George Paul Collins was born on March 3, 1924 in the small town of Berlin, New Jersey. His family moved to Pleasantville and he was raised there by the bay, which he grew to love. George loved fishing and clamming his whole life. His adult life was spent in the United States Air Force until he retired in 1972 after twenty-nine and a half years. George married his high school sweetheart, Gloria Linda Lewis. The two raised six smart and charming children who now have families of their own. He had a very interesting and eventful life and, after living through the wars he participated in, he learned not to sweat the small stuff. He was buried with full military honors at Arlington National Cemetery in Washington, D.C., at the age of 70.
Winner of the 2012 Pulitzer Prize in Biography Widely and enthusiastically acclaimed, this is the authorized, definitive biography of one of the most fascinating but troubled figures of the twentieth century by the nation's leading Cold War historian. In the late 1940s, George F. Kennan—then a bright but, relatively obscure American diplomat—wrote the "long telegram" and the "X" article. These two documents laid out United States' strategy for "containing" the Soviet Union—a strategy which Kennan himself questioned in later years. Based on exclusive access to Kennan and his archives, this landmark history illuminates a life that both mirrored and shaped the century it spanned.
Farmer George Vol. II" by using Lewis Melville is a compelling biography that meticulously explores the childhood and reign of King George III. Published in the early twentieth century, Melville's paintings delves into the elaborate information of George III's formative years, tracing his adventure from a younger prince to the throne of Great Britain. The biography offers readers a bright portrait of George III's person, his relationships in the royal circle of relatives, and the political demanding situations he confronted all through a pivotal duration in British records. Melville's narrative skillfully navigates through the complexities of 18th-century politics and the non-public lifestyles of the monarch, presenting insights into the events that formed his reign. With an eager eye for ancient element and a fluid storytelling fashion, Melville captures the essence of the technology, dropping light at the factors that encouraged George III's reign. The identify "Farmer George" itself reflects the king's non-public hobbies, particularly his affinity for agricultural interests. "Farmer George Vol. II" stands as a testomony to Lewis Melville's prowess as a biographer, supplying readers a nuanced and attractive account of the life of considered one of Britain's exceptional monarchs.
Farmer George Vol. I" by using Lewis Melville is a compelling biography that meticulously explores the childhood and reign of King George III. Published in the early twentieth century, Melville's paintings delves into the elaborate information of George III's formative years, tracing his adventure from a younger prince to the throne of Great Britain. The biography offers readers a bright portrait of George III's person, his relationships in the royal circle of relatives, and the political demanding situations he confronted all through a pivotal duration in British records. Melville's narrative skillfully navigates through the complexities of 18th-century politics and the non-public lifestyles of the monarch, presenting insights into the events that formed his reign. With a eager eye for ancient element and a fluid storytelling fashion, Melville captures the essence of the technology, dropping light at the factors that encouraged George III's reign. The identify "Farmer George" itself reflects the king's non-public hobbies, particularly his affinity for agricultural interests. "Farmer George Vol. I" stands as a testomony to Lewis Melville's prowess as a biographer, supplying readers a nuanced and attractive account of the life of considered one of Britain's exceptional monarchs.
Most of George Gissing's 23 novels have a certain air of autobiography, despite Gissing's frequent arguments that his fictional plots bear little resemblance to his own life and experiences. Starting with Workers in the Dawn (1880), almost all of Gissing's fictional works are set in his own time period of late-Victorian England, and five of his first six novels focus on the working-class poor that Gissing would have encountered frequently during his early writing career. While most recent criticism focuses on Gissing's works as biographical narratives, this work approaches Gissing's novels as purely imaginative works of art, giving him the benefit of the doubt regardless of how well his books seem to match up with the events of his own life. By analyzing important themes in his novels and recognizing the power of the artist's imagination, especially through the critical works of Coleridge, Wordsworth, Shelley, and Keats, the author reveals how Gissing's novels present a lived feel of the world Gissing knew firsthand. The author asserts that, at most, Gissing used his personal experiences as a starting point to transform his own life and thoughts into stories that explain the social, personal, and cultural significance of such experiences.
By examining literary portraits of the woman as artist, Linda M. Lewis traces the matrilineal inheritance of four Victorian novelists and poets: George Eliot, Elizabeth Barrett Browning, Geraldine Jewsbury, and Mrs. Humphry Ward. She argues that while the male Romantic artist saw himself as god and hero, the woman of genius lacked a guiding myth until Germaine de Stael and George Sand created one. The protagonists of Stael's Corinne and Sand's Consuelo combine attributes of the goddess Athena, the Virgin Mary, Virgil's Sibyl, and Dante's Beatrice. Lewis illustrates how the resulting Corinne/Consuelo effect is exhibited in scores of English artist-as-heroine narratives, particularly in the works of these four prominent writers who most consciously and elaborately allude to the French literary matriarchs." "Exploring a connection between French and English literature and providing fresh insight, Germaine de Stael, George Sand, and the Victorian Woman Artist makes a major contribution to our understanding of nineteenth-century feminism."--Jacket.
Priestly ministry in the Church of England needs a radical rethink... George Herbert died in 1633. His legacy continues. His poems are read and sung, and his parish ministry remains the model for the Church of England's understanding of how and where and why its priests should minister. But there is a problem. The memory of Herbert celebrated by the Church is an inaccurate one, and, in its inaccuracy, is unfair on Herbert himself and his successors in the ordained ministry. This is a book of the long view. It sets out to assess realistically the context of Herbert's life and to explore the difficulties of parish life today. By examining the status and role of parish clergy since Herbert's time and today, it draws on the work of historians, social anthropologists, psychologists and theologians, and presents their ideas in a readable and passionate style. It argues that the future strength of parochial ministry will be found in a recovery of historic, renewed understandings of priestly ministry, and concludes by outlining more sustainable patterns of practice for the future. In a climate of uncertainty for the future of the church, it will be an encouragement for priest and people, and welcomed by both.
揧ablonsky, a sociologist and one of the foremost authorities in phychodrama, raises the book from ordinary show biz profiles to a penetrating insight into the relationship of personality to screen image, of character to social symbol. Like much about Raft, the book has class.?br>?i>Los Angeles Times 揟he most roguishly appealing movie bio since Errol Flynn抯 My Wicked, Wicked Ways.?br>?i>Kirkus Reviews 揟he story of my good friend George抯 climb from the rowdy speakeasy clubs on Broadway in the twenties to the top of Hollywood stardom is an exciting American saga. Reading George抯 biography by Lewis Yablonsky is the next best thing to being there.?br>?i>Frank Sinatra 揂 great story. George was an important and exciting star. When better men like George are made梩hen I'll make 抏m.?br>?i>Mae West
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