An effective, quantitative approach for estimating and managing software projects How many people do I need? When will the quality be good enough for commercial sale? Can this really be done in two weeks? Rather than relying on instinct, the authors of Software Measurement and Estimation offer a new, tested approach that includes the quantitative tools, data, and knowledge needed to make sound estimations. The text begins with the foundations of measurement, identifies the appropriate metrics, and then focuses on techniques and tools for estimating the effort needed to reach a given level of quality and performance for a software project. All the factors that impact estimations are thoroughly examined, giving you the tools needed to regularly adjust and improve your estimations to complete a project on time, within budget, and at an expected level of quality. This text includes several features that have proven to be successful in making the material accessible and easy to master: * Simple, straightforward style and logical presentation and organization enables you to build a solid foundation of theory and techniques to tackle complex estimations * Examples, provided throughout the text, illustrate how to use theory to solve real-world problems * Projects, included in each chapter, enable you to apply your newfound knowledge and skills * Techniques for effective communication of quantitative data help you convey your findings and recommendations to peers and management Software Measurement and Estimation: A Practical Approach allows practicing software engineers and managers to better estimate, manage, and effectively communicate the plans and progress of their software projects. With its classroom-tested features, this is an excellent textbook for advanced undergraduate-level and graduate students in computer science and software engineering. An Instructor Support FTP site is available from the Wiley editorial department.
Author, translator, social critic and Harvard professor of art, Charles Eliot Norton was widely regarded in his own day as the most cultivated man in America. In modern times, by contrast, he has been condemned as the supercilious representative of an embattled patrician caste. This revisionary study argues that Norton’s genuine significance for American culture and politics today can only be grasped by recovering the vanished contexts in which his life and work took shape. In a wide-ranging analysis, Linda Dowling demonstrates the effects upon Norton’s thought of the great transatlantic humanitarian reform movement of the 1840s, the Pre-Raphaelite and Ruskinian revolution in art and architecture of the 1850s and the surging liberal optimism that emerged from the Civil War. Drawing on numerous deleted passages from Norton’s manuscript journals, Dowling probes beneath the imperturbable mask of the public Norton, bringing to light the elusive private man. Returning from Europe in 1873, bereft of his wife and stripped of his religious belief, Norton was compelled to confront the painful contradictions within his own liberal political faith. In a land given to celebrating freedom of speech, Norton would become a speaker subjected to physical threats for opposing the Spanish-American War. Among a people given to glorying in its superiority to other civilizations, he would become a social critic reviled for arguing that the nation was failing to live up to its own most cherished ideals. It would be Norton’s misfortune, shared with others of his generation, to watch the golden promise of a victorious war for the Union fade into the unrepentant cynicism of the Gilded Age. Yet Norton’s militant idealism and heroic citizenship, Dowling argues, survive now as a vital parable for American civic liberalism in the present day.
Mixing Hollywood glitz with hard-boiled grit, Death Was in the Picture captures the essence of life in Depression-era Los Angeles: a world where times are tough, talk is cheap, and murder is often just one scene away. In 1931, while most of Los Angeles is struggling to survive the Depression, the business of Hollywood is booming. And everyone wants a piece. The movies have always been cutthroat and, as girl Friday Kitty Pangborn is about to find out, that's more than a metaphor. Kitty's boss, private detective Dexter Theroux, has been asked to help leading man Laird Wyndham prove his innocence. The actor was the last person to be seen with a young actress who died under very suspicious circumstances, and the star has fallen from the big screen to the big house. Wyndham's a dreamboat, but that isn't the only thing that has Kitty hot under the collar. Dex has already signed a client---one who's hired him to prove Wyndham's hands are not as clean as they look.
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