This textbook presents applicative examples of the main methods of structural analysis of statically indeterminate frame structures. It begins with a brief description of the kinematic analysis for plane frames. The Force Method, the Displacement Method and the Mixed method are applied for the solutions of statically indeterminate plane structures. The book first deals with the solution of simple reference cases where the most common structural situations, such as inclined rods, extensional and rotational springs, thermal variations, symmetry and anti-symmetry (just to mention some of them) are treated singularly. It then reports the complete solution of complex plane frames where the most common structural situations, individually analyzed in the previous chapter, are combined. Given the diverse and wide range of examples covered, the volume represents an ideal learning resource for students of Civil and Building Engineering and Architecture, and a valuable reference guide for structural engineering professionals.
This study recovers Italo Calvino's central place in a lost history of interdisciplinary thought, politics, and literary philosophy in the 1960s. Drawing on his letters, essays, critical reviews, and fiction, as well as a wide range of works--primarily urban planning and design theory and history--circulating among his primary interlocutors, this book takes as its point of departure a sweeping reinterpretation of Invisible Cities. Passages from Calvino's most famous novel routinely appear as aphorisms in calendars, posters, and the popular literature of inspiration and self-help, reducing the novel to vague abstractions and totalizing wisdom about thinking outside the box. The shadow of postmodern studies has had a similarly diminishing effect on this text, rendering up an accomplished but ultimately apolitical novelistic experimentation in endless deconstructive deferrals, the shiny surfaces of play, and the ultimately rigged game of self-referentiality. In contrast, this study draws on an archive of untranslated Italian- and French-language materials on urban planning, architecture, and utopian architecture to argue that Calvino's novel in fact introduces readers to the material history of urban renewal in Italy, France, and the U.S. in the 1960s, as well as the multidisciplinary core of cultural life in that decade: the complex and continuous interplay among novelists and architects, scientists and artists, literary historians and visual studies scholars. His last love poem for the dying city was in fact profoundly engaged, deeply committed to the ethical dimensions of both architecture and lived experience in the spaces of modernity as well as the resistant practices of reading and utopian imagining that his urban studies in turn inspired.
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