Perhaps you too have experienced the nausea brought on by the arrival of an invitation to a high school reunion. Bookstore clerk and culture junker Verity Presti will soon attend her fifteenth reunion with her boyfriend, the unfortunately but aptly named Charlie Brown, who lives with his parents while training to be an urban shaman—a modern-day medicine man somewhat capable of exorcising ghosts from apartments and cubicles, predicting baseball scores, and channeling lost pets. Verity, angst-ridden and burdened with fifteen years of magnificent failure, will be reunited with Craig and Carolyn, sickeningly perfect high school sweethearts, married now and perfectly sick of each other; Verity’s former crush Stan and his wife, Laurel, a frustrated author of angry haikus; and Will, a rage-aholic KJ (that’s “karaoke jockey”) whose only soft spot is the one he still has for Verity. A growing anxiety permeates the round of cocktail parties that precedes the reunion, causing old affections and animosities to boil over and threaten the dubious complacency of these seven lovable losers. With her trademark sarcasm and uncanny ability to skewer the oddities of contemporary hipster life, Stella has created a cast of endearingly eccentric characters who embody the insecurities and foibles that all of us—former prom desperados, band nerds, the burnout brigade, and loner stiffs—have and hope nobody else will notice.
Stella's BIG Wish is a story about a small white dwarf star who wishes she could be as big as the her red giant friends.Written for both children and adults, it's a story about embracing the things about ourselves we might not alway feel so confident in.
Welcome to the “Easy” life! When overworked, underpaid women’s wear retail slave Lisa Galisa (the rhyming name is only the beginning of her agonies) suddenly becomes the personal assistant to an infamous Chicago socialite, she accidentally, hilariously, becomes the toast of the town. Catapulted into the role of trendsetter, this frustrated working-class girl seizes the opportunity to unleash some South Side mayhem on a gullible society that hungrily embraces the next “new thing.” Lisa offers them the “Easy” lifestyle, encouraging her new crowd to shake it up and party alongside janitors, fry cooks, and bricklayers. Soon she has the upper crust patronizing dive bars, wearing cheddar-hued polyester, and grooving to the bewitchingly canned melodies of easy listening—the emperor’s new music. And the social set is having it. But as the Bridgeport-born-and-raised charlatan begins to buy into her own fraud, longing to leave behind the land of retail hell and Polish “saah-sidges” for life among the beau monde, her eccentric family and a mysteriously handsome janitor with a penchant for astronomy dip into their own bag of tricks to keep her on the right side of sanity, if on the wrong side of the tracks. Join Lisa Galisa and the rest of these charming oddballs at the Easy Hour, where they find the best remedy for a hard existence is a little easy listening.
“A slacker hell [with] a disgruntled, wisecracking protagonist . . . A hilarious send-up of hippies and hipsters” from the author of Permanent Record (Kirkus Reviews). Addie Prewitt is a copyeditor for the National Association of Libraries. When her boss, the repulsive Coddles, heaps another new project on her department—with no additional remuneration naturally—she decides she’s had enough. While spending her days battling with her roommate about whether Black Sabbath or Neil Diamond will occupy the turntable and her nights beating her overeager suitor away from the door of her boudoir, Addie discovers a piece of vile pornography in Coddles’s dry cleaning. Finally, she has the means to retaliate. Meanwhile, Fat Bald Jeff, the tech-support guy who has to cope with her mechanical self-sabotage, turns out to be even more disaffected than she, and they hatch the ultimate plan to give the pigs some of their own medicine. With a surreal wit and a keen eye that bring to mind Lily Tomlin set loose in Dilbert-world, Fat Bald Jeff is a sharp satire and a paean to the petty humiliations of workers everywhere. “Stella provides a lot of freshly imagined fun . . . There are so many funny lines and scenes that even librarians may like it. As for the lumpen—they’ll love it.” —San Francisco Chronicle “Warm the pockets of your heart watching this bereft waif find a little happiness in life.” —Mademoiselle “Amusing . . . caustic . . . entertaining . . . Read on company time!” —US Weekly “A fun, harmless, and quick read. Don’t look for inspiration, just amusement.” —Booklist
From the author of the New York Times bestselling essay collection The Empathy Exams and the memoir The Recovering, Leslie Jamison’s “exquisitely beautiful” (San Francisco Chronicle) novel about three generations of women and the inescapable brutality of love. As a young woman, Tilly flees home for the hollow underworld of Nevada, looking for pure souls and finding nothing but bad habits. One day, after Tilly has spent nearly thirty years without a family, drinking herself to the brink of death, her niece Stella—who has been leading her own life of empty promise in New York City—arrives on the doorstep of Tilly’s desert trailer. The Gin Closet unravels the strange and powerful intimacy that forms between them. With an uncanny ear for dialogue and a witty, unflinching candor about sex, love, and power, Leslie Jamison reminds us that no matter how unexpected its turns, the life we’re given is all we have: the cruelties that unhinge us, the beauties that clarify us, the addictions that deform us, those fleeting possibilities of grace that fade as quickly as they come. The Gin Closet marks the debut of a stunning new talent in fiction.
