Soon after moving to the secluded Norfolk village of Munding, Alex Darken has a disturbing encounter with the ageing poet Edward Nesbit and his young lover Laura. They are obsessively researching the lives of Sir Henry Agnew and his daughter Louisa who lived in Munding in the nineteenth century and were deeply engaged in alchemical practices. By recovering the lost secret of the hermetic mysteries, Edward and Laura hope to find an alternative to the destructive materialism of the post-industrial world. Once drawn into their fervent quest for knowledge, Alex finds himself entangled in a passionate and intense intrigue that reaches across two centuries. A beautifully written, ambitious and captivating novel, which takes a profound look at issues of nature, human existence and forgotten knowledge, The Chymical Wedding, which won the 1989 Whitbread Prize for Best Novel, is already considered a classic for its stylistic prowess and philosophical resonances.
Conflict at the Edge of the African State: The ADF Rebel Group in the Congo-Uganda Borderland studies one of the oldest and most secretive rebel groups in the eastern Congo warscape: the Allied Democratic Forces (ADF). Operating in the Rwenzori borderland of western Uganda and eastern Congo for nearly three decades now, they have proven to be an extremely resilient rebel force, surviving longer than nearly any other violent actor in the area. The ADF have come under increased scrutiny from regional governments and global conflict management actors recently, due to their Islamic character and alleged connections to the Islamic State and other international terrorist actors. Yet, there is a lack of informed discussion on the rebellion and very little understanding of the structures and constitution of the group. In Conflict at the Edge of the African State, Lindsay Scorgie offers a nuanced and ultimately corrective framework for understanding the ADF. Conflict at the Edge of the African State moves away from traditional state-centric concepts of cross-border conflict and instead situates the rebels within a borderland context, examining how their deeply embedded position in local cross-border histories has fueled their resiliency.
This is perhaps the most complete, detailed and readable story of manned space-flight ever published. The text begins with the historical origins of the dream of walking on the Moon, covers the earliest Mercury and Gemini flights and then moves on to the end of the Apollo era. In readable, fascinating detail, Hamish Lindsay - who was directly involved in all three programs - chronicles mankind's greatest adventure with a great narrative, interviews, quotes and masses of photographs, including some previously unpublished. In addition to bringing the history of these missions to life the book serves as a detailed reference for space enthusiasts and students.
Love and Electronic Affection: A Design Primer brings together thought leadership in romance and affection games to explain the past, present, and possible future of affection play in games. The authors apply a combination of game analysis and design experience in affection play for both digital and analog games. The research and recommendations are intersectional in nature, considering how love and affection in games is a product of both player and designer age, race, class, gender, and more. The book combines game studies with game design to offer a foundation for incorporating affection into playable experiences. The text is organized into two sections. The first section covers the patterns and practice of love and affection in games, explaining the patterns and practice. The second section offers case studies from which designers can learn through example. Love and Electronic Affection: A Design Primer is a resource for exploring how digital relationships are offered and how to convey emotion and depth in a variety of virtual worlds. This book provides: • A catalog of existing digital and analog games for which love and affection are a primary or secondary focus. • A catalog of the uses of affection in games, to add depth and investment in both human-computer and player-to-player engagement. • Perspective on affection game analyses and design, using case studies that consider the relationship of culture and affection as portrayed in games from large scale studios to single author independent games. • Analysis and design recommendations for incorporating affection in games beyond romance, toward parental love, affection between friends, and other relationships. • Analysis of the moral and philosophical considerations for historical and planned development of love and affection in human–computer interaction. • An intersectionality informed set of scholarly perspectives from the Americas, Eurasia, and Oceania. Editor Bio: Lindsay D. Grace is Knight Chair of Interactive Media and an Associate Professor at the University of Miami School of Communication. He is Vice President for the Higher Education Video Game Alliance and the 2019 recipient of the Games for Change Vanguard award. Lindsay is author of Doing Things with Games, Social Impact through Design and more than fifty peer-reviewed papers on games and related research. He has given talks at the Game Developers Conference, SXSW, Games for Change Festival, the Online News Association, the Society for News Design, and many other industry events. He was the founding director of the American University Game Lab and Studio and the designer-developer behind several award winning games, including two affection games. He served as Vice President and on the board of directors for the Global Game JamTM non-profit between 2014 and 2019. From 2009 to 2013 he was the Armstrong Professor at Miami University’s School of Art. Lindsay also served on the board for the Digital Games Research Association (DiGRA) between 2013 and 2015.
This work provides the class teacher with a straightforward introduction to dyslexia. The authors highlight methods of identification of dyslexia within the classroom context and provide examples of how dyslexia can be dealt with by the class teacher.
The quadrennial summer Olympic Games are renowned for producing the world's biggest single-city cultural event. This mega-event attracts a live audience of millions, a television audience of billions, and generates incredible scrutiny before, during, and after each installment. This is due to the fact that underpinning the 17 days of spectacular sporting events is approximately a decade worth of planning, preparing, and politicking. It is during this decade that prospective host cities must plan and win their bids before embarking upon seven years of urban upheaval and social transformation in order to stage the world's premier sporting event. This book draws on seven years of ethnographic inquiry around the London 2012 Olympics and contrasts the rhetoric and reality of mega-event delivery. Lindsay argues that in its current iteration the twin notions of beneficial Olympic legacies and Olympic delivery benefits for hosting communities are largely incompatible.
