Lewis R. Gordon's Fear of Black Consciousness is a groundbreaking account of Black consciousness by a leading philosopher In this original and penetrating work, Lewis R. Gordon, one of the leading scholars of Black existentialism and anti-Blackness, takes the reader on a journey through the historical development of racialized Blackness, the problems this kind of consciousness produces, and the many creative responses from Black and non-Black communities in contemporary struggles for dignity and freedom. Skillfully navigating a difficult and traumatic terrain, Gordon cuts through the mist of white narcissism and the versions of consciousness it perpetuates. He exposes the bad faith at the heart of many discussions about race and racism not only in America but across the globe, including those who think of themselves as "color blind." As Gordon reveals, these lies offer many white people an inherited sense of being extraordinary, a license to do as they please. But for many if not most Blacks, to live an ordinary life in a white-dominated society is an extraordinary achievement. Informed by Gordon's life growing up in Jamaica and the Bronx, and taking as a touchstone the pandemic and the uprisings against police violence, Fear of Black Consciousness is a groundbreaking work that positions Black consciousness as a political commitment and creative practice, richly layered through art, love, and revolutionary action.
Black Existentialism and Decolonizing Knowledge collects key philosophical writings of Lewis R. Gordon, a globally renowned scholar whose writings cover liberation struggles across the globe and make field-defining contributions to the philosophy of existence, philosophy of race, Africana philosophy, philosophy of human sciences, aesthetics, and decolonization. Gordon's expansive output ranges across phenomenology, anti-Blackness, activist thinkers, sexuality, Fanon, Jimi Hendrix, Black Jewish struggles, critical pedagogy, psychoanalysis, and Ubuntu philosophy. Edited by Rozena Maart and Sayan Dey, two decolonial thinkers from South Africa and India, this reader shifts attention away from colonial centres of power, encouraging global dialogue across students, scholars, and activists. Featuring a foreword by the celebrated novelist and postcolonial thinker, Ngugi wa Thiong'o, this reader includes a mixture of research articles, short critical essays, reflections, interviews, poems, and photographs in the creative pursuit of liberation.
In this undergraduate textbook Lewis R. Gordon offers the first comprehensive treatment of Africana philosophy, beginning with the emergence of an Africana (i.e. African diasporic) consciousness in the Afro-Arabic world of the Middle Ages. He argues that much of modern thought emerged out of early conflicts between Islam and Christianity that culminated in the expulsion of the Moors from the Iberian Peninsula, and from the subsequent expansion of racism, enslavement, and colonialism which in their turn stimulated reflections on reason, liberation, and the meaning of being human. His book takes the student reader on a journey from Africa through Europe, North and South America, the Caribbean, and back to Africa, as he explores the challenges posed to our understanding of knowledge and freedom today, and the response to them which can be found within Africana philosophy.
In this book, philosopher and social critic Lewis Gordon explores the ossification of disciplines, which he calls disciplinary decadence. In response, he offers a theory of what he calls a teleological suspension of disciplinarity, in which he encourages scholars and lay intellectuals to pay attention to the openness of ideas and purposes on which their disciplines were born. Gordon builds his case through discussions of philosophy of education, problems of secularization in religious thought, obligations across generations, notions of invention in the study of ideas, decadence in development, colonial epistemologies, and the quest for a genuine postcolonial language. These topics are examined with the underlying diagnosis of the present political and academic environment as one in which it is indecent to think.
