This book reveals the life of R. Clay Crawford, his dreams, his schemes, his successes and his failures, as he launched himself into many of the most turbulent episodes of 19th century United States history. Like everyone, he was born with a family history, not just genetic but also cultural determinants; this book reveals the influences on his behavior inherited from his father and his grandfathers. He likewise passed on to his children a model, not just genetic but cultural. Even so, Clay Crawford's story is not just a family affair. He was a "self-made man" living in an age when such was thought to be a national asset--and thus stands out as a warning that the worship of the "self-made man" may produce more rogues than Rockefellers.
‘You can only find out the rights and wrongs by Reasoning – never by being rude about your opponent’s psychology.’ For C. S. Lewis, reason and logic are the sensible way to approach faith and ethics. Much of the 20th century’s ills are caused by ill-founded beliefs and opinions.
The classic A Year with C.S. Lewis is an intimate day-to-day companion by C.S. Lewis, the most important Christian writer of the 20th century. The daily meditations have been culled from Lewis’ celebrated signature classics: Mere Christianity, The Screwtape Letters, The Great Divorce, The Problem of Pain, Miracles, and A Grief Observed, as well as from the distinguished works The Weight of Glory and The Abolition of Man. Ruminating on such themes as the nature of love, the existence of miracles, overcoming a devastating loss, and discovering a profound Christian faith, A Year with C.S. Lewis offers unflinchingly honest insight for each day of the year.
The thesis of A Gorgon's mask: The Mother in Thomas Mann's Fiction depends upon three psychoanalytic concepts: Freud's early work on the relationship between the infant and its mother and on the psychology of artistic creation, Annie Reich's analysis of the grotesque-comic sublimation, and Edmund Bergler's analysis of writer's block. Mann's crisis of sexual anxiety in late adolescence is presented as the defining moment for his entire artistic life. In the throes of that crisis he included a sketch of a female as Gorgon in a book that would not escape his mother's notice. But to defend himself from being overcome by the Gorgon-mother's stare he employed the grotesque-comic sublimation, hiding the mother figure behind fictional characters physically attractive but psychologically repellent, all the while couching his fiction in an ironic tone that evoked humor, however lacking in humor the subtext might be. In this manner he could deny to himself that the mother figure always lurked in his work, and by that denial deny that he was a victim of oral regression. For, as Edmund Bergler argues, the creative writer who acknowledges his oral dependency will inevitably succumb to writer's block. Mann's late work reveals that his defense against the Gorgon is crumbling. In Doctor Faustus Mann portrays Adrian Leverkühn as, ultimately, the victim of oral regression; but the fact that Mann was able to compete the novel, despite severe physical illness and psychological distress, demonstrates that he himself was still holding writer's block at bay. In Confessions of Felix Krull: Confidence Man, a narrative that he had abandoned forty years before, Mann was finally forced to acknowledge that he was depleted of creative vitality, but not of his capacity for irony, brilliantly couching the victorious return of the repressed in ambiguity. This study will be of interest to general readers who enjoy Mann's narrative art, to students of Mann's work, especially its psychological and mythological aspects, and to students of the psychology of artistic creativity.
