Laugh-out-loud, heartwarming tale' BETH O'LEARY 'Pure romance magic' CHRISTINA LAUREN 'Beyond wonderful, so funny, so sweet' LINDSEY KELK Millie Chandler is known at work as the nice receptionist who got dumped by the company hotshot, and ever since then, she has vowed to keep everything to herself - her feelings, her hopes, and especially her fears. But Millie does have an outlet: her emails. From sarcastic replies to her rude boss, rants to friends about their terrible taste in men to a five-hundred-word love declaration to her ex, who three years on, is about to marry someone else. Millie's reality lives in her drafts until the morning she discovers that they are somehow in her sent folder. The truth is out. As every dark secret she's worked so hard to keep password protected is released, Millie must fix the chaos her words have caused. Will Millie find the strength to open both her heart, and her inbox?
A Goodreads Most Anticipated Romance A heartwarming novel about hope after loss as a young widow receives mysterious messages of love from the “must-buy author” (Jodi Picoult) of Eight Perfect Hours. Sparkly and charming Natalie Fincher has it all—a handsome new husband, a fixer-upper cottage of her dreams, and the opportunity to tour with the musical she’s spent years writing. But when her husband suddenly dies, all her hopes and dreams instantly disappear. Two and a half years later, Natalie is still lost. She works, sleeps (well, as much as the sexually frustrated village foxes will allow), and sees friends just often enough to allay their worries, but her life is empty. And she can only bring herself to play music at a London train station’s public piano where she can be anonymous. She’s lost motivation, faith in love, in happiness…in everything. But when someone begins to mysteriously leave the sheet music for her husband’s favorite songs at the station’s piano, Natalie begins to feel a sense of hope and excitement for the first time. As she investigates just who could be doing this, Natalie finds herself on an unexpected journey toward newfound love for herself, for life, and maybe, for a special someone.
Lizzie James is happy. She has a steady office job (with a steady stream of tray bakes), has had the same best friend since high-school, and she sees her family every Thursday night for take-out and trash TV. Granted, some members of her family she'd rather not see, and they definitely don't want to see her after what happened back then. But on the whole she's happy. Or somewhere close to it, anyway. Until a letter arrives one day from her best friend, Roman. A letter dated 12 years' before, the day he went missing. It brings all her painful memories flooding back: the new school she had to go to when she was ill, losing her beloved granddad, Hubble, and then losing her first love. As Lizzie uncovers the secrets of the letter, she starts to discover what really happened the year her life fell apart - and all avenues lead back to Roman. Who sent her the letter, and what happened to Roman?"--Publisher.
Helping a family friend who’s been framed for murder has a San Francisco lawyer living like a fugitive in this mystery by the author of Prior Convictions. Attorney Willa Jansson’s found a new position in the growing field of multimedia law—it’s the ’90s, after all. Given her track record, she’s hoping this job will be smooth sailing. Unfortunately, during her morning commute through the Financial District, she sees a friend of her mother’s—mythologist and pacifist Arthur Kenna—about to be arrested for holding a stranger at gunpoint. Willa does the first thing she can think of to save him: she pretends to be Arthur’s hostage. Arthur explains that it was the alleged victim who’d placed the gun in his hand, but Willa knows the police won’t buy that—especially after Arthur’s assistant is found dead. Forced to hide out in a Boulder Creek mountain cabin belonging to an old flame of Willa’s, the fugitive duo soon realizes their only way out of the woods is to locate the real killer. Doing so means digging into Arthur’s assistant’s past, and divining the truth in a community of high-tech gurus, strange survivalists, a cybernetic shaman, and a nudist who thinks he’s the demigod Pan . . . “Effectively blending the seemingly incongruous elements of high-tech computing and ancient mythology, Matera has produced a first-rate mystery, exhibiting her usual hallmarks of excellent plotting, solid characterizations, and brisk pacing.” —Booklist “Few writers possess Lia Matera’s wry humor, especially when it comes to putting down lawyers, or her eye for Northern California fauna.” —San Jose Mercury News
Absent the Archive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. This corpus, or anarchive, includes a variety of cultural texts whose formal, diegetic, and discursive strategies represent the massacre and its erasure, its “becoming invisible,” and its afterlives as a trace, a memory, a sign.
