This clearly written, comprehensively indexed, and reader-friendly manual contains more than 350 monographs -- each describing the functions, indications, combinations, and applications of commonly used Chinese Materia Medica. Comprehensive monographs contain: details of main ingredients, taste and nature, channels entered, functions and indications, common dosage, precautions and contraindications. Unique tabular format lists provide "at-a-glance" accessibility. Summary tables in each chapter help you obtain quick overviews of the material covered. Unique coverage on toxicity and legal status. Comprehensive list of appendices and indices -- listings are by pinyin, pharmaceutical, and English names for easy reference.
Volume VI in the Ben cao gang mu series offers a complete translation of chapters 26 through 33, devoted to vegetables and fruits. The Ben cao gang mu is a sixteenth-century Chinese encyclopedia of medical matter and natural history by Li Shizhen (1518–1593). The culmination of a sixteen-hundred-year history of Chinese medical and pharmaceutical literature, it is considered the most important and comprehensive book ever written in the history of Chinese medicine and remains an invaluable resource for researchers and practitioners. This nine-volume series reveals an almost two-millennia-long panorama of wide-ranging observations and sophisticated interpretations, ingenious manipulations, and practical applications of natural substances for the benefit of human health. Paul U. Unschuld's annotated translation of the Ben cao gang mu, presented here with the original Chinese text, opens a rare window into viewing the people and culture of China's past.
This book is about village governance in China during the late nineteenth and early twentieth centuries. Drawing on government archives from Huailu county, Hebei province, it explores local practices and official systems of social control, land taxation, and "self government" at the village level. Its analysis of peasant behaviors bridges the gap between the rational choice and moral economy models by taking into account both material and symbolic dimensions of power and interest in the peasant community. The author's interpretation of village/state relations before 1900 transcends the state and society dichotomy and accentuates the interplay between formal and informal institutions and practices. His account of "state making" after 1900 underscores the continuity of endogenous arrangements in the course of institutional formalization and the interpenetration between official discourse and popular notions in the new process of political legitimization.
First published in 1987. The teachings of Confucius have sustained the East for over 2,500 years. As set forth in the Four Books, Confucianism stresses morality, love of peace, justice, honesty, virtue, moderation in all things and sincerity as the means of self-fulfilment. Chen arranges into one compact volume the essential principles for human conduct propounded in Confucius's Four Books, and to make them easily accessible to Western readers for the first time.
Volume I is divided into two parts. Part A of volume 1 in the Ben cao gang mu series offers a translation of chapters 1 and 2 and portions of chapter 3. Chapters 1 and 2 are devoted to introducing the history of materia medica. Chapter 3 is devoted to pharmaceutical drugs for diseases. Chapter 3 is continued, along with chapter 4, in part B of volume I. The Ben cao gang mu is a sixteenth-century Chinese encyclopedia of medical matter and natural history by Li Shizhen (1518–1593). The culmination of a sixteen-hundred-year history of Chinese medical and pharmaceutical literature, it is considered the most important and comprehensive book ever written in the history of Chinese medicine and remains an invaluable resource for researchers and practitioners. This nine-volume series reveals an almost two-millennia-long panorama of wide-ranging observations and sophisticated interpretations, ingenious manipulations, and practical applications of natural substances for the benefit of human health. Paul U. Unschuld's annotated translation of the Ben cao gang mu, presented here with the original Chinese text, opens a rare window into viewing the people and culture of China's past.
Destroying one's face and killing one's heart; these three years of trekking on the thorny path; this was a plan between his sister and his husband. Sobbing Blood Nirvana, rebirth, she was no longer the weak Direct Daughter that anyone could bully. She had killed the Zhenguo Mansion, destroyed the Song Manor, turned over the clouds and turned the rain, shocking the entire city. As for him, a good-for-nothing, a living ancestor who was sighing, what he did not know was that this game of chess that he had casually picked up was shaking the world around him. She wanted to kill him, but she walked step by step into his trap. Later on, there were people who praised him for his bravery in traversing the chaotic times and fighting in wars. His Majesty truly deserved to be called a hero when mountains and rivers were shattered. Little bun chuckled: "Mother, are you sure you want to hide here?" Wait till Daddy finds her, her Northern Desert is going to be finished.