C. S. Lewis, theologian and literary scholar, and Owen Barfield, philosopher and London solicitor, were longtime friends. G. B. Tennyson, editor of these papers by Barfield on Lewis, believes this relationship of "two immense intellects" "one of the most absorbing literary friendships of the twentieth century." Lewis called Barfield the "wisest and best of my unofficial teachers"; to Barfield, C. S. Lewis was "the absolutely unforgettable friend." They had been friends and disputants from their Oxford days after the First World War until Lewis's death forty years later. Barfield was his solicitor and trustee in the later years. This is vintage Barfield as well as an astute appraisal of C. S. Lewis's personality and beliefs. In essays, interviews, several poems, and a fragment of fiction, Barfield writes of "the individual essence" of C. S. Lewis, his brilliance, his "absolute honesty of mind," his lack of interest in collectivities-races, nations, movements-his interest only in the individual soul, his "irrepressible bent for comedy," his "keenness in pursuing any point of difference or doubt to its final conclusion." Barfield writes about himself, also, as a way of understanding his friend: "In an argument we always, both of us, were arguing for truth, not for victory, and arguing for truth, not for comfort." Both trusted the imagination, but they differed on its relation to knowledge-"[Lewis] was in love with the imagination" and "to search for any link between myth and fact was for him a crucial error." C. S. Lewis and Owen Barfield had in common an awareness "of the silliness and the triviality of the time" and the conviction that the contemporary loss of the idea of sin was a disaster. But they also disagreed from the first, as Barfield explains, especially about theology, about the nature of God, the process of history. Lewis saw revelation as finished; Barfield saw it as a "continuing process," as he did human history. Lewis considered hierarchy necessary and healthy; Barfield regarded it as an evolutionary phase. Although C. S. Lewis died in 1963, Barfield's reflections on their relationship and analysis of its meaning ended only with his own death, in his hundredth year, in 1997.
Fantasy Classics, Science Fiction Novels, Religious Studies, Poetry, Speeches & Autobiography: The Chronicles of Narnia, The Space Trilogy, The Screwtape Letters, Mere Christianity, Miracles…
Fantasy Classics, Science Fiction Novels, Religious Studies, Poetry, Speeches & Autobiography: The Chronicles of Narnia, The Space Trilogy, The Screwtape Letters, Mere Christianity, Miracles…
This carefully crafted ebook: "The Complete Works of C. S. Lewis" is formatted for your eReader with a functional and detailed table of contents: Novels: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Prince Caspian The Voyage of the Dawn Treader The Silver Chair The Horse and His Boy The Magician's Nephew The Last Battle Space Trilogy: Out of the Silent Planet Perelandra That Hideous Strength The Screwtape Letters The Pilgrim's Regress The Great Divorce Till We Have Faces Short Stories: Screwtape Proposes a Toast Ministering Angels Religious Studies: The Allegory of Love The Problem of Pain A Preface to Paradise Lost The Abolition of Man Miracles Mere Christianity Reflections on the Psalms The Four Loves An Experiment in Criticism A Grief Observed Letters to Malcolm: Chiefly on Prayer Poetry: Spirits in Bondage: A Cycle of Lyrics Autobiography: Surprised by Joy: The Shape of My Early Life Speeches: Transposition The Weight of Glory Membership Learning in War-Time The Inner Ring De Descriptione Temporum The Literary Impact of the Authorised Version Hamlet: The Prince or The Poem? Kipling's World Sir Walter Scott Lilies that Fester Psycho-analysis and Literary Criticism The Inner Ring Is Theology Poetry? Transposition On Obstinacy in Belief The Weight of Glory Clive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, literary critic, essayist, lay theologian, broadcaster, lecturer, and Christian apologist. He is best known for his fictional work, especially The Chronicles of Narnia, The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain.
On April 26, 1607, the English colonists anchored at the entrance to the Chesapeake Bay and came ashore to the historic piece of land they named Cape Henry. Then, in 1917, a military post was established and fortified to protect the southern portion of the entrance to the Chesapeake Bay during World War I; it was named Fort Story. Expanded and heavily fortified to meet the demands of the Second World War, the post served as a principal installation for the Harbor Defenses of Chesapeake Bay. The big guns fell silent after that conflict, and the post became the "Home of Army Amphibians" with over-the-beach operations. Today Fort Story continues to provide a superb training installation for the Army Transportation Corps and Special Operations.
This book reveals the life of R. Clay Crawford, his dreams, his schemes, his successes and his failures, as he launched himself into many of the most turbulent episodes of 19th century United States history. Like everyone, he was born with a family history, not just genetic but also cultural determinants; this book reveals the influences on his behavior inherited from his father and his grandfathers. He likewise passed on to his children a model, not just genetic but cultural. Even so, Clay Crawford's story is not just a family affair. He was a "self-made man" living in an age when such was thought to be a national asset--and thus stands out as a warning that the worship of the "self-made man" may produce more rogues than Rockefellers.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.