This volume is an introduction to the fifteenth century through chronicles and personal recollections of a diverse group of its French- and English-speaking writers. It revisits some of the principal events and personalities of that era through anecdotes illustrating interpersonal behavior. It examines how writers evaluated the conduct of their contemporaries and how some of their pessimistic conclusions may have contributed to the reputation for decadence of their century.
This book tells the story of how 18th-century European philosophy used Locke's theory of signs to build a natural history of speech and to investigate the semiotic tools with which nature and civil society can be controlled. The story ends at the point where this approach to language sciences was called into question. Its epilogue is the description of the birth of an alternative between empiricism and idealism in late 18th- and early 19th-century theories of language. This alternative has given rise to such irreducible dichotomies as empirical linguistics vs. speculative linguistics, philosophies of linguistics vs. philosophy of language. Since then philosophers have largely given up reflecting on linguistic practice and have left the burden of unifying and interpreting empirical research data to professional linguists, limiting themselves to the study of foundations and to purely self-contemplative undertakings. The theoretical and institutional relevance to the present of the problems arising from this situation is in itself a sufficient reason for casting our minds back over a period in which, as in no other, linguistic research was an integral part of the encyclopaedia of knowledge, and in which philosophers reflected, and encouraged reflection, upon the semiotic instruments of science and politics.
The focus of this volume is the crisis of the traditional view of the relationship between words and things and the emergence of linguistic arbitrarism in 17th-century British philosophy. Different groups of sources are explored: philological and antiquarian writings, pedagogical treatises, debates on the respective merits of the liberal and mechanical arts, essays on cryptography and the art of gestures, polemical pamphlets on university reform, universal language scheme, and philosophical analyses of the conduct of the understanding. In the late 17th-century the philosophy of mind discards both the correspondence of predicamental series to reality and the archetypal metaphysics underpinning it. This is a turning point in semantic theory: language is conceived as the social construction of historical-conventional objects through signs and the study of strategies we use to bridge the gap between the privacy of experience and the publicness of speech emerges as one of the main topics in the philosophy of language.
The first full-length study of the impact of the discovery of the Americas on Italian Renaissance art and culture, Imagining the Americas in Medici Florence demonstrates that the Medici grand dukes of Florence were not only great patrons of artists but also early conservators of American culture. In collecting New World objects such as featherwork, codices, turquoise, and live plants and animals, the Medici grand dukes undertook a “vicarious conquest” of the Americas. As a result of their efforts, Renaissance Florence boasted one of the largest collections of objects from the New World as well as representations of the Americas in a variety of media. Through a close examination of archival sources, including inventories and Medici letters, Lia Markey uncovers the provenance, history, and meaning of goods from and images of the Americas in Medici collections, and she shows how these novelties were incorporated into the culture of the Florentine court. More than just a study of the discoveries themselves, this volume is a vivid exploration of the New World as it existed in the minds of the Medici and their contemporaries. Scholars of Italian and American art history will especially welcome and benefit from Markey’s insight.
Theory and history combine in this book to form a coherent narrative of the debates on language and languages in the Western world, from ancient classic philosophy to the present, with a final glance at on-going discussions on language as a cognitive tool, on its bodily roots and philogenetic role. An introductory chapter reviews the epistemological areas that converge into, or contribute to, language philosophy, and discusses their methods, relations, and goals. In this context, the status of language philosophy is discussed in its relation to the sciences and the arts of language. Each chapter is followed by a list of suggested readings that refer the reader to the final bibliography. About the author: Lia Formigari, Professor Emeritus at University of Rome, La Sapienza. Her publications include: Language and Experience in XVIIth-century British Philosophy. Amsterdam & Philadelphia: J. Benjamins, 1988; Signs, Science and Politics. Philosophies of Language in Europe 17001830. Amsterdam & Philadelphia: J. Benjamins, 1993; La sémiotique empiriste face au kantisme. Liège: Mardaga, 1994.
In Plenty and in Time of Need uses music and performance as sites of analysis for the competing ideals and realities of Barbadian national culture. The book demonstrates complex relations between national, gendered, and sexual identities in Barbados, and how these identities are represented and interpreted on a global stage.
People pity me, but mostly they feel envy. I have all the luxury and freedom a girl my age could want. Something is happening to Charlotte Emerson. Like the fires that are ravaging the hills of Los Angeles, it consumes her from the inside out. But whether it is her eternal loneliness, the memory of her brother, the return of her first love, or the brooding, magnetic Jared—she cannot say. What if it's something more . . . Something to do with the sudden tear in her perfect nails. The heat she feels when she's with Jared. The blood rushing once again to her cheeks and throughout her veins. For Charlotte is a vampire, witness to almost a century's worth of death and destruction. But not since she was a human girl has mortality touched her. In what way will you be transformed? Until now.
