Praised across Scandinavia as a "literary masterpiece," "spellbinding," and "magnificent," Unquiet reflects on six taped conversations the author had with her father at the very end of his life. He is a renowned Swedish filmmaker and has a plan for everything. She is his daughter, the youngest of nine children. Every summer, since she was a little girl, she visits him at his beloved stony house surrounded by woods, poppies, and the Baltic sea. Now that she’s grown up and he’s in his late eighties, he envisions a book about old age. He worries that he’s losing his language, his memory, his mind. Growing old is hard work, he says. They will write it together. She will ask the questions. He will answer them. When she finally comes to the island, bringing her tape recorder with her, old age has caught up with him in ways neither could have foreseen. Unquiet follows the narrator as she unearths these taped conversations seven years later. Swept into memory, she reimagines the story of a father, a mother, and a girl—a child who can’t wait to grow up and parents who would rather be children. A heartbreaking and darkly funny depiction of the intricacies of family, Unquiet is an elegy of memory and loss, identity and art, growing up and growing old. Linn Ullmann nimbly blends memoir and fiction in her most inventive novel yet, weaving a luminous meditation on language, mourning, and the many narratives that make up a life.
Named in the New York Times Book Review’s 100 Notable Books of 2014! Ullmann’s characters are complex and paradoxical: neither fully guilty nor fully innocent Siri Brodal, a chef and restaurant owner, is married to Jon Dreyer, a famous novelist plagued by writer’s block. Siri and Jon have two daughters, and together they spend their summers on the coast of Norway, in a mansion belonging to Jenny Brodal, Siri’s stylish and unforgiving mother. Siri and Jon’s marriage is loving but difficult, and troubled by painful secrets. They have a strained relationship with their elder daughter, Alma, who struggles to find her place in the family constellation. When Milla is hired as a nanny to allow Siri to work her long hours at the restaurant and Jon to supposedly meet the deadline on his book, life in the idyllic summer community takes a dire turn. One rainy July night, Milla disappears without a trace. After her remains are discovered and a suspect is identified, everyone who had any connection with her feels implicated in her tragedy and haunted by what they could have done to prevent it. The Cold Song is a story about telling stories and about how life is continually invented and reinvented.
The SCC Arbitral Awards contains the text of all the international arbitral awards from the Arbitration Institute of the Stockholm Chamber of Commerce between 2004 and 2009. This is the only source for SCC Arbitral Awards! The awards are subject to commentary by leading authorities including distinguished arbitrators, lawyers, justices and other legal professionals. Where necessary, commentary has been revised and updated prior to publication. The extracts from the arbitral awards provide indispensable and extremely helpful insights into the attitudes of tribunals on arbitration matters and arbitral awards worldwide. This publication is essential for the practitioner and the legal professional who needs to be up to date on key arbitration issues involving SCC arbitration in particular but also international arbitration in general as well.
A Blessed Child is a haunting parable of innocence lost from the internationally acclaimed author of Grace and Stella Descending. Every summer Isak Lövenstad gathers his three daughters by different wives to the windswept Baltic island of Hammarsö. Here Erika, Laura, and Molly find a sense of family and friendship, although nothing can match Erika's connection to the rebellious misfit Ragnar. But when an act of senseless cruelty separates them forever—and drives the sisters from the island in shame and regret—they must leave childhood and their growing relationships behind. Now, twenty-five years later, they return to visit their ailing father and confront the specter of that awful summer.
Praised across Scandinavia as a "literary masterpiece," "spellbinding," and "magnificent," Unquiet reflects on six taped conversations the author had with her father at the very end of his life. He is a renowned Swedish filmmaker and has a plan for everything. She is his daughter, the youngest of nine children. Every summer, since she was a little girl, she visits him at his beloved stony house surrounded by woods, poppies, and the Baltic sea. Now that she’s grown up and he’s in his late eighties, he envisions a book about old age. He worries that he’s losing his language, his memory, his mind. Growing old is hard work, he says. They will write it together. She will ask the questions. He will answer them. When she finally comes to the island, bringing her tape recorder with her, old age has caught up with him in ways neither could have foreseen. Unquiet follows the narrator as she unearths these taped conversations seven years later. Swept into memory, she reimagines the story of a father, a mother, and a girl—a child who can’t wait to grow up and parents who would rather be children. A heartbreaking and darkly funny depiction of the intricacies of family, Unquiet is an elegy of memory and loss, identity and art, growing up and growing old. Linn Ullmann nimbly blends memoir and fiction in her most inventive novel yet, weaving a luminous meditation on language, mourning, and the many narratives that make up a life.
In this innovative book, Stacy Holman Jones presents torch singing as a much more complicated phenomenon than the familiar trope of a woman lamenting her victimhood. With an ethnographer's eye, she observes the bluesy torch singers, asking if they are possibly performing critiques of the very lyrics they are singing. From this perspective, we see the singer giving expression not only to desire but also to an incipient determination to resist and change. Holman Jones also reveals points of contact in the opposition between spectators and performers, emotion and intellect, and love and power. Instead of interpreting the expression of love as a woman's violent mistake - as willing deception and passive fate - Holman Jones allows us to hear an active search for hope."--BOOK JACKET.
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