A repackaged edition of the revered author’s spiritual memoir, in which he recounts the story of his divine journey and eventual conversion to Christianity. C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—takes readers on a spiritual journey through his early life and eventual embrace of the Christian faith. Lewis begins with his childhood in Belfast, surveys his boarding school years and his youthful atheism in England, reflects on his experience in World War I, and ends at Oxford, where he became "the most dejected and reluctant convert in all England." As he recounts his lifelong search for joy, Lewis demonstrates its role in guiding him to find God.
An anthology of stories on the corporate world, written earlier this century by Sinclair Lewis. Set in New York, the subjects range from back-stabbing to office romance.
One of the finest historians of her generation, Jan Ellen Lewis (1949-2018) transformed our understanding of the early U.S. Republic. Her groundbreaking essays defined the emerging fields of gender and emotions history and reframed traditional understandings of the founding fathers and the U.S. Constitution. As significant as her work was within each of these subfields, her most remarkable insights came from the connections she drew among them. Gender and race, slavery and freedom, feelings and politics ran together in the hearts, minds, and lives of the men and women she studied. Lewis's brilliant research revealed these long-buried connections and illuminated their importance for America's past and present. Family, Slavery, and Love in the Early American Republic collects thirteen of Lewis's most important essays. Distinguished scholars shed light on the historical and historiographical contexts in which Lewis and her peers researched, wrote, and argued. But the real star of this volume is Lewis herself: confident, unconventional, erudite, and deeply imaginative.
Although it was 1806 when Lewis and Clark returned to St. Louis after their journey across the country, it was not until 1905 that they were celebrated as national heroes. In the Footsteps of Lewis and Clark examines how public attitudes toward their explorations and the means of commemorating them have changed, from the production of the Lewis and Clark Exposition in 1905 to the establishment of the Lewis and Clark National Historic Trail in 1978 and the celebrations of the expedition's bicentennial from 2003 through 2007. The first significant stirrings of national public interest in Lewis and Clark coincided with the beginning of a nationwide fascination with transcontinental automobile touring. Americans began to reconnect with the past and interact with the history of Western expansion by becoming a new breed of "frontier explorer" via their cars. As a result, early emphasis on local plaques and monuments yielded to pageants, reenactments, and, ultimately, attempts to retrace the route, promoting conservation and recreation along its length. Wallace G. Lewis details the ingenuity that inspired the establishment of the Lewis and Clark National Historic Trail, opening a window to how America reimagines, recreates, and remembers its own past. In the Footsteps of Lewis and Clark will appeal to both scholarly and armchair historians interested in the Western frontier as experienced by both Lewis and Clark and those retracing their steps today.
Chronicles the story of American naturalists who came of age and stumbled toward a profession in the years after the American Revolution. --from publisher description.
Gathers the best of the early work of the recently deceased nationally syndicated columnist and Southern humorist, including essays on politics, food, music, religion, the influence of his parents, and the beginning of his battle with heart disease.
Revealing a new side of Mumford's remarkable personality - his formative years, this volume records how he grew up in New York City in the early 20th century, reminisces about his German extended family, his life as a penurious student, his early struggles as a writer in Greenwich Village and the events and people that shaped his thinking.
At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.
This book examines the formation of the Chinese empire through its reorganization and reinterpretation of its basic spatial units: the human body, the household, the city, the region, and the world. The central theme of the book is the way all these forms of ordered space were reshaped by the project of unification and how, at the same time, that unification was constrained and limited by the necessary survival of the units on which it was based. Consequently, as Mark Edward Lewis shows, each level of spatial organization could achieve order and meaning only within an encompassing, superior whole: the body within the household, the household within the lineage and state, the city within the region, and the region within the world empire, while each level still contained within itself the smaller units from which it was formed. The unity that was the empire's highest goal avoided collapse back into the original chaos of nondistinction only by preserving within itself the very divisions on the basis of family or region that it claimed to transcend.
From the same author of "Alice in Wonderland". Get ready to read the longest poem by Lewis Carroll and to enjoy the first verses created by him at the age of 13 to entertain his younger siblings. "Phantasmagoria" is a comedic and poetic conversation between a ghost and the homeowner, in which, amidst various subjects, the specter presents the behavioral rules of ghosts. In the second part, Carroll engages with various everyday issues such as sibling conflicts, matters of conscience, procrastination, fears, and more, often presenting a humorous moral. These are musical, lighthearted, and sarcastic poems from the writer considered the foremost author of global children's and young adult literature.
In 221 bc the First Emperor of Qin unified the lands that would become the heart of a Chinese empire. Though forged by conquest, this vast domain depended for its political survival on a fundamental reshaping of Chinese culture. With this informative book, we are present at the creation of an ancient imperial order whose major features would endure for two millennia. The Qin and Han constitute the "classical period" of Chinese history--a role played by the Greeks and Romans in the West. Mark Edward Lewis highlights the key challenges faced by the court officials and scholars who set about governing an empire of such scale and diversity of peoples. He traces the drastic measures taken to transcend, without eliminating, these regional differences: the invention of the emperor as the divine embodiment of the state; the establishment of a common script for communication and a state-sponsored canon for the propagation of Confucian ideals; the flourishing of the great families, whose domination of local society rested on wealth, landholding, and elaborate kinship structures; the demilitarization of the interior; and the impact of non-Chinese warrior-nomads in setting the boundaries of an emerging Chinese identity. The first of a six-volume series on the history of imperial China, The Early Chinese Empires illuminates many formative events in China's long history of imperialism--events whose residual influence can still be discerned today.
