A magical tale of Christmas and cats, perfect for everyone who loves A Street Cat Named Bob and Alfie the Doorstep Cat. It's nearly Christmas, and Jessamine Pike needs a serious life overhaul. Jess moves into Enysyule, a centuries-old cottage in Cornwall, and begins the process of renovating the rundown house by day and finishing her novel by night, planning to have both finished in time for the holidays. She's got good company: a beautiful, arrogant tomcat stalks around like he owns the place, and seems very skeptical of Jess' tenancy. But there's magic in the air... Local legends tell of a spirit that inhabits the area, and an ancient standing stone that keeps watch over the valley. As Christmas comes closer and closer, Jess uncovers treasures from Enysyule's past, and becomes involved in a fight for its future. For Jess has stumbled into a story that's been going on for five hundred years. A story about land, love, friendship, the Yuletide... and one remarkable cat.
A wonderful tale of love, loss and community with folklore and magic. I adored it!' LIZ FENWICK A town in need. An extraordinary cat. A season for miracles... It's nearly Christmas and committed Londoner, Mina Kestle, is close to signing a deal that will make her career and give her everything she's ever wanted. And then she receives a mysterious letter in the post along with an ancient key, sent by her long-estranged godfather . . . Davy Penhallow is an artist who lives on the tiny Cornish island of Morgelyn with only his pet cat, Murr, for company. Mina hasn't seen or heard from him in decades, but now it seems he wants her to look after his cottage - and his cat - while he recovers from a stroke in hospital. Mina doesn't know why Davy has written after all these years, but she intends to do what's right: sort out the cottage and the cat and then get back to London in time for her career-saving meeting, before everything she's built comes crashing down around her. But the more time Mina spends in the cottage, looking after Murr and remembering the magic of Cornish folklore, the harder it becomes for her to tear herself away. And when she discovers that a set of ruthless property developers are coming for Morgelyn, she realises she might be the only one who can stand in their way to save the island, Davy's cottage and Murr's home. As Christmas draws ever closer and echoes of the past - her own and the island's - wash up in her memory, Mina begins to unravel a generation of secrets... and discover what it is she has truly always wanted . . . The perfect magical read to cosy up with on chilly winter nights... WINNER of The Fantasy Hive's "Short and Sweet" award 2023
A magical tale of Christmas and cats, perfect for everyone who loves A Street Cat Named Bob and Alfie the Doorstep Cat. It's nearly Christmas, and Jessamine Pike needs a serious life overhaul. Jess moves into Enysyule, a centuries-old cottage in Cornwall, and begins the process of renovating the rundown house by day and finishing her novel by night, planning to have both finished in time for the holidays. She's got good company: a beautiful, arrogant tomcat stalks around like he owns the place, and seems very skeptical of Jess' tenancy. But there's magic in the air... Local legends tell of a spirit that inhabits the area, and an ancient standing stone that keeps watch over the valley. As Christmas comes closer and closer, Jess uncovers treasures from Enysyule's past, and becomes involved in a fight for its future. For Jess has stumbled into a story that's been going on for five hundred years. A story about land, love, friendship, the Yuletide... and one remarkable cat.
A wonderful tale of love, loss and community with folklore and magic. I adored it!' LIZ FENWICK A town in need. An extraordinary cat. A season for miracles... It's nearly Christmas and committed Londoner, Mina Kestle, is close to signing a deal that will make her career and give her everything she's ever wanted. And then she receives a mysterious letter in the post along with an ancient key, sent by her long-estranged godfather . . . Davy Penhallow is an artist who lives on the tiny Cornish island of Morgelyn with only his pet cat, Murr, for company. Mina hasn't seen or heard from him in decades, but now it seems he wants her to look after his cottage - and his cat - while he recovers from a stroke in hospital. Mina doesn't know why Davy has written after all these years, but she intends to do what's right: sort out the cottage and the cat and then get back to London in time for her career-saving meeting, before everything she's built comes crashing down around her. But the more time Mina spends in the cottage, looking after Murr and remembering the magic of Cornish folklore, the harder it becomes for her to tear herself away. And when she discovers that a set of ruthless property developers are coming for Morgelyn, she realises she might be the only one who can stand in their way to save the island, Davy's cottage and Murr's home. As Christmas draws ever closer and echoes of the past - her own and the island's - wash up in her memory, Mina begins to unravel a generation of secrets... and discover what it is she has truly always wanted . . . The perfect magical read to cosy up with on chilly winter nights... WINNER of The Fantasy Hive's "Short and Sweet" award 2023
In 1930 Danish artist Einar Wegener underwent a series of surgeries to live as Lili Ilse Elvenes (more commonly known as Lili Elbe). Her life story, Fra Mand til Kvinde (From Man to Woman), published in Copenhagen in 1931, is the first popular full-length (auto)biographical narrative of a subject who undergoes genital transformation surgery (Genitalumwandlung). In Man Into Woman: A Comparative Scholarly Edition, Pamela L. Caughie and Sabine Meyer present the full text of the 1933 American edition of Elbe's work with comprehensive notes on textual and paratextual variants across the four published editions in three languages. This edition also includes a substantial scholarly introduction which situates the historical and intellectual context of Elbe's work, as well as new essays on the work by leading scholars in transgender studies and modernist literature, and critical coverage of the 2015 biopic, The Danish Girl. This print edition has a digital companion: the Lili Elbe Digital Archive (www.lilielbe.org). Launched on July 6, 2019, to commemorate the 100th anniversary of the founding of Magnus Hirschfeld's Institute for Sexual Science (Institut für Sexualwissenschaft) where Lili Elbe was initially examined, the Lili Elbe Digital Archive hosts the German typescript and all four editions of this narrative published in Danish, German, and English between 1931 and 1933, with English translations of the Danish edition and the typescript. Many letters from archives and contemporaneous articles noted in this print edition may be found in the digital archive.
