During the nineteenth century, women authors for the first time achieved professional status, secure income, and public fame. How did these women enter the literary profession; meet the demands of editors, publishers, booksellers, and reviewers; and achieve distinction as "women of letters"? Becoming a Woman of Letters examines the various ways women writers negotiated the market realities of authorship, and looks at the myths and models women writers constructed to elevate their place in the profession. Drawing from letters, contracts, and other archival material, Linda Peterson details the careers of various women authors from the Victorian period. Some, like Harriet Martineau, adopted the practices of their male counterparts and wrote for periodicals before producing a best seller; others, like Mary Howitt and Alice Meynell, began in literary partnerships with their husbands and pursued independent careers later in life; and yet others, like Charlotte Brontë, and her successors Charlotte Riddell and Mary Cholmondeley, wrote from obscure parsonages or isolated villages, hoping an acclaimed novel might spark a meteoric rise to fame. Peterson considers these women authors' successes and failures--the critical esteem that led to financial rewards and lasting reputations, as well as the initial successes undermined by publishing trends and pressures. Exploring the burgeoning print culture and the rise of new genres available to Victorian women authors, this book provides a comprehensive account of the flowering of literary professionalism in the nineteenth century.
When Carron Gray arrives in the remote village of Inishbrae looking haunted and unhappy she has little idea of the events that are about to shape her life. Guarding the secrets of her past she finds herself drawn into the lives of the people around her and falling for the enigmatic charms of Ben, the mysterious man renovating a house on the beach. But Ben is not all he seems and has secrets of his own. Despite her efforts to forget her previous life it soon becomes clear that the past Carron is so desperately hiding from is catching up with her and she must learn to accept it before she can truly move on. But the thought of opening up old wounds is overwhelming and instead she buries herself in another world found through her passion for painting. Caught in a world where it is easier to escape than to face the painful truth, can Ben and Carron face their fears and learn to trust one another?
A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.
A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.
A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.
Elizabeth Barrett Browning believed that "Christ's religion is essentially poetry - poetry glorified." In Elizabeth Barrett Browning's Spiritual Progress, Linda M. Lewis studies Browning's religion as poetry, her poetry as religion. The book interprets Browning's literary life as an arduous spiritual quest - the successive stages being a rejection of Promethean pride for Christ-like humility, affirmation of the Gospels of Suffering and of Work, internalization of the doctrine of Apocalypse, and ascent to Divine Love and Truth. Concluding with an examination of religion as a central focus of Victorian women poets, Lewis clarifies the ways in which Browning differs from Christina Rossetti, Felicia Hemans, Dora Greenwell, Jean Ingelow, and Mary Howitt. Elizabeth Barrett Browning's Spiritual Progress maintains that Browning's peculiar face-to-face struggle with the patristic and poetic tradition - as well as with God - sets her work apart
A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.
When Carron Gray arrives in the remote village of Inishbrae looking haunted and unhappy she has little idea of the events that are about to shape her life. Guarding the secrets of her past she finds herself drawn into the lives of the people around her and falling for the enigmatic charms of Ben, the mysterious man renovating a house on the beach. But Ben is not all he seems and has secrets of his own. Despite her efforts to forget her previous life it soon becomes clear that the past Carron is so desperately hiding from is catching up with her and she must learn to accept it before she can truly move on. But the thought of opening up old wounds is overwhelming and instead she buries herself in another world found through her passion for painting. Caught in a world where it is easier to escape than to face the painful truth, can Ben and Carron face their fears and learn to trust one another?
Teaches writers how to be creative within the craft of screenwriting, and discusses theme development, sensation-thinking, dream images, character opposition, and personal vision.
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