A daring book . . . a terrific story and Lewis tells it with rare narrative skill . . . a superb writer, with a startling command of the historian's art and a powerful interest in the moral aspects that history has always claimed. He also has in the young George Washington a subject of unfailing centrality and importance. His flaws, like those of any human figure worth his salt and worth our time, constitute the ground of his enduring human achievements." —Los Angeles Times Book Review "The story is compelling and Lewis tells it well." —Library Journal "Gracefully and attractively written." —Chicago Tribune For King and Country is a portrait of an ordinary young man enmeshed in extraordinary events: the young George Washington caught up, and striving to excel, amid the bitter rivalry between the French and British for control of the American colonial frontier in the mid-eighteenth century. Drawing heavily on Washington's own diaries, letters, and dispatches, Thomas A. Lewis follows the future president's remarkable rise from a callow young man with no inheritance, no trade, and few prospects to the respected commander-in-chief of the military forces of British America's foremost colony.
The Willow Walk is a short story by Sinclair Lewis.Harry Sinclair Lewis (February 7, 1885 – January 10, 1951) was an American novelist, short-story writer, and playwright. In 1930, he became the first writer from the United States to receive the Nobel Prize in Literature, which was awarded "for his vigorous and graphic art of description and his ability to create, with wit and humor, new types of characters." His works are known for their insightful and critical views of American capitalism and materialism between the wars. He is also respected for his strong characterizations of modern working women. H.L. Mencken wrote of him, "[If] there was ever a novelist among us with an authentic call to the trade ... it is this red-haired tornado from the Minnesota wilds."He has been honored by the U.S. Postal Service with a Great Americans series postage stamp.Lewis's earliest published creative work—romantic poetry and short sketches—appeared in the Yale Courant and the Yale Literary Magazine, of which he became an editor. After graduation Lewis moved from job to job and from place to place in an effort to make ends meet, write fiction for publication and to chase away boredom. While working for newspapers and publishing houses (and for a time at the Carmel-by-the-Sea, California writers' colony), he developed a facility for turning out shallow, popular stories that were purchased by a variety of magazines. He also earned money by selling plots to Jack London, including one for the latter's unfinished novel The Assassination Bureau, Ltd.Lewis's first published book was Hike and the Aeroplane, a Tom Swift-style potboiler that appeared in 1912 under the pseudonym Tom Graham.Sinclair Lewis's first serious novel, Our Mr. Wrenn: The Romantic Adventures of a Gentle Man, appeared in 1914, followed by The Trail of the Hawk: A Comedy of the Seriousness of Life (1915) and The Job (1917). That same year also saw the publication of another potboiler, The Innocents: A Story for Lovers, an expanded version of a serial story that had originally appeared in Woman's Home Companion. Free Air, another refurbished serial story, was published in 1919.
Two centuries ago, Elizabeth Patterson Bonaparte was one of the most famous women in America. Beautiful, scandalous, and outspoken, she had wed Napoleon's brother Jerome, borne his child, and seen the marriage annulled by the emperor himself. With her notorious behavior, dashing husband, and associations with European royalty, Elizabeth became one of America's first celebrities during a crucial moment in the nation's history. At the time of Elizabeth's fame, the United States had only recently gained its independence, and the character of American society and politics was not yet fully formed. Still concerned that their republican experiment might fail and that their society might become too much like that of monarchical Europe, many Americans feared the corrupting influence of European manners and ideas. Elizabeth Patterson Bonaparte's imperial connections and aristocratic aspirations made her a central figure in these debates, with many, including members of Congress and the social elites of the day, regarding her as a threat. Appraising Elizabeth Patterson Bonaparte's many identities—celebrity, aristocrat, independent woman, mother—Charlene M. Boyer Lewis shows how Madame Bonaparte, as she was known, exercised extraordinary social power at the center of the changing transatlantic world. In spite of the assumed threat that she posed to the new social and political order, Americans could not help being captivated by Elizabeth's style, beauty, and wit. She offered an alternative to the republican wife by pursuing a life of aristocratic dreams in the United States and Europe. Her story reminds us of the fragility of the American experiment in its infancy and, equally important, of the active role of women in the debates over society and culture in the early republic.
Designed for students and teachers of Ancient History or Classical Civilisation at school and in early university years, this series provides a valuable collection of guides to the history, art, literature, values and social institutions of the ancient world. "Early Greek Lawgivers" examines the men who brought laws to the early Greek city states, as an introduction both to the development of law and to the basic issues in early legal practice. The lawgiver was a man of special status, who could resolve disputes without violence, and who brought a sense of order to his community. Figures such as Minos of Crete, Lycurgus of Sparta and Solon of Athens resolved the chaos of civil strife by bringing comprehensive norms of ethical conduct to their fellows, and establishing those norms in the form of oral or written laws. Arbitration, justice, procedural versus substantive law, ethical versus legal norms, and the special character of written laws, form the background to the examination of the lawgivers themselves. Crete, under king Minos, became an example of the ideal community for later Greeks, such as Plato.The unwritten laws of Lycurgus established the foundations of the Spartan state, in contrast with the written laws of Solon in Athens. Other lawgivers illustrate particular issues in early law; for instance, Zaleucus on the divine source of laws; Philolaus on family law; Phaleas on communism of property; and Hippodamus on civic planning. This is an ideal first introduction to the establishment of law in ancient Greece. It is written for late school and early university students.
At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
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