What can videogames tell us about the politics of contemporary technoculture, and how are designers and players responding to its impositions? To what extent do the technical features of videogames index our assumptions about what exists and what is denied that status? And how can we use games to identify and shift those assumptions without ever putting down the controller? Ludopolitics responds to these questions with a critique of one of the defining features of modern technology: the fantasy of control. Videogames promise players the opportunity to map and master worlds, offering closed systems that are perfect in principle if not in practice. In their numerical, rule-bound, and goal-oriented form, they express assumptions about both the technological world and the world as such. More importantly, they can help us identify these assumptions and challenge them. Games like Spec Ops: The Line, Braid, Undertale, and Bastion, as well as play practices like speedrunning, theorycrafting, and myth-making provide an aesthetic means of mounting a political critique of the pursuit and valorization of technological control.
Melding exclusive interviews with scrupulous research, this account covers the compelling psychological riddles, inspired investigations, and sensational plot twists of 13 intriguing contemporary homicides in Australia. From an elderly father and son’s demise by being chopped to pieces by a tomahawk in Tasmania to the deaths of two Thai prostitutes bound and thrown into a Northern Territory river teeming with crocodiles, this riveting record chronicles baffling, bizarre, and brutal murders. Bumbling junkies, rich white rappers, illustrious art critics, deranged killers, and tenacious cops all play key roles in the events that made Australian headlines.
People are often able to identify change agents. They can estimate possible economic and social transitions, and they are often in an economic or social position to make calculated—sometimes risky—choices. Exploring this dynamic, A Tale of Three Villages is an investigation of culture change among the Yup’ik Eskimo people of the southwestern Alaskan coast from just prior to the time of Russian and Euro-North American contact to the mid-twentieth century. Liam Frink focuses on three indigenous-colonial events along the southwestern Alaskan coast: the late precolonial end of warfare and raiding, the commodification of subsistence that followed, and, finally, the engagement with institutional religion. Frink’s innovative interdisciplinary methodology respectfully and creatively investigates the spatial and material past, using archaeological, ethnoecological, and archival sources. The author’s narrative journey tracks the histories of three villages ancestrally linked to Chevak, a contemporary Alaskan Native community: Qavinaq, a prehistoric village at the precipice of colonial interactions and devastated by regional warfare; Kashunak, where people lived during the infancy and growth of the commercial market and colonial religion; and Old Chevak, a briefly occupied “stepping-stone” village inhabited just prior to modern Chevak. The archaeological spatial data from the sites are blended with ethnohistoric documents, local oral histories, eyewitness accounts of people who lived at two of the villages, and Frink’s nearly two decades of participant-observation in the region. Frink provides a model for work that examines interfaces among indigenous women and men, old and young, demonstrating that it is as important as understanding their interactions with colonizers. He demonstrates that in order to understand colonial history, we must actively incorporate indigenous people as actors, not merely as reactors.
A Princes Vengeance Begins Powerful New Trilogy. An exciting tale of medieval proportions comes to life in Liam Kenealys epic novel of a kingdom in the shadow of a fallen prince. With edge-of-your-seat battles, exceptionally written characters and richly depicted scenes, you will be compelled to read Nika over and over again. Having committed one too many misdeeds against his family and kingdom, Prince Drosha, General of the Dundee Army, is exiled by his own stepfather and High King of Nika, King Liam of Dundee. Filled with venomous hatred, Prince Drosha seeks vengeance by usurping the throne of a neighboring land and creating a formidable army to destroy his former kingdom and bring his stepfather to his knees. Crown Prince Matthew, the High Learned Man of Nika and stepbrother to Prince Drosha, comes into possession of the heirloom wolfs head ring and Amulet of Kings. After learning the ancient secret behind the two royal items, it is up to Prince Matthew to protect the artifacts from his stepbrothers evil plans of conquest, for he will stop at nothing to destroy the fair Kingdom of Dundee.
The sixth edition of this bestselling text offers a concise history of anthropological theory from antiquity to the twenty-first century, with new and significantly revised sections that reflect the current state of the field.
The first in-depth historical overview of spectral music, which is widely regarded, alongside minimalism, as one of the two most influential compositional movements of the last fifty years. Charting spectral music's development in France from 1972 to 1982, this ground-breaking study establishes how spectral music's innovations combined existing techniques from post-war music with the use of information technology. The first section focuses on Gérard Grisey, showing how he creatively developed techniques from Messiaen, Xenakis, Ligeti, Stockhausen and Boulez towards a distinctive style of music based on groups of sounds mutating in time. The second section shows how a wider generation of young composers centred on the Parisian collective L'Itinéraire developed a common vision of music embracing seismic developments in in psychoacoustics and computer sound synthesis. Framed against institutional and political developments in France, spectral music is shown as at once an inventive artistic response to the information age and a continuation of the French colouristic tradition.