So many ways to torpedo your career and your love life… So little time. A woman accidentally reveals all her secrets in this witty and charming novel from the author of Eight Perfect Hours. Two years ago, thirty-year-old receptionist Millie Chandler had her heart spectacularly broken in public. Ever since, she has been a closed book, vowing to keep everything to herself—her feelings, her truths, even her dreams—in an effort to protect herself from getting hurt again. But Millie does write emails—sarcastic replies to her rude boss, hard truths to her friends, and of course, that one-thousand-word love declaration to her ex who is now engaged to someone else. The emails live safely in her drafts, but after a server outage at work, Millie wakes up to discover that all her emails have been sent. Every. Single. One. As every truth, lie, and secret she’s worked so hard to keep only to herself are catapulted out into the open, Millie must fix the chaos her words have caused, and face everything she’s ever swept under the carpet. With her signature “tender and heartwarming” (Anstey Harris, author of When I First Held You) prose, Lia Louis presents another unforgettable and moving novel that is perfect for fans of Rebecca Serle and Emily Henry.
The story of piano pedagogy in 19th century Europe has yet to be fully told, although it is of immediate relevance for current music education. Europe at that time was the hub of unparalleled critical scholarly discourse, which deliberated on theories of piano pedagogy and the merits of pedagogical music. Impressively, this discourse was shaped by a wide diversity of contributors who included that period’s leading composers like Clementi, Czerny, Beethoven, and Schumann, as well as performers, pedagogues, and music critics, while even addressing parents and young piano students. Offering a unique glimpse into the rich primary sources of such interdisciplinary historical dialogue and musical works, Paradigm War: Lessons Learned from 19th Century Piano Pedagogy presents this story from a synoptic multidimensional viewpoint, integrating developmental-musical, as well as psychological-educational and aesthetic, perspectives. Thus, this book provides an intellectual map for critically evaluating these authentic early contributions to the field in terms of the two conflicting methodological paradigms that governed piano pedagogy of the time – mechanism and holism – which had emerged, respectively, from Enlightenment and Romantic philosophies. The paradigm war reached its climax and resolution in Robert Schumann’s works that, following Jean Paul Richter’s ideas on aesthetics and education, offered a methodological modification transcending both paradigms. Schumann’s innovative music for the young and his revolutionary pedagogical ideas—mostly ignored in the literature—are proposed here as the foundation for liberal and artistic piano pedagogy for our time, inspiring music teachers and piano pedagogues to partake in research that combines music, pedagogy, aesthetics, and education.
Globalisation and the Future of Terrorism: Patterns and Predictions is devoted to understanding how international terrorism is shaped, how it evolves over time and what we are to expect in the future.
The study of gender in rural spaces is still in its infancy. Thus far, there has been little exploration of the constitution of the varied and differing ways that gender is constituted in rural settings. This book will place the question of gender, rurality and difference at its center. The authors examine theoretical constructions of gender and explore the relationship between these and rural spaces. While there have been extensive debates in the feminist literature about gender and the intersection of multiple social categories, rural feminist social scientists have yet to theorize what gender means in a rural context and how gender blurs and intersects with other social categories such as sexuality, ethnicity, class and (dis)ability. This book will use empirical examples from a range of research projects undertaken by the authors as well as illustrations from work in the Australasia region, Europe, and the United States to explore gender and rurality and their relation to sexuality, ethnicity, class and (dis)ability.
The future of English linguistics as envisaged by the editors of Topics in English Linguistics lies in empirical studies which integrate work in English linguistics into general and theoretical linguistics on the one hand, and comparative linguistics on the other. The TiEL series features volumes that present interesting new data and analyses, and above all fresh approaches that contribute to the overall aim of the series, which is to further outstanding research in English linguistics.
