The young reader edition of the international bestseller; now a major motion picture. At the age of eleven, Li Cunxin was one of the privileged few selected to serve in Chairman Mao's Cultural Revolution by studying at the Beijing Dance Academy. Having known bitter poverty in his rural China home, ballet would be his family's best chance for a better future. From one hardship to another, Cunxin demonstrated perseverance and an appetite for success that led him to be chosen as one of the first two people to leave Mao's China and go to American to dance on a special cultural exchange. But life in the U.S. was nothing like his communist indoctrination had led him to believe. Ultimately, he defected to the west in a dramatic media storm, and went on to dance with the Houston Ballet for sixteen years. This inspiring story of passion, resilience, and a family's love captures the harsh reality of life in Mao's communist China and the exciting world of professional dance. This compelling memoir includes photos documenting Li's extraordinary life.
THE INTERNATIONAL BESTSELLER The extraordinary memoir of a peasant boy raised in rural Maoist China who was plucked from his village to study ballet and went on to become one of the greatest dancers of his generation. From a desperately poor village in northeast China, at age eleven, Li Cunxin was chosen by Madame Mao's cultural delegates to be taken from his rural home and brought to Beijing, where he would study ballet. In 1979, the young dancer arrived in Texas as part of a cultural exchange, only to fall in love with America-and with an American woman. Two years later, through a series of events worthy of the most exciting cloak-and-dagger fiction, he defected to the United States, where he quickly became known as one of the greatest ballet dancers in the world. This is his story, told in his own inimitable voice. THE BASIS FOR A MAJOR MOTION PICTURE
This is your one chance. You have your secret dreams. Follow them! Make them come true . . . ' In a poor village in northern China, a small boy is about to be taken away from everything he's ever known. He is so afraid, but his mother urges him to follow his dreams. For soon he will become a dancer, one of the finest dancers in the world . . . So begins The Peasant Prince, the true story of Li Cunxin's extraordinary life. Based upon his internationally best-selling memoir, Mao's Last Dancer, this remarkable picture book captures the essence of one of the most inspiring stories to come from China in many years. With hauntingly beautiful illustrations by award-winning artist Anne Spudvilas, Li's journey of courage and determination is simply told, and as powerful as any fairytale.
THE INTERNATIONAL BESTSELLER The extraordinary memoir of a peasant boy raised in rural Maoist China who was plucked from his village to study ballet and went on to become one of the greatest dancers of his generation. From a desperately poor village in northeast China, at age eleven, Li Cunxin was chosen by Madame Mao's cultural delegates to be taken from his rural home and brought to Beijing, where he would study ballet. In 1979, the young dancer arrived in Texas as part of a cultural exchange, only to fall in love with America-and with an American woman. Two years later, through a series of events worthy of the most exciting cloak-and-dagger fiction, he defected to the United States, where he quickly became known as one of the greatest ballet dancers in the world. This is his story, told in his own inimitable voice. THE BASIS FOR A MAJOR MOTION PICTURE
I can vividly remember the last steps of the last ballet, walking off the stage led by a mother and knowing the decision I had to make. That was my last dance. Mary Li (nee McKendry) is an international ballet star and a mother like no other. She became a household name when her husband Li Cunxin published his bestselling memoir, Mao's Last Dancer - but that book told only half the story. Growing up in a rambunctious family in Rockhampton, Mary discovered an extraordinary early passion for ballet. It saw her move to London at age sixteen, to study at the Royal Ballet School and dance at the London Festival Ballet with the likes of Nureyev, and later to Houston Ballet, where as Principal Dancer she fell in love with the acclaimed Chinese ballet dancer Li Cunxin. The couple became the darlings of the dance world, and were happier than they could have imagined at the arrival of their firstborn daughter, Sophie. Then right at the height of her international career, Mary seemingly disappeared from view, leaving the fans aghast. What could have happened to cause a woman so committed, so talented, to give it all away in a heartbeat? Now, almost twenty years on, fans finally get their answer about what happened next to this inspiring family, and learn why it is Mary's turn to tell a truly remarkable tale. This is a powerful and uplifting memoir about chasing an impossible dream, and sacrificing one's own ambition for the love of a child. It is a moving and unforgettable story of passion, dedication and devotion - and the highly anticipated sequel to one of the world's most beloved books.
