A “Dead is the New Fabulous” Mystery (#2) “Lindsay Maracotta has created in Lucy an exhilarating smart and sassy character. Her insider’s take crackles with fresh insight and laugh-out-loud one-liners.” —Janet Evanovich, #1 New York Times Bestselling Author “Killingly amusing. Lindsay Maracotta wields the sharpest tongue since Nora Ephron banged out Heartburn. The book’s social observations are right on the money.” —The Chicago Tribune Lucy Frampton just wants to make animated movies and to raise as functional a family as possible in the midst of Hollywood’s special brand of madness. Unfortunately, when her producer-husband Kit scores his first blockbuster movie, he is stricken with dreaded "Mogus Virus"—(a common ailment!), which compels seemingly down-to-earth people to hire personal chefs and trainers and share enough air-kisses to inflate the Hindenburg. And adding to the crazy is the suspicious on-location death of his director, the much-despised whiz-kid Jeremy Lord. What’s a rational wife to do? Suddenly Lucy's only hope of maintaining some semblance of domestic bliss is to dive alone into the Pacific Palisades shark pool of actors, agents, industry honchos, lavish spenders, spoiled brats, ex-wives and voluptuous nannies, and surface with the killer. Her only weapon in this ocean of sex, lies, and camera phones is her irreverence and smarts —and they may not be formidable enough to protect Lucy from the dangerous predator who's circling....
A “Dead is the New Fabulous” Mystery (#1) “Lindsay Maracotta has created in Lucy an exhilarating smart and sassy character. Her insider’s take crackles with fresh insight and laugh-out-loud one-liners.” —Janet Evanovich, #1 New York Times Bestselling Author “Killingly amusing. Lindsay Maracotta wields the sharpest tongue since Nora Ephron banged out Heartburn. The book’s social observations are right on the money.” —The Chicago Tribune In the tradition of Janet Evanovich comes a smart and sassy first mystery about family values—Hollywood style. Animation filmmaker Lucy Frampton seemingly has it all—the glamorous mansion, adorable child and too-handsome-for-his-own-good producer husband. But Lucy has something her famous neighbors do not: a nude, wannabe starlet floating dead in her swimming pool!!! When she and her husband become the prime suspects in the high-profile murder investigation, Lucy knows she’s going to have to clear her own name—especially when she finds out that the enterprising victim had set her sights on Lucy’s husband! In a world of sex, lies, and iPhones, it’s up to Lucy to find the killer...lest she find herself as the next Fabulous victim!!!
A “Dead is the New Fabulous” Mystery (#3) “Lindsay Maracotta has created in Lucy an exhilarating smart and sassy character. Her insider’s take crackles with fresh insight and laugh-out-loud one-liners.” —Janet Evanovich, #1 New York Times Bestselling Author “Killingly amusing. Lindsay Maracotta wields the sharpest tongue since Nora Ephron banged out Heartburn. The book’s social observations are right on the money.” —The Chicago Tribune Lucy Frampton lives amid the glitzy trappings of Los Angeles. Her friends enjoy intimate relationships with aroma therapists and body sculptors, and her neighbors' estates boast screening rooms and humidity-controlled wine cellars. The exclusive Windermere Academy, which her daughter, Chloe, attends, has a shrink on the payroll to lead "encounter sessions" when tiny tempests threaten the students' sunny days. And even bit players in the Windermere school pageants have publicists and agents. But Lucy, a sensible, transplanted Midwesterner, keeps her sights down-to-earth. She's an outstanding mom, a sexy wife, and an animator whose career is rocketing. But then, in a flash, her perfect world of storyboard mornings and car-pool afternoons goes from romantic comedy to film noir. Lucy's new nanny, Brandon, college friend—and onetime lover (but that's another story)—is shot dead while driving her husband's car. It's unclear who the intended victim was, but then Lucy stumbles upon something even more chilling: a video hidden among Brandon's things that shows a child committing a murder. Though the authorities yawn, Lucy suspects the killer is cruising through classrooms and lunchrooms, as dewy-eyed innocent as any other kid. With a razor wit and a hilarious irreverence for the trappings of fame as her only weapons, Lucy launches a one-woman investigation, leading smack into the looking-glass world of child actors, where nine-year-olds can fire their own parents, where a child's smile commands top dollar—and a little killer is about to have the last laugh!
Animation filmmaker Lucy Freers must clear her name in the drowning death, in her swimming pool, of a neighbor who had romantic views on her husband. The case plays out against the background of a new Hollywood craze--motherhood.
