This new study by Lionel Adey is unique in its attempt to trace the development of C.S. Lewis as a maker and reader of books. Adey shows how the two sides of Lewis's personality, "Dreamer" and "Mentor" affected his writing in its various modes.l
From its beginnings in the Bible, Christian hymnology has fulfilled three functions -- praise, recital and teaching of the Myth, and collective and personal adoration as well as the foundation and worship of the church. In Hymns and the Christian Myth, Lionel Adey demonstrates that over the centuries shifts emphasizing particular elements of the Christian faith accord with the interests and concerns of the times in which the hymns were composed.
This book completes Lionel Adey's study of English hymnody whichbegan with Hymns and the Christian 'Myth' (1986). Looking at awide range of adult and school hymnals used between 1700 and 1939, Adeyinvestigates the social context in which the hymns were sung and theirinfluence on the singers. Class and Idol in the English Hymnis pertinent not only to academics in fields of literature, religion,history, and psychology, but also to hymn lovers, hymn writers, andclergy.
From its beginnings in the Bible, Christian hymnology has fulfilled three functions -- praise, recital and teaching of the Myth, and collective and personal adoration as well as the foundation and worship of the church. In Hymns and the Christian Myth, Lionel Adey demonstrates that over the centuries shifts emphasizing particular elements of the Christian faith accord with the interests and concerns of the times in which the hymns were composed.
This new study by Lionel Adey is unique in its attempt to trace the development of C.S. Lewis as a maker and reader of books. Adey shows how the two sides of Lewis's personality, "Dreamer" and "Mentor" affected his writing in its various modes.l
Writings that shed new light on one of the most gifted, if reclusive, poets of the fin-de-siècle. A lost poet of the decadent era, Lionel Johnson is the shadow man of the 1890s, an enigma “pale as wasted golden hair.” History has all but forgotten Johnson, except as a footnote to the lives of more celebrated characters like W. B. Yeats and Oscar Wilde. Johnson should have been one of the great poets of the age but was already drinking eau-de-cologne for kicks while a teenager at Winchester College. His attraction to absinthe damaged his fragile health and cast him forever into a waking dream of haunted rooms and spectral poetry. A habitual insomniac, he haunted medieval burial grounds after dark, jotting down the epitaphs of the gone-too-young, as if anticipating his own early demise at the age of 35—falling from a bar stool in a Fleet Street pub. It was rumored that Johnson performed “strange religious rites” in his rooms at Oxford and experimented with hashish in the company of fellow poet Ernest Dowson. Moving to London, he fell in with Simeon Solomon, Oscar Wilde, and Aubrey Beardsley, and would contribute to the leading decadent publications of the day, including The Chameleon, The Yellow Book, and The Savoy. Like a glimmering of a votive candle in one of Johnson's dream churches, Incurable sheds new light on one of the most gifted, if reclusive, poets of the fin-de-siècle. Containing a detailed biography, illustrations, rare and unusual material including previously unseen letters, poetry, and essays, Incurable pays tribute to this enchanting and eccentric poet while providing fresh insight into an era that continues to fascinate.
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