Why were theories of affect, intersubjectivity, and object relations bypassed in favor of a Lacanian linguistically oriented psychoanalysis in feminist film theory in the 1980s and 1990s? In Moral Spectatorship, Lisa Cartwright rethinks the politics of spectatorship in film studies. Returning to impasses reached in late-twentieth-century psychoanalytic film theory, she focuses attention on theories of affect and object relations seldom addressed during that period. Cartwright offers a new theory of spectatorship and the human subject that takes into account intersubjective and affective relationships and technologies facilitating human agency. Seeking to expand concepts of representation beyond the visual, she develops her theory through interpretations of two contexts in which adult caregivers help bring children to voice. She considers several social-problem melodramas about deaf and nonverbal girls and young women, including Johnny Belinda, The Miracle Worker, and Children of a Lesser God. Cartwright also analyzes the controversies surrounding facilitated communication, a technological practice in which caregivers help children with communication disorders achieve “voice” through writing facilitated by computers. This practice has inspired contempt among professionals and lay people who charge that the facilitator can manipulate the child’s speech. For more than two decades, film theory has been dominated by a model of identification tacitly based on the idea of feeling what the other feels or of imagining oneself to be the other. Building on the theories of affect and identification developed by André Green, Melanie Klein, Donald W. Winnicott, and Silvan Tomkins, Cartwright develops a model of spectatorship that takes into account and provides a way of critically analyzing the dynamics of a different kind of identification, one that is empathetic and highly intersubjective.
Moving images are used as diagnostic tools and locational devices every day in hospitals, clinics and laboratories. But how and when did such issues come to be established and accepted sources of knowledge about the body in medical culture? How are the specialized techniques and codes of these imaging techniques determined, and whose bodies are studied, diagnosed and treated with the help of optical recording devices? "Screening the Body" traces the unusual history of scientific film during the late 19th and early 20th centuries, presenting material that is at once disturbing and engrossing. Lisa Cartwright looks at films like "The Elephant Electrocution". She brings to light eccentric figures in the history of the science film such as William P. Spratling who used Biograph equipment and crews to film epileptic seizures, and Thomas Edison's lab assistants who performed x-ray experiments on their own bodies. Drawing on feminist film theory, cultural studies, the history of film, and the writings of Foucault, Lisa Cartwright illustrates how this scientific cinema was a part of a broader tendency in society toward the technological surveillance, management, and physical transformation of the individual body and the social body. She frequently points out the similarities of scientific film to works of avant-garde cinema, revealing historical ties among the science film, popular media culture and elite modernist art and film practices. Ultimately, Cartwright unveils an area of film culture that has rarely been discussed, but which will leave readers scouring video libraries in search of the films she describes.
Hand in hand with such health crises as HIV/AIDS, breast cancer, and the resurgence of tuberculosis has come an explosion of scientific and medical technologies. As technology documents illness with ever greater precision and clarity, the knowledge and vocabulary of patients is being similarly expanded by activists, consumer advocates, and artists working with new electronic technologies. Into this breach steps The Visible Woman, collecting professional, academic, and lay viewpoints on gender and the role of visual and textual representation in contemporary health and science. From fetal photography and mammography to mental retardation and chronic fatigue syndrome, The Visible Woman reveals how identities are constructed in medical research and public health initiatives, as well as in popular press accounts of health. New ways of seeing the body, through medical imaging, plastic and sexual surgery, and services for people with disabilities, are all informed, the book argues, by a broader cultural fascination with visuality and media. Emphasizing the authors' first-hand experiences as medical practitioners, activists, scholars, and patients, The Visible Woman breaks with more established approaches that cast patients as passive objects of medical inquiry, and medical professionals as perpetrators of institutional exploitation in the name of the public good. Asking what it means to be on both ends of the microscope, The Visible Woman highlights the complex perspectives of medical and scientific practitioners who themselves exist both inside and outside their workplaces and professional identities. The contributors are Michael Bérubé, Lisa Cartwright, Stacie A. Colwell, Richard Cone, Anne Eckman, Valerie Hartouni, Janet Lyon, Emily Martin, Gaye Naismith, Mark Rose, Ella Shohat, Vivian Sobchack, Carol Stabile, Sandy Stone, and Paula A. Treichler.