In this monograph, Lili Yang compares core ideas about the state, society, and higher education in two major world traditions. She explores the broad cultural and philosophical ideas underlying the public good of higher education in the two traditions, reveals their different social imaginaries, and works through five areas where higher education intersects with the individual, society, the state, and the world, intersections understood in contrasting ways in each tradition. The five key themes are: individual student development in higher education, equity in higher education, academic freedom and university autonomy, the resources and outcomes of higher education, and cross-border higher education activities and higher education's global outcomes. In exploring the similarities, Yang highlights important meeting points between the two world views, with the potential to contribute to the mutual understanding and cooperation across cultures.
The quintessential biography of Eve Babitz (1943-2021), the brilliant chronicler of 1960s and 70s Hollywood hedonism and one of the most original American voices of her time. “I practically snorted this book, stayed up all night with it. Anolik decodes, ruptures, and ultimately intensifies Eve’s singular irresistible glitz.” —Jia Tolentino, The New Yorker “The Eve Babitz book I’ve been waiting for. What emerges isn’t just a portrait of a writer, but also of Los Angeles: sprawling, melancholic, and glamorous.” —Stephanie Danler, author of Sweetbitter Los Angeles in the 1960s and 70s was the pop culture capital of the world—a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA. The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz, age twenty, posed for a photograph with French artist Marcel Duchamp in 1963. They were seated at a chess board, deep in a game. She was naked; he was not. The picture, cheesecake with a Dadaist twist, made her an instant icon of art and sex. She spent the rest of the decade on the Sunset Strip, rocking and rolling, and honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few. Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Her prose achieved that American ideal: art that stayed loose, maintained its cool; art so sheerly enjoyable as to be mistaken for simple entertainment. Yet somehow the world wasn’t paying attention. Babitz languished. It was almost twenty years after her last book was published, and only a few years before her death in 2021 that Babitz became a literary star, recognized as not just an essential L.A. writer, but the essential. This late-blooming vogue bloomed, in large part, because of a magazine profile by Lili Anolik, who, in 2010, began obsessively pursuing Babitz, a recluse since burning herself up in a fire in the 90s. Anolik’s elegant and provocative book is equal parts biography and detective story. It is also on dangerously intimate terms with its subject: artist, writer, muse, and one-woman zeitgeist, Eve Babitz. “A dazzling, gossip-filled biography of the wayward genius who knew everyone in Seventies LA.” —The Telegraph (UK)
Joan Didion is revealed at last in this outrageously provocative and profoundly moving new work "that reads like a propulsive novel" (Oprah Daily) on the mutual attractions—and mutual antagonisms—of Didion and her fellow literary titan, Eve Babitz. Could you write what you write if you weren’t so tiny, Joan? —Eve Babitz, in a letter to Joan Didion, 1972 Joan Didion, revealed at last… Eve Babitz died on December 17, 2021. Found in the wrack, ruin, and filth of her apartment, a stack of boxes packed by her mother decades before. The boxes were pristine, the seals of duct tape unbroken. Inside, a lost world. This world turned for a certain number of years in the late sixties and early seventies, and centered on a two-story rental in a down-at-heel section of Hollywood. 7406 Franklin Avenue, a combination salon-hotbed-living end where writers and artists mixed with movie stars, rock ’n’ rollers, and drug trash. 7406 Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression; an enigma inside her storied marriage to John Gregory Dunne, their union as tortured as it was enduring. 7406 Franklin Avenue was the breaking and then the remaking—and thus the true making—of another great American writer: Eve Babitz, goddaughter of Igor Stravinsky, nude of Marcel Duchamp, consort of Jim Morrison (among many, many others), a woman who burned so hot she finally almost burned herself alive. Didion and Babitz formed a complicated alliance, a friendship that went bad, amity turning to enmity. Didion, in spite of her confessional style, is so little known or understood. She’s remained opaque, elusive. Until now. With deftness and skill, journalist Lili Anolik uses Babitz, Babitz’s brilliance of observation, Babitz’s incisive intelligence, and, most of all, Babitz’s diary-like letters—letters found in those sealed boxes, letters so intimate you don’t read them so much as breathe them—as the key to unlocking Didion.
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