The eminent scholar Lewis R. Gordon offers a probing meditation on freedom, justice, and decolonization. What is there to be understood and done when it is evident that the search for justice, which dominates social and political philosophy of the North, is an insufficient approach for the achievements of dignity, freedom, liberation, and revolution? Gordon takes the reader on a journey as he interrogates a trail from colonized philosophy to re-imagining liberation and revolution to critical challenges raised by Afropessimism, theodicy, and looming catastrophe. He offers not forecast and foreclosure but instead an urgent call for dignifying and urgent acts of political commitment. Such movements take the form of examining what philosophy means in Africana philosophy, liberation in decolonial thought, and the decolonization of justice and normative life. Gordon issues a critique of the obstacles to cultivating emancipatory politics, challenging reductionist forms of thought that proffer harm and suffering as conditions of political appearance and the valorization of nonhuman being. He asserts instead emancipatory considerations for occluded forms of life and the irreplaceability of existence in the face of catastrophe and ruin, and he concludes, through a discussion with the Circassian philosopher and decolonial theorist, Madina Tlostanova, with the project of shifting the geography of reason.
Challenging the notion of theory as white and experience as black, Lewis Gordon here offers a philosophical portrait of the thought and life of the Martinican-turned-Algerian revolutionary psychiatrist and philosopher Frantz Fanon as an example of "living thought" against the legacies of colonialism and racism, and thereby shows the continued relevance and importance of his ideas.
This book is a modern introduction to the ideas and techniques of quantum field theory. After a brief overview of particle physics and a survey of relativistic wave equations and Lagrangian methods, the author develops the quantum theory of scalar and spinor fields, and then of gauge fields. The emphasis throughout is on functional methods, which have played a large part in modern field theory. The book concludes with a brief survey of "topological" objects in field theory and, new to this edition, a chapter devoted to supersymmetry. Graduate students in particle physics and high energy physics will benefit from this book.
David Levering Lewis is the Martin Luther King, Jr. Professor of History at Rutgers University and was recently awarded a MacArthur Fellowship. W.E.B. Du Bois: Biography of a Race, 1868-1919 received the Bancroft, Parkman, and Pulitzer Prizes, and was a finalist for the National Book Award and National Book Critics Circle Award.
Black Matters: Lewis Morrow Plays is a play anthology that maps the impact of emotional, social, cultural, and economic forces that shape the quality of African American life in the 21st century. Focusing on the narratives of Black men and women carrying the hopes and dreams of a generation, Morrow writes stories of dreams deferred, lives incarcerated, and families broken by circumstance who strive to beat the stereotypes of Blackness. Bending time to create hyperreal poetic engagements with anti-Blackness and systemic racism, Morrow questions who has the audacity of hope while living within circumstances that anticipate premature death. Morrow's poignant characters speak truth to power directly from their hearts as they present as unapologetically Black in a world that is indifferent to, and fatigued by, claims of racism and inequality. Baybra's Tulips: Baybra, a recently rereleased convict, returns home to live with sister Tallulah and her husband Charles under the pretence of rehabilitation but with the objective to avenge his sister's spousal abuse by his brother-in-law that resulted in the loss of her child. Begetters: Explores generational inheritance of trauma focusing on husband and wife, Spicer and Norma, in the twilight years of their marriage, and their descent into darkness and therapy after the loss of a family member Mother/son: A dark dramedy about a white mother who is in denial about her racist perspective and her cocaine addiction. Forced to get clean, she comes to live with her Black son (mixed race) who is reluctant to invest in her latest efforts to get clean in the converging pandemics of BLM and Covid.
Outback life as experienced by the legendary station-owner Charlie Schultz. His stories are set against the colourful characters and events of the Victoria River district - the stockmen and station managers, horse thieves and police, and more - a way of life that is now gone forever.
Most congregational leaders find it difficult to resist the dominant cultural expectation that different cultural and ethnic groups should stick to themselves–especially when it comes to church. But some congregational leaders have learned the secrets of breaking out of these expectations to bring together communities of faith that model God’s radical inclusiveness.What makes the difference? Jacqui Lewis explains that it resides in the stories these leaders tell: stories about who they themselves are, and what the communities they lead are about. These leaders are able to embrace the multiple, complex stories within these diverse communities, hearing in the many voices a particular echo of the living voice of the gospel. In this book Lewis shares with the reader examples of congregational leaders who have successfully overcome the challenges of leading multicultural congregations, and the lessons that can be learned from them.Jacqueline J. Lewis is Senior Minister for Vision, Worship, and the Arts at Middle Collegiate Church in New York.