This book will act as a powerful introduction to the story of Beijing Opera over the course of the twentieth century with a particularly strong emphasis on the Communist period and its influence on contemporary performance. Using excellent oral history research and with a strong focus on practice and performance techniques, Li Ruru places the genre in both its historical and global context: not a timeless Chinese tradition, but a product of China's turbulent twentieth century and the global interactions that were a key part of that history." Henrietta Harrison, Harvard University "This meticulously researched and colourful account of the highly complex performance form, jingju, will be of interest to a wide constituency of theatre scholars and cultural historians. Writing from the unique dual perspective of`insider/practitioner' and academic, Li Ruru deftly weaves oral and cultural histories together with detailed performance analyses, including a fascinating chapter on the secrets of jingju training. This book promises to raise significantly the profile of this Chinese total theatre for English-speaking audiences."Jonathan Pitches, founding co-editor of Theatre, Dance and Performance Training "Li Ruru's unique and valuable perspective combines the critical eye of the imaginative researcher with the intimate perspective of a true jingju insider-the daughter of one of the twentieth century's leading female performers. Impeccably researched, passionate and personal, this aptly titled book provides readers with an exciting and thought provoking look at jingju history and performance practice through its focus on the lives and work of six controversial leading artists." Elizabeth Wichmann-Walczak, University of Hawai'i at Manoa Any traditional theatre has to engage the changing world to avoid becoming a living fossil. How has Beijing Opera --- a highly stylized theatre with breath-taking acrobatics and martial arts, fabulous costumes and striking makeup --- survived into the new millennium while coping with a century of great upheavals and competition from new entertainment forms? Li Ruru's The Soul of Beijing Opera answers that question, looking at the evolution of singing and performance styles, make-up and costume, audience demands, as well as stage and street presentation modes amid tumultuous social and political changes. Li's study follows a number of major artists' careers in mainland China and Taiwan, drawing on extensive primary print sources as well as personal interviews with performers and their cultural peers. One chapter focuses on the illustrious career of Li's own mother and how she adapted to changes in Communist ideology. In addition, she explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Through performers' negotiation and compromises. Beijing Opera has undergone constant re-examination of its inner artistic logic and adjusted to the demands of the external world.
The Ming–Qing dynastic transition in seventeenth-century China was an epochal event that reverberated in Qing writings and beyond; political disorder was bound up with vibrant literary and cultural production. Women and National Trauma in Late Imperial Chinese Literature focuses on the discursive and imaginative space commanded by women. Encompassing writings by women and by men writing in a feminine voice or assuming a female identity, as well as writings that turn women into a signifier through which authors convey their lamentation, nostalgia, or moral questions for the fallen Ming, the book delves into the mentality of those who remembered or reflected on the dynastic transition, as well as those who reinvented its significance in later periods. It shows how history and literature intersect, how conceptions of gender mediate the experience and expression of political disorder. Why and how are variations on themes related to gender boundaries, female virtues, vices, agency, and ethical dilemmas used to allegorize national destiny? In pursuing answers to these questions, Wai-yee Li explores how this multivalent presence of women in different genres provides a window into the emotional and psychological turmoil of the Ming–Qing transition and of subsequent moments of national trauma. 2016 Joseph Levenson Book Prize, Pre-1900 Category, China and Inner Asia Council of the Association for Asian Studies
This thesis focuses on the study of the optical response of new atomically thin two-dimensional crystals, principally the family of transition metal dichalcogenides like MoS2. One central theme of the thesis is the precise treatment of the linear and second-order nonlinear optical susceptibilities of atomically thin transition metal dichalcogenides. In addition to their significant scientific interest as fundamental material responses, these studies provide essential knowledge and convenient characterization tools for the application of these 2D materials in opto-electronic devices. Another important theme of the thesis is the valley physics of atomically thin transition metal dichalcogenides. It is shown that the degeneracy in the valley degree of freedom can be lifted and a valley polarization can be created using a magnetic field, which breaks time reversal symmetry in these materials. These findings enhance our basic understanding of the valley electronic states and open up new opportunities for valleytronic applications using two-dimensional materials.