Ethnic tourism has emerged as a means that is employed by many countries to facilitate economic and cultural development and to assist in the preservation of ethnic heritage. However, while ethnic tourism has the potential to bring economic and social benefits it can also significantly impact traditional cultures, ways of life and the sense of identity of ethnic groups. There is growing concern in many places about how to balance the use of ethnicity as a tourist attraction with the protection of minority cultures and the promotion of ethnic pride. Despite the fact that a substantial literature is devoted to the impacts of ethnic tourism, little research has been done on how to plan ethnic tourism attractions or to manage community impacts of tourism. This book addresses the need for more research on planning for ethnic tourism by exploring the status and enhancement of planning strategies for ethnic tourism development. The book develops the case of a well-known ethnic tourist destination in China -Xishuangbanna, Yunnan. It analyzes how ethnic tourism has been planned and developed at the study site and examines associated socio-cultural and planning issues. The authors evaluate the perspectives of four key stakeholder groups (the government, tourism entrepreneurs, ethnic minorities and tourists) on ethnic tourism through on-site observation, interviews with government officials, planners and tourism entrepreneurs, surveys of tourists and ethnic minority people, and evaluation of government policies, plans and statistics. This book is unique in its emphasis on planning and in its focus on China, rapidly emerging as a major player in tourism, with applications for tourism around the world.
The young reader edition of the international bestseller; now a major motion picture. At the age of eleven, Li Cunxin was one of the privileged few selected to serve in Chairman Mao's Cultural Revolution by studying at the Beijing Dance Academy. Having known bitter poverty in his rural China home, ballet would be his family's best chance for a better future. From one hardship to another, Cunxin demonstrated perseverance and an appetite for success that led him to be chosen as one of the first two people to leave Mao's China and go to American to dance on a special cultural exchange. But life in the U.S. was nothing like his communist indoctrination had led him to believe. Ultimately, he defected to the west in a dramatic media storm, and went on to dance with the Houston Ballet for sixteen years. This inspiring story of passion, resilience, and a family's love captures the harsh reality of life in Mao's communist China and the exciting world of professional dance. This compelling memoir includes photos documenting Li's extraordinary life.
The highly anticipated memoir of Australian ballerina Mary Li – and the long-awaited sequel to her husband Li Cunxin's bestselling memoir, Mao's Last Dancer. Mary’s Last Dance is a powerful and uplifting memoir about chasing an impossible dream, and sacrificing one’s own ambition for the love of a child. It is a moving and unforgettable story of passion, dedication and devotion – and the highly anticipated sequel to one of the world’s most beloved books. Mary Li is an international ballet star and a mother like no other. She became a household name when her husband Li Cunxin published his bestselling memoir, Mao’s Last Dancer – but that book told only half the story. Growing up in a rambunctious family in Rockhampton, Mary discovered an extraordinary early passion for ballet. It saw her move to London at age sixteen, to study at the Royal Ballet School and dance at the London Festival Ballet with the likes of Nureyev, and later to Houston Ballet, where as Principal Dancer she fell in love with the acclaimed dancer Li Cunxin. The couple became the darlings of the dance world, and were happier than they could have imagined at the arrival of their firstborn daughter, Sophie. Then right at the height of her international career, Mary seemingly disappeared from view. What could have happened to cause a woman so committed, so talented, to give it all away in a heartbeat? Now, almost twenty years on, we learn what happened next to this inspiring family, and why it is Mary’s turn to tell a truly remarkable tale. 'Full of love and hope, Mary’s Last Dance is an honest and profound look into the enchanting life of Mary Li. Facing everything with ambition and drive, Mary writes about her life in beautiful detail, from hardships to hope. The essential companion to Mao’s Last Dancer, and an outstanding read!’ BETTER READING WINNER Courier-Mail People's Choice Queensland Book of the Year Award 2021.
Bridge the gap between the china you know and the real china of today In the last 30 years, China has transformed itself into one of the world’s leaders in political, economic and social relations. With Australia a hotspot for Chinese immigrants, understanding the cultural nuances, both from an Australian and a Chinese perspective, is now more important than ever. Your next hire or business deal could depend on it. Australia is a young country built on immigration and cultural assimilation, and whether they are new immigrants or Australian born, in the workforce or the property market, or in the suburbs or the city, the ‘new Chinese’ are now an integral part of this culture. Told through the personal story of author Barry Li, The New Chinese reveals: how to navigate cultural differences between Australia and China what four generations of Chinese are present in Australia why political sensitivities should be observed by those doing business with China how Chinese consumers and investors spend their wealth what challenges are in store for China’s future. The New Chinese is your essential guide to the history, culture, and mindset of Chinese migrants in Australia, and of the new China.