De-Signing Design: Cartographies of Theory and Practice throws new light on the terrain between theory and practice in transdisciplinary discourses of design and art. The editors, Elizabeth Grierson, Harriet Edquist, and Hélène Frichot, bring together diverse approaches to design theory, practice, and philosophy from leading scholars in Australia, New Zealand, Japan, and the United Kingdom. Themes include spatiality, difference, cultural aesthetics, and identity in the expanded field of place-making and being. The concept that design can be de-signed is presented as a way of exploring different approaches to an experimental and experiential thinking-doing that promises to further open up research possibilities in the fields of design and art thinking and practice. The book enacts a series of cartographic devices to articulate the spaces between theory and practice.
Elizabeth Tarkson has it all figured out. She has a plan. She knows exactly what she wants and how to get it. At least she does until the day she turns eighteen, and a gorgeous stranger crashes her birthday party. But this stranger knows things about her that he shouldn’t know, and as he slowly reveals his secrets, she discovers the world she thought she understood is much larger than she'd ever imagined. She is swept into a whirlwind of secrets, death, and attraction all involving him. Will she uncover the truth about her tragic past in time? Or will she be forever bound to… A Destined Death
Lonely Planet: The world’s leading travel guide publisher Lonely Planet Experience USA is your passport to majestic nature, epic journeys, cultural powerhouses and out-of-this-world experiences. We take readers on a journey through sprawling cities, small towns, great plains, snow-capped mountains and redwood forests. Go road-tripping down the Pacific Coast Highway, learn how to spy a bear in the wild, discover where to find the USA’s best Chinatowns, and more. This new part-pictorial, part-guidebook is built around themes that introduce the reader to the heart of the USA. This photo-rich, hardback guide is packed with practical trip-planning tips and information on the most authentic local sights and activities. It’s perfect for seasoned travelers looking to discover something new or previously undiscovered. Includes over 90 experiences stretching across the USA Multiple ways to navigate the book - thematically, geographically, or by interest Hundreds of stunning photos on gloss paper stock Lonely Planet Experience USA is presented across five themes: Big & bold: Majestic nature, epic journeys & cultural powerhouses Americanarama: Cars, bourbon, barbecue & the american spirit Melting pot: A multicultural blend of irresistible cuisine, music & customs Innovation & creation: World-famous arts, music & culture Surprising experiences: The underrated, unexpected & downright mysterious Get to the heart of the USA and begin your journey now! eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Experience USA covers both top sights and roads less travelled and is the perfect place to start getting inspired and mapping out an itinerary for an upcoming trip. Once you’ve decided where you’re headed in the USA, check out the relevant Lonely Planet USA destination travel guides for even more detailed itinerary planning. About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You’ll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more. Written by Mark Andrew, Amy Balfour, Sarah Baxter, Andrew Bender, Sara Benson, Alison Bing, Paul Bloomfield, Nate Cavalieri, Garth Cartwright, Lisa Dunford, Bailey Freeman, David Gorvett, Tom Hall, Alexander Howard, Lauren Keith, Leah Koenig, Mariella Krause, Alex Leviton, Emily Matchar, Joe Minihane, Tim Moore, Wayne Murphy, Sarah Maslin Nir, Trisha Ping, Christopher Pitts, Andrea Sachs, Brendan Sainsbury, Simon Sellars, Adam Skolnick, Regis St Louis, Marcel Theroux and Karla Zimmerman. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
She won't stop working to bring down West and save the town. He'll never admit he might be the one standing in her way. Officer Jessica Ridgeman wants to make detective. But her drive to bring down West runs deeper even than that. When the local crime lord fights back in repeated attempts to kill her, she knows she’s onto something. Ted Cartwright is the PD tech guy. But what Last Chance’s finest don’t know can’t hinder their work to take down West. If he can keep his past a secret, they’ll never have to discover their trust in him is misplaced. When Ted’s dark past teams up with West, Jess and Ted must reveal their closely held secrets and risk it all to survive. From the wilds of the mountains around town to the deepest part of the lake...the hunt is on. But who is the prey? Welcome to Last Chance. *a Christian Romantic Suspense novel* Last Chance County Series Book 1 - Expired Refuge Book 2 - Expired Secrets Book 3 - Expired Cache Book 4 - Expired Hero Book 5 - Expired Game Book 6 - Expired Plot Book 7 - Expired Getaway Book 8 - Expired Betrayal Book 9 - Expired Flight Book 10 - Expired End
Proceedings of the 23rd annual conference of the Australasian Association for Engineering Education, held in Melbourne in December 2012. The conference theme was 'the profession of engineering education: advancing teaching, research and careers' and the conference explored opportunities for improving teaching and scholarship, rigorous research in engineering education and career advancement as an engineering educator.
