This book, first published in 1941, is a comprehensive study on the native banks that linked small Chinese traders and the larger Chinese and foreign banks. It is based on extensive research in Tientsin and Peking, and a large number of interviews with native bankers, and the result is an exhaustive study on the practice.
This book, first published in 1941, is a comprehensive study on the native banks that linked small Chinese traders and the larger Chinese and foreign banks. It is based on extensive research in Tientsin and Peking, and a large number of interviews with native bankers, and the result is an exhaustive study on the practice.
Of all the products associated with the material wealth and cultural splendor of traditional Chinese civilization, none was so quintessentially Chinese as silk. From the most ancient times silk played a role in Chinese history, both as a symbol of imperial tradition and as a mainstay of the peasant economy. This study analyzes the development of China's silk industry in the nineteenth and early twentieth century.
The Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan: Freedom in the Trenches argues that what appeared to be a "genesis" of new literature engendered by the modernist movement in postwar Taiwan was made possible only through the "splendid isolation" within the Cold War world order sustaining the bubble in which "Free China" lived on borrowed time. The book explores the trenches of freedom in whose confines the soldier-poets' were surrealistically acquiesced to roam free under the aegis of "pure literature" and the buffer zone created by the US presence in Taiwan—and the modernists' expatriate writing from America—that aided their moderated deviance from the official line. It critically examines the anti-establishment character and gesture in the movement phase in terms of its entanglements with the state apparatus and the US-aided literary establishment. Taiwan's modernists counterbalance their retrospectively perceived excess and nuanced forms of exit with a series of spiritual as well as actual returns, upon which earlier traditionalist undercurrents would surface. This modernism's mixed legacies, with its aesthetic avant-gardism marrying politically moderate or conservative penchants, date back to its bifurcated mode of existence and operation of separating the realm of the aesthetic from everything else in life during the Cold War.
Li Hsiu-ch'eng - the Loyal Prince - was the most important military leader on the rebel side during the last years of the Taiping Rebellion in China (1851-64). The Taiping Rebellion has been called the greatest popular revolt in modern history, and it came remarkably close to toppling the Ch'ing empire some fifty years before it was finally overthrown in 1911. Captured in June 1864 by government forces, Li Hsiu-ch'eng spent the final days before his inevitable execution writing a personal account of the Rebellion and his role in it. His Deposition is the fullest narrative by a participant and an invaluable historical document. The original manuscript of the Deposition was withheld by the government commander Tseng Kuo-fan and his descendants, and a shortened, bowdlerized version prepared for publication. Li himself was considered a great revolutionary hero in China until the Cultural Revolution when he was reassessed in a major public debate of considerable political significance.
In a famous episode of the eighteenth-century masterpiece The Dream of the Red Chamber, the goddess Disenchantment introduces the hero, Pao-yü, to the splendors and dangers of the Illusory Realm of Great Void. The goddess, one of the divine women in Chinese literature who inspire contradictory impulses of attachment and detachment, tells Pao-yü that the purpose of his dream visit is "disenchantment through enchantment," or "enlightenment through love." Examining a range of genres from different periods, Wai-yee Li reveals the persistence of the dialectic embodied by the goddess: while illusion originates in love and desire, it is only through love and desire that illusion can be transcended. Li begins by defining the context of these issues through the study of an entire poetic tradition, placing special emphasis on the role of language and of the feminine element. Then, focusing on the "dream plays" by T'ang Hsien-tsu, she turns to the late Ming, an age which discovers radical subjectivity, and goes on to explore a seventeenth-century collection of classical tales, Records of the Strange from the Liao-chai Studio by P'u Sung-ling. The latter half of the book is devoted to a thorough analysis of The Dream of the Red Chamber, the most profound treatment of the dialectic of enchantment and disenchantment, love and enlightenment, illusion and reality. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This one-volume handbook explores the history of Taiwan, from its prehistory to its Japanese colonization to its tumultuous relationship with China in the 21st century. This addition to the Greenwood Histories of the Modern Nations series focuses on significant events in the history of Taiwan, from ancient history to the present. Following the general series format, the book opens with the series foreword and a chronology of key events in Taiwan's history. Eleven chapters follow, with half of the book focusing on the modern historic events that occurred post–World War II. Chapters examine topics and eras including Pre-history and Early Civilization to 1100; Formosa: The Dutch Colony, 1622–1662; Cold War Island: Conflicts and Control, 1950–1972; and Democratization and Independence Movement, 1996–2004. A glossary of terms and annotated bibliography rounds out the work, making it an ideal resource for high school and undergraduate students as well as general readers who are looking for an introduction to Taiwan's history.
