Although the United Kingdom’s entry to the European Community (EC) in 1973 was initially celebrated, by the end of the first year the mood in the UK had changed from ‘hope to uncertainty’. When Edward Heath lost the 1974 General Election, Harold Wilson returned to No. 10 promising a fundamental renegotiation and referendum on EC membership. By the end of the first year of membership, 67% of voters had said ‘yes’ to Europe in the UK’s first-ever national referendum. Examining the relationship between diplomacy and domestic debate, this book explores the continuities between the European policies pursued by Heath and Wilson in this period. Despite the majority vote in favour of maintaining membership, Lindsay Aqui argues that this majority was underpinned by a degree of uncertainty and that ultimately, neither Heath nor Wilson managed to transform the UK’s relationship with the EC in the ways they had hoped possible.
In the second half of the nineteenth century, the Euro-American citizenry of California carried out mass genocide against the Native population of their state, using the processes and mechanisms of democracy to secure land and resources for themselves and their private interests. The murder, rape, and enslavement of thousands of Native people were legitimized by notions of democracy—in this case mob rule—through a discreetly organized and brutally effective series of petitions, referenda, town hall meetings, and votes at every level of California government. Murder State is a comprehensive examination of these events and their early legacy. Preconceptions about Native Americans as shaped by the popular press and by immigrants’ experiences on the overland trail to California were used to further justify the elimination of Native people in the newcomers’ quest for land. The allegedly “violent nature” of Native people was often merely their reaction to the atrocities committed against them as they were driven from their ancestral lands and alienated from their traditional resources. In this narrative history employing numerous primary sources and the latest interdisciplinary scholarship on genocide, Brendan C. Lindsay examines the darker side of California history, one that is rarely studied in detail, and the motives of both Native Americans and Euro-Americans at the time. Murder State calls attention to the misuse of democracy to justify and commit genocide.
American diplomacy is in shambles, but beneath the daily chaos is an erosion of the postwar order that is even more dangerous. America emerged from the catastrophe of World War II convinced that global engagement and leadership were essential to prevent another global conflict and further economic devastation. That choice was not inevitable, but its success proved monumental. It brought decades of great power peace, underpinned the rise in global prosperity, and defined what it meant to be an American in the eyes of the rest of the world for generations. It was an historic achievement. Now, America has abdicated this vital leadership role. The Empty Throne is an inside portrait of the greatest lurch in US foreign policy since the decision to retreat back into Fortress America after World War I. The whipsawing of US policy has upended all that America's postwar leadership created-strong security alliances, free and open markets, an unquestioned commitment to democracy and human rights. Impulsive, theatrical, ill-informed, backward-looking, bullying, and reckless are the qualities that the American president brings to the table, when he shows up at all. The world has had to absorb the spectacle of an America unmaking the world it made, and the consequences will be with us for years to come.
Siler City is located in the piedmont region of North Carolina, on the western side of Chatham County. The railroad first ran through the area in 1884, and the community was officially established in 1887. Blacksmith shops, livery stables, cotton gins, and sawmills were early resources that attracted trade. Lumber mills, furniture manufacturers, and a yarn plant came to town and supported its early industrialization. In 1972, Frances Bavier, better known as "Aunt Bee" from The Andy Griffith Show, retired from acting and bought a house in Siler City, where she lived the remainder of her days. Today, Siler City is a unique town that offers local residents and visitors a variety of activities, including an active artist community, Mount Vernon Springs, parks, and local sporting events at area high schools. Through this collection of historical photographs, Siler City showcases the rich industrial, commercial, and communal history of this small Southern town.
