An expanded edition of one of the most original and provocative works of American history of the last decade, which documents the pioneering experiences and grit of American frontier women.
Lillian Schlissel is a professor emerita of English and American Studies at Brooklyn CollegeCUNY. She is the author of numerous books, including The Western Women's Reader (with Catherine Lavender) and Black Frontiers: A History of African American Heroes in the Old West. Byrd Gibbens is a professor of English at the University of New Mexico, Valencia campus, and the author of This Is a Strange Country: Letters of a Western Family 1880-1906.Elizabeth Hampsten is a professor of English at the University of North Dakota, Grand Forks, and the author of Settlers' Children: Growing Up on the Great Plains.
An expanded edition of one of the most original and provocative works of American history of the last decade, which documents the pioneering experiences and grit of American frontier women.
Black Frontiers chronicles the life and times of black men and women who settled the West from 1865 to the early 1900s. In this striking book, you'll meet many of these brave individuals face-to-face, through rare vintage photographs and a fascinating account of their real-life history.
This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Black Frontiers chronicles the life and times of black men and women who settled the West from 1865 to the early 1900s. In this striking book, you'll meet many of these brave individuals face-to-face, through rare vintage photographs and a fascinating account of their real-life history.
A comprehensive history of the struggle to define womanhood in America, from the seventeenth to the twenty-first century “An intelligently provocative, vital reading experience. . . . This highly readable, inclusive, and deeply researched book will appeal to scholars of women and gender studies as well as anyone seeking to understand the historical patterns that misogyny has etched across every era of American culture.”—Kirkus Reviews “A comprehensive and lucid overview of the ongoing campaign to free women from ‘the tyranny of old notions.’”—Publishers Weekly What does it mean to be a “woman” in America? Award-winning gender and sexuality scholar Lillian Faderman traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement. This wide-ranging 400-year history chronicles conflicts, retreats, defeats, and hard-won victories in both the private and the public sectors and shines a light on the often-overlooked battles of enslaved women and women leaders in tribal nations. Noting that every attempt to cement a particular definition of “woman” has been met with resistance, Faderman also shows that successful challenges to the status quo are often short-lived. As she underlines, the idea of womanhood in America continues to be contested.
Lillian Schlissel is a professor emerita of English and American Studies at Brooklyn CollegeCUNY. She is the author of numerous books, including The Western Women's Reader (with Catherine Lavender) and Black Frontiers: A History of African American Heroes in the Old West. Byrd Gibbens is a professor of English at the University of New Mexico, Valencia campus, and the author of This Is a Strange Country: Letters of a Western Family 1880-1906.Elizabeth Hampsten is a professor of English at the University of North Dakota, Grand Forks, and the author of Settlers' Children: Growing Up on the Great Plains.
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