In the foreword to Li-Young Lee's first book, Rose (BOA Editions, 1986), Gerald Stern wrote, "What characterizes Li-Young Lee's poetry is a certain kind of humility, a kind of cunning, a love of plain speech, a search for wisdom and understanding. . . . I think we are in the presence of a true spirit." Poetry lovers agree Rose has gone on to sell more than eighty thousand copies, and Li-Young Lee has become one of the country's most beloved poets. Breaking the Alabaster Jar: Conversations with Li-Young Lee is a collection of the best dozen interviews given by Li-Young Lee over the past twenty years. From a twenty-nine-year-old poet prodigy to a seasoned veteran in high demand for readings and appearances across the United States and abroad, these interviews capture Li-Young Lee at various stages of his artistic development. He not only discusses his family's flight from political oppression in China and Indonesia, but how that journey affected his poetry and the engaging, often painful, insights being raised a cultural outsider in America afforded him. Other topics include spirituality (primarily Christianity and Buddhism) and a wide range of aesthetic topics such as literary influences, his own writing practices, the role of formal and informal education in becoming a writer, and his current life as a famous and highly sought-after American poet.
In order to exact her revenge, she had been on guard every step of the way. She hadn't expected that she would make a miscalculation, enter someone else's room, and even offend someone she shouldn't have ... "First... Sir, I didn't mean to ... " "You want to run just because you provoked me? Woman, who do you think I am? " The injured bunny was actually able to sleep with the big bad wolf? It's over, it's all over! I'm really going to die now!
Li Po (701-762) rivals Du Fu for the title of China's greatest poet, and is considered to be the great Romantic poet of the Tang Dynasty (618-907). He grew up in Sichuan province, China, and set out at the age of twenty-five to travel in the country, writing poems. A well-read student of both Confucianism and Taoism in his youth, and later an unofficial court poet, Li Po is credited as the author of over one thousand poems about wine, friendship, nature, solitude, and time. His works are revered for their exquisite imagery, rich and effortless language, and cadence - although some critics admonished his violation of traditional poetic form. The poet was a member of a group in Shandong called the "Six Idlers of the Bamboo Brook," an informal group dedicated to literature and wine. Popular legend tells that an intoxicated Li Po drowned after falling from his boat in an attempt to embrace the reflection of the moon in the Yangtze River.
This brief reviews the fundamentals, recent developments, challenges and prospects of Li-S and Li-O2 batteries, including fundamental research and potential applications. It starts with a brief overview encompassing the current state of Li-S and Li-O2 battery technology. It then provides general information on Li-S and Li-O2 batteries, including the electrochemical processes and battery components. The following sections focus on the historical and recent development of Li-S and Li-O2 batteries respectively, offering detailed insights into the key material development, cell assembly, diagnostic test and mechanism of electrolyte decomposition. Lastly, it focuses on the main promising applications of Li-S and Li-O2 batteries together with their challenges and potential
For more than a century scholars both inside and outside of China have undertaken the project of modernizing Confucianism, but few have been as successful or influential as Li Zehou (b. 1930). Since the 1950s, Li’s extensive efforts in this regard have in turn exerted a profound influence on Chinese modernization and resulted in his becoming one of China’s most prominent social critics. To transform Confucianism into a contemporary resource for positive change in China and elsewhere, Li has reinterpreted major ideas and concepts of classical Confucianism, including a rereading of the entire Analects, replete with his own philosophical speculations derived from other Chinese and Western traditions (most notably, the ideas of Kant and Marx), and developed an aesthetical theory that has proved especially far-reaching. Although the authors of this volume hail from East Asia, North America, and Europe and a wide variety of academic backgrounds and fields of study, they are unanimous in their appreciation of Li’s contributions to not only an evolving Confucian philosophy, but also world philosophy. They view Li first and foremost as a sui generis thinker with broad global interests and not one who fits neatly into any one philosophical category, Chinese or Western. This is clearly reflected in the chapters included here, which are organized into three parts: Li Zehou and the Modernization of Confucianism, Li Zehou’s Reconception of Confucian Philosophy, and Li Zehou’s Aesthetical Theory and Confucianism. Together they form a coherent narrative that reveals how Li has, for more than half a century, creatively studied, absorbed, and reconceptualized the Confucian ideational tradition to integrate it with Western philosophical elements and develop his own philosophical insights and original theories. At the same time, he has transformed and modernized Confucianism for the purpose of both coalescing with and reconstructing a new world cultural order.
This is a translation and annotation of Li Dong-yuan's Pi Wei Lun; by Bob Flaws. With so much new research in China on the ideas and formulas of Li Dong-yuan, we feel this book is one of the most important pre-modern texts in Chinese medicine for 21st century clinicians. Bob has undertaken the task of a fresh translation of this book, this time including detailed commentary, relevant case histories and random clinical trail reports for each chapter.
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