***See also THE BARBERSHOP SEVEN - the collected Barney Thomson novels*** In Blackmuir Wood, above the Victorian Spa village of Strathpeffer, sixteen miles west of Inverness, in the Highlands of Scotland, four American students are found with their throats slit. Worse, each has been given a chilling new haircut. The FBI arrive, but too late to prevent another terrible murder, and into town strolls everybody's favourite accidental death-junkie barber, Barney Thomson, looking for a short back and sides and a different hair colour. THE FACE OF DEATH is a 17000-word Barney Thomson novella that takes place after the events of THE BARBER SURGEON'S HAIRSHIRT (Barney Thomson book 2). However, knowledge of the events of the first two Barney novels is not necessary to enjoy THE FACE OF DEATH. Praise for THE LONG MIDNIGHT OF BARNEY THOMSON (book 1) "This chilling black comedy unfolds at dizzying speed... an impressive debut novel." - Sunday Mirror "The plot, Russian literature fans, is a modern spin on Dostoyevsky's Crime and Punishment. The bloody ending, movie buffs, is pure Reservoir Dogs." - The Mirror "This is pitch-black comedy spun from the finest writing. Fantastic plot, unforgettable scenes and plenty of twisted belly laughs." - New Woman Praise for THE BARBER SURGEON'S HAIRSHIRT (book 2): "A mad, macabre romp with surreal characters and cutting black humour." - The Sunday Mirror "Gloriously over the top, very bloody and very, very funny." - Daily Telegraph "A novel which is both genuinely silly and a fun read." - The Scotsman "A flawless follow-up to an impressive debut, this is extremely well-written, highly amusing and completely unpredictable in its outrageous plot twists and turns." - The List "Lindsay's burlesque thrills offer no sex, no drugs, no desperation to be cool. Just straightforward adult story; fantastic plot, classic timing and gleeful delight in the grotesque. With more talent than Irvine Welsh could dream of, Lindsay has crafted a macabre masterpiece where content lives up to style." - What's On THE BARNEY THOMSON novels in order: #1 THE LONG MIDNIGHT OF BARNEY THOMSON #2 THE BARBER SURGEON'S HAIRSHIRT (aka THE CUTTING EDGE OF BARNEY THOMSON) #3 MURDERERS ANONYMOUS (aka A PRAYER FOR BARNEY THOMSON) #4 THE RESURRECTION OF BARNEY THOMSON (aka THE KING WAS IN HIS COUNTING HOUSE) #5 THE LAST FISH SUPPER #6 THE HAUNTING OF BARNEY THOMSON #7 THE FINAL CUT
Joy Division's vocalist Ian Curtis tragically took his own life in 1980, leaving behind just two haunting albums and a depleted band that would famously evolve into New Order. Over twenty-five years later, the cult surrounding Curtis shows no signs of fading. Fans make regular pilgrimages to his hometown of Macclesfield and to Manchester, where the legacy of Joy Division and Factory Records has passed into legend. The authors of this biography are uniquely qualified to reveal the extraordinary events surrounding Ian Curtis. Mick Middles was the first journalist to interview Joy Division for the music press and formed a close association with the band. Lindsay Reade was a co-founder of Factory Records along with her then-husband Tony Wilson. Together, Middles and Reade have revisited the legend of Ian Curtis and produced the first full-length account of this troubled man's life, work and relationships in the midst of the unique explosion of pop energy that hit Manchester in the late Seventies. Includes many previously unpublished photographs from private collections.
A decade before the American Civil War, James Churchwill Vaughan (1828–1893) set out to fulfill his formerly enslaved father's dying wish that he should leave America to start a new life in Africa. Over the next forty years, Vaughan was taken captive, fought in African wars, built and rebuilt a livelihood, and led a revolt against white racism, finally becoming a successful merchant and the founder of a wealthy, educated, and politically active family. Tracing Vaughan's journey from South Carolina to Liberia to several parts of Yorubaland (present-day southwestern Nigeria), Lisa Lindsay documents this "free" man's struggle to find economic and political autonomy in an era when freedom was not clear and unhindered anywhere for people of African descent. In a tour de force of historical investigation on two continents, Lindsay tells a story of Vaughan's survival, prosperity, and activism against a seemingly endless series of obstacles. By following Vaughan's transatlantic journeys and comparing his experiences to those of his parents, contemporaries, and descendants in Nigeria and South Carolina, Lindsay reveals the expansive reach of slavery, the ambiguities of freedom, and the surprising ways that Africa, rather than America, offered new opportunities for people of African descent.
A Tibetan monastic-turned-LAPD cop-turned private investigator lands his first big case in this riveting opening installment in a Buddhism-inspired mystery series “Don't ignore intuitive tickles lest they reappear as sledgehammers.” —The first rule of Ten Tenzing Norbu (“Ten” for short), an ex-monk and soon-to-be ex-cop, is a protagonist unique to our times. In The First Rule of Ten, we meet this spiritual warrior who is singularly equipped, if not occasionally ill-equipped, as he takes on his first case as a private investigator in Los Angeles. Growing up in a Tibetan Monastery, Ten dreamed of becoming a modern-day Sherlock Holmes. So when he was sent to Los Angeles to teach meditation, he joined the LAPD instead. But as the Buddha says, change is inevitable; and ten years later, everything is about to change—big-time—for Ten. One resignation from the police force, two bullet-wounds, three suspicious deaths, and a beautiful woman later, he quickly learns that whenever he breaks his first rule, mayhem follows. Set in the modern-day streets and canyons of Los Angeles, The First Rule of Ten is at turns humorous, insightful, and riveting-a gripping mystery as well as a reflective, character-driven story with intriguing life-lessons for us all.