Shashibiya is an intriguing discussion of the levels of 'filtering' that any Shakespeare performance in China undergoes, and a close examination of how these filters reflect the continually-changing political, social and cultural practices. The study traces the history of Shakespeare performance in China over the past hundred years, focussing in detail on eleven productions in mainstream, operatic and experimental forms in the post-Mao era. Li Ruru's intimate knowledge of her subject makes this the most up-to-date research available on staging Shakespeare in China.
This book explores the overall landscape of compulsory education policy development in China from multiple perspectives to uncover the stages, features, problems and suggestions in Chinese compulsory education system, locally, nationally and internationally. In addition, this book also presents specific historical educational policy shifts for policymakers and stakeholders to investigate the compulsory education strategy over the long term. Specifically, the Chinese compulsory education policy landscape involves investigating changes to the legal environment, management policies, as well as practices for teachers and curriculum and teaching materials. These discussions contribute to the readers’ comprehensive and systematic understanding of compulsory education policy development in contemporary China.
Providing an indispensable resource for students, educators, businessmen, and officials investigating the transformative experience of modern China, this book provides a comprehensive summary of the culture, institutions, traditions, and international relations that have shaped today's China. In Modern China, author Xiaobing Li offers a resource far beyond a conventional encyclopedia, providing not only comprehensive coverage of Chinese civilization and traditions, but also addressing the values, issues, and critical views of China. As a result, readers will better understand the transformative experience of the most populous country in the world, and will grasp the complexity of the progress and problems behind the rise of China to a world superpower in less than 30 years. Written by an author who lived in China for three decades, this encyclopedia addresses 16 key topics regarding China, such as its geography, government, social classes and ethnicities, gender-based identities, arts, media, and food, each followed by roughly 250 short entries related to each topic. All the entries are placed within a broad sociopolitical and socioeconomic contextual framework. The format and writing consistency through the book reflects a Chinese perspective, and allows students to compare Chinese with Western and American views.
Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. This book offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
The multi-dimensional model of cross-cultural research was put forward as an alternative to the model of Sino-western dualism which sees China and the West as two entirely different entities. In order to break with this dualistic model, the spatial dimension should be separated from the temporal dimension, allowing the words “China” and “the West” to recover their original meaning of spatial dimensions. This, in turn, reconceptualises the equal relationship between China and the West, and seeks the possibilities and pathways of cross-cultural understanding and dialogue in a global context. This book is composed of two parts: the spatial dimension of cross-cultural research and the temporal dimension of cross-cultural research. The first discusses globalization and China’s cultural identity; cross-cultural literary research between China and the West; a circular model of cross-cultural research focusing on literary adaptations; integrating Chinese literature into world literature; appreciating Chinese poetry from a cross-cultural perspective; and the three models of nature appreciation. In part two, the book explores the Book of Changes (周易) from the perspective of modern aesthetics; original Confucianism, literary theory and aesthetics; the Han dynasty’s Confucianism, literary theory and aesthetics; New-Confucianism, literary theory and aesthetic; Beijing city’s culture; and China’s short film and socialistic cultural productions.
The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of history, literary, and artistic representations inspired by this event are critical to our understanding of the diversified, often contested, interpretations of contemporary China. Li Li’s critical examination of autobiographic, filmic and fictional presentations in Memory, Fluid Identity, and the Politics of Remembering: The Representations of the Chinese Cultural Revolution in English-speaking Countries demonstrates that “memory works” not only reflect memories of those who lived through that period, but memories about their past, and, more importantly, about their identity remapping and artistic negotiation in a cross-cultural environment.
This true story of a poor Chinese peasant boy, who at the age of ten was plucked unsuspectingly from millions of others across the landato beatrained as a ballet dancer, is a fairytale that has captivated children and adults alike. Li tells his story with disarming simplicity and charm, with humour and compassion, and here he speaks directly to the small child, his special audience. He has a personal story to tell you, and he begins by introducing you to the land of his childhood, and to his beloved father, and to a small child who was once Li himself- he tells us of that boy growing up in hardship, yet with love and affection, as he shares with us the lives of his large family, the special stories in his life, the inspiring teachers, the experiences and moments he will never forget.
In a memoir of life in Maoist China, the author describes how he was taken from his family in rural China to study ballet in Beijing, his rise in the world of Chinese ballet, and his defection at age eighteen to the United States.
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