British theatre is booming. But where do these beautiful buildings and exciting plays come from? And when did the story start? To find out we time travel back to the age of the first Queen Elizabeth in the sixteenth century, four hundred years ago when there was not a single theatre in the land. In the company of a series of well-characterised fictional guides, the eight chapters of the book explore how British theatre began, grew up and developed from the 1550s to the 1950s. The Time-Traveller's Guide to British Theatre tells the story of the movers and shakers, the buildings, the playwrights, the plays and the audiences that make British theatre what it is today. It covers all the great names - from Shakespeare to Terence Rattigan, by way of Oscar Wilde and George Bernard Shaw - and the classic plays, many of which are still revived today, visits the venues and tells their dramatic stories. It is an accessible, journalistic account of this subject which, while based firmly on extensive research and historical accuracy, describes five centuries of British creativity in an interesting and relevant way. It is celebratory in tone, journalistic in style and accurate in content.
ONE OF THE BEST FEEL-GOOD BOOKS OF 2021 BY THE WASHINGTON POST “I read Eight Perfect Hours in one sitting, in four perfect hours, because I couldn’t bear to put it down without knowing the ending.” —Jodi Picoult, #1 New York Times bestselling author In this romantic and heartwarming novel, two strangers meet in chance circumstances during a blizzard and spend one perfect evening together, thinking they’ll never see each other again. But fate seems to have different plans. From the acclaimed author of the “swoon-worthy…rom-com” (The Washington Post) Dear Emmie Blue. On a snowy evening in March, thirty-something Noelle Butterby is on her way back from an event at her old college when disaster strikes. With a blizzard closing off roads, she finds herself stranded, alone in her car, without food, drink, or a working charger for her phone. All seems lost until Sam Attwood, a handsome American stranger also trapped in a nearby car, knocks on her window and offers assistance. What follows is eight perfect hours together, until morning arrives and the roads finally clear. The two strangers part, positive they’ll never see each other again but fate, it seems, has a different plan. As the two keep serendipitously bumping into one another, they begin to realize that perhaps there truly is no such thing as coincidence. With plenty of charming twists and turns and Lia Louis’s “bold, standout voice” (Gillian McAllister, author of The Good Sister), Eight Perfect Hours is a gorgeously crafted novel that will make you believe in the power of fate.
In this charming and poignant novel, teenager Emmie Blue releases a balloon with her email address and a big secret into the sky, only to fall head-over-heels for the boy who finds it; now, fourteen years later, the one thing Emmie has been counting on is gone for good, and everything she planned is up in the air. At sixteen, Emmie Blue stood in the fields of her school and released a red balloon into the sky. Attached was her name, her email address…and a secret she desperately wanted to be free of. Weeks later, on a beach in France, Lucas Moreau discovered the balloon and immediately emailed the attached addressed, sparking an intense friendship between the two teens. Now, fourteen years later, Emmie is hiding the fact that she’s desperately in love with Lucas. She has pinned all her hopes on him and waits patiently for him to finally admit that she’s the one for him. So dedicated to her love for Lucas, Emmie has all but neglected her life outside of this relationship—she’s given up the search for her absentee father, no longer tries to build bridges with her distant mother, and lives as a lodger to an old lady she barely knows after being laid off from her job. And when Lucas tells Emmie he has a big question to ask her, she’s convinced this is the moment he’ll reveal his feelings for her. But nothing in life ever quite goes as planned, does it? Emmie Blue is about to learn everything she thinks she knows about life (and love) is just that: what she thinks she knows. Is there such thing as meant to be? Or is it true when they say that life is what happens when you are busy making other plans? A story filled with heart and humor, Dear Emmie Blue is perfect for fans of Eleanor Oliphant Is Completely Fine and Evvie Drake Starts Over.
At the age of 30: • Financial strategist and bestselling author Suze Orman was a waitress • Former vice-presidential candidate Geraldine Ferraro was a stay-at-home mom • Political strategist Mary Matalin was a first-year law student—and about to drop out • CNN anchor Paula Zahn was unemployed Midlife Crisis at 30 offers hope for many of today’s twenty- and thirty-somethings struggling with the unreasonable expectations that society and the media have placed on them. As a result of these powerful influences, many women blame themselves for not overcoming the very real obstacles to their fulfillment that still exist in American society. Raised to believe they could “have it all” in every part of their lives at a young age, these young women are exhausted, confused, and desperate to find the middle ground where they can enjoy full, well-rounded lives before it is too late. Through the candid and revealing stories of the “New Girls Club,” a group of successful women, such as Geraldine Ferraro, Judy Blume, Susan Sarandon, and Denise Austin, who have solved the work/life/love puzzle, Midlife Crisis at 30presents pragmatic strategies and realistic suggestions for young women everywhere.
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