of English for Specific Academic Purposes (ESAP). We extract disciplinary register features and vocabulary from three key genres of the dentistry discipline (published experimental research articles, case reports, and novice/professional research reports within the Dental Public Health domain), before integrating these features into ESAP pedagogy in the form of corpus-based ESAP materials that promote student-led direct engagement with disciplinary corpora – an approach known as 'data-driven learning'. This book is a timely and relevant addition to the field of corpus linguistics and ESAP, and is especially targeted at ESAP professionals who are required to teach disciplinary discourses but who may struggle to know what to teach as non-experts of the target discipline.
The story of a Chinese mother and her daughter, who has been adopted by an American couple, tracing the very different cultural factors that compel them to consume a rare native tea that has shaped their family's destiny for generations.
This book ranks the ten most revolutionary inventions of the 21st century that have made our lives easier, healthier, and more productive" (publisher).
From the bestselling author of The Island of Sea Women, here is the true story of the one-hundred-year-odyssey of the author’s Chinese-American family, combining years of research with “fascinating family anecdotes, imaginative details, and the historical details of immigrant life” (Amy Tan, bestselling author of The Joy Luck Club). "As engagingly readable as any novel." —Los Angeles Times Book Review In 1867, Lisa See's great-great-grandfather arrived in America, where he prescribed herbal remedies to immigrant laborers who were treated little better than slaves. His son Fong See later built a mercantile empire and married a Caucasian woman, in spite of laws prohibiting interracial marriage. Lisa herself grew up playing in her family's antiques store in Los Angeles's Chinatown, listening to stories of missionaries and prostitutes, movie stars and Chinese baseball teams. See’s family history encompasses secret marriages, entrepreneurial genius, romance, racism, and much more, as two distinctly different cultures meet in a new world in this “lovingly rendered…vivid tableau of a family and an era” (People).
Collection of research papers produced by the Graduate School of Education at the University of Queensland. First presented at the school's annual Postgraduate Research Conference in Education. Discusses the implications and possibilities for education at the beginning of the third millennium. Foreword by Peter Renshaw, Associate Professor of Education in this school.
Julia is ultimately the tale of a woman who fights to achieve her identity between Japan, Taiwan, and US. Who is she? Japanese ? Chinese ? or a Russian SPY?.....LH Asian Magazine 13 years ago I met Ms. Hou at a birthday party for Russia’s head of security. I witnessed that people were quite enamored with her dynamic personality, her articles are always sharp, and her pen writes powerful views of politics and economics…...Dr. Igor Ratnere –PHD-Moscow Institute of Technology Ms. Hou has been working with me on many cases, she is very sensitive and intelligent, she comes from an Asian culture and living half of her life in the western world, her writing ingredients will be incredibly remarkable……Thomas La Lanne - SF Lawyer I met Ms. Hou 25 years ago, when I was the editor for the US-World Journal (newspaper in US and Taiwan), she is a great writer, she was a student and prohibited from working as a foreign student in US. She wrote two long novels and 38 articles for us. She has a dynamic pen, she is talented. Her first new book published in Taiwan on Oct, 2015, the book has a profound description of love in the whole range of modern literature……Dr. Chang; the first PHD of Chinese literature in Taiwan, she has been a professor at three Universities.
Explores historical and philosophical shifts in the depiction of women and virtue in the early years of the Chinese state. Includes an examination of the history of yin-yang theories.
Lily is haunted by memories--of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower, and asks the gods for forgiveness. In nineteenth-century China, when wives and daughters were foot-bound and lived in almost total seclusion, the women in one remote Hunan county developed their own secret code for communication: nu shu ("women's writing"). They painted letters on fans, embroidered messages on handkerchiefs, and composed stories, thereby reaching out of their isolation to share their hopes, dreams, and accomplishments. With the arrival of a silk fan on which Snow Flower has composed for Lily a poem of introduction in nu shu, their friendship is sealed and they become "old sames" at the tender age of seven. As the years pass, through famine and rebellion, they reflect upon their arranged marriages, loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their lifelong friendship suddenly threatens to tear apart.
