Based on a historical analysis of the roots of Richmond's political evolution as well as on interviews and quantitative data, "Rights for a Season" places events in Richmond in a broader regional and national context of urban political development.
Conservatism in the Black Community examines the contemporary meanings of Black Conservatism and its influence on black political behavior, providing a basis for understanding the impact this phenomenon has on black political behavior. Lewis analyzes conservatism within the black ideological framework, while also explaining the meaning of conservatism in the black community. While scholars have argued that the level of support for conservatism among blacks is minimal because conservatism is antithetical to black interest, there are a cadre of conservative political intellectuals and political elites in America. Do their views influence those of the wider Black population? Or does the media merely amplify their voices but with little support? What part of contemporary Black conservatism has found a home in the Tea Party movement? Focusing on what conservatism means to Blacks at the grassroots level and in what issue areas Blacks as a whole tend to have more conservative views, this work neither critiques nor praises Black Conservatism. The results of Lewis’s mix of quantitative and qualitative methodologies will be of strong interest to students and scholars of Black politics, Black studies, and political behavior more generally.
Tommy Thompson arrived in Chapel Hill, North Carolina, in 1963, smitten by folk and traditional Appalachian music. In 1972, he teamed with Bill Hicks and Jim Watson to form the nontraditional string band the Red Clay Ramblers. Mike Craver joined in 1973, and Jack Herrick in 1976. Over time, musicians including Clay Buckner, Bland Simpson and Chris Frank joined Tommy, who played with the band until 1994. Drawing on interviews and correspondence, and the personal papers of Thompson, the author depicts a life that revolved around music and creativity. Appendices cover Thompson's banjos, his discography and notes on his collaborative lyric writing.
Yes, it's a massive book of Harry Potter trivia. So what, you ask? There are dozens of them. Well, this book is also a flexible board-less table top game that you can play anywhere with any number of people. Playing with Muggles? No problem! The game easily adapts to players with varying levels of expertise. Each question is assigned a point value and optional multiple choice answers are provided. Questions are drawn from the books, the movies, and the Pottermore website and range in difficulty from Muggle simplicity to post-N.E.W.T. level. NOTE: This book is an unofficial collection of trivia. It is in no way formally endorsed by or affiliated with the magnificent J.K. Rowling or her business associates. It is primarily intended for those who have already consumed every shred of available information about the Potterverse and want to wallow in their utter geekiness.
Dave Hickey gets it exactly right in his preface to this collection of journalism, poetry, fiction and memoir: Lewis, who died in 1997, was indeed 'the most stone wonderful writer that nobody ever heard of.' Writing for Rolling Stone in the early '70s, he almost singlehandedly invented the movie set piece, and no one's ever improved on his flint-eyed profiles of Sam Peckinpah and the Allman Brothers. But the best piece here is his searing memoir of his white-trash Texas parents, who died in what was ruled a double suicide. Etched in acid and heart's blood, it is a terse masterpiece." —Malcolm Jones, Newsweek "The least known of the New Journalism's founding fathers, Grover Lewis has long been a legend among nonfiction writers, and this overdue collection shows us why. A beautiful stylist blessed with a blistering honesty, Grover saw it all and wrote it like nobody else could. Put Splendor in the Short Grass up on the shelf with the best of Tom Wolfe, Hunter Thompson and Gay Talese. It belongs there." —Kenneth Turan, film critic for the Los Angeles Times and National Public Radio's Morning Edition "Grover Lewis, the most literary of journalists, did things his way, simultaneously inventing a genre and setting the standard. These days ambitious feature writers, whether they know it or not, all strive to do it Grover's way. But, as this long overdue collection shows, not only did Grover do it first, he did it best." —Tim Cahill, author of Lost in My Own Backyard and Hold the Enlightenment "Grover Lewis was a gift to American letters. He had a hard eye, a sharp eye for hidden reality, and the unique ability to raise a popular journalism piece to the level of a universal truth. Plus he wrote like an angel. This collection, Splendor in the Short Grass, is not just a terrific read, it's an important work. I loved every page of it." —James Crumley, author of the hardboiled mysteries Dancing Bear, The Last Good Kiss, and The Final Country "Your gonzo journalism library isn't complete without him." —Ruminator "Grover was, after all, the most stone wonderful writer that nobody ever heard of....His job was to hammer the detritus of fugitive cultural encounters into elegant sentences, lapidary paragraphs, and knowable truth; and, in truth, the loveliness and lucidity of Grover's writing always rose to the triviality of the occasion." —Dave Hickey, from the foreword Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His wry, acutely observed, fluently written essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill, who said of Lewis, "He was the best of us." Pioneering the "on location" reportage that has become a fixture of features about moviemaking and live music, Lewis cut through the celebrity hype and captured the real spirit of the counterculture, including its artificiality and surprising banality. Even today, his articles on Woody Guthrie, the Allman Brothers, the Rolling Stones concert at Altamont, directors Sam Peckinpah and John Huston, and the filming of The Last Picture Show and One Flew over the Cuckoo's Nest remain some of the finest writing ever done on popular culture. To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W. K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life—movies, music, and loss. The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies made him a natural proponent of the counterculture that he chronicled so brilliantly. They also pay tribute to Lewis's groundbreaking talent as a stylist, whose unique voice deserves to be more widely known by today's readers.
When the final whistle was blown at Upton Park on 10 May 2016, it was more than a football match that had ended. West Ham United's victory over Manchester United was the club's spectacular swansong after 112 years at its spiritual home. The Boleyn's Farewell: West Ham's Final Game at Upton Park delves into one of the club's most historic nights, with insight from players, fans and others who were there. Everything from the atmosphere before the game, Winston Reid's winner and the digitised Bobby Moore switching off the stadium lights, the build-up and aftermath of the game, as well as the on-pitch action are recounted and celebrated within these pages. This was an evening that would come to define a generation and is unforgettable for many West Ham supporters. While the Boleyn Ground no longer stands, memories of the stadium and the Hammers' glorious farewell performance will endure. The Boleyn's Farewell is the definitive account of one of the most significant matches in West Ham's long history.
With a breadth and depth unsurpassed by any other cultural historian of the South, Lewis Simpson examines the writing of southerners Thomas Jefferson, John Randolph, Mark Twain, Robert Penn Warren, Allen Tate, William Faulkner, Elizabeth Madox Roberts, Arthur Crew Inman, William Styron, and Walker Percy. Simpson offers challenging essays of easy erudition blessedly free of academic jargon.... [They] do not propose to support an overall thesis, but simply explore the southern writer's unique relationship with his or her region, bereft of myth and tradition, in the grasp of science and history." -- Library Journal
Through a thoughtful, well-documented evaluation of our society and honest reflections by mothers today, this compelling and controversial book offers readers a challenge--to rediscover and preserve the biblically ordained, psychologically sound, and developmentally critical vision of motherhood that will better serve people in the 21st century.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.