Volume V in the Ben cao gang mu series offers a complete translation of chapters 18 through 25, devoted to creeping herbs, water herbs, herbs growing on stones, mosses, and cereals. The Ben cao gang mu is a sixteenth-century Chinese encyclopedia of medical matter and natural history by Li Shizhen (1518–1593). The culmination of a sixteen-hundred-year history of Chinese medical and pharmaceutical literature, it is considered the most important and comprehensive book ever written in the history of Chinese medicine and remains an invaluable resource for researchers and practitioners. This nine-volume series reveals an almost two-millennia-long panorama of wide-ranging observations and sophisticated interpretations, ingenious manipulations, and practical applications of natural substances for the benefit of human health. Paul U. Unschuld's annotated translation of the Ben cao gang mu, presented here with the original Chinese text, opens a rare window into viewing the people and culture of China's past.
This volume studies the evolution of Chinese art during the Qin and Han Dynasties, The Three Kingdoms, Eastern and Western Jin, and the Northern and Southern Dynasties. It traces the initial artistic vocabularies of Chinese calligraphy as well as the rapid development of the performing and the decorative arts. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
Volume III in the Ben cao gang mu series offers a complete translation of chapters 12 through 14, devoted to mountain herbs and fragrant herbs. The Ben cao gang mu is a sixteenth-century Chinese encyclopedia of medical matter and natural history by Li Shizhen (1518–1593). The culmination of a sixteen-hundred-year history of Chinese medical and pharmaceutical literature, it is considered the most important and comprehensive book ever written in the history of Chinese medicine and remains an invaluable resource for researchers and practitioners. This nine-volume series reveals an almost two-millennia-long panorama of wide-ranging observations and sophisticated interpretations, ingenious manipulations, and practical applications of natural substances for the benefit of human health. Paul U. Unschuld's annotated translation of the Ben cao gang mu, presented here with the original Chinese text, opens a rare window into viewing the people and culture of China's past.
An informative and provocative text, this book describes the current status of knowledge and challenges scientists to better define acupuncture therapy. The first section covers the scientific basis and mechanism of acupuncture, particularly in relation to the cardiovascular system. The second section is devoted to clinical case studies, illustrating that scientific knowledge can be integrated with traditional concepts in Chinese medicine to provide effective treatments. It is a useful reference guide for advanced students and practitioners of traditional Chinese medicine and acupuncture, as well as scientists conducting physiological and pharmacological research.
This comprehensive study examines the development and changing characteristics of the judicial system and reform process over the past three decades in China. As the role of courts in society has increased so too has the amount of public complaints about the judiciary. At the same time, political control over the judiciary has retained its tight-grip. The shortcomings of the contemporary system, such as institutional deficiencies, shocking cases of injustice and cases of serious judicial corruption, are deemed quite appalling by an international audience. Using a combination of traditional modes of legal analysis, case studies, and empirical research, this study reflects upon the complex progress that China has made, and continues to make, towards the modernisation of its judicial system. Li offers a better understanding on how the judicial system has transformed and what challenges lay ahead for further enhancement. This book is unique in providing both the breadth of coverage and yet the substantive details of the most fundamental as well as controversial subjects concerning the operation of the courts in China.
