A collection of poems with rich emotions that all of us can relate to in our daily moments. The collection contains her life as a farm girl, her upbringing, and being a care giver for her terminal ill mother. It also brings into focus her role as a mother and the simple moments in life marked by ups and downs.
It broke Jenny Archibald's heart to lose her best friend, Lena, to a fever--Jenny's not about to let any harm come to two-year-old Meggie, Lena's orphaned daughter. Jenny will take Meggie to the girl's uncle in Dakota Territory. And if Jenny's parents won't let her leave without her promise to marry a man of their choosing on her return, then that's a trade Jenny's willing to make. But she never expected to lose her heart to Meggie, to the wild beauty of the frontier...or to Burke Edwards, Meggie's handsome uncle. Torn between her obligation to her parents and her own dreams of happiness, which will yield--her promise...or her heart?
Enjoy two stories of strength and hope in days gone by from Love Inspired Historical Dakota Child Trapped in a North Dakota blizzard, single mother Vivian Halliday’s prayers are answered when she’s rescued by Billy Black, a man feared by all the townsfolk. Yet in the home he shares with his ailing mother, the handsome gentle giant warms her baby’s bottles and sings sweet lullabies. When the storm abates, will she go back to the village…or stay where she’s found an unexpected family for herself and her Dakota child? Dakota Father It broke Jenny Archibald’s heart to lose her best friend, Lena, to a fever—Jenny’s not about to let any harm come to Lena’s orphaned daughter. Jenny will take Meggie to the girl’s uncle in Dakota Territory. And if she must marry a man of her parents’ choosing on her return, then that’s a trade she’s willing to make. But she never expected to lose her heart to Meggie…or to Burke Edwards, Meggie’s handsome uncle.
Enjoy these heartwarming, romantic favorites set in Dakota Territory from Linda Ford! Dakota Child Trapped in a North Dakota blizzard, single mother Vivian Halliday’s prayer for herself and her child is answered. Rescue comes in the seemingly terrifying form of Billy Black, the hulk of a man feared by all the townsfolk. Yet in the home he shares with his ailing mother, the handsome, gentle giant warms her baby’s bottles and sings sweet lullabies that lull even Vivian to peaceful sleep. When the storm abates and it is safe to leave, will she seek the life that led her back to the village…or stay where she’s found an unexpected family for herself and her Dakota child? Dakota Cowboy Surely the handsome cowboy can’t be serious. Lucy Hall’s father wants to see her? Now? After years of being brushed aside, Lucy’s in no hurry to rush to the man’s deathbed. And just as Wade Miller rode into town to bring her father’s message, he can ride right back out with hers. But before Wade can leave, Lucy finds herself witness to a terrible crime, with a killer on her trail. In this storm of trouble, she’ll take any shelter she can find—even if it means going to her father, after all. Yet safety comes at a high price when time with the Dakota cowboy puts at risk the one thing Lucy’s always protected—her heart. Dakota Father It broke Jenny Archibald’s heart to lose her best friend, Lena, to a fever—Jenny’s not about to let any harm come to two-year-old Maggie, Lena’s orphaned daughter. Jenny will take Meggie to the girl’s uncle in Dakota Territory. And if Jenny’s parents won’t let her leave without her promise to marry a man of their choosing on her return, then that’s a trade Jenny’s willing to make. But she never expected to lose her heart to Meggie, to the wild beauty of the frontier…or to Burke Edwards, Meggie’s handsome uncle. Torn between her obligation to her parents and her own dreams of happiness, which will yield—her promise…or her heart?
Artist, teacher, and Red Progressive, Angel De Cora (1869–1919) painted Fire Light to capture warm memories of her Nebraska Winnebago childhood. In this biography, Linda M. Waggoner draws on that glowing image to illuminate De Cora’s life and artistry, which until now have been largely overlooked by scholars. One of the first American Indian artists to be accepted within the mainstream art world, De Cora left her childhood home on the Winnebago reservation to find success in the urban Northeast at the turn of the twentieth century. Despite scant documentary sources that elucidate De Cora’s private life, Waggoner has rendered a complete picture of the woman known in her time as the first “real Indian artist.” She depicts De Cora as a multifaceted individual who as a young girl took pride in her traditions, forged a bond with the land that would sustain her over great distances, and learned the role of cultural broker from her mother’s Métis family. After studying with famed illustrator Howard Pyle at his first Brandywine summer school, De Cora eventually succeeded in establishing the first “Native Indian” art department at Carlisle Indian School. A founding member of the Society of American Indians, she made a significant impact on the American Arts and Crafts movement by promoting indigenous arts throughout her career. Waggoner brings her broad knowledge of Winnebago culture and history to this gracefully written book, which features more than forty illustrations. Fire Light shows us both a consummate artist and a fully realized woman, who learned how to traverse the borders of Red identity in a white man’s world.
How this roadside attraction became a BEAR-y big hit and turned into a must-see New Hampshire destination that still exists today! In 1928, Edward and Florence Clark opened a roadside attraction in Lincoln, New Hampshire, for visitors to the White Mountains. Ed Clark's Eskimo Sled Dog Ranch featured guided tours with its purebred Eskimo sled dogs and artifacts from Labrador, Canada. The Stand offered souvenirs, tonic, and maple products to motorists. Three black bears, Soggle, Toggle and Woggle, joined the family in 1935, and the bears acted as the perfect visual attraction, gaining the attention of curious passersby. In 1949, Ed and Murray, sons of Florence and Edward, began training black bears for show work. The Clark brothers and their bears delighted guests with humor and hospitality as they entertained and educated the audience. Generations later, that philosophy lives on as the Clarks offer bear shows, rides on the White Mountain Central Railroad, family entertainment, and good, honest fun to visitors. There are up to 20 family members working at Clark's Trading Post on any given day, including fifth-generation descendants.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.