Brooklyn Elizabeth Hales was born on November 28, 2010. Without a chance to be held by her parents, she was whisked away to the NICU at Texas Children's Hospital in Houston, Texas. Over the course of four long months, Brooklyn took it one minute at a time. From her fight readers learn about fear, faith, and the power of prayer.
Calypso, #1 On the other side of death, is destiny. Callie Ingram is spending her senior year focused on one thing: swimming. Her skill as a competitive swimmer is going to secure a scholarship and her future, or so she hopes. She has big plans, and Liam Hale, her gorgeous new neighbor, isn't going to affect them. But when Callie sees Liam beheading someone, she learns his family has a secret that will change everything. The Hales are Vikings, demi-gods who've been charged by The Fates to find their new destined leader. Callie's caught in the middle of a budding Norse apocalypse, in love with Liam Hale and desperate to protect her best friend. . .who the Hales believe is marked for transformation. Putting the clues together as fast as she can, Callie discovers she has the power to rewrite destiny, for herself and all humankind. 87,877 Words
He called the first atomic bomb “technically sweet,” yet as he watched its brilliant light explode over the New Mexico desert in 1945 in advance of the black horrors of Hiroshima and Nagasaki, he also thought of the line from the Hindu epic The Bhagavad Gita: “I am become Death, the destroyer of worlds.” Physicist J. Robert Oppenheimer, the scientific director of the Manhattan Project, the single most recognizable face of the atomic bomb, and a man whose name has become almost synonymous with Cold War American nuclear science, was and still is a conflicted, controversial figure who has come to represent an equally ambivalent technology. The Meanings of J. Robert Oppenheimer examines how he has been represented over the past seven decades in biographies, histories, fiction, comics, photographs, film, television, documentaries, theater, and museums. Lindsey Michael Banco gathers an unprecedented group of cultural texts and seeks to understand the multiple meanings Oppenheimer has held in American popular culture since 1945. He traces the ways these representations of Oppenheimer have influenced public understanding of the atomic bomb, technology, physics, the figure of the scientist, the role of science in war, and even what it means to pursue knowledge of the world around us. Questioning and unpacking both how and why Oppenheimer is depicted as he is across time and genre, this book is broad in scope, profound in detail, and offers unique insights into the rise of nuclear culture and how we think about the relationship between history, imagination, science, and nuclear weapons today.
It seems Katy has been waiting for her eighteenth birthday all her life. Raised by a grandfather who never got over losing Katy’s mother to cancer at a young age, she’s dreamed of a life free of the burdens of her family’s tragedies. But just before her birthday, she learns tragedy isn’t finished telling its story . . . Before she can begin her new life, Katy’s grandfather suffers a heart attack, a box of her mother’s keepsakes, including a journal written to Katy while she was in her mother’s womb, at his side. Believing the only thing her grandpa loves enough to live for is her mother’s memory, Katy reads to him from the journal every night at the hospital. Night after night, line after line, Katy begins to see herself as her mother saw her in her dreams. Buoyed by her mother’s undying love and conviction, Katy vows to make her mother’s sacrifice mean something and promises to fulfill all her mother’s requests. Even the hard ones. Especially those . . .
Two weeks ago, Callie Ingram was just another high school senior with her sights on a swimming scholarship. Now, she’s the resurrected leader of the Vikings, balancing her classes with learning mythological history—and sparring sessions with her gorgeous demigod boyfriend, Liam Hale. When Zeus returns to collect the favor she owes him, Callie is tasked with uniting the warring Viking clans and leading them into battle against Gaia’s frost giants. If she fails, everything she risked her life for will be destroyed...and her best friend will die. But one teenage girl rallying all of the vengeful clans won’t be easy. And things only get more complicated when a new prophecy puts her future with Liam at risk. Now, Callie will not only have to win the battle, but she’ll have to take the fate of her heart into her own hands.
Longing for the Bomb traces the unusual story of the first atomic city and the emergence of American nuclear culture. Tucked into the folds of Appalachia and kept off all commercial maps, Oak Ridge, Tennessee, was created for the Manhattan Project by the U.S. government in the 1940s. Its workers labored at a breakneck pace, most aware only that their jobs were helping "the war effort." The city has experienced the entire lifespan of the Atomic Age, from the fevered wartime enrichment of the uranium that fueled Little Boy, through a brief period of atomic utopianism after World War II when it began to brand itself as "The Atomic City," to the anxieties of the Cold War, to the contradictory contemporary period of nuclear unease and atomic nostalgia. Oak Ridge's story deepens our understanding of the complex relationship between America and its bombs. Blending historiography and ethnography, Lindsey Freeman shows how a once-secret city is visibly caught in an uncertain present, no longer what it was historically yet still clinging to the hope of a nuclear future. It is a place where history, memory, and myth compete and conspire to tell the story of America's atomic past and to explain the nuclear present.