Now available for the first time in trade paperback, Lisa Jackson’s chilling, New York Times and USA Today bestselling novel returns to the merciless winters of Grizzly Falls, Montana to pit two of her most fascinating characters—detectives and friends Selena Alvarez and Regan Pescoli—against a ruthless serial killer determined to make Pescoli his next victim.. The cold of winter isn’t just a nuisance in the Bitterroot Mountains of Montana. It’s merciless and brutal—a weapon that a twisted serial killer uses to torture vulnerable women. Detectives Regan Pescoli and Selena Alvarez have spent months tracking down the Star-Crossed Killer, as he’s dubbed by the press. They know how devious and patient he can be. What they couldn’t have guessed is that Pescoli would be abducted by the very monster she’s been hunting . . . Pescoli knows too much about her captor and his methods to doubt her fate. She’s a trophy he’s content to taunt for now, but eventually, he’ll tire of her too. Until then, his killing spree continues, stretching the police department—and Alvarez—to the breaking point. Desperate to bring her missing partner safely home, Alvarez teams up with Pescoli’s on-again, off-again lover, Nate Santana. But as the body count rises, a macabre pattern emerges. And Pescoli, though using every ounce of skill she possesses, knows that even if she escapes her captor’s lair, the battle for survival is just beginning . . .
The secrets of Angie Cartwright, a.k.a. Angel, and her deadly efforts to conceal them force two important family members to trust in their paranormal skills and discover that if one has enough belief in paranormal evens, truth can be found through the world of the unseen. In this twilight zone style of fiction, Angie's boyfriend Joey Smith finds himself in a precarious situation. He is dead and has reincarnated back to life in the form of a raven, making his plight in discovering the reason for his death and the dangers about to overtake his three-year-old son, Jordan-Tyler, even more daunting. With the help from Jordan-Tyler and Angie's psychic sister Theresa, the three join forces with the paranormal. What they discover twists reality into a parallel dimesion which brings life and death as they know it into something greater than the eye can see.
Moving images are used as diagnostic tools and locational devices every day in hospitals, clinics and laboratories. But how and when did such issues come to be established and accepted sources of knowledge about the body in medical culture? How are the specialized techniques and codes of these imaging techniques determined, and whose bodies are studied, diagnosed and treated with the help of optical recording devices? "Screening the Body" traces the unusual history of scientific film during the late 19th and early 20th centuries, presenting material that is at once disturbing and engrossing. Lisa Cartwright looks at films like "The Elephant Electrocution". She brings to light eccentric figures in the history of the science film such as William P. Spratling who used Biograph equipment and crews to film epileptic seizures, and Thomas Edison's lab assistants who performed x-ray experiments on their own bodies. Drawing on feminist film theory, cultural studies, the history of film, and the writings of Foucault, Lisa Cartwright illustrates how this scientific cinema was a part of a broader tendency in society toward the technological surveillance, management, and physical transformation of the individual body and the social body. She frequently points out the similarities of scientific film to works of avant-garde cinema, revealing historical ties among the science film, popular media culture and elite modernist art and film practices. Ultimately, Cartwright unveils an area of film culture that has rarely been discussed, but which will leave readers scouring video libraries in search of the films she describes.
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