An instant New York Times bestseller From Netflix star and New York Times bestselling author Phil Rosenthal and his daughter Lily comes a hilarious picture book about a food-loving dad encouraging his picky eater daughter to just try something new. Phil has one rule about food: try everything at least once. Otherwise, how will you know what you like? His daughter Lil disagrees. She already knows what she likes—just bread and pasta with no sauce—and that’s all there is to it! When the two go to a food truck festival, Phil tries introducing Lil to all kinds of delicious cuisine, but she doesn’t budge. Just when it looks like it’s going to be a very long day, an unexpected mustard accident changes everything.
Phil tries to introduce his daughter Lil to all different kinds of cuisine at the food truck festival, but Lil is hesitant to try anything new until he reminds her to keep herself open to new possibilities and to try things at least once.
It's Maria Levy's tenth birthday, February 27th 1933. Her little brother, Fritz, and her parents are anxious to help celebrate her special day. But what would otherwise be a happy occasion for a little girl becomes marred by the burning of Reichstag, the German Parliament in Berlin. The rise of Hitler's Nazi party bodes ill for many citizens, including Maria and Fritz's parents. Their Uncle Herbert decides to immigrate to America with his family, but the Levy family chooses to stay, hoping that the madness which surrounds them will soon come to an end. No work and little food puts a strain on the poverty-stricken family, but news of a job brings hope and they are escorted to a train station. Their hope soon turns to horror as they realize the job was only a ruse and they are soon headed directly to a camp. With no other option and a heavy heart, Maria and Fritz's parents bundle them up in their own coats, bid them to search for their cousin, Alfred, and throw them off the slow moving train. This is where their Journey begins.
Given the unprecedented demands on the U.S. military since 2001 and the risks posed by stress and trauma, there has been growing concern about the prevalence and consequences of sleep problems. This first-ever comprehensive review of military sleep-related policies and programs, evidence-based interventions, and barriers to achieving healthy sleep offers a detailed set of actionable recommendations for improving sleep across the force.
This volume constitutes the first reference grammar of the Hasidic Hebrew hagiographic tales composed in late nineteenth- and early twentieth-century Eastern Europe. It presents a thorough survey of Hasidic Hebrew orthography, morphology, syntax, and lexis illustrated with extensive examples.
Under the terms of the Chinese Immigration Act of 1885, Canada implemented a vast protocol for acquiring detailed personal information about Chinese migrants. Among the bewildering array of state documents used in this effort were CI 9s: issued from 1885 to 1953, they included date of birth, place of residence, occupation, identifying marks, known associates, and, significantly, identification photographs. The originals were transferred to microfilm and destroyed in 1963; more than 41,000 grainy reproductions of CI 9s remain. Lily Cho explores how the CI 9s functioned as a form of surveillance and a process of mass capture that produced non-citizens, revealing the surprising dynamism of non-citizenship constantly regulated and monitored, made and remade, by an anxious state. The first mass use of identification photography in Canada, they make up the largest archive of images of Chinese migrants in the country, including people who stood no chance of being photographed otherwise. But CI 9s generated far more information than could be processed, and there is nothing straightforward about the knowledge that they purported to contain. Cho finds traces of alternate forms of kinship in the archive as well as evidence of the ways that families were separated. In attending to the particularities of these images and documents, Mass Capture uncovers the alternative story that lies in the refusals and resistances enacted by the mass captured. Illustrated with painstakingly reconstituted digital reproductions of the microfilm record, Mass Capture reclaims the CI 9s as more than documents of racist repression, suggesting the possibilities for beauty and dignity in the archive, for captivation as well as capture.
This book presents the final report of the excavations at Yotvata, the largest oasis in the Arabah Valley, conducted by the Sonia and Marco Nadler Institute of Archaeology of Tel Aviv University in 1974–1980 under the direction of Dr. Zeʾev Meshel. The report covers two central sites: a fortified Iron I site and an Early Islamic settlement. The Iron I remains consist of an irregular casemate wall surrounding a courtyard. The location of this site suggests that the settlement was established in order to protect the water sources and to overlook and supervise the nearby crossroads. Based on the relative proximity of the site to Timna, it may be concluded that the oasis formed the main source of water and wood for the population involved in copper production in that region. The rich finds uncovered at the Early Islamic settlement—including a large courtyard building and a nearby bathhouse, among other structures—point to habitation from the end of the seventh to the early ninth century CE. The proximity of the settlement to a sophisticated irrigation system (qanat) and the administrative/economic ostraca discovered at the site suggest that it served as the center of an agricultural estate owned by an elite Muslim family. Among the unique finds is a large assemblage of locally produced, handmade pottery, which is thoroughly studied here. The findings from the excavations at the Yotvata oasis have made a major contribution to the study of Early Islamic settlement and material culture in the greater Arabah region and beyond.
