How can we know about children's everyday lives in a digitally saturated world? What is it like to grow up in and through new media? What happens between the ages of 7 and 15 and does it make sense to think of maturation as mediated? These questions are explored in this innovative book, which synthesizes empirical documentation of children's everyday lives with discussions of key theoretical and methodological concepts to provide a unique guide to researching childhood and youth. Researching Everyday Childhoods begins by asking what recent 'post-empirical' and 'post-digital' frameworks can offer researchers of children and young people's lives, particularly in researching and theorising how the digital remakes childhood and youth. The key ideas of time, technology and documentation are then introduced and are woven throughout the book's chapters. Research-led, the book is informed by two state of the art empirical studies – 'Face 2 Face' and 'Curating Childhoods' – and links to a dynamic multimedia archive generated by the studies.
How can we know about children's everyday lives in a digitally saturated world? What is it like to grow up in and through new media? What happens between the ages of 7 and 15 and does it make sense to think of maturation as mediated? These questions are explored in this innovative book, which synthesizes empirical documentation of children's everyday lives with discussions of key theoretical and methodological concepts to provide a unique guide to researching childhood and youth. Researching Everyday Childhoods begins by asking what recent 'post-empirical' and 'post-digital' frameworks can offer researchers of children and young people's lives, particularly in researching and theorising how the digital remakes childhood and youth. The key ideas of time, technology and documentation are then introduced and are woven throughout the book's chapters. Research-led, the book is informed by two state of the art empirical studies – 'Face 2 Face' and 'Curating Childhoods' – and links to a dynamic multimedia archive generated by the studies.
The sea roars dismally round the shores of Inverara. A Stranger takes a room on the island. Here lives a couple whose married years have been joyless, until the presence of the Stranger unleashes their passions... For as spring softens the wild beauty of Inverara, the Stranger becomes conscious of the dark-haired Mary - how summer makes her shiver with life. He is the first man she has ever loved, and she thrills with sexual awakening. But with autumn comes danger. Peasants mutter superstition against Mary; Red John laughs at nothing, there's murder in his eyes; and a madman's yell hurls the Stranger back to sanity . . . . Intense, compelling, beautifully descriptive - as Wuthering Heights is to the Yorkshire moors, so The Black Soul is to the Aran Islands.
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