The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American remakes to the post-Thatcherite masculinity horror of the UK and the resurgence of 'hillbilly' horror in the period following September 11th 2001. In each case, it is argued, horror cinema forces us to look again at the wounds inflicted on individuals, families, communities and nations by traumatic events such as genocide and war, terrorist outrage and seismic political change, wounds that are all too often concealed beneath ideologically expedient discourses of national cohesion. By proffering a radical critique of the nation-state and the ideologies of identity it promulgates, horror cinema is seen to offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times.
This Pulitzer Prize-winning biography is available in an updated paperback edition. Working closely with Muir's family and with his papers, Wolfe was able to create a full portrait of her subject, not only as America's firebrand conservationist and founder of the national park system, but also as husband, father, and friend. Illustrations.
Reading this book will inspire you, entertain you, but will never bore you because of her sincere efforts to please you. Linnies Southern humor and her unique style of writing youll feel like youve known her for years like you would an ole friend. The exciting adventures continue to follow her where ever she goes. Her safe bubble of life, as she calls it, has not been broken yet. Some of her stories havent always had happy endings in her last book DIVORCED ON THE REDNECK RIVIERA. But in this book, the happy endings and beginnings are happening every day not only to Linnie but to people who have reached out telling their story in their own words of how they met THE ONE!
The definitive text in its field, McGlamry's Comprehensive Textbook of Foot and Ankle Surgery, is the ideal reference for the podiatric or orthopedic surgeon, resident, or student preparing for certification exams. From perioperative management to postoperative complications and considerations, this must-have resource prepares you for a full range of podiatric surgeries and procedures ranging from routine trauma of the foot and leg to compound deformities, enabling you to face any challenge with confidence. This is the tablet version of McGlamry's Comprehensive Textbook of Foot and Ankle Surgery which does not include access to the supplemental content mentioned in the text.
The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American remakes to the post-Thatcherite masculinity horror of the UK and the resurgence of 'hillbilly' horror in the period following September 11th 2001. In each case, it is argued, horror cinema forces us to look again at the wounds inflicted on individuals, families, communities and nations by traumatic events such as genocide and war, terrorist outrage and seismic political change, wounds that are all too often concealed beneath ideologically expedient discourses of national cohesion. By proffering a radical critique of the nation-state and the ideologies of identity it promulgates, horror cinema is seen to offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times.
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