Narratives, in the context of urban planning, matter profoundly. Planning theory and practice have taken an increasing interest in the role and power of narrative, and yet there is no comprehensive study of how narrative, and concepts from narrative and literary theory more broadly, can enrich planning and policy. The Narrative Turn in Urban Planning addresses this gap by defining key concepts such as story, narrative, and plot against a planning backdrop, and by drawing up a functional typology of different planning narratives. In two extended case studies from the planning of the Helsinki waterfront, it applies the narrative concepts and theories to a broad range of texts and practices, considering ways toward a more conscious and contextualized future urban planning. Questioning what is meant when we speak of narratives in urban planning, and what typologies we can draw up, it presents a threefold taxonomy of narratives within a planning framework. This book will serve as an important reference text for upper-level students and researchers interested in urban planning.
What do planners need to know in order to use narrative approaches responsibly in their practice? This practical field guide makes insights from narrative research accessible to planners through a glossary of key concepts in the field of narrative in planning. What makes narratives coherent, probable, persuasive, even necessary - but also potentially harmful, manipulative and divisive? How can narratives help to build more sustainable, resilient, and inclusive communities? The authors are literary scholars who have extensive experience in planning practice, training planning scholars and practitioners or advising municipalities on how to harness the power of stories in urban development.
Literary Helsinki: a city of leisure and light, divided along the fault lines of gender, class and language; a dizzying and dazzling threshold of modernity; alienating, mesmerizing and endearing. This first monograph to examine experiences of Helsinki in literature written in Finnish shows that rich descriptions of urban life have formed an integral part of Finnish literature from the late nineteenth century onward. Based on an analysis of more than sixty novels and collections of short stories, it tells the naturally evolving story of how Helsinki was experienced in literature.
Helsinki in Early Twentieth-Century Literature analyses experiences of the Finnish capital in prose fiction published in Finnish in the period 1890–1940. It examines the relationships that are formed between Helsinki and fictional characters, focusing, especially, on the way in which urban public space is experienced. Particular attention is given to the description of movement through urban space. The primary material consists of a selection of more than sixty novels, collections of short stories and individual short stories. This study draws on two sets of theoretical frameworks: on the one hand, the expanding field of literary studies of the city, and on the other hand, concepts provided by humanistic and critical geography, as well as by urban studies. This study is the first monograph to examine Helsinki in literature written in Finnish. It shows that rich descriptions of urban life have formed an integral part of Finnish literature from the late nineteenth century onward.Around the turn of the twentieth century, literary Helsinki was approached from a variety of generic and thematic perspectives which were in close dialogue with international contemporary traditions and age-old images of the city, and defined by events typical of Helsinki’s own history. Helsinki literature of the 1920s and 1930s further developed the defining traits that took form around the turn of the century, adding a number of new thematic and stylistic nuances. The city experience was increasingly aestheticized and internalized. As the centre of the city became less prominent in literature,the margins of the city and specific socially defined neighbourhoods gained in importance. Many of the central characteristics of how Helsinki is experienced in the literature published during this period remain part of the ongoing discourse on literary Helsinki: Helsinki as a city of leisure and light, inviting dreamy wanderings; the experience of a city divided along the fault lines of gender,class and language; the city as a disorientating and paralyzing cesspit of vice;the city as an imago mundi, symbolic of the body politic; the city of everyday and often very mundane experiences, and the city that invites a profound sense of attachment – an environment onto which characters project their innermost sentiments.
Narratives, in the context of urban planning, matter profoundly. Planning theory and practice have taken an increasing interest in the role and power of narrative, and yet there is no comprehensive study of how narrative, and concepts from narrative and literary theory more broadly, can enrich planning and policy. The Narrative Turn in Urban Planning addresses this gap by defining key concepts such as story, narrative, and plot against a planning backdrop, and by drawing up a functional typology of different planning narratives. In two extended case studies from the planning of the Helsinki waterfront, it applies the narrative concepts and theories to a broad range of texts and practices, considering ways toward a more conscious and contextualized future urban planning. Questioning what is meant when we speak of narratives in urban planning, and what typologies we can draw up, it presents a threefold taxonomy of narratives within a planning framework. This book will serve as an important reference text for upper-level students and researchers interested in urban planning.
Helsinki in Early Twentieth-Century Literature analyses experiences of the Finnish capital in prose fiction published in Finnish in the period 1890–1940. It examines the relationships that are formed between Helsinki and fictional characters, focusing, especially, on the way in which urban public space is experienced. Particular attention is given to the description of movement through urban space. The primary material consists of a selection of more than sixty novels, collections of short stories and individual short stories. This study draws on two sets of theoretical frameworks: on the one hand, the expanding field of literary studies of the city, and on the other hand, concepts provided by humanistic and critical geography, as well as by urban studies. This study is the first monograph to examine Helsinki in literature written in Finnish. It shows that rich descriptions of urban life have formed an integral part of Finnish literature from the late nineteenth century onward.Around the turn of the twentieth century, literary Helsinki was approached from a variety of generic and thematic perspectives which were in close dialogue with international contemporary traditions and age-old images of the city, and defined by events typical of Helsinki’s own history. Helsinki literature of the 1920s and 1930s further developed the defining traits that took form around the turn of the century, adding a number of new thematic and stylistic nuances. The city experience was increasingly aestheticized and internalized. As the centre of the city became less prominent in literature,the margins of the city and specific socially defined neighbourhoods gained in importance. Many of the central characteristics of how Helsinki is experienced in the literature published during this period remain part of the ongoing discourse on literary Helsinki: Helsinki as a city of leisure and light, inviting dreamy wanderings; the experience of a city divided along the fault lines of gender,class and language; the city as a disorientating and paralyzing cesspit of vice;the city as an imago mundi, symbolic of the body politic; the city of everyday and often very mundane experiences, and the city that invites a profound sense of attachment – an environment onto which characters project their innermost sentiments.
What do planners need to know in order to use narrative approaches responsibly in their practice? This practical field guide makes insights from narrative research accessible to planners through a glossary of key concepts in the field of narrative in planning. What makes narratives coherent, probable, persuasive, even necessary - but also potentially harmful, manipulative and divisive? How can narratives help to build more sustainable, resilient, and inclusive communities? The authors are literary scholars who have extensive experience in planning practice, training planning scholars and practitioners or advising municipalities on how to harness the power of stories in urban development.
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