Speaking to readers in a voice that is adventurous rather than authoritative, innovative rather than institutional and speculative rather than orthodox, Linda Charnes’ provocative study of Shakespeare’s legacy in contemporary American and British politics explores the following themes: namesake princes and presidents stolen thrones and elections plutocrats and insurgents campaign trails and war-mongering waning monarchy and imperilled democracy revengers, early modern and postmodern. Linked by focused readings of Hamlet and the Henriad, the essays follow Shakespeare’s two most famous royal sons, the Princes Hamlet and Hal, as they haunt contemporary political psychology in the early years of a new millennium, and especially in the aftermath of September 11, 2001. Between devolution in Britain and the new ‘doctrine’ of pre-emptive strike in the United States, our contemporary Hamlets and Hals epitomize a debate – as fraught now as in Shakespeare’ day – about the cost of spin-doctoring legacies. In exploring how current political culture inherits Shakespeare, Hamlet’s Heirs challenges scholarly assumptions about historical periodicity, modernity and the uses of Shakespeare in present day contexts.
Richard III, Antony and Cleopatra, were significant figures before Shakespeare revitalized them on stage. When he did, Charnes argues, he used these legendary figures to explore the emergence of a new kind of fame, "notorious identity".
Known as Newark's "Jewish Frontier," Weequahic was home to 35,000 Jewish residents from the 1930s to the 1960s. Homes built on farm lots, known as Lyons Farms, attracted the city's upwardly mobile Jewish families. Weequahic High School still remains at the heart of the community, drawing generations of alumni for annual reunions and events. Pulitzer Prize-winning author Philip Roth, a Weequahic High School graduate, found inspiration in the community, documenting its intricacies in his work. The high school still houses a mural, The Enlightenment of Man, painted by New Deal painter Michael Lenson. This mural is regarded as one of the most important pieces of public art in the state. Jews of Weequahic captures the life of this vibrant community that has become one of Newark's legendary neighborhoods.
Richard III, Antony and Cleopatra, were significant figures before Shakespeare revitalized them on stage. When he did, Charnes argues, he used these legendary figures to explore the emergence of a new kind of fame, "notorious identity".
Speaking to readers in a voice that is adventurous rather than authoritative, innovative rather than institutional and speculative rather than orthodox, Linda Charnes’ provocative study of Shakespeare’s legacy in contemporary American and British politics explores the following themes: namesake princes and presidents stolen thrones and elections plutocrats and insurgents campaign trails and war-mongering waning monarchy and imperilled democracy revengers, early modern and postmodern. Linked by focused readings of Hamlet and the Henriad, the essays follow Shakespeare’s two most famous royal sons, the Princes Hamlet and Hal, as they haunt contemporary political psychology in the early years of a new millennium, and especially in the aftermath of September 11, 2001. Between devolution in Britain and the new ‘doctrine’ of pre-emptive strike in the United States, our contemporary Hamlets and Hals epitomize a debate – as fraught now as in Shakespeare’ day – about the cost of spin-doctoring legacies. In exploring how current political culture inherits Shakespeare, Hamlet’s Heirs challenges scholarly assumptions about historical periodicity, modernity and the uses of Shakespeare in present day contexts.
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