For centuries, sailors have noted that it's not the oceans that cause harm, but the hard bits around the edges. A parallel can be drawn to recreational sailors who are comfortable sailing in local or coastal waters but have not totally mastered the skills of returning the boat to the slip. Watching neighbors expertly guide their boats into slips and hearing them discuss terms like prop walk and spring lines, they realize there may be a gap in their knowledge. Now for the good news - this is the book you've been looking for. It is the most complete book written on everything you should know about docking your monohull or catamaran. Covering boat characteristics, environmental effects, and different scenarios, you will find a technique to safely dock your boat under any condition. Designed to be read in conjunction with American Sailing's 118 Docking Endorsement course, it is also a stand-alone book for any sailor wanting to improve boat handling skills. You will find everything you need to know in this 137-page book. - Learn why your boat handles like it does - Learn how to assess the variable effects - Learn to use external clues to assist your maneuvering - Learn to use spring lines and prop walk to your advantage - Impress your boat neighbors with your new skills - Learn to love docking
Any boater will tell you that sometimes getting ashore on a dinghy can be an adventure. Reading this book will help you stay safe and have fun as you use your dinghy to connect with land and other vessels. Going Ashore Made Easy is also appropriate for anyone entering the market for a new dinghy and outboard as a standalone vessel for recreation or transportation, or as a tender to a larger boat. It is the most comprehensive and up-to-date book on the topic; in fact, it may be the only book to help a prospective buyer negotiate the variety of choices available. This book will help novice and seasoned dinghy operators to safely rig, operate, transport and maintain their investment, and to employ the craft for a wide variety of useful and purely fun activities – perhaps more than you ever imagined. Given the breadth of information on outboard motors, this book is valuable to any mariner who uses an outboard motor to propel their sailboat or powerboat.
Film Studies: A Global Introduction reroutes film studies from its Euro-American focus and canon in order to introduce students to a medium that has always been global but has become differently and insistently so in the digital age. Glyn Davis, Kay Dickinson, Lisa Patti and Amy Villarejo’s approach encourages readers to think about film holistically by looking beyond the textual analysis of key films. In contrast, it engages with other vital areas, such as financing, labour, marketing, distribution, exhibition, preservation, and politics, reflecting contemporary aspects of cinema production and consumption worldwide. Key features of the book include: clear definitions of the key terms at the foundation of film studies coverage of the work of key thinkers, explained in their social and historical context a broad range of relevant case studies that reflect the book’s approach to global cinema, from Italian "white telephone" films to Mexican wrestling films innovative and flexible exercises to help readers enhance their understanding of the histories, theories, and examples introduced in each chapter an extensive Interlude introducing readers to formal analysis through the careful explication and application of key terms a detailed discussion of strategies for writing about cinema Films Studies: A Global Introduction will appeal to students studying film today and aspiring to work in the industry, as well as those eager to understand the world of images and screens in which we all live.
It costs more to place a child in the care of a local authority than it does to send a child to a top boarding school, and there are substantial variations in costs both between and within authorities. This book gets to the bottom of the costs of care and provides an insight into how these variations in cost relate to differences in children's needs, and most importantly, whether higher costs reflect better services and better outcomes for children. Costs and Consequences for Children Placed Away from Home draws from new original research, and considers the implications for best practice and future policy. It also features information about a newly pioneered resource: a fully workable decision analysis model designed for use in local authorities which uses historical data for each child to calculate the probable cost consequences of difference placement choices. This book sheds light on how to calculate the financial and social costs of care, and will be invaluable to both social work managers and policy makers working in children's services.
Honorable Mention Recipient of the 2021 Marie Hochmuth Nichols Award for Outstanding Scholarship in Public Address by the National Communication Association In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published “We Are Our Feeling: The Black Aesthetic.” Baraka’s emphasis on the importance of feelings in Black selfhood expressed a touchstone for how the Black liberation movement grappled with emotions in response to the politics and racial violence of the era. In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely Black pessimism, to resist the constant physical violence against Black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of Black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping midcentury discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America. By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling Black feelings in the service of Black political action, Corrigan traces how Black liberation activists mobilized new emotional repertoires
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