Fairy tales aren't ever what they seem . . . Tuesday Knight's dream of Broadway stardom has flopped, leaving her unemployed and brokenhearted. Ready to quit kissing frogs and make her own happily-ever-after, she takes a job as a princess in Everland, Georgia's historical amusement park. Mayor Beau Marino lives an unenchanted existence-all work, no play-which is fine by him. After his marriage ended in disaster, the last thing he wants in his life is more drama. But Everland's new free spirit has a talent for getting under his starched collar. When the town's beloved but bankrupt park might be shut down, Tuesday and Beau face a choice. Can they join forces, save the day-and each other? Or will their fierce battle of wills destroy any chance of a fairy-tale ending? In the tradition of New York Times bestselling authors Kristan Higgins, Jill Shalvis, and Marina Adair, comes the second book in Lia Riley's Everland, Georgia series about two city sisters finding love in a small town.
Fairy tales aren't ever what they seem . . . Tuesday Knight's dream of Broadway stardom has flopped, leaving her unemployed and brokenhearted. Ready to quit kissing frogs and make her own happily-ever-after, she takes a job as a princess in Everland, Georgia's historical amusement park. Mayor Beau Marino lives an unenchanted existence-all work, no play-which is fine by him. After his marriage ended in disaster, the last thing he wants in his life is more drama. But Everland's new free spirit has a talent for getting under his starched collar. When the town's beloved but bankrupt park might be shut down, Tuesday and Beau face a choice. Can they join forces, save the day-and each other? Or will their fierce battle of wills destroy any chance of a fairy-tale ending? In the tradition of New York Times bestselling authors Kristan Higgins, Jill Shalvis, and Marina Adair, comes the second book in Lia Riley's Everland, Georgia series about two city sisters finding love in a small town.
The most romantic place she never wanted to be . . . Pepper Knight moved to Everland, Georgia, as step one in her plan for a successful legal career. But after this big-city gal's plans go awry, going home with her tail between her legs isn't an option. So when the town vet-and her sexy new neighbor-offers Pepper a temporary dog-walking job, she jumps at the chance. No one needs to know that man's best friend is her worst nightmare . . . or that Everland's hot animal whisperer leaves her panting. The last thing Rhett Valentine wants is to be the center of small-town gossip. After his first love left him at the altar, he's been there, done that. These days, life is simple, just the way he likes it. But sultry southern nights get complicated once sparks fly between him and the knockout next door. When she proposes a sexy, secret fling-all the deliciousness and none of the prying neighbors-it seems too good to be true. And it is. Because Pepper's determined to leave Love Street, and when she goes, she just might take his heart with her . . .
The first full-length study of the impact of the discovery of the Americas on Italian Renaissance art and culture, Imagining the Americas in Medici Florence demonstrates that the Medici grand dukes of Florence were not only great patrons of artists but also early conservators of American culture. In collecting New World objects such as featherwork, codices, turquoise, and live plants and animals, the Medici grand dukes undertook a “vicarious conquest” of the Americas. As a result of their efforts, Renaissance Florence boasted one of the largest collections of objects from the New World as well as representations of the Americas in a variety of media. Through a close examination of archival sources, including inventories and Medici letters, Lia Markey uncovers the provenance, history, and meaning of goods from and images of the Americas in Medici collections, and she shows how these novelties were incorporated into the culture of the Florentine court. More than just a study of the discoveries themselves, this volume is a vivid exploration of the New World as it existed in the minds of the Medici and their contemporaries. Scholars of Italian and American art history will especially welcome and benefit from Markey’s insight.
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