Electrokinetics is currently the mechanism of choice for fluid actuation and bioparticle manipulation at microscale and nanoscale dimensions. There has recently been widespread interest in the use of AC electric fields, given the many advantages it offers over DC electrokinetics. Nevertheless, a fundamental understanding of the governing mechanisms underlying the complex and nonlinear physicochemical hydrodynamics associated with these systems is required before practical microfluidic and nanofluidic devices can be engineered. This text aims to provide a comprehensive treatise on both classical equilibrium electrokinetic phenomena as well as the more recent non-equilibrium phenomena associated with both DC and AC electrokinetics in the context of their application to the design of microfluidic and nanofluidic technology. In particular, Leslie Yeo and Hsueh-Chia Chang discuss the linear and nonlinear theories underlying electroosmosis, electrophoresis, and dielectrophoresis pertaining to electrolytes as well as dielectric systems. Interfacial electrokinetic phenomena such as electrospraying, electrospinning, and electrowetting are also discussed.
Volume Four of Noël Coward's plays contains a selection of Coward's plays from the thirties and forties which includes Blithe Spirit, a comedy that centres around the spirit medium Madame Arcati. The play that mocks sudden death was produced at precisely the moment when bombs were bringing it to Britain "I shall ever be grateful, for the almost psychic gift that enabled me to write Blithe Spirit in five days during one of the darkest years of the war." The play was for years the longest-running comedy in the history of British theatre. Present Laughter follows the life of Garry Essendine, a world-weary, middle-aged projection of the dilettante, debonair persona - self-obsessed and dressing-gowned who struts through the play like an educated peacock. It is a comedy about the 'theatricals' that Noël best knew and loved, and was originally a star vehicle for himself. It is the closest to an autobiographical play that Coward ever wrote. This Happy Breed is a saga of a lower middle-class family; and three shorter pieces fromTonight at 8.30 - is a farce set in the South of France, and serves as an oblique tribute to Frederick Lonsdale; The Astonished Heart is about the decay of a psychiatrist's mind through personal sexual obsession. Red Peppers, which closes the volume, was a cynical tribute to the lost music halls of the First World War.
Richard Furman never imagined he would be a murder suspect when he signed up for the Peace Corps and shipped off to Sembeke, an island nation off the east coast of Africa, to teach English at an elite high school. He merely wanted to change careers, to indulge his life long dream of becoming a teacher even though it meant giving up a successful career in administration for New York State. As the story opens, Richard is waiting to testify in an inquest into the death of his native born girlfriend Caroline and wondering if he will be able to leave the country and start his new career as a teacher in the United States. Richard has much reason to worry. Although he knows his girlfriend committed suicide, he also realizes she was a secret agent of the ASN, the feared National Security Agency of Sembeke, spying on the Peace Corps volunteers for the new military government which has promised to islamify the nation. Does Carolines shadowy security agency want to blame him for her death? Do they want the Peace Corps volunteers kicked out? Richard realizes ruefully he has no more idea of what is in store for him than he knows about his native girlfriend and her past. What he does know is that her resume may include the murder of another agent of the National Security Agency, a man with connections to drug trafficking in the United States, before he surfaced in Sembeke to help the military coup leaders take over the country. Will he be allowed to testify about that in the inquest or will the ASN try to silence him permanently to keep all these messy facts from coming out?
By the end of 1943 the Japanese had occupied most of South-East Asia. On 6 March 1944, the first units of the Japanese 15 Army crossed the inhospitable border of what was then Burma, and invaded India. At the township of Kohima they were met by a small, hastily assembled force of Indian and British troops, later reinforced by 2 Division of Slim's 14 Army, who fought valiantly and forced the Japanese to retreat. Described by Mountbatten as 'the British/Indian Thermopylae', Kohima was a turning point in Japanese fortunes, heralding their continued defeat in battle until their formal surrender on 2 September 1945. Using extensive research in primary sources and many previously unpublished first-hand accounts, Leslie Edwards presents a definitive analysis of this pivotal battle.
For Grant Albright, life is just one big crapshoot. But his winning streak has come to a heartbreaking end. So with a gambler's daring, he and his wealthy and affable friend Mitch hatch a plan to get Grant's mojo back. They concoct an amusing scheme to pass the time while on a Mediterranean cruise-a sizable side bet on who will get lucky first. Their plans hit an unexpected rough patch when they discover that a group of hometown friends are also on the cruise. The two men must now tread lightly to find a way to work their charms without destroying their reputations back home. And to make matters worse, their wholesome hometown neighbors insist on including the two young men in all of their plans. In order to keep what happens at sea at sea, the two players must be twice as clever and extra discreet. Enticed by the sexy Jodee and intrigued by the reserved beauty of Shay, Grant must decide if he will roll the romance dice one more time and risk losing the bet-or fold and risk losing his chance at love. Set along the beautiful shores of the Aegean and Adriatic Seas, Whims of the Fates takes readers on a luxurious and romantic virtual vacation at sea, filled with the ancient wonders of Turkey, Greece, and Italy-and all the simmering, erotic potential of the region.