In the exclusive southern California community of Colina Linda, money means everything. But snagging a man who has money means even more. When billionaire David Clemente files for divorce, his newly single status is the gossip among the ladies-who-lunch. Hot on the chase are four of the town’s most eligible ex-wives: peppy Lally Chandler, a former Bond girl and the queen bee of local society, with three celebrity ex-husbands in her wake; Jessica DiSantini, a lapsed lawyer and mother of two with a nice settlement from her cheating spouse and his precious collection of Cabernet to numb the pain; Caitlin Latch, a desperate-to-fit-in single mom with a body that makes Barbie look like Ken; and locally born and bred Janey Martinez, a dowdy duckling with an extensive pack of socially prominent relations. Doing whatever it takes to catch the eligible David’s attention and eliminate the competition, each woman is determined to be the first–and the last–to date Mr. (Luxury) Dreamboat. Which of the four ex-wives will find true love? The answer is revealed in this hilariously funny, sarcastically witty, and deliciously catty novel about the never-ending pursuit of happiness. Translation: an even bigger bank account. From the Trade Paperback edition.
The ex-wives of Colina Linda are back . . . sassier and sexier than ever! After an extravagant honeymoon with her million-dollar man, Lally Chandler-Clemente has devoted every moment (not spent shopping and gossiping) to her latest “it” charity. Meanwhile, former lawyer and well-heeled ex-wife Jessica Di Santini is hopelessly in love with a famous composer . . . who just happens to be Lally’s ex-husband. And Janey Martinez, once a Grade A frump, has put her inherited fortune to good use, purchasing a stunning designer wardrobe and a brand-new pair of double D’s. Only Caitlin Latch isn’t faring very well. Struggling to fit in and living well above her means to keep up appearances, the eye-catching ex is losing hope along with her cash flow. But when she meets a potentially eligible architect, she wonders, will he be her knight in shining armor, or Mr. Wrong? While Caitlin is in pursuit of her future husband, her son receives wild messages from a mystery e-mailer. Who’s on the other end of the cyberlink, and what does he know about Caitlin that she would like to keep quiet? In this uproariously funny, scrumptiously snarky tale, Caitlin and the other Colina Linda exes continue their pursuit of love and lavish bank accounts. From the Trade Paperback edition.
Hannah Doran is every tabloid’s dream: Hollywood pedigree (wild child of a charming and powerful producer and his cultured wife, who died mysteriously in her prime); best friends with entitled movie stars and celebutantes—and a loud, earth-shattering fall from grace when she was convicted of grand theft after a night of one-percenter excess. But that's not real—or at least not what Hannah claims is her real life. Hannah is smart, devoted... and, she maintains, innocent of the felony that landed her in prison. She's determined to make something positive of her life. But it's hard to break from her public image when everyone has a stake in her old role—her beguiling old cellmates, her ruthless father, a female studio exec with much to hide, and a gorgeous, ambitious photographer. In a town built on image, is success more compelling than the truth—and is true redemption even possible? “I love The Producer’s Daughter! The characters are fascinating and believable, the story is edgily surprising, and the read is deliciously addicting! It’s everything I expect from Lindsay Marcott at her best!" --Sarah Lovett, IndieBound bestselling co-author of Blowback "An exciting and engaging story from a Hollywood insider. You'll find yourself rooting for the good guys, booing the bad guys, and thanking your lucky stars the film industry hasn't come calling for you."--SJ Rozan, Edgar Award winning author of Ghost Hero "A glitzy tour of the entertainment biz... In the hands of this accomplished writer, Hannah's dark secrets make her human as her compelling story unfolds." --Nancy Martin, author of the Blackbird Sisters mystery series "Reminiscent of Elizabeth Little’s Dear Daughter, Lindsay Marcott’s The Producer’s Daughter offers a celebutante-style heroine you will root for through the landmines of new Hollywood.--Leslie Lehr, author of What A Mother Knows
Animation filmmaker Lucy Freers must clear her name in the drowning death, in her swimming pool, of a neighbor who had romantic views on her husband. The case plays out against the background of a new Hollywood craze--motherhood.
As she investigates the murder of her nanny, Lucy Freers discovers a fuzzy videotape that reveals yet another killing. To solve this double murder, Lucy plunges into a land where kids will kill for a tap-dancing part and where a sly player has gotten away with murder.
When the whiz-kid director of her latest animated film turns up dead, Lucy Freers plunges into the Hollywood shark tank of ruthless actors, agents, ex-wives, and industry honchos to find his killer. Reprint. LJ. NYT.
From the author of THE DEAD CELEB and TURNAROUND - YOU'RE DEAD, a new crime thriller featuring Lucy Freers, who is given the unbelievable news that her husband has been killed. When she inspects the corpse, it is not her husband but her former boyfriend whom she sees, and it all seems to centre on her.
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