Dictionaries are a powerful genre, perceived as authoritative and objective records of the language, impervious to personal bias. But who makes dictionaries shapes both how they are constructed and how they are used. Tracing the craft of dictionary making from the fifteenth century to the present day, this book explores the vital but little-known significance of women and gender in the creation of English language dictionaries. Women worked as dictionary patrons, collaborators, readers, compilers, and critics, while gender ideologies served, at turns, to prevent, secure, and veil women's involvements and innovations in dictionary making. Combining historical, rhetorical, and feminist methods, this is a monumental recovery of six centuries of women's participation in dictionary making and a robust investigation of how the social life of the genre is influenced by the social expectations of gender.
Ovidian Bibliofictions and the Tudor Book examines the historical and the fictionalized reception of Ovid’s poetry in the literature and books of Tudor England. It does so through the study of a particular set of Ovidian narratives-namely, those concerning the protean heroines of the Heroides and Metamorphoses. In the late medieval and Renaissance eras, Ovid’s poetry stimulated the vernacular imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid’s English protégés replicated and expanded upon the Roman poet’s distinctive and frequently remarked ’bookishness’ in their own adaptations of his works. Focusing on the postclassical discourses that Ovid’s poetry stimulated, Ovidian Bibliofictions and the Tudor Book engages with vibrant current debates about the book as material object as it explores the Ovidian-inspired mythologies and bibliographical aetiologies that informed the sixteenth-century creation, reproduction, and representation of books. Further, author Lindsay Ann Reid’s discussions of Ovidianism provide alternative models for thinking about the dynamics of reception, adaptation, and imitatio. While there is a sizeable body of published work on Ovid and Chaucer as well as on the ubiquitous Ovidianism of the 1590s, there has been comparatively little scholarship on Ovid’s reception between these two eras. Ovidian Bibliofictions and the Tudor Book begins to fill this gap between the ages of Chaucer and Shakespeare by dedicating attention to the literature of the early Tudor era. In so doing, this book also contributes to current discussions surrounding medieval/Renaissance periodization.
Now in paperback. In this book, the compilers have brought together more than 1,800 references to literature relating to the Blackfoot. About one third of the citations are annotated, and an author index and a general index simplify the utilization of this valuable resource tool.
Toward the end of World War Two Hitler unleashed the Gomorrah virus, which wiped out most of humanity and turned the rest into vampires, except for those like seventeen-year-old Sophie Harkness, who carry a genetic mutation that makes them immune--but when her best friend is murdered and attempts are made on her life, Sophie sets out to discover the dark secrets that lie at the heart of Haven, the last refuge of the immunes.
A splendidly illuminating book." —The New York Times Like it or not, George W. Bush has launched a revolution in American foreign policy. He has redefined how America engages the world, shedding the constraints that friends, allies, and international institutions once imposed on its freedom of action. In America Unbound, Ivo Daalder and James Lindsay caution that the Bush revolution comes with serious risks–and, at some point, we may find that America’s friends and allies will refuse to follow his lead, leaving the U.S. unable to achieve its goals. This edition has been extensively revised and updated to include major policy changes and developments since the book’s original publication.
Offering stellar performance and undeniable cool, Triumph motorcycles are part of North America's motorcycling soul. Triumph Motorcycles in America shows how the US played key role in Triumph's tremendous success.
What makes a state? This question has attracted more and more attention in recent years with Catalan's illegal vote for independence from Spain and Palestine's ongoing search for international recognition. And while Scotland chose to remain with the United Kingdom, discussions of independence have only continued as the ramifications of the Brexit vote begin to set in. Kosovo, South Sudan, and the situation in Ukraine--each in its way reveals the perils of creating a nation separate from neighbors who have dominated it. As James Ker-Lindsay and Mikulas Fabry show in this new addition to the What Everyone Needs to Know® series, the road to statehood never did run smooth. Declaring independence is only the first step; gaining both local and global acceptance is necessary before a state can become truly independent. The prospect of losing territory is usually not welcomed by the parent state, and any such threat to an existing culture and its economy is often met with resistance--armed or otherwise. Beyond this immediate conflict, the international community often refuses to accept new states without proof of defined territory, a settled population, and effective government, which frequently translates to a democratic one with demonstrated respect for human rights. Covering the legal, political, and practical issues of secession and state creation, Ker-Lindsay and Fabry provide a sure-footed guide to a complex topic.