Stella's BIG Wish is a story about a small white dwarf star who wishes she could be as big as the her red giant friends.Written for both children and adults, it's a story about embracing the things about ourselves we might not alway feel so confident in.
Children have been a part of the cinematic landscape since the silent film era, yet children are rarely a part of the theoretical landscape of film analysis. Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, seeks to remedy that oversight. Throughout the over one-hundred year history of cinema, the image of the child has been inextricably bound to filmic storytelling and has been equally bound to notions of romantic innocence and purity. This collection reveals, however, that there is a body of work that provides a counter note of darkness to the traditional portraits of sweetness and light. Particularly since the mid-twentieth century, there are a growing number of cinematic works that depict childhood has as a site of knowingness, despair, sexuality, death, and madness. Lost and Othered Children in Contemporary Cinema challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts.
This book is a memoir, written in the spirit of Julia Sweeney's & God Said Ha. It chronicles how one week after September 11, 2001, while the rest of the nation struggled with the attacks on our country, I realized during a phone conversation that my 63 year old father was suffering from Alzheimer's disease. In the midst of a midlife crisis I tried to balance my life as a wife, mother and struggling stand up comedian. That phone call added caregiver of my father and his 89 year old mother, to my already over loaded plate. (This book also contains moderate violence, porn talk with a parent and the fact that I perfected the art of going nutty-buckets and shaving my head long before Britney made it chic.) This book will make you laugh, cry, and possibly join Leslie in her short trip on the crazy train. 50% of all royalties will be going to charities. 20% to Alzheimer's, 20% to Parkinson's, & 10% to breast cancer. Thank you. You may contact me directly: authorleslienmartin@gmail.com or Facebook/ForgottenTomorrowsCrazyTodays
A week after September 11, 2001, the author realizes that her 63-year-old father suffers from Alzheimer's disease. In the midst of her own midlife crisis, she becomes caregiver for him and his 89-year-old mother.
After the annual parade of Christmas presents in Tinker's Cove has ended, Lucy Stone and her daughter Elizabeth are ready to ring in the new year in style. Elizabeth has won mother/daughter winter makeovers in Manhattan from Jolie magazine! But the all-expenses-paid trip is bound to have some hidden costs, and one of them is murder.
A searing literary memoir of a disconnected childhood, a multigenerational upbringing and incest— from the daughter of legendary jazz pianist Stan Kenton Leslie Kenton was the only child of Violet, a stunning Hitchcock blonde, and the legendary jazz giant Stan Kenton. The story takes place on the road in 1950s America and in the mania of Hollywood—a world of jazz clubs, dance halls and onenighters, where lives were lived on a razor's edge. Love Affair takes us beyond the bright lights and glamour into an intense, claustrophobic world of a father and the only child of his troubled marriage. As Stanley grapples with alcohol and his personal demons, gradually his actions threaten to destroy the only real, untainted thing in his life: Leslie. A true story of obsession, tragedy and grace, Love Affair is Leslie Kenton's powerful memoir. At its heart is the complex, ultimately incestuous, relationship with her father–a union so powerful it defines all that came after. As their lives become increasingly entangled, so do the forces of darkness and light that exist within us all, leading to destruction for him and heartbreaking redemption for her. There have been memoirs about incest before, but Love Affair is a surprisingly moving and elegant treatment of a young life, shared passion, and boundaries crossed.
Corporate consultant Liz Nichols is far too practical--and frightened--to believe in the gift of second sight she supposedly inherited from her grandmother. Then she is plagued by dreams about business adversary Victor Duarte, a man haunted by his own demons. What Liz doesn't know is that she and Victor share a link to the distand past.