Often the so-called 'Irish question' is reduced to one of ancestral hatreds, but this timely book following the revenant tensions borne out of Brexit negotiations grounds its study in the context of colonialism, anti-imperialism and liberation struggles. This study demonstrates that 'peace' might not be found in 'justice', and argues instead of a 'peace process' for a 'pacification process'.
This book examines the phenomenon of the independent politician, believed to be extinct in most political systems. It is very much alive and well in Ireland, and has experienced a considerable resurgence in recent years. Independents won a record number of seats in 2016 and had three ministers appointed to cabinet. This presence is very unusual from a comparative perspective, and there are more independents in the Irish parliament than the combined total in all other industrial democracies. The aim of this book is to explain this anomaly, how and why independents can endure in a democracy that is one of the oldest surviving in Europe and has historically had one of the most stable party systems.
State of Origin is rugby league's toughest arena. It's where the greats are elevated to the status of Immortal, the game's highest individual honour.In Immortals of State of Origin these two fabled League concepts come together. The book celebrates a dream team of Queenslanders and a supreme side of New South Welshmen, from over four decades of cane toad versus cockroach competition.Author Liam Hauser delves into the Origin careers of his selections, highlighting each individual's triumphs and heroics. The Immortals of Rugby League is filled with memorable moments, action photographs and Origin career statistics.
It's been a month since Stephen stepped over the edge. There was no sign no warning. Amy collects her husband's effects, the things he had with him gathered in a single box. As memories of their last night together rewind, replay and unravel, she is desperate to find out why. Joe and Matt are making a documentary. Whilst reviewing their footage they make a startling discovery that will take their film in an unexpected direction - the blurred image of a man jumping from the cliffs. Beachy Head is a powerful look at the ripple effects of one man's decision.
In Unhappy the Land Liam Kennedy poses fundamental questions about the social and political history of Ireland and challenges cherished notions of a uniquely painful past. Images of tragedy and victimhood are deeply embedded in the national consciousness, yet when the Irish experience is viewed in the larger European context a different perspective emerges. The author’s dissection of some pivotal episodes in Irish history serves to explode commonplace assumptions about oppression, victimhood and a fate said to be comparable ‘only to that of the Jews’. Was the catastrophe of the Great Famine really an Irish Holocaust? Was the Ulster Covenant anything other than a battle-cry for ethnic conflict? Was the Proclamation of the Irish Republic a means of texting terror? And who fears to speak of an Irish War of Independence, shorn of its heroic pretensions? Kennedy argues that the privileging of ‘the gun, the drum and the flag’ above social concerns and individual liberties gave rise to disastrous consequences for generations of Irish people. Ireland might well be a land of heroes, from Cúchulainn to Michael Collins, but it is also worth pondering Bertolt Brecht’s warning: ‘Unhappy the land that is in need of heroes.’
An inside look at the struggles former prisoners face in reentering society Every year, roughly 650,000 people prepare to reenter society after being released from state and federal prisons. In Halfway House, Liam Martin shines a light on their difficult journeys, taking us behind the scenes at Bridge House, a residential reentry program near Boston, Massachusetts. Drawing on three years of research, Martin explores the obstacles these former prisoners face in the real world. From drug addiction to poverty, he captures the ups and downs of life after incarceration in vivid, engaging detail. He shows us what, exactly, it is like to live in a halfway house, giving us a rare, up-close view of its role in a dense and often confusing web of organizations governing prisoner reentry. Martin asks us to rethink the possibilities—and pitfalls—of using halfway houses to manage the worst excesses of mass incarceration. A portrait of life in the long shadow of the carceral state, Halfway House lets us see the struggles of reentry through the eyes of former prisoners.
This is a comprehensive and nuanced historical survey of the death penalty in Ireland from the immediate post-civil war period through to its complete abolition. Using original archival material, this book sheds light on the various social, legal and political contexts in which the death penalty operated and was discussed. In Ireland the death penalty served a dual function: as an instrument of punishment in the civilian criminal justice system, and as a weapon to combat periodic threats to the security of the state posed by the Irish Republican Army (IRA). Through close examination of cases dealt with in the ordinary criminal courts, this study elucidates ideas of class, gender, community and sanity and explores their impact on the administration of justice. The application of the death penalty also had a strong political dimension, most evident in the enactment of emergency legislation and the setting up of military courts specifically aimed at the IRA. As the book demonstrates, the civilian and the political strands converged in the story of the abolition of the death penalty in Ireland. Long after decision-makers accepted that the death penalty was no longer an acceptable punishment for 'ordinary' cases of murder, lingering anxieties about the threat of subversives dictated the pace of abolition and the scope of the relevant legislation.