The history of Hollywood's postwar transition is framed by two spectacular dead bodies: Elizabeth Short, AKA the Black Dahlia, found dumped and posed in a vacant lot in January 1947 and Marilyn Monroe, the studio era's last real movie star, discovered dead at her home in August 1962. Short and Monroe are just two of the many left for dead after the collapse of the studio system, Hollywood's awkward adolescence during which the company town's many competing subcultures--celebrities, moguls, mobsters, gossip mongers, industry wannabes, and desperate transients--came into frequent contact and conflict. Hard-Boiled Hollywood focuses on the lives lost at the crossroads between a dreamed-of Los Angeles and the real thing after the Second World War, whose reality was anything but glamorous"--Provided by publisher.
Lewis Burke Frumkes, one of America's very best satirists, sharpens his pen on the fads, fears, and fashions of the urban landscape. Here are 49 hilarious ways to cope with them. Explore the benefits of aerobic typing. Wile a friend with "Exotic Gifts from Harry and Larry" including "Road Imperial Valium—America's Favorite Tranquilizer—Only Better." Take charge of your next meeting with Frumkes's "New Rules of Order," which include Blurting, Interrupting, and Bullwhipping. Jump in the saddle and rope a roach—apartment style. And, of course, raise your I.Q. with a delicious "Gifted Child Fricassee.
In this searching study, Nghana Lewis offers a close reading of the works and private correspondences, essays, and lectures of five southern white women writers: Julia Peterkin, Gwen Bristow, Caroline Gordon, Willa Cather, and Lillian Smith. At the core of this work is a sophisticated reexamination of the myth of southern white womanhood. Lewis overturns the conventional argument that white women were passive and pedestal-bound. Instead, she argues that these figures were complicit in the day-to-day dynamics of power and authorship and stood to gain much from these arrangements at the expense of others. At the same time that her examination of southern mythology explodes received wisdom, it is also a journey of self-discovery. As Lewis writes in her preface, “As a proud daughter of the South, I have always been acutely aware of the region’s rich cultural heritage, folks, and foodstuffs. How could I not be? I was born and reared in Lafayette, Louisiana, where an infant’s first words are not ‘da-da’ and ‘ma-ma’ but ‘crawfish boil’ and ‘fais-do-do.’ . . . I have also always been keenly familiar with its volatile history.” Where these conflicting images—and specifically the role of white southern women as catalysts, vindicators, abettors, and antagonists—meet forms the crux of this study. As such, this study of the South by a daughter of the South offers a distinctive perspective that illuminates the texts in novel and provocative ways.
Telling Narratives analyzes key texts from nineteenth- and early twentieth-century African American literature to demonstrate how secrets and their many tellings have become slavery's legacy. By focusing on the ways secrets are told in texts by Jessie Fauset, Charles W. Chesnutt, Pauline Hopkins, Frederick Douglass, and others, Leslie W. Lewis suggests an alternative model to the feminist dichotomy of "breaking silence" in response to sexual violence. This fascinating study also suggests that masculine bias problematically ignores female experience in order to equate slavery with social death. In calling attention to the sexual behavior of slave masters in African American literature, Lewis highlights its importance to slavery’s legacy and offers a new understanding of the origins of self-consciousness within African American experience.