Inspired by the community behaviors of animals and humans, cooperative control has been intensively studied by numerous researchers in recent years. Cooperative control aims to build a network system collectively driven by a global objective function in a distributed or centralized communication network and shows great application potential in a wide domain. From the perspective of cybernetics in network system cooperation, one of the main tasks is to design the formation control scheme for multiple intelligent unmanned systems, facilitating the achievements of hazardous missions – e.g., deep space exploration, cooperative military operation, and collaborative transportation. Various challenges in such real-world applications are driving the proposal of advanced formation control design, which is to be addressed to bring academic achievements into real industrial scenarios. This book extends the performance of formation control beyond classical dynamic or stationary geometric configurations, focusing on formation maneuverability that enables cooperative systems to keep suitable spacial configurations during agile maneuvers. This book embarks on an adventurous journey of maneuverable formation control in constrained space with limited resources, to accomplish the exploration of an unknown environment. The investigation of the real-world challenges, including model uncertainties, measurement inaccuracy, input saturation, output constraints, and spatial collision avoidance, brings the value of this book into the practical industry, rather than being limited to academics.
Confucianism and Women argues that Confucian philosophy—often criticized as misogynistic and patriarchal—is not inherently sexist. Although historically bound up with oppressive practices, Confucianism contains much that can promote an ethic of gender parity. Attacks on Confucianism for gender oppression have marked China's modern period, beginning with the May Fourth Movement of 1919 and reaching prominence during the Cultural Revolution of the 1960s and 1970s. The West has also readily characterized Confucianism as a foundation of Chinese women's oppression. Author Li-Hsiang Lisa Rosenlee challenges readers to consider the culture within which Confucianism has functioned and to explore what Confucian thought might mean for women and feminism. She begins the work by clarifying the intellectual tradition of Confucianism and discussing the importance of the Confucian cultural categories yin-yang and nei-wai (inner-outer) for gender ethics. In addition, the Chinese tradition of biographies of virtuous women and books of instruction by and for women is shown to provide a Confucian construction of gender. Practices such as widow chastity, footbinding, and concubinage are discussed in light of Confucian ethics and Chinese history. Ultimately, Rosenlee lays a foundation for a future construction of Confucian feminism as an alternative ethical ground for women's liberation.