When the revolutionary technology of photography erupted in American culture in 1839, it swiftly became, in the day's parlance, a "mania." This richly illustrated book positions vernacular photography at the center of the study of nineteenth-century American religious life. As an empirical tool, photography captured many of the signal scenes of American life, from the gold rush to the bloody battlefields of the Civil War. But photographs did not simply display neutral records of people, places, and things; rather, commonplace photographs became inscribed with spiritual meaning, disclosing, not merely signifying, a power that lay beyond. Rachel McBride Lindsey demonstrates that what people beheld when they looked at a photograph had as much to do with what lay outside the frame--theological expectations, for example--as with what the camera had recorded. Whether studio portraits tucked into Bibles, postmortem portraits with locks of hair attached, "spirit" photography, stereographs of the Holy Land, or magic lanterns used in biblical instruction, photographs were curated, beheld, displayed, and valued as physical artifacts that functioned both as relics and as icons of religious practice. Lindsey's interpretation of "vernacular" as an analytic introduces a way to consider anew the cultural, social, and material reach of religion. A multimedia collaboration with MAVCOR—Center for the Study of Material & Visual Cultures of Religion—at Yale University.
If we want to continue existing on this earth, an era of renewable energy and materials is urgently needed. What role could mass timber, with its potential to replace concrete and steel, have in ensuring the planet’s survival? This book retraces wood’s passage from stewarded seed in the soil of forests, to harvested biomass, to laminated walls in a living room, through to its disassembly, pausing at each step in the supply chain of mass timber to consider the labor and economies involved, looking closely at the way wood is grown, sourced, and transported, and its impacts on the biodiversity of the forest and the health of our ecosystems. It explores why historically entrenched contexts of extractivism make such sensitive approaches difficult to cultivate across landscapes and industrial frameworks. Along the way, common assumptions about mass timber are debunked, including its fire performance, its strength, and its role in carbon sequestration. Having identified contemporary technical, cultural, and spiritual gaps preventing the transition towards a fully timber built environment, it outlines how we might move forward. A more sensitive species-based methodology is essential, with designers as choreographers of carbon, transferring and trading between forest, factory, site, and beyond. This will be an important read for anyone interested in our built environment and how to design it to be non-extractive, especially those with an interest in architecture, urbanism, forests, ecology, and timber, as well as students of architecture and design interested in the generative nature of materials and design processes.
“Moving, heartfelt, and truly inspiring. A great book to read right now.” —Cheryl Strayed, author of Wild and Tiny Beautiful Things “Ruthie is a gifted storyteller with the unique ability to make you feel her emotions as if they're your own. Her book is somehow both bold and tender and utterly, truthfully, authentically her. She doesn't hide from heartbreak or fail to experience the fullness of all the beauty life can hold.” —Rachel Hollis, #1 New York Times bestselling author of Girl, Wash Your Face and Girl, Stop Apologizing Brain on Fire meets Carry On, Warrior, There I Am is an arresting inspirational memoir about one woman’s journey from chronic pain and hopelessness to finding joy, redemption, and healing. At seventeen years old, Ruthie Lindsey is hit by an ambulance near her home in rural Louisiana. She’s given a five percent chance of survival and one percent chance of walking again. One month later after a spinal fusion surgery, Ruthie defies the odds, leaving the hospital on her own two feet. Just a few years later, newly married and living in Nashville, Ruthie begins to experience debilitating pain. Her case confounds doctors and after numerous rounds of testing, imaging, and treatment, they prescribe narcotic painkillers—lots of them. Ruthie has become bedridden, dependent on painkillers, and hopeless, when an X-ray reveals that the wire used to fuse her spine is piercing her brain stem. Without another staggeringly expensive experimental surgery, she could well become paralyzed, but in many ways, she already is. Ruthie goes into the hospital in chronic pain, dependent on prescription painkillers, and leaves that way. She can still walk, but has no idea where she’s going. As her life unravels, Ruthie returns home to Louisiana and sets out on a journey to learn joy again. She trades fentanyl for sunsets and morphine for wildflowers, weaning herself off of the drugs and beginning the process of healing—of coming home to her body. Raw and redemptive, There I Am is not just about the magic of optimism, but the work of it. Ruthie’s extraordinary memoir urges us to unlearn the stories of brokenness that we tell ourselves and embrace the wholeness, joy, and healing that lives inside all of us.
Brooklyn Elizabeth Hales was born on November 28, 2010. Without a chance to be held by her parents, she was whisked away to the NICU at Texas Children's Hospital in Houston, Texas. Over the course of four long months, Brooklyn took it one minute at a time. From her fight readers learn about fear, faith, and the power of prayer.
Calypso, #1 On the other side of death, is destiny. Callie Ingram is spending her senior year focused on one thing: swimming. Her skill as a competitive swimmer is going to secure a scholarship and her future, or so she hopes. She has big plans, and Liam Hale, her gorgeous new neighbor, isn't going to affect them. But when Callie sees Liam beheading someone, she learns his family has a secret that will change everything. The Hales are Vikings, demi-gods who've been charged by The Fates to find their new destined leader. Callie's caught in the middle of a budding Norse apocalypse, in love with Liam Hale and desperate to protect her best friend. . .who the Hales believe is marked for transformation. Putting the clues together as fast as she can, Callie discovers she has the power to rewrite destiny, for herself and all humankind. 87,877 Words
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