Across two critically acclaimed linked novels, now together in this eBook bundle, Lisa See unfolds a captivating saga of the bonds between women—mothers and daughters, sisters and friends—while illuminating the events of China’s tumultuous history. SHANGHAI GIRLS “As in Snow Flower and the Secret Fan and Peony in Love, [See] has . . . created ordinary women who, through willfulness and resiliency, accomplish extraordinary things.”—Miami Herald In 1937 Shanghai—the Paris of Asia—twenty-one-year-old Pearl Chin and her younger sister, May, are beautiful, modern, and carefree . . . until the day their father tells them that he has gambled away their wealth. To repay his debts, he must sell the girls as wives to suitors from Los Angeles. As Pearl and May set out from the Chinese countryside to the shores of America, they face impossible choices and confront a life-changing secret, but through it all the two sisters hold fast to who they are—Shanghai girls. DREAMS OF JOY “Astonishing . . . a story with characters who enter a reader’s life, take up residence, and illuminate the myriad decisions and stories that make up human history.”—Los Angeles Times Reeling from newly uncovered family secrets, Pearl’s nineteen-year-old daughter, Joy, runs away to Shanghai in early 1957 to find her birth father—an artist with whom both May and Pearl were once in love. Dazzled by him, and blinded by idealism, Joy throws herself into the New Society of Red China, heedless of the dangers in the Communist regime. Terrified for Joy’s safety, Pearl returns to Shanghai, determined to save her daughter. Yet even as Joy’s and Pearl’s journeys converge, one of the most tragic episodes in China’s history threatens their very lives. Praise for Lisa See “Explores the bonds of sisterhood while powerfully evoking the often nightmarish American immigrant experience.”—USA Today, on Shanghai Girls “As compulsively readable as it is an enlightening journey.”—The Denver Post, on Shanghai Girls “See is a gifted historical novelist. . . . The real love story, the one that’s artfully shown, is between mother and daughter, and aunt and daughter.”—San Francisco Chronicle, on Dreams of Joy “See’s research feels impeccable, and she has created an authentic, visually arresting world.”—The Washington Post, on Dreams of Joy
Shanghai, 1937. Pearl and May are two sisters from a bourgeois family. Though their personalities are very different - Pearl is a Dragon sign, strong and stubborn, while May is a true Sheep, adorable and placid - they are inseparable best friends. Both are beautiful, modern and living a carefree life ... until the day their father tells them that he has gambled away the family's wealth, and that in order to repay his debts he must sell the girls as wives to two 'Gold Mountain' men: Americans. As Japanese bombs fall on their beloved city, the two sisters set out on the journey of a lifetime, one that will take them through the villages of southern China, in and out of the clutches of brutal soldiers, and even across the ocean, through the humiliation of an anti-Chinese detention centre to a new, married life in Los Angeles's Chinatown. Here they begin a fresh chapter, despite the racial discrimination and anti-Communist paranoia, because now they have something to strive for: a young, American-born daughter, Joy. Along the way there are terrible sacrifices, impossible choices and one devastating, life-changing secret, but through it all the two heroines of this astounding new novel by Lisa See hold fast to who they are - Shanghai girls.
NEW YORK TIMES BESTSELLER • “A fascinating portrait of life as a Chinese American woman in the 1930s and ’40s.”—The New York Times Book Review “Superb . . . This emotional, informative and brilliant page-turner resonates with resilience and humanity.”—The Washington Post (One of the Best Books of the Year) San Francisco, 1938: A world’s fair is preparing to open on Treasure Island, a war is brewing overseas, and the city is alive with possibilities. Talented Grace, traditional Helen, and defiant Ruby, three young women from very different backgrounds, meet by chance at the exclusive and glamorous Forbidden City nightclub. The girls become fast friends, relying on one another through unexpected challenges and shifting fortunes. When their dark secrets are exposed and the invisible thread of fate binds them even tighter, they find the strength and resilience to reach for their dreams. But after the Japanese attack Pearl Harbor, paranoia and suspicion threaten to destroy their lives, and a shocking act of betrayal changes everything. Praise for China Dolls “A sweeping, turbulent tale of passion, friendship, good fortune, bad fortune, perfidy and the hope of reconciliation.”—Los Angeles Times “Bravo! Here’s a roaring standing ovation for this heartwarming journey into the glittering golden age of Chinese nightclubs.”—Jamie Ford, author of Hotel on the Corner of Bitter and Sweet “Lisa See masterfully creates unforgettable characters that linger in your memory long after you close the pages.”—Bookreporter “Stellar . . . The depth of See’s characters and her winning prose make this book a wonderful journey through love and loss.”—Publishers Weekly (starred review)
In 1867, Lisa See's great-great-grandfather arrived in America, where he prescribed herbal remedies to immigrant labourers who were treated little better than slaves. His son Fong See later built a mercantile empire and married a Caucasian woman, in spite of laws that prohibited unions between the races. And Lisa herself grew up playing in her family's antiques store in Los Angeles's Chinatown, listening to stories of missionaries and prostitutes, movie stars and all-Chinese baseball teams. Out of the stories heard in her childhood in Los Angeles's Chinatown and years of research, See has constructed this sweeping chronicle of her Chinese-American family, a work that takes in stories of racism and romance, entrepreneurial genius and domestic heartache, secret marriages and sibling rivalries, in a powerful history of two cultures meeting in a new world.