This dissertation is an attempt to define a Chinese "modernism," exemplified by the narrative practices of four major writers in Taiwan today, from the perspective of comparative literature and recent development of literary theory. I propose that modernity of Taiwanese fiction is not so much a result of Western influences as an evolution of Chinese narrative tradition itself. To argue my point I delineate a poetics of Chinese narrative, from which I devise a method of reading and a criterion of evaluation for contemporary Taiwanese fiction in defining its achievement and historical significance. This study of Taiwanese fiction also aims at providing a better understanding of fundamental aesthetic assumptions of Western "modernism" in the context of its own literary tradition. Chapter One, "Introduction," investigates the theoretical foundation and its line of development in Western and Chinese poetics respectively. It first examines the Platonic view of mimesis and Aristotelian aesthetic view of fictionality and their influence on the critical tradition, the continuity of the ancient battle between philosophy and poetry as seen in the structuralist and deconstructionist theories, then the relationship between subjective fictionality and ironic objectivity in Chinese poetics, the continuity of the dilemma in the Chinese novelists in their dual allegiance to the ideal and the real. A final section gives a critical overview of the literary scene in Taiwan. The following four chapters provide examples of the internal tension between fictionality and ironic awareness in the Taiwanese modernist texts. I suggest that instead of stretching the metaphorical potential of fiction to a highly intellectualized abstraction or playing down the interpretive claims of fiction by dramatizing its vulnerability like their Western counterpart, the Taiwanese modernists create their texts on the borderline between the high and the low. Self-assertive as well as self-denying, each of them confronts his own intellectual vision with paradox and ambivalence. In Ch'en Ying-chen, this is expressed as a battle between a lyrical vision of ideological values and an instinctive self-clowning, in Ch'i-teng Sheng, as a form of competition between pattern and contingency, in Wang Chen-ho, as a celebration and abuse of the fictionality of fiction, and in Wang Wen-hsing, an intense self-parody. I conclude that the sensitivity to the irrational and contradiction, inherent with a resistance to didacticism, constitutes the best part of the Chinese humanistic tradition, which is continuously enriched with new dimensions by the contemporary Taiwanese writers.
While phenomenology and Yogacara Buddhism are both known for their investigations of consciousness, there exists a core tension between them: phenomenology affirms the existence of essence, whereas Yogacara Buddhism argues that everything is empty of essence (svabhava). How is constructive cultural exchange possible when traditions hold such contradictory views? Answering this question and positioning both philosophical traditions in their respective intellectual and linguistic contexts, Jingjing Li argues that what Edmund Husserl means by essence differs from what Chinese Yogacarins mean by svabhava, partly because Husserl problematises the substantialist understanding of essence in European philosophy. Furthermore, she reveals that Chinese Yogacara has developed an account of self-transformation, ethics and social ontology that renders it much more than simply a Buddhist version of Husserlian phenomenology. Detailing the process of finding a middle ground between the two traditions, this book demonstrates how both can thrive together in order to overcome Orientalism.
Foreword by Ezra F. Vogel, Director of the East Asia Research Center. Introduction. Includes sources, studies of modern Chinese literature, studies and translations of individual authors, and unidentified authors. Some titles shown in Chinese characters. Three appendices. Index.
First published in 1987. The teachings of Confucius have sustained the East for over 2,500 years. As set forth in the Four Books, Confucianism stresses morality, love of peace, justice, honesty, virtue, moderation in all things and sincerity as the means of self-fulfilment. Chen arranges into one compact volume the essential principles for human conduct propounded in Confucius's Four Books, and to make them easily accessible to Western readers for the first time.
For centuries the Yangzi delta has acted as the locomotive of China's economic growth. This book examines the surprising phenomenon of a long period of economic growth from 1620 to 1850 in the traditional agriculture of this extremely densely populated area, when no new land was available and no major technological breakthroughs occurred. Intensification of farming and rationalizations of resources saw an optimum model of peasant family economy become the norm. The contrast with western patterns of development improves our understanding of China's economic performance, past and present.
The United Nations Transitional Administration in East Timor (UNTAET) which had effectively 'ruled' that territory for two and a half years handed over the country's administration to the government of the newly-independent Democratic Republic of East Timor on May 20, 2002. Praised as one of the most comprehensive and successful nation building operations of the United Nations, UNTAET had the challenging task of facilitating the creation of a new country from virtually non-existent institutional foundations, following a traumatic period of violence and civil war. A group of eminent scholars and practitioners, many deeply and personally involved with UNTAET, came together in a closed-door gathering in Tokyo in September 2002, to review the achievements and shortcomings of UNTAET, and to understand the lessons of hope that it may carry for other nations emerging from war and destruction. The conference reflected on the intense debates held at the United Nations Security Council in New York and at key capitals around the world leading to the creation of UNTAET. It also dealt with the manner in which the mission unfolded, operated, and the level of reconstruction achieved when East Timor was handed over to its people. This volume forms a lively and indispensable reading to experts or laypersons interested in current affairs in general and in post-war nation building in particular.
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