Author: Dr. LI, JIN WEI, male, was born in Shanghai, China, on February 29, 1956. In terms of education, junior high school graduates whose 10-year education was interrupted due to the impact of the "Great Proletarian Cultural Revolution" in Chinese history from 1966 to 1977 obtained a high school diploma through self-study. From the spring of 1980 to the spring of 1982, he studied in the introductory English course of evening college at Shanghai Foreign Language Institute; In 1984, he passed the examination and was admitted to the Department of History, East China Normal University, one of the famous universities in China, to major in political history. He graduated in 1989 with a diploma and a Bachelor of Arts degree; In 1989, he continued to study on-the-job graduate courses in the Department of Economics of East China Normal University, majoring in world economics. In 1991, he completed six courses. In 1996, he was awarded a master's degree in economics by East China Normal University; In 2016, He began to study the Bible and theology for many years. In 2019, he entered the Art Department of the Current Politics Department of Shanghai Veteran Cadre University. He studied the course "Political Economy and International Issues Research" and piano art courses such as "Baier and Czerny 599" for many years. From January 2020 to January 2022, he studied 20 interdisciplinary certificate courses at Harvard University in the United States, focusing on theology and American government, with an average test score of 96 points. He obtained two series of course graduation certificates and course completion certificates. In May 2021, he was awarded two honorary doctorates of letters from American Trinity University and Evangel Christian University of America. Occupationally, he started as an ordinary salesperson in a world-famous large Shanghai No.1 Food Store on Nanjing Road, Shanghai. He was admitted to the state-owned foreign trade company system as a Shanghai Garment Import and Export Company cadre. He began drafting laws and regulations and temporarily worked in the Shanghai Justice Bureau. Legal publicity, and then entered the past and present world influential world. One of the top ten famous think tanks in China, the Shanghai Institute for International Studies, directly under the Shanghai Municipal Government, worked for a long time as a researcher, editor, and legal counsel, transitioned to self-employment in Canada and succeeded Started and completed the legal consulting business of Jinwei Immigration Consultants. In terms of literary creation, as an influential international relations scholar, he continued to engage in the creation of literature and international relations works in his later years. In October 2022, he published an introduction and discussion with 700,000 words in three languages: English, French, and Chinese. "Christianity & the World" complete series of books, they are: 1. CHRISTIANITY AND WORLD CIVILIZATION 2. CHRISTIANITY AND WORLD CULTURE 3. CHRISTIANITY AND THE WORLD ECONOMY 4. CHRISTIANITY AND WORLD HISTORY 5. CHRISTIANITY AND THE LAW OF THE WORLD 6. CHRISTIANITY AND WORLD VISION 7. CHRISTIANITY AND WORLD PEACE 8. CHRISTIANITY AND WORLD POLITICS 9. CHRISTIANITY AND WORLD RELIGIONS 10. CHRISTIANITY AND UNIVERSAL VALUES In March 2023, “WORLD WAR III AND ITS POSSIBILITIES” was published in both Chinese(270,000 words) and English(130,000 words). In addition to writing books and speaking, according to the significant evolution of international relations in the current situation, he often publishes professional articles and theses while researching world peace issues. He continues to help some people in need with personal charity. The author's representative works in the 1990s are as editor-in-chief of "Encyclopedia of Foreign Affairs Knowledge" (1.25 million words, Shanghai Translation Publishing Condo in 1992), chief editor of "Practical Encyclopedia of Foreign Affairs Knowledge" (1.8 million words, Shanghai Translation Publishing Condo in 1997). Shanghai Library collected these two professional books in encyclopedias. The second edition of "Self-Realization" has 1.2 million Chinese and 820,000 words English words. It was a revised and supplemented version of the author's latest memoir and biographical success story in 2018. Its work is self-writing, self-editing, self-typesetting, and self-published. The National Library and Archives of Canada and the British Library collected the first editions of Self-Realization in 2018. The author writes along the lines of suffering childhood-naughty childhood-discriminated teenager-struggling youth-suffering middle age-successful adult-old age who continues to struggle, involving the author's long-term pursuit of knowledge and continuous progress throughout his life, running through the author's hobbies, health care, many relatives, friends, friends, central classmates from elementary school to Harvard, and other social relationships, supplemented by the historical portrayal of the author's growth environment, it not only introduces the social development of multiple levels of Chinese society And evolution: politics, economy, culture, science and technology, civil affairs, foreign affairs, national defence, environment, and introduces the natural environment, political system, working environment, immigration gains and losses, the free market economy, information Internet society and the era of internationalization of the United States and Canada in western countries The historical background of major domestic events have shaped the author's success and self-realization at various stages of life in an environment of self-struggle for more than 60 years. The title of the work is based on the American psychologist Abraham Harold Maslow ( Abraham Harold Maslow, April 1, 1908 - June 8, 1970 ); the highest stage of the humanistic theory of life is self-realization because the author's ideal and Intention has been self-realized one by one through continuous struggle in many aspects of the reverse environment. Find a way and method of struggle that suits you; This book is a more comprehensive historical work that introduces the founding and important development of the People's Republic of China after 1949. The book is a summary of the author's life. It is complete information with more or fewer intersections with the author in various fields at the same age and fully understands the author's complete information. It is forward-looking and referential; It is also a reference book for understanding the actual situation of Western North American society.
Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. This book offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
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