This vintage classic gives invaluable insight into the mysterious depths of the mind of French author and ceremonial magician, Éliphas Lévi. Explore the rich history of magic and delve into its procedures and rites as E. Lévi presents his knowledge of the occult. First published in 1913, this volume is an essential read for those with an interest in witchcraft and sorcery. The chapters featured in this volume include: - Magic of the Magi - Magic in Ancient Greece - The Kabalah - Primitive Symbolism - Mysticism - Oracles - Magical Monuments - Magic and Christianity - Pagan Magic - Kabalistic Paintings and Sacred Emblems - Sorcerers - Magic and Freemasonry - The Illuminati
This is Eliphas Levi's (1810-1875) best-known book. This work arguably made Levi THE most influential writer on magic since the Renaissance. Originally issued in French, the English translator is A.E. Waite and it is doubtful that anyone else could have better captured the essence of Levi's work. The book is divided in two parts; the first is theoretical, the second practical. This is a fascinating and often debated work involving a discussion that covers almost the entire realm of Ritual and High Magic.
After having gone missing over twenty years ago, general Ethysley Nouva resurfaces in a letter sent to Vendaynian scholar Fait Atoshi. Perplexed by the message sent to him, Fait convinces his two best friends to join him in a quest for answers, venturing to find the letters author. As they investigate the ruins of Nouvas fortress near Vendaynias southern border, the three young men are faced with Nouvas trickery, as well as the start of his grand plot. With a gauntlet of emotionally destructive trials ahead of him, Fait must rely on bonds of brotherhood and friendshipalong with his own magic. As Nouva works to take over Vendaynias capital, Karonae, seeds of betrayal sown by Fait himself tear apart the trust of his companions, further aiding the usurpers plot. Can Fait counteract the generals plans, or will Vendaynia be in the shadow of a mad man once again?
This picaresque romance is “intellectually fascinating and emotionally powerful . . . a poignant meditation on youth, love, myth, history, and quantum theory.” (Chicago Review of Books) On a spring afternoon in 1978 in the loft of a church outside Cambridge, England, an organ tuner named Malory loses his virginity to a dyslexic math genius named Louiza. When Louiza disappears, Malory follows her trail to Rome. There, the quest to find his love gets sidetracked when he discovers he is the heir to the Kingdom of Septimania, given by Charlemagne to the Jews of eighth-century France. In the midst of a Rome reeling from the kidnappings and bombs of the Red Brigades, Malory is crowned King of the Jews, Holy Roman Emperor, and possibly Caliph of All Islam. Over the next fifty years, Malory’s search for Louiza leads to encounters with Pope John Paul II, a band of lost Romanians, a magical Bernini statue, Haroun al Rashid of Arabian Nights fame, an elephant that changes color, a U.S. spy agency and one of the 9/11 bombers, an appleseed from the Tree of Knowledge, and the secret history of Isaac Newton and his discovery of a Grand Unified Theory that explains everything. It’s the quest of a Candide for love and knowledge, and the ultimate discovery that they may be unified after all. “Stupendous.” –Alvaro Enrique, The New York Times Book Review “A fantastically suspenseful adventure. . . . told with the aplomb and smart humor of Michael Chabon and Jonathan Franzen.” —Booklist (starred review) “This is realism as magical as the best of García Márquez.” —Homerjo Aridjis, author of 1492: The Life and Times of Juan Cabezon of Castile
Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.
The Alaska Gold Rush started in 1880 and lasted until World War II. What made it so unusual was that many of the sourdoughs never left. They stayed on, year after year, sloshing through the freezing waters of thousands of streams, looking for the elusive yellow metal. Some became wealthy, and most of those spent their lifetime’s-worth of gold in a few months of wild living. Most just made enough to feed themselves. They lived in squalid cabins and survived on beans, caribou and wild onions. These are tales of the men and women who preferred to stay in Alaska rather than return to the cities—and the families—left behind. Many of them had very good reason to not want to return. Besides, Alaska was a wild and wooly place where there were no rules—except for the ones you made up as you went along.
Of all the Roman poets, Horatius Flaccus (65 BC to 8 BC) is undoubtedly the greatest. His vast corpus of work (the Epodes, Satires, Odes, Epistles and the Ars Poetica) spanned all aspects of Roman life: politics, the arts, religion, and the authority of the emperor, while his poems about friendship, philosophy, love and sex still have considerable universal appeal. For two thousand years he has been kept alive by scholars who have felt a great affinity with the benign personality that emerges. But not since Fraenkel's life of Horace in 1957 has a substantial biography of the poet been undertaken. This book makes a real attempt to present a complete picture of the life of Horace and the world in which he lived. It considers the details of Horace's romantic liaisons and why he never married, what the status of his father - a freedman - meant to the poet, and his distinctive brand of philosophy.
A landmark work in the theory and practice of the occult, Levi lays out the basic philosophy and practice of magic. While this work may be considered controversial in some circles, it is a useful tool for anyone that wants to get a basic understanding of what lays beyond the veil of magic and power. Although this kind of work can be dangerous to those that are unprepared for what lays within, those that want to understand a side of society that is often looked down on, this would be a good starting point.
A cross between Dickens and a rollicking trip down pop culture memory land, this is a phantasmagorical evening of irreverent Christmas cheer. Ebenezer is a burned out misanthropic superstar who snarls through Christmas Eve until a top of the charts gaggle of ghosts shows up: rock legends Buddy Holly, Bob Marley and King Elvis come to boogie with Iggy and set his warped values straight. The rock icons cook up a jambalaya of reggae, Cajun, rockabilly and heavy metal numbers in this inventive Christmas offering that reverberates with saucy lampoonery, show stopping tunes and characters that never occurred to Dickens."--Publisher.
THE STORY: The setting is the bombed-out, post-holocaust sanctuary of a church, where the Reverend Eddie (clad in long underwear) prepares to deliver his final sermon: Life Is Like a Basketball Game. Abetted by his faithful helper, the hunch-back
In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur. Featuring over 35 illustrations, the book examines a wide variety of media and individual examples. It explores the works of sculptors Martin Puryear, Ursula von Rydingsvard, and Donald Lipski; painters Leon Golub and Ron Gorchov; and writers Robert Duncan, Robert Kelly, Guy Davenport, John Berger, and Leo Steinberg. In addition, there are essays on Joseph Beuys's 7000 Oaks in Ireland, contemporary Haida carvers Reg Davidson and Jim Hart, Cecilia Vicuña's "memory of the fingers," and the influence of curators Harald Szeemann and Walter Hopps on the staging of contemporary art exhibitions. Known primarily for his writings on photography and politics, Strauss here focuses on the least mediated arts--painting, sculpture, and writing. His claims are supported by a series of close readings which succeed in recovering the immediacy of the hand and revitalizing contemporary art's connection to the past.
Re-orienting Modernism in Arabic and Persian Poetry is the first book to systematically study the parallel development of modernist poetry in Arabic and Persian. It presents a fresh line of comparative inquiry into minor literatures within the field of world literary studies. Focusing on Arabic-Persian literary exchanges allows readers to better understand the development of modernist poetry in both traditions and in turn challenge Europe's position at the center of literary modernism. The argument contributes to current scholarly efforts to globalize modernist studies by reading Arabic and Persian poetry comparatively within the context of the Cold War to establish the Middle East as a significant participant in wider modernist developments. To illuminate profound connections between Arabic and Persian modernist poetry in both form and content, the book takes up works from key poets including the Iraqis Badr Shakir al-Sayyab and Abd al-Wahhab al-Bayati and the Iranians Nima Yushij, Ahmad Shamlu, and Forough Farrokhzad.
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