As this witty and unconventional whodunit opens, British television star Peter Conway arrives home to find his wife Stella dead from a drug overdose. Police Sergeant Drummond is assigned to investigate.
Skill-building through potent instruction, day by day In these much-anticipated sequels to The Common Core Companion, Janiel Wagstaff and Leslie Blauman provide a collection of connected lessons and formative writing assessments that bring Monday-to-Friday clarity to the task of integrating reading and writing with ELA standards. In each volume, the 50+ lessons are divided into fi ve, week-long learning sequences addressing key literacygoals. A best-practice glossary, If/Then charts, unit-planning calendars, and other tools round out these essential references, both in book and online. Follow each sequence and week by week, you'll build the instructional potency to help students achieve a year's worth of growth as you integrate: Writing Narratives with Identifying Sensory Words in Text Research with Identifying Topic and Details Opinion Writing with Close Reading for Text Evidence Comparing and Contrasting with Publishing Using Digital Tools Informative Writing with Use of Text Features
From the author of the New York Times bestselling essay collection The Empathy Exams and the memoir The Recovering, Leslie Jamison’s “exquisitely beautiful” (San Francisco Chronicle) novel about three generations of women and the inescapable brutality of love. As a young woman, Tilly flees home for the hollow underworld of Nevada, looking for pure souls and finding nothing but bad habits. One day, after Tilly has spent nearly thirty years without a family, drinking herself to the brink of death, her niece Stella—who has been leading her own life of empty promise in New York City—arrives on the doorstep of Tilly’s desert trailer. The Gin Closet unravels the strange and powerful intimacy that forms between them. With an uncanny ear for dialogue and a witty, unflinching candor about sex, love, and power, Leslie Jamison reminds us that no matter how unexpected its turns, the life we’re given is all we have: the cruelties that unhinge us, the beauties that clarify us, the addictions that deform us, those fleeting possibilities of grace that fade as quickly as they come. The Gin Closet marks the debut of a stunning new talent in fiction.
A searing literary memoir of a disconnected childhood, a multigenerational upbringing and incest— from the daughter of legendary jazz pianist Stan Kenton Leslie Kenton was the only child of Violet, a stunning Hitchcock blonde, and the legendary jazz giant Stan Kenton. The story takes place on the road in 1950s America and in the mania of Hollywood—a world of jazz clubs, dance halls and onenighters, where lives were lived on a razor's edge. Love Affair takes us beyond the bright lights and glamour into an intense, claustrophobic world of a father and the only child of his troubled marriage. As Stanley grapples with alcohol and his personal demons, gradually his actions threaten to destroy the only real, untainted thing in his life: Leslie. A true story of obsession, tragedy and grace, Love Affair is Leslie Kenton's powerful memoir. At its heart is the complex, ultimately incestuous, relationship with her father–a union so powerful it defines all that came after. As their lives become increasingly entangled, so do the forces of darkness and light that exist within us all, leading to destruction for him and heartbreaking redemption for her. There have been memoirs about incest before, but Love Affair is a surprisingly moving and elegant treatment of a young life, shared passion, and boundaries crossed.
The need to personalize our surroundings is a defining human characteristic. For some this need becomes a compulsion to transform their personal surroundings into works of art. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, has undertaken the mission to preserve these environments, which are presented for the first time in Sublime Spaces and Visionary Worlds. This colorful and inspiring book features the work of twenty-two vernacular artists whose locales, personal histories, and reasons for art-making vary widely but who all share a powerful connection to the home as art. Featured projects range from art environments that remain intact, such as Simon Rodia's Watts Towers in California, tosites lost over the years such as Emery Blagdon's six hundred elaborate "Healing Machines," made of copper, aluminum, tinfoil, magnets, ribbons, farm-machinery parts, painted light bulbs, beads, coffee-can lids, and more. Sublime Spaces and Visionary Worlds is the first book to explore these spectacularly offbeat spaces in detail.From "Original Rhinestone Cowboy" Loy Bowlin's wall-to-wall glitter-and-foil living room to the concrete bestiary of "witch of Fox Point" Mary Nohl, each artist and project is described in detail through a wealth of visuals and text. Sublime Spaces and Visionary Worlds reminds us that our decorative choices tell the world not just what we like but who we are.
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
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