What is work, truly? In its widest sense, work is not just a job. It is the sum of all our purposeful activities. Seen in this light, work is our whole life. In a continuation of his national bestseller, Work as a Spiritual Practice, Lewis Richmond's latest effort, A Whole Life's Work, explores the many facets of work as a means to cultivate inner life and contribute to the developing consciousness of all humanity. A Whole Life's Work defines eight important modes of work -- the Earner, the Hobbyist, the Creator, the Monk, the Helper, the Parent, the Learner, and the Elder -- along with their corresponding eight modes of inner work: Precepts, Vitality, Patience, Calm, Equanimity, Giving, Humility, and Wisdom. These inner modes are drawn from the author's Buddhist training, but in some form they can be found in most other spiritual traditions, demonstrating the recognition throughout history that our whole life's work has inner as well as outer dimensions. Here Lewis Richmond addresses a primary struggle of contemporary life: how to strike a balance between achievement and ambition on the one hand, and happiness and fulfillment on the other. Whether we are professionals, artists, hobbyists, parents, or students, Lewis helps us recognize the larger picture, too -- our contributions and responsibilities to the wider consciousness of the planet. Through teaching stories, spiritual exercises, and interviews, A Whole Life's Work provides an invaluable roadmap toward the ultimate reconciliation of outer livelihood with inner life, so that when we have grown old we can look back and say: I did the best I could, what I did counted, I am satisfied.
The three novels that inspired the acclaimed Foxtel/Netflix series condensed into one compelling thriller. When seasoned journalist Harry Dunkley is slipped a compromising photograph of a federal MP one frosty Canberra morning, he knows he is onto something big. But the deeper Harry investigates, the more he realises that this photograph is merely the hint of a larger conspiracy at work, and a secret its guardians are willing to kill to protect. 'There are more spies in Canberra than anywhere else in the country' - Chris Uhlmann 'I'd always had this idea of writing a political thriller' - Steve Lewis 'Given the fact that the books are set in Canberra (the capital of Australia), the novels' authors definitely have some solid background in the city's political workings' - Bustle.com 'Political insiders Steve Lewis and Chris Uhlmann bring biting wit and behind-the-headlines insight to this sharply observed novel ... House of Cards, Canberra style' Sunday Canberra Times
A Scottish lost treasures collection of three classic Scottish historical novels, each set in a beautifully described landscape. Bundled by subject matter rather than author, the books create a compelling trilogy. "Palimpsest's eClassics series, Scottish Lost Treasures, shows us how much poorer Britain's cultural heritage would be without Scottish writers ... The best example I've seen of how curation and presentation can bring old books to new audiences" - The Observer "This strikes me as a fantastic venture, and one I hope will expand further" - Professor Willy Maley, University of Glasgow, Scotland on Sunday
Over a hundred eyewitness accounts of the reality of combat from some of the finest writers of the last century and our own. Lucid, vivid, complex images of conflict, from Walt Whitman on the American Civil War to contemporary reporting from Afghanistan. The collection includes Martha Gellhorn on the Battle of the Bulge, Michael Herr at Khe Sanh, David Rohde's and Anthony Shadid's Pulitzer-winning accounts of Bosnia and Iraq respectively, Christina Lamb's famous account of being under fire from the Taliban, Robert Fisk on being attacked in Afghanistan, and Nicholas Tomalin's 'The General Goes Zapping Charlie Kong' (one of the inspirations for Apocalypse Now) among many other pieces of exceptional war reporting.
A stunning debut novel about living, loving and family life Nancy may have died but her fractured family still turns to her for guidance. When ex-daughter-in-law and single mum, Nina, takes her two boys camping in France, her plan is to ‘find herself’. Her journey is one many readers will relate to and they may find they learn as much about themselves as the very varied and lively characters that Carolyn Lewis has created. Jonathan knows that his mum's relaxed attitude to mothering infuriates Frank, his granddad, and he tries to be the buffer between them. But Nina’s problems with Frank go deeper, she knows the true state of Frank and Nancy’s marriage before she died. Determined to make sense of what she’s doing with her life, Nina embarks on a spur of the moment camping holiday in France, which makes Frank more convinced than ever that she is incapable of looking after his grandson. Throughout the holiday, Jonathan telephones his granddad to tell him of their exploits, except for the one fateful evening when he goes missing. Nina, Frank and Jonathan continue to talk to Nancy. She remains at the centre of their lives, and, instinctively, they know what she expects of them.
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