While the type of small political party In Ireland has varied, their fate, it seems, has not. Although some enjoy a brief time in the sun, termination is the long-term prospects for all minor parties. The usual pattern is a speedy ascent, an impact on the political system including a time in government, followed by a prolonged termination. This book examines this pattern of evolution for minor, or small, parties in Irish politics.As the Irish state has changed, so too have the types of parties that have emerged. With the first-time entry of the Greens into government in 2007, their wipeout in 2011, the termination of the Progressive Democrats in 2009, and the failure of a new party to emerge despite the on-going financial crisis, the time is ripe for this analysis.
Once upon a time in Melbourne there was a gigolo who thought he was a vampire. He bit the tongue off a prostitute and was then murdered in broad daylight on a suburban street. His execution, top brass believed, was organised by police. The aftershocks of this killing—and the murder of a state witness and his wife inside their fortress home—rocked the police force and the Parliament, vanquished one government and brought the next to its knees. This is the story of police corruption for years swept under the carpet to avoid a Royal Commission. It is the story of a police force politicised to the point of paralysis and a witness protection program that buries its mistakes. It involves a policeman still free and living in a very big house, a drug baron who survived the gangland war only to be murdered in the state's most secure jail, and battles royale within a police force comprised of thousands of pistol-packing members. This is the story of Melbourne around the first decade of the new millennium: its lawmen, villains and politicians. It is a bizarre, tawdry, unbelievable tale. But every word of it happened.
This book offers a wide-ranging examination of acts of ‘virtual embodiment’ in performance/gaming/applied contexts that abstract an immersant’s sense of physical selfhood by instating a virtual body, body-part or computer-generated avatar. Emergent ‘immersive’ practices in an increasingly expanding and cross-disciplinary field are coinciding with a wealth of new scientific knowledge in body-ownership and self-attribution. A growing understanding of the way a body constructs its sense of selfhood is intersecting with the historically persistent desire to make an onto-relational link between the body that ‘knows’ an experience and bodies that cannot know without occupying their unique point of view. The author argues that the desire to empathize with another’s ineffable bodily experiences is finding new expression in contexts of particular urgency. For example, patients wishing to communicate their complex physical experiences to their extended networks of support in healthcare, or communities placing policymakers ‘inside’ vulnerable, marginalized or disenfranchised virtual bodies in an attempt to prompt personal change. This book is intended for students, academics and practitioner-researchers studying or working in the related fields of immersive theatre/art-making, arts-science and VR in applied performance practices.
This book explores the contrasting responses to the South Asian diaspora in Britain of BBC local radio and BBC network radio. It highlights the hidden history of how BBC local radio stations developed a schedule of five thousand hours a year of programmes targeted at South Asian communities in England. Local radio stations at the periphery of the BBC built deep and influential connections with marginalised Asian communities, creating the BBC Asian Network in 1989 and played an influential part in building local social cohesion. This contrasts with central BBC policy that reveals a management culture resistant to change and unable to embrace an increasingly diverse Britain - creating a problematic legacy for the BBC. Finding a New British Asian Sound brings new insights into current debates around policy and institutional racism at the BBC, where South Asian programming on local and network radio remains at risk of closure.
Paralian has won best debut book at the 2016 Rainbow Awards. It has also been named as “Recommended Read” by several book review platforms including Bookmuse, Bookbag, Reader’s Favorite, etc.
Sports fans nationwide know Soldier Field as the home of the Chicago Bears. For decades its signature columns provided an iconic backdrop for gridiron matches. But few realize that the stadium has been much more than that. Soldier Field: A Stadium and Its City explores how this amphitheater evolved from a public war memorial into a majestic arena that helped define Chicago. Chicago Tribune staff writer Liam Ford led the reporting on the stadium’s controversial 2003 renovation—and simultaneously found himself unearthing a dramatic history. As he tells it, the tale of Soldier Field truly is the story of Chicago, filled with political intrigue and civic pride. Designed by Holabird and Roche, Soldier Field arose through a serendipitous combination of local tax dollars, City Beautiful boosterism, and the machinations of Mayor “Big Bill” Thompson. The result was a stadium that stood at the center of Chicago’s political, cultural, and sporting life for nearly sixty years before the arrival of Walter Payton and William “The Refrigerator” Perry. Ford describes it all in the voice of a seasoned reporter: the high school football games, track and field contests, rodeos, and even NASCAR races. Photographs, including many from the Chicago Park District’s own collections, capture these remarkable scenes: the swelling crowds at ethnic festivals, Catholic masses, and political rallies. Few remember that Soldier Field hosted Billy Graham and Martin Luther King Jr., Judy Garland and Johnny Cash—as well as Grateful Dead’s final show. Soldier Field captures the dramatic history of Chicago’s stadium on the lake and will captivate sports fans and historians alike.
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