A fascinating history of Chicago’s innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago’s cultural development from the 1893 World’s Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson’s enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic “renaissance” moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago’s editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago’s unique culture of artistic experimentation. Cover art by Lincoln Schatz
Modernism and the Ordinary overturns conventional accounts of the modernist period as primarily drawn toward the new, the transcendent, and the extraordinary. Liesl Olson shows how modernist writers were preoccupied, instead, with the unselfconscious actions of everyday life, even in times of political crisis and war. Experiences like walking to work, eating a sandwich, or mending a dress were often resistant to shock, and these daily activities presented a counter-force to the aesthetic of heightened affect with which the period is often associated. With attentive and sensitive readings, Modernism and the Ordinary examines works by Joyce, Woolf, Stein, Stevens, Proust, Beckett, and Auden alongside the ideas of philosophers such as Henri Bergson and William James. In doing so, the book reveals the non-transformative power of the ordinary as one of modernism's most compelling attributes.
A fascinating history of Chicago's innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago's cultural development from the 1893 World's Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson's enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic "renaissance" moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago's editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago's unique culture of artistic experimentation. Cover art by Lincoln Schatz
Modernism and the Ordinary overturns conventional accounts of the modernist period as primarily drawn toward the new, the transcendent, and the extraordinary. Liesl Olson shows how modernist writers were preoccupied, instead, with the unselfconscious actions of everyday life, even in times of political crisis and war. Experiences like walking to work, eating a sandwich, or mending a dress were often resistant to shock, and these daily activities presented a counter-force to the aesthetic of heightened affect with which the period is often associated. With attentive and sensitive readings, Modernism and the Ordinary examines works by Joyce, Woolf, Stein, Stevens, Proust, Beckett, and Auden alongside the ideas of philosophers such as Henri Bergson and William James. In doing so, the book reveals the non-transformative power of the ordinary as one of modernism's most compelling attributes.
From the New York Times bestselling author of Rump, comes the true story behind another unlikely hero: a grumpy dwarf who gets tangled up in Snow White's feud with the wicked queen. Ever since he was a dwarfling, Borlen (nicknamed "Grump") has dreamed of visiting The Surface, so when opportunity knocks, he leaves his cavern home behind. At first, life aboveground is a dream come true. Queen Elfrieda Veronika Ingrid Lenore (E.V.I.L.) is the best friend Grump always wanted, feeding him all the rubies he can eat and allowing him to rule at her side in exchange for magic and information. But as time goes on, Grump starts to suspect that Queen E.V.I.L. may not be as nice as she seems. . . . When the queen commands him to carry out a horrible task against her stepdaughter Snow White, Grump is in over his head. He's bound by magic to help the queen, but also to protect Snow White. As if that wasn't stressful enough, the queen keeps bugging him for updates through her magic mirror! He'll have to dig deep to find a way out of this pickle, and that's enough to make any dwarf Grumpy indeed. "Liesl Shurtliff writes the perfect middle-grade page-turners that fourth graders can gobble down on the plane, train, and automobile trips ahead this summer. . . . [she] excels at turning familiar worlds on their heads. --The New York Times Book Review "Hilarious and heartfelt . . . Lovable Borlen's grumpy first-person narration explores themes of belonging, friendship, and doing the right thing. Sure to please fans of reimagined fairy tales." --Kirkus "A hilarious reimagining of its origin story with a wonderfully detailed world and interesting twists on classic characters. Sure to be a hit with fantasy fans looking for comedy." --Booklist "The story moves at a fast pace and deftly balances lighthearted humor with emotional weight. . . .a sure hit for Shurtliff's fans." --School Library Journal
In the spirit of The Gentle Art of Swedish Death Cleaning and The Joy of Less, experience the benefits of buying less and sharing more with this accessible 7-step guide to decluttering, saving money, and creating community from the creators of the Buy Nothing Project. In their island community, friends Liesl Clark and Rebecca Rockefeller discovered that the beaches of Puget Sound were spoiled by a daily influx of plastic items and trash washing on shore. From pens and toothbrushes to toys and straws, they wondered, where did it all come from? Of course, it comes from us—our homes, our backyards, our cars, and our workplaces. And so, a rallying cry against excess stuff was born. In 2013, they launched the first Facebook Buy Nothing Project group in their small town off the coast of Seattle, and they never expected it to become a viral sensation. Today there are thousands of Buy Nothing groups all over the world, boasting more than a million members, and 5,000 highly active volunteers. Inspired by the ancient practice of gift economies, where neighbors share and pool resources,The Buy Nothing, Get Everything Plan introduces an environmentally conscious 7-step guide that teaches us how to buy less, give more, and live generously. At once an actionable plan and a thought-provoking exploration of our addiction to stuff, this powerful program will help you declutter your home without filling landfills, shop more thoughtfully and discerningly, and let go of the need to buy new things. Filled with helpful lists and practical suggestions including 50 items you never need to buy (Ziploc bags and paper towels) and 50 things to make instead (gift cards and salad dressing), The Buy Nothing, Get Everything Plan encourages you to rethink why you shop and embrace a space-saving, money-saving, and earth-saving mindset of buying less and sharing more.
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