Lewis P. Simpson towers among scholars of American literary studies, as an intellectual historian of the South and American literary culture and a revered essayist. His last book, Imagining Our Time, offers a wide-ranging, erudite, and enlightening look at the culture of letters in American society. Primarily through an examination of the works of some of the leading writers of the twentieth century, many of whom Simpson knew intimately, this final volume provides insight into the struggles and concerns unique to prominent American thinkers, literary artists, and critics contemporary to his own lifetime. Often moving from an intriguing anecdote or recollection to a rigorous discussion of ideas, Simpson’s style is captivating. He begins with speculation on Eric Voegelin’s interest in Julien Benda’s polemic La Trahison des Clercs and follows with thoughts on the declining faith in the university as an embodiment of humanistic letters and learning, surveying the American Republic as far back as Benjamin Franklin. In successive chapters, Simpson pays tribute to Malcolm Cowley as a "hero of the literary art" and probes Robert Penn Warren’s fixation with Thomas Jefferson as manifested in the writing and complete rewriting of Brother to Dragons. He ruminates on the vocation of the critic as practiced by Lionel Trilling and Diana Trilling, and the literary and cultural politics of the 1930s. Brief portraits of Andrew Lytle and Louis D. Rubin, Jr., appear, as well as a poignant argument for the autobiographical cast of Eudora Welty’s writing. A lengthy, riveting consideration of Simpson’s friend Walker Percy and Percy’s quest for identity as a modern Christian novelist alienated from the society around him forms the core of the volume. Fred Hobson’s introduction fittingly rounds out Imagining Our Time, offering an intimate appreciation of Lewis Simpson-who will remain a giant among scholars of southern literary studies.
A repackaged edition of the revered author’s essays in which he deliberates on contemporary issues, from the moral to the spiritual to the practical. C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—was one of the foremost religious philosophers of the twentieth century; a thinker whose far-reaching influence on Christianity continues to be felt today. Demonstrating Lewis’s wide range of interests, Present Concerns includes nineteen essays that reveal his thoughts about democratic values, threats to educational and spiritual fulfillment, literary censorship, and other timely topics, offering invaluable wisdom for our own times.
The life and mind of C. S. Lewis have fascinated those who have read his works. This collection of his personal letters reveals a unique intellectual journey. The first of a three-volume collection, this volume contains letters from Lewis's boyhood, his army days in World War I, and his early academic life at Oxford. Here we encounter the creative, imaginative seeds that gave birth to some of his most famous works. At age sixteen, Lewis begins writing to Arthur Greeves, a boy his age in Belfast who later becomes one of his most treasured friends. Their correspondence would continue over the next fifty years. In his letters to Arthur, Lewis admits that he has abandoned the Christian faith. "I believe in no religion," he says. "There is absolutely no proof for any of them." Shortly after arriving at Oxford, Lewis is called away to war. Quickly wounded, he returns to Oxford, writing home to describe his thoughts and feelings about the horrors of war as well as the early joys of publication and academic success. In 1929 Lewis writes to Arthur of a friend ship that was to greatly influence his life and writing. "I was up till 2:30 on Monday talking to the Anglo-Saxon professor Tolkien who came back with me to College ... and sat discoursing of the gods and giants & Asgard for three hours ..." Gradually, as Lewis spends time with Tolkien and other friends, he admits in his letters to a change of view on religion. In 1930 he writes, "Whereas once I would have said, 'Shall I adopt Christianity', I now wait to see whether it will adopt me ..." The Collected Letters of C. S. Lewis, Volume I offers an inside perspective to Lewis's thinking during his formative years. Walter Hooper's insightful notes and biographical appendix of all the correspondents make this an irreplaceable reference for those curious about the life and work of one of the most creative minds of the modern era.
The Eight Titles Include: An Experiment in Criticism; The Allegory of Love; The Discarded Image; Studies in Words; Image and Imagination; Studies in Medieval and Renaissance Literature; Selected Literary Essays; and The Personal Heresy
The Eight Titles Include: An Experiment in Criticism; The Allegory of Love; The Discarded Image; Studies in Words; Image and Imagination; Studies in Medieval and Renaissance Literature; Selected Literary Essays; and The Personal Heresy
With his trademark warmth and wit, Lewis offers invaluable insight and intellectual delight for readers. Includes: • An Experiment in Criticism • The Allegory of Love • The Discarded Image • Studies in Words • Image and Imagination • Studies in Medieval and Renaissance Literature • Selected Literary Essays • The Personal Heresy
C.S. Lewis has inspired generations of children with his Chronicles of Narnia, seven classic stories in which magic meets reality and good triumphs over evil. But he wrote more than 30 books, most designed to inspire an adult readership, and became justly renowned as one of the most spiritual writers of his day.
With a breadth and depth unsurpassed by any other cultural historian of the South, Lewis Simpson examines the writing of southerners Thomas Jefferson, John Randolph, Mark Twain, Robert Penn Warren, Allen Tate, William Faulkner, Elizabeth Madox Roberts, Arthur Crew Inman, William Styron, and Walker Percy. Simpson offers challenging essays of easy erudition blessedly free of academic jargon.... [They] do not propose to support an overall thesis, but simply explore the southern writer's unique relationship with his or her region, bereft of myth and tradition, in the grasp of science and history." -- Library Journal
Lewis P. Simpson towers among scholars of American literary studies, as an intellectual historian of the South and American literary culture and a revered essayist. His last book, Imagining Our Time, offers a wide-ranging, erudite, and enlightening look at the culture of letters in American society. Primarily through an examination of the works of some of the leading writers of the twentieth century, many of whom Simpson knew intimately, this final volume provides insight into the struggles and concerns unique to prominent American thinkers, literary artists, and critics contemporary to his own lifetime. Often moving from an intriguing anecdote or recollection to a rigorous discussion of ideas, Simpson’s style is captivating. He begins with speculation on Eric Voegelin’s interest in Julien Benda’s polemic La Trahison des Clercs and follows with thoughts on the declining faith in the university as an embodiment of humanistic letters and learning, surveying the American Republic as far back as Benjamin Franklin. In successive chapters, Simpson pays tribute to Malcolm Cowley as a "hero of the literary art" and probes Robert Penn Warren’s fixation with Thomas Jefferson as manifested in the writing and complete rewriting of Brother to Dragons. He ruminates on the vocation of the critic as practiced by Lionel Trilling and Diana Trilling, and the literary and cultural politics of the 1930s. Brief portraits of Andrew Lytle and Louis D. Rubin, Jr., appear, as well as a poignant argument for the autobiographical cast of Eudora Welty’s writing. A lengthy, riveting consideration of Simpson’s friend Walker Percy and Percy’s quest for identity as a modern Christian novelist alienated from the society around him forms the core of the volume. Fred Hobson’s introduction fittingly rounds out Imagining Our Time, offering an intimate appreciation of Lewis Simpson-who will remain a giant among scholars of southern literary studies.
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