“A fascinating mix of fact, history, self-confession, self-accusation, and self-forgiveness—a diary of both emotional relationships and travel.” —Pasatiempo This classic account of self-discovery and railroad life describes Linda Grant Niemann’s travels as an itinerant brakeman on the Southern Pacific. Boomer combines travelogue, Wild West adventure, sexual memoir, and closely observed ethnography. A Berkeley Ph.D., Niemann turned her back on academia and set out to master the craft of railroad brakeman, beginning a journey of sexual and subcultural exploration and traveling down a path toward recovery from alcoholism. In honest, clean prose, Niemann treks off the beaten path and into the forgotten places along the rail lines, finding true American characters with colorful pasts—and her true self as well. “Ma[kes] the railroad experience come alive with all its grit, danger, romance, and general outrageousness . . . Possibly the finest book I’ve ever read about the actual experience of working on the railroad.” —Trains Magazine “Niemann has a taut, lyrically restrained but vividly descriptive style, with an observational vigilance befitting a brakeman’s mindset, and her narrative clips along like a boxcar rolling through the yard.” —Bloom Magazine “A remarkable adventure tale, the occupational odyssey of the Ph.D. in literature who immerses herself in blue-collar America.” —Library Journal
Love and friendship, art and craft, language and culture are the subjects of this look back at one woman’s experiences in Mexico over a period of twenty years. What first propels Linda Grant Niemann south are the migrants she encounters in her job as a railroad brakeman in the Southwest. She decides to learn Spanish, and in Mexico she soon meets some surprising kindred spirits. An admirer of craft and expertise, Niemann seeks out individual artists who make exquisite things—Otomi papermakers, the families who produce the famous ceramics of Mata Ortiz, the man in Michoacán who knows how to fashion full-size jaguar thrones in bent cane. Some of her searches lead her to tiny villages and to artists who seldom get to meet their own fans. Niemann wonders if she is experiencing an ordinary shopaholic’s obsession or if this is something more. The something more reveals itself as the connection of one artist to another.
Love and friendship, art and craft, language and culture are the subjects of this look back at one woman's experiences in Mexico over a period of twenty years. What first propels Linda Grant Niemann south are the migrants she encounters in her job as a railroad brakeman in the Southwest. She decides to learn Spanish, and in Mexico she soon meets some surprising kindred spirits. An admirer of craft and expertise, Niemann seeks out individual artists who make exquisite things--Otomi papermakers, the families who produce the famous ceramics of Mata Ortiz, the man in Michoacán who knows how to fashion full-size jaguar thrones in bent cane. Some of her searches lead her to tiny villages and to artists who seldom get to meet their own fans. Niemann wonders if she is experiencing an ordinary shopaholic's obsession or if this is something more. The something more reveals itself as the connection of one artist to another.
“A fascinating mix of fact, history, self-confession, self-accusation, and self-forgiveness—a diary of both emotional relationships and travel.” —Pasatiempo This classic account of self-discovery and railroad life describes Linda Grant Niemann’s travels as an itinerant brakeman on the Southern Pacific. Boomer combines travelogue, Wild West adventure, sexual memoir, and closely observed ethnography. A Berkeley Ph.D., Niemann turned her back on academia and set out to master the craft of railroad brakeman, beginning a journey of sexual and subcultural exploration and traveling down a path toward recovery from alcoholism. In honest, clean prose, Niemann treks off the beaten path and into the forgotten places along the rail lines, finding true American characters with colorful pasts—and her true self as well. “Ma[kes] the railroad experience come alive with all its grit, danger, romance, and general outrageousness . . . Possibly the finest book I’ve ever read about the actual experience of working on the railroad.” —Trains Magazine “Niemann has a taut, lyrically restrained but vividly descriptive style, with an observational vigilance befitting a brakeman’s mindset, and her narrative clips along like a boxcar rolling through the yard.” —Bloom Magazine “A remarkable adventure tale, the occupational odyssey of the Ph.D. in literature who immerses herself in blue-collar America.” —Library Journal
Culled from the 20 years she spent traveling the American West as a freight brakeman and conductor, Linda Grant Niemann's Railroad Noir delves into the darker side of railroading. The 1990s were a time of crisis for workers caught in the breakup of the Southern Pacific Railroad. Niemann's tales of exhaustion, alcoholism, homelessness, and corporate blundering present a revelatory account of railroading life. Photographer Joel Jensen realizes Niemann's vision of the working West with images of cowboy bars, blue motels, and railroaders working in electrical storms, white-outs, and desert heat waves. The result is an honest, gritty, and striking collaboration.
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