A PDF version of this book is available for free in open access via www.tandfebooks.com as well as the OAPEN Library platform, www.oapen.org. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license and is part of the OAPEN-UK research project. This book presents a comprehensive examination of Chinese consumer behaviour and challenges the previously dichotomous interpretation of the consumption of Western and non-Western brands in China. The dominant position is that Chinese consumers are driven by a desire to imitate the lifestyles of Westerners and thereby advance their social standing locally. The alternative is that consumers reject Western brands as a symbolic gesture of loyalty to their nation-state. Drawing from survey responses and in depth interviews with Chinese consumers in both rural and urban areas, Kelly Tian and Lily Dong find that consumers situate Western brands within select historical moments. This embellishment attaches historical meanings to Western brands in ways that render them useful in asserting preferred visions of the future China. By highlighting how Western brands are used in contests for national identity, Consumer-Citizens of China challenges the notion of the "patriot’s paradox" and answers scholars’ questions as to whether Chinese nationalists today allow for a Sino-Western space where the Chinese can love China without hating the West. Consumer-Citizens of China will be of interest to students and scholars of business studies, Chinese and Asian Studies and Political Science. Kelly Tian is Professor of Marketing and holds the Anderson Chair of Business at New Mexico State University. Lily Dong is Associate Professor of Marketing at the University of Alaska at Fairbanks.
In Garden Haiku: Raising Your Child with Ancient Wisdom, author Lily Wang gives parents spiritual guidelines for raising happy, respectful, and resourceful children. The simplicity and wisdom in these character-building principles have been extolled since ancient times but tend to get lost in today’s world. While Garden Haiku addresses parents and writes about young children, it is meant for everyone to enjoy. The themes and values are universal: we all grow from childhood to adulthood, and we are all our own best parents. We need to be nurturing and assuring people who believe in ourselves and support our dreams. Wang revives golden virtues with original poetic lucidity to bring Zen to parenting: Patience is to Have no expectations But greater acceptance Children can devil or angel be— Put your hands on their backs The touch of their wings Wang equates parents with gardeners whose sole purpose is to nurture tender buds into full bloom. While we have our children’s futures in our hands, they also have ours in theirs. A modern Zen classic, Garden Haiku is every caregiver’s poetic manual on the art of parenting. “Highly recommended!” —Midwest Book Review “Just right for parents.” —Kirkus Book Reviews “Distills magic into three-line poems celebrating life.” —ForeWord Magazine
This book examines the identity formation and negotiation of Chinese doctoral students in the UK, and the opportunity for self-transformation this experience offers. As the largest group of international students in the English-speaking world, Mainland Chinese students encounter a range of difficulties and prospects that may be relevant to the wider international student community. Using extensive qualitative and empirical data, the author explores the narratives of eleven Chinese doctoral students at two British universities through a sociological perspective. Balancing analysis with solid theoretical framework and the voices of the students themselves, the author moves away from essentialism and ‘othering’, instead shining a light on the effects of globalisation, internationalisation and recent policy strategies. This volume will be of interest and value to students and scholars of comparative and international education, identity formation, intercultural communication, the sociology of education and study abroad.
A detailed and moving account of the life of Anneliese Landau, who, in Nazi Germany and later in émigré California, fought against prejudice to do notable work in music.
Winner of the 2015 Ruth A. Solie Award from the American Musicological Society The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music-a highly debated topic-encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful arguments about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition. In doing so, the essays in Dislocated Memories cover a wide spectrum of topics from the immediate postwar period with music in the Displaced Persons camps to the later twentieth century with compositions conceived in response to the Holocaust and the klezmer revival at the turn of this century. Dislocated Memories builds on a wide range of recent and critical scholarship in Cold War studies, cultural history, German studies, Holocaust studies, Jewish studies, and memory studies. What binds these distinct fields tightly together are the contributors' specific theoretical inquiries that reflect separate yet interrelated themes such as displacement and memory. While these concepts link the multi-faceted essays on a micro-level, they are also largely connected in their conceptual query by focus, on the macro-level, on the presence and the absence of Jewish music in Germany after 1945. Filled with original research by scholars at the forefront of music, history, and Jewish studies, Dislocated Memories will prove an essential text for scholars and students alike.
Don't Blame Us traces the reorientation of modern liberalism and the Democratic Party away from their roots in labor union halls of northern cities to white-collar professionals in postindustrial high-tech suburbs, and casts new light on the importance of suburban liberalism in modern American political culture. Focusing on the suburbs along the high-tech corridor of Route 128 around Boston, Lily Geismer challenges conventional scholarly assessments of Massachusetts exceptionalism, the decline of liberalism, and suburban politics in the wake of the rise of the New Right and the Reagan Revolution in the 1970s and 1980s. Although only a small portion of the population, knowledge professionals in Massachusetts and elsewhere have come to wield tremendous political leverage and power. By probing the possibilities and limitations of these suburban liberals, this rich and nuanced account shows that—far from being an exception to national trends—the suburbs of Massachusetts offer a model for understanding national political realignment and suburban politics in the second half of the twentieth century.
Covers among related topics Victorian English, Hindu, Cajun, Japanese, Greek, Jewish, New England, and Russian wedding and marriage customs and traditions.
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