This comedy confronts social stereotypes of masculine females, male anxieties about homosexuality and the limits of female femininity. The book also offers background on comedic narrative structure in Cantonese opera and other traditional sources that have influenced Hong Kong cinema.
Sharing the Light explores historical and philosophical shifts in the depiction of women and virtue in the early centuries of the Chinese state. These changes had far-reaching effects on both the treatment of women in Chinese society and on the formation of Chinese philosophical discourse on ethics, cosmology, epistemology, and self-cultivation. Warring States and Han dynasty narratives frequently represented women as intellectually adroit, politically astute, and ethically virtuous; these histories, discourses, and life stories portray women as active participants within their own society, not inert victims of it. The women depicted resembled sages, ministers, and generals as the mainstays and destroyers of dynasties. These stories emphasized that sagacity, intellect, strategy, and statecraft were virtues proper to women, an emphasis that effectively disappeared from later collections and instruction texts by and for women. During the same period, there were also important changes in the understanding of two polarities that delineated what now is called gender. Han correlative cosmology included a range of hierarchical analogies between yin and yang and men and women, and the understanding of yin and yang shifted from complementarity toward hierarchy. Similarly, the doctrine of separate spheres (inner and outer, nei-wai) shifted from a notion of appropriate distinction between men and women toward physical, social, and intellectual separation and isolation.
Tsui Hark, one of China's most famous film artists, is little known outside of Asia even though he has directed, produced, written, or acted in dozens of film, some of which are considered to be classics of modern Asian cinema. This work begins with a biography of the man and a look at his place in Hong Kong and world cinema, his influences, and his thematic obsessions. Each major film of his career is then reviewed, production details are provided, and comments from Tsui Hark himself are given.
Despite the industry being shutdown by two world wars, having its martial arts films dismissively labeled as 'chopsocky,' and operating on shoestring budgets, the films of Hong Kong have been praised and imitated all over the world. From its beginning in 1909 with the silent short Stealing the Roast Duck to the martial arts classic Enter the Dragon (1973) to Peter Chan's Perhaps Love (2005), a reinvention of Chinese musicals via Hollywood, the vast cinema of Hong Kong has continually reinvented itself. Stars such as Bruce Lee, Jackie Chan, and Jet Li have become household names, and actors like Andy Lau, Maggie Cheung, Stephen Chiau, Michelle Yeoh, and Chow Yun-fat continue to gain fame throughout the world. And the impact of directors like Ang Lee, Tsui Hark, Wong Kar-wai, and John Woo can be seen nearly everywhere in Hollywood. The Historical Dictionary of Hong Kong Cinema provides essential facts and descriptive evaluation concerning Hong Kong filmmaking and its filmmaking community. This is accomplished through the use of a chronology, a list of acronyms and abbreviations, an introductory essay, illustrations of individuals and film stills, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, films, film companies, genres, and terminology. Having perused this, readers will not only know considerably more about a rather amazing place, they will have an almost palpable feeling for how it works.
Brings psychoanalytic concepts to the notion of childhood development with a keen eye to discussions of social justice and human dignity. Childhood beyond Pathology offers an account of the ways that psychoanalytic concepts can inform ongoing challenges of representing development, belonging, and relationality, with a focus on debates over how children should be treated, what they might know, and who they should become. Drawing from fiction, clinical studies, and courtroom and classroom contexts, Lisa Farley explores a series of five conceptual figuresthe replacement child, the neurodiverse child, the counterfeit child, the child heir of historical trauma, and the gender divergent childwith a keen eye to discussions of social justice and human dignity. The book reveals the emotional situations, social tensions, and political issues that shape the meaning of childhood, and focuses on what happens when a child departs from normative scripts of development. Through thought-provoking analysis, Farley develops themes that include childhood loss, the myth of innocence, the problem of diagnosis, the subject of racial hatred, the meaning of a good fight, and gender embodiment. She draws extensively on psychoanalytic concepts to show how the fantasy of the child advancing through lockstep stages fails to account for the child as symbolic of the conflicts of entering into the social world. Childhood beyond Pathology suggests we reconsider developmental understandings of childhood by honoring the elusive qualities of inner life.
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