F*ck the Army! resurrects the history of the FTA, an antiwar variety show led by Jane Fonda in 1971, building a new theory of revolutionary activism out of the theatrical acts of solidarity and resistance that soldiers and civilians performed together, on stage and off, as they sought to end the U.S. war in Vietnam by connecting struggles for liberation across the lines of race, gender, and nationality"--
Imperial spaces takes two of the most influential minority groups of white settlers in the British Empire – the Irish and the Scots – and explores how they imagined themselves within the landscapes of its farthest reaches, the Australian colonies of Victoria and New South Wales. Using letters and diaries as well as records of collective activities such as committee meetings, parades and dinners, the book examines how the Irish and Scots built new identities as settlers in the unknown spaces of Empire. Utilizing critical geographical theories of ‘place’ as the site of memory and agency, it considers how Irish and Scots settlers grounded their sense of belonging in the imagined landscapes of south-east Australia. Imperial spaces is relevant to academics and students interested in the history and geography of the British Empire, Australia, Ireland and Scotland.
This book takes a new approach to travel writing about Latin America by examining ‘domestic’ journey narratives that have been produced by travellers from the continent itself and largely in Spanish. Historically, travel writing about Latin America has been written primarily from the perspective of the foreign, often European, traveller. As such, and following the large influx of military, scientific, and leisure travellers in the region since its colonisation, much of this foreign travel writing has depicted the continent in predominantly exoticist and/or imperialist terms. Lindsay explores how Latin American travellers have conceived and constructed narratives about travel at home and considers how such texts (many of them available in English translation or with subtitles) function to counter or corroborate long-standing myths about the continent. Through a series of regionally- and thematically-oriented case studies that engage with key issues, themes and debates in both Latin American and travel studies, Lindsay provides the first sustained interdisciplinary study of contemporary domestic travel narratives about the region and will also comprise an important intervention into methodological debates about travel and travel writing.
This chatty biography, written with the cooperation of the late actor's family, is crammed with anecdotes, personal opinions, and warm humor," said our reviewer (LJ 2/15/76) of this portrait of the horror star, who played every baddie from Frankenstein's monster to Dr. Seuss's Grinch. The text is buttressed with 150 photos and a complete filmography. This should still be "popular in public library collections." Copyright 1995 Reed Business Information, Inc.
The Afterlives of Specimens explores the space between science and sentiment, the historical moment when the human cadaver became both lost love object and subject of anatomical violence. Walt Whitman witnessed rapid changes in relations between the living and the dead. In the space of a few decades, dissection evolved from a posthumous punishment inflicted on criminals to an element of preservationist technology worthy of the presidential corpse of Abraham Lincoln. Whitman transitioned from a fervent opponent of medical bodysnatching to a literary celebrity who left behind instructions for his own autopsy, including the removal of his brain for scientific study. Grounded in archival discoveries, Afterlives traces the origins of nineteenth-century America’s preservation compulsion, illuminating the influences of botanical, medical, spiritualist, and sentimental discourses on Whitman’s work. Tuggle unveils previously unrecognized connections between Whitman and the leading “medical men” of his era, such as the surgeon John H. Brinton, founding curator of the Army Medical Museum, and Silas Weir Mitchell, the neurologist who discovered phantom limb syndrome. Remains from several amputee soldiers whom Whitman nursed in the Washington hospitals became specimens in the Army Medical Museum. Tuggle is the first scholar to analyze Whitman’s role in medically memorializing the human cadaver and its abandoned parts.
In the spring of 1874 a handful of men and one women set out for the Texas Panhandle to seek their fortunes in the great buffalo hunt. Moving south to follow the herds, they intended to establish a trading post to serve the hunter, or "hide men." At a place called Adobe Walls they dug blocks from the sod and built their center of operations After operating for only a few months, the post was attacked one sultry June morning by angry members of several Plains Indian tribes, whose physical and cultural survival depending on the great bison herd that were rapidly shrinking before the white men's guns. Initially defeated, that attacking Indians retreated. But the defenders also retreated leaving the deserted post to be burned by Indians intent on erasing all traces of the white man's presence. Nonetheless, tracing did remain, and in the ashes and dirt were buried minute details of the hide men's lives and the battle that so suddenly changed them. A little more than a century later white men again dug into the sod at Adobe Walls. The nineteenth-century men dug for profits, but the modern hunters sere looking for the natural time capsule inadvertently left by those earlier adventurers. The authors of this book, a historian and an archeologists, have dug into the sod and into far-flung archives to sift reality form the long-romanticized story of Adobe Walls, its residents, and the Indians who so fiercely resented their presence. The full story of Adobe Walls now tells us much about the life and work of the hide men, about the dying of the Plains Indian culture, and about the march of white commerce across the frontier.
Reisinger and Turner illustrate the importance of cultural background in the tourist experience in this in-depth study. The authors cover the concepts, definitions and measures of these cultural components and the tools used to analyse them.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.