In a powerful yarn of the apocalyptic decline of all that is green and natural, Sark of the Micmacs of Prince Edward Island becomes a messianic hero who fights vainly against the forces of "development" in the form of corrupt big business and government too enamoured of short-term gains to see the coming catastrophe.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The easy interface of touchscreen technologies like tablets and smartphones has enabled children to access the digital world from a very young age. But while some commentators are enthusiastic about how this can open a new world for fun, learning, and developing digital skills, others see the dangers of yet more screens, inauthentic play, and time spent isolated with electronic babysitters that detract from interaction with parents and learning social skills. Taking five as the age when children transition into formal education, this book draws on a three-year research project examining the realities of under six-year-olds' experiences of these technologies in the UK and Australia. With a theoretical context including Vygotsky, Bruner, Bronfenbrenner and Flewitt, the book examines how parents of young children evaluate the opportunities and risks of children's digital media use in the context of other significant influences such as children's time with grandparents, early childhood care and education. Drawing on in-depth interviews with 22 families, and rich ethnographic data from observation and exchanges with their 29 children, aged four months to five years, the book reveals how digital technologies complement and challenge important aspects of daily life for infants, toddlers and preschoolers.
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Meet the growing challenges of diabetes and obesity management with Endocrinology: Adult and Pediatric: Diabetes Mellitus and Obesity - a new diabetes and obesity eBook from the same expert endocrinologists responsible for the highly acclaimed two-volume Endocrinology clinical reference. With all of the latest advances loaded on your favorite eReader, you’ll be able to put today’s best practices to work for your patients. Stay abreast of the newest knowledge and advances in diabetes mellitus and obesity, including today’s increased focus on controlling autoimmunity and preserving or replenishing beta-cell mass in the management of type 1 diabetes; complications of diabetes and their pathogenesis, morbidity, and treatment; new findings and treatments for obesity; and much more. Count on all the authority that has made Endocrinology, 6th Edition, edited by Drs. Jameson and DeGroot, the go-to clinical reference for endocrinologists worldwide. Consult this title on your favorite e-reader, conduct rapid searches, and adjust font sizes for optimal readability. Compatible with Kindle®, nook®, and other popular devices.
Gathered here are parts I and II of the Handbook of Oral History, which set the benchmark for knowledge of the field. The eminent contributors discuss the history and methodologies of a field that once was the domain of history scholars who were responding to trends within the academy, but which has increasingly become democratized and widely used outside the realm of historical research. This handbook will be both a traveling guide and essential touchstone for anyone fascinated by this dynamic and expanding discipline.
For foodies, restaurant fans and restaurant workers, chefs and chef-wannabes, and for everyone who devoured Kitchen Confidential, here is a revealing look at what goes on behind the scenes at the world-renowned Restaurant Daniel as chef/owner Daniel Boulud strives for perfection–and for the New York Times’ top four-star rating. The hushed, elegant atmosphere of a fine restaurant often conceals an intensely stressful workplace where highly trained, underpaid staffers work backbreaking hours against impossible dead-lines, often at the whim of a driven and demanding yet creatively gifted boss. New York’s Restaurant Daniel is one such place. With the complete cooperation of Chef Daniel Boulud, author Leslie Brenner spent a full year at the restaurant, getting to know the staff in the kitchen, the front of the house, and the manager’s office. And she reports on it all with a vivid immediacy: the maître d’ shuffling reservations when a VIP shows up unannounced, the young pastry chef who gets passed over for a promotion (and then gets the last laugh), even the financial arrangements that keep the restaurant’s doors open for business. And underlying all the daily drama is Chef Boulud’s obsession with getting a fourth star from the New York Times. From the Hardcover edition.
States of Health identifies the practical relevance of federalism in the United States to people facing ethical decisions about health and health care, and it considers the theoretical justifications for permissible differences among states. It asks whether authority over important aspects of health is misaligned in the United States today, with some matters problematically left to the states while others are taken over by the federal government.
Social enterprise and third sector activity have expanded into a prolific area of academic research and discourses over the past twenty years, with many claiming their origins rooted in Blair, New Labour and Giddens’ "Third Way". But many academic contributions lack the experience of policy implementation and do not access the wealth of grey, legacy and public policy literature from earlier periods that support different interpretations. Since most make few references to developments during the 1970s and 1980s, their narrow focus on New Labour from 1997 onwards not only neglects real antecedents, but miscasts the role of social enterprise. During a key political period from 1998 to 2002, Blair’s New Labour Governments forced through a major conceptual shift for social enterprise, co-operative and third sector activity. Many structures, formed as community responses to massive deindustrialisation in the 1970s and 1980s, were repositioned to bid against the private sector to obtain contracts for delivery of low cost public services. Based on previously unseen archival materials and interviews with key players between 1998 and 2002, when major social enterprise and third sector policy changes occurred, Huckfield offers an alternative narrative of social enterprise in the UK, showing how local communities have been denied the restoration of local economic and social democracy.
This book invites the reader to explore the chains of improbable events that can mold a long unknown pathogen into an agent of distress and tragedy for humanity"--
This work looks at the surge of Bretons who left their homes in Western France in the latter half of the 19th century to live and work in Paris. Portrayed as backward, ignorant peasants they found no welcome until after WWII. Moch positions her work within immigration theory, connecting migration studies to theories about state projects of assimilation and about cultures of inclusion and exclusion.
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