Reassessing interpretations of development with a new approach to fair trade Is fair trade really fair? Who is it for, and who gets to decide? Fair Trade Rebels addresses such questions in a new way by shifting the focus from the abstract concept of fair trade—and whether it is “working”—to the perspectives of small farmers. It examines the everyday experiences of resistance and agricultural practice among the campesinos/as of Chiapas, Mexico, who struggle for dignified livelihoods in self-declared autonomous communities in the highlands, confronting inequalities locally in what is really a global corporate agricultural chain. Based on extensive fieldwork, Fair Trade Rebels draws on stories from Chiapas that have emerged from the farmers’ interaction with both the fair-trade–certified marketplace and state violence. Here Lindsay Naylor discusses the racialized and historical backdrop of coffee production and rebel autonomy in the highlands, underscores the divergence of movements for fairer trade and the so-called alternative certified market, traces the network of such movements from the highlands and into the United States, and evaluates existing food sovereignty and diverse economic exchanges. Putting decolonial thinking in conversation with diverse economies theory, Fair Trade Rebels evaluates fair trade not by the measure of its success or failure but through a unique, place-based approach that expands our understanding of the relationship between fair trade, autonomy, and economic development.
Judd Wilson finally has his chance for revenge. He will dismantle his estranged father's cherished business empire and--the icing on the cake--steal the man's ravishing mistress. Certainly the sizzling attraction Judd feels for Anna Garrick will only make his vengeance sweeter. But as fascination becomes insatiable desire, Judd begins to question his intent. He'd believed the worst of his father, and of Anna. Now, when long-buried family deceits are uncovered, Anna's fierce loyalty to his father forces Judd to rethink his plans--because destroying the man who hurt him will mean losing Anna, too....
This work has been written by a practitioner for the benefit of practitioners.The two introductory chapters deal with broad general principles and conceptual issues such as what is a caveat? and what is a caveatable interest? but the bulk of the book is taken up by an encyclopaedic analysis of all of the reported Australian and New Zealand cases touching upon caveats. Essentially this book is intended to function as a road map for practitioners to the reported cases, guiding them to cases involving similar facts, and breaking the issues up in a way that matches the practical problems with which they must deal.Chapters which follow on from the general introductory chapters:list all the recognised categories of situations where there is a caveatable interestdeal with defects in the drafting of caveatsdescribe the procedures available to a registered proprietor or other interested person for freeing the title from the caveatanalyse the criteria for a successful action for compensation for wrongful lodgement of a caveatexplain the role of caveats in determining equitable prioritiesThere is also a brief chapter dealing with the assessment of stamp duty on caveats.
This is by far the most detailed commentary yet on Horace's Epodes. The line-by-line commentary on each epode is prefaced by a substantial interpretative essay which offers a reading of that poem and synthesises existing scholarship. These essays, the first of their kind, will provideessential critical orientation to undergraduates approaching the Epode-book for the first time. Moreover, the scale and density of the commentary will make it an invaluable resource for scholars of Latin poetry. A particular feature is the first in-depth treatment of the two lengthy magical Epodes 5and 17. The author draws extensively on ancient magical texts preserved on papyrus and lead, as well as the recent flood of publications on Greek and Roman magic, to cast light on countless details in these epodes which reveal a marked familiarity on Horace's part with authentic magical belief andpractice.
When a long-suppressed lust for vengeance meets £130 million, death will follow. The Necropolis, Glasgow. A man's body, in the shadow of the city's ancient cathedral, sits propped against a gravestone. Held upright by a length of rope around his neck, blood weeping from his eyes, killed by a small metal cross hammered into his skull, the blossom of the Judas tree in his hands. THE JUDAS FLOWER is the second book in a gripping and realistic new crime series featuring DI Aliya Pereira and DS Marc Bain. Set in a grim, rain-soaked Glasgow, Pereira & Bain find themselves mired in a toxic mix of money, religion and revenge, as they begin the search for the killer of Archie Wilson, recent lottery winner, keeper of secrets, and now ritualistic murder victim.
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