This activity book contains fun potion coloring pages! - Color the potion bottle and draw your own potion to go inside - Give your potion a name and list the ingredients - 10 different potion designs - 30 pages - size 8.5x11 Inches (21.59x27.94 Centimeters)
From Lonely Planet, the world's leading travel guide publisher, Better Than Fiction 2, the follow-up to 2012's Better Than Fiction, is a second serving of true travel stories told by some of the world's best fiction writers including Dave Eggers, Jane Smiley and Karen Joy Fowler. Varied in place, plot and voice, these are stirring and evocative pieces that all share one common characteristic-they manifest a passion for the precious gift of travel, from its unexpected but inevitably enriching lessons about other peoples and places, to the truths, sometimes uncomfortable but always enlarging, it reveals about ourselves. By turns comic, dramatic, and moving - from Francine Prose's confrontation of the mysteries of India to DBC Pierre's search for Hemingway's muse in Italy - these 30 short tales reveal the joys, perils, and surprises of travel, and that truth can often be stranger (and better) than fiction. Whether on a plane en route to your own travel adventure, or at home settling in for a vicarious experience of world adventures, embark on this literary journey around the world and explore your passion for travel now! Authors: Lonely Planet, Don George, Dave Eggers, Jane Smiley, Karen Joy Fowler, Stefan Merrill Block, Francine Prose, DBC Pierre, Fiona Kidman, Alexander McCall Smith, Keija Parssinen, MJ Hyland, Catherine Lacey, Rebecca Dinerstein, Lloyd Jones, Porochista Khakpour, Jack Livings, Marina Lewycka, Lydia Millet, Suzanne Joinson, Sophie Cunningham, Christina Nichol, Mandy Sayer, Steven Amsterdam, Marie-Helene Bortino, Shirley Streshinsky, Steven Hall, David Shafer, Avi Duckor-Jones, Lily King, Aliya Whitely, and Natalie Baszile About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in. Lonely Planet's award-winning list travel literature anthologies include An Innocent Abroad (Independent Publishers Award, Silver for Essays, 2015) and A Fork in the Road (Lowell Thomas Award, Bronze for Travel Book, 2014; James Bear Award, Nominated for Travel Fiction, 2014). 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, and 2015. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
Lily Klasner learned the harsh realities of frontier life at an early age. Born in Texas in 1862, she was only five when her family lost most of their provisions in an Indian raid while trekking to New Mexico; their ranch on the Pecos became a stopover for outlaws; and she assumed leadership of the family at thirteen when her father was murdered. In My Girlhood Among Outlaws, Lily recalls her experiences with Billy the Kid and other desperadoes, and sets the record straight on popular misrepresentations of events. Of particular interest to historians is her preservation of the diary of famous cattleman and family friend John Chisum.
This 1923 book studies the development of English staging during the Renaissance, and its relationship with the classical revival of stage decoration in Italy. The text attempts to show how from the beginning of the classical revival of drama in Italy, staging was regarded as an accepted part of dramatic production.
Don't Blame Us traces the reorientation of modern liberalism and the Democratic Party away from their roots in labor union halls of northern cities to white-collar professionals in postindustrial high-tech suburbs, and casts new light on the importance of suburban liberalism in modern American political culture. Focusing on the suburbs along the high-tech corridor of Route 128 around Boston, Lily Geismer challenges conventional scholarly assessments of Massachusetts exceptionalism, the decline of liberalism, and suburban politics in the wake of the rise of the New Right and the Reagan Revolution in the 1970s and 1980s. Although only a small portion of the population, knowledge professionals in Massachusetts and elsewhere have come to wield tremendous political leverage and power. By probing the possibilities and limitations of these suburban liberals, this rich and nuanced account shows that—far from being an exception to national trends—the suburbs of Massachusetts offer a model for understanding national political realignment and suburban politics in the second half of the twentieth century.
Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts—from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke—especially in times of crisis—including comfort, catharsis, and connection.
Lola Bensky is a nineteen–year–old rock journalist who irons her hair straight and asks a lot of questions. A high–school dropout, she's not sure how she got the job – but she's been sent by her Australian newspaper right to the heart of the London music scene at the most exciting time in music history: 1967. Lola spends her days planning diets and interviewing rock stars. In London, Mick Jagger makes her a cup of tea, Jimi Hendrix (possibly) propositions her and Cher borrows her false eyelashes. At the Monterey International Pop Festival, Lola props up Brian Jones and talks to Janis Joplin about sex. In Los Angeles, she discusses being overweight with Mama Cass and tries to pluck up the courage to ask Cher to return those false eyelashes. Lola has an irrepressible curiosity, but she begins to wonder whether the questions she asks these extraordinary young musicians are really a substitute for questions about her parents' calamitous past that can't be asked or answered. As Lola moves on through marriage, motherhood, psychoanalysis and a close relationship with an unexpected pair of detectives, she discovers the question of what it means to be human is the hardest one for anyone—including herself—to answer.
This fascinating and insightful volume introduces readers to food as a window to the social and cultural history and geography of Singapore. It demonstrates how the food we consume, the ways in which we acquire and prepare it, the company we keep as we cook and eat, and our preferences and practices are all revealing of a larger economic, social, cultural and political world, both historically and in contemporary times. Readers will be captivated by chapters that deal with the intersections of food and ethnicity, gender and class, food hybridity, innovations and creativity, heritage and change, globalization and localization, and more. This is a must-read for